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Mark Mancinas Score for the First - Good!<br>Trevor Rabin for the second - Fantastic Great Action Score I LOVE IT! Steve Jablonsky work too on it! The Dr. Dre Music in this too..<br><br>Lorne Balfe to the third - meeehhh buuuuhhh!!!When does this come out? I can't find it anywhere online. And if it has already come out, does anyone know where it's available?Just saw the trailer...…<br><br>Not exactly an epic movie but I'm still quite excited for Steve's music. Deepwater Horizon contained some pretty cool cues so I'm definitely in for another Berg/Jablonsky collaboration.I’m assuming the first track is the end credits sequence? Lorne confirmed the end credits are included... and they are awesome.The score is getting release by Paramount Music, in other words, digital and same day as the movie opens (31th January)
Any news on if we get an album for The Rhythm Section?I wish to see you in concert in Poland it is so close to Germany and i think that you have many fans heere :)Booklet credits:<br><br>NIMEPATA UPENDO<br><br>Performed by The Mully Children’s Family Choir<br>Choir Director: Dickson Mulli<br>Lyrics by Scott Haze, Carol Wilhelm & Mercy Waitherero Macharia<br>Music by The Mully Children’s Family Choir and Benjamin Wallfisch<br><br><br>LOVE WILL BE YOUR SHELTER<br><br>Written by Siedah Garrett and Benjamin Wallfisch<br>Vocals: Siedah Garrett <br>Orchestra: Macedonian Radio Symphony<br>Produced and Mixed by Benjamin Wallfisch<br><br>Music Composed and Produced by Benjamin Wallfisch<br><br>Executive Producer: Robert Townson<br><br>Score Orchestrated by Arturo Rodriguez, Benjamin Wallfisch<br><br>Featured Vocalist: Tori Letzler<br><br>Guitars: Owen Gurry<br><br>Synthesizer Programming: Steve Davis, Evan Goldman<br><br>Cello Solos: Tim Hugh<br><br>Violin Solos: Stephanie Gonley<br><br>Orchestra: The Chamber Orchestra of London<br><br>Orchestra Contractor: Gareth Griffiths<br><br>Orchestra Conductor: Geoff Alexander<br><br>Score Recorded by Steve Price <br><br>Assistant Engineer: Alex Watson<br><br>ProTools Recordist: Chris Parker <br><br>Music Preparation: Jill Streater<br><br>Score Recorded at Angel Studios, London<br><br>Score Mixed at Mirai Sevens <br><br>Score Mixed by Satoshi Noguchi<br><br>Score Mix Assistant: Coleen Lutz<br><br>Score Technical Assistant: Max Sandler<br><br>Mastered by Patricia SullivanMahatma sisaGgrAmayiSu ...almost sure that first line is " Mah&#257;tm&#257; sisaGgrAmayiSu " in Sanskrit: "great soul wishing to start a war"<br>
Nah, it's just a retarded mistake.LOL@Evenstar maybe just to make a difference from maybe cues with rap or another kind of music that serves as additional score for the movie. For example Bad Boys 2 has Trevor Rabin and many composers as additional music but that's the composer music. Dr. Dre. write additional music but that was rap remixes. So, that's why i think the take movie picture score instead motion picture score.Yep, i think it was in the movie 2 times, first the motorcycle chase scene, second the action scene in the endDamn I knew I heard some MW2 in the score! Glad I'm not alone. :D
Well, not that new... aka 'Wonderland'New assigment for Jab: Spenser Confidential with Peter BergI wonder if the Modern Warfare 2 favela music which was in the movie, that will be on the album or not.@ MrZimmerFan<br><br><br>Yes, same thing with 6 UNDERGROUND. There were a lot of songs as well. Now we know why Lorne had the time to do all of those big movies in such a short period of time. lol.<br><br>Now if this was Transformers, it would've been a whole different story.....I want! I want!
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Additional Music
Klaus Badelt
Additional Music
X-Men
Label: Decca Records
Length: 40'27
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4130 votes)
  1. Death Camp (3:05)
  2. Ambush (3:26)
  3. Mutant School (3:48)
  4. Magneto's Lair (5:01)
  5. Cerebro (2:13)
  6. Train (2:35)
  7. Magneto Stand Off (3:01)
  8. The X-Jet (3:47)
  9. Museum Fight (2:21)
  10. The Statue Of Liberty (2:38)
  11. Final Showdown (2:31)
  12. Logan And Rogue (5:57)
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Bayhem reply Replies: 10 || 2018-05-03 17:37:16
Hmmm, is this a mistake or Badelt was really involved here?


Scorefan2018-05-04 00:21:16
Ottman was the obvious choice for Singer. But in that time Ottman was developing Urban Legens 2: Final Cut as a director/music composer/editor. So for a recomendation Singer turned the music to Kamen. Singer was dissatisfied with the music, so Badelt came to added the electronics/synths tones to the music. There's a promo with Badelt's music.


ThePhantasm 2018-05-04 00:31:38
i would love to hear Klaus compose music for a super hero movie. It'd be so amazing


Edmund Meinerts2018-05-04 00:47:21
I mean there's Catwoman, and TMNT is almost a superhero movie.


Scorefan2018-05-04 01:44:49
The same thing was for Constantine. Brian Tyler composed the music. Francis Lawrence, the director of the movie, was not happy with the work of Tyler, it was too orchestral, so Badelt came and composed new music with electronics/synths tones. The result: a hybrid score. The film itself feature music from both composers and the official release both composers are credited. Also there are promos for each composer.


Bayhem2018-05-04 06:42:44
Scorefan,

Thanks for the reply. I'm surprised at myself for never knowing about Badelt's involvement with X-Men. He's not credited anywhere. And clearly he should be. At least as an "Additional Composer" on IMDB.

And truth be told, I always thought it was weird to have Kamen as the composer of this movie. I think of him as a more gritty, urban-type of composer (Lethal Weapon, Hudson Hawk, Last Action Hero, etc...) and I always wondered why Singer went to him instead of, say, James N. Howard or Jerry Goldsmith. Personally, I would LOVE to see an X-Men movie with a James N. Howard score. *drooling*


Bayhem2018-05-04 06:57:33
Scorefan, yes you're right about the Constantine situation. Speaking for myself - and as much as I love the movie - I think the hybrid score that ended up in the movie did not deliver entirely. I honestly can't even remember a standout track......I really have to listen to the whole thing again.

By the way, Badelt has a history of coming in and re-scoring or adding elements to a score. After Constantine, he was brought in by Michael Mann to do additional work on Miami Vice. John Murphy was the original composer, but as it often happens on Mann movies things change constantly. Both Badelt and Murphy are credited, but I remember reading comments from Murphy regarding this project, and he was clearly not happy with the whole situation. Kinda like Harry Gregson-Williams and Mann's Blackhat....


rockhound2018-05-04 08:48:26
badelt has a credit in the booklet of the X-Men soundtrack album for synth programming or something like that.


Michael Fields2018-05-04 12:25:22
It's right. Badelt has a credit "additional electronic percussion"


Michael Fields2018-05-04 12:47:00
Here's the full booket credits, if you're interested.

Music Composed And Conducted By
MICHAEL KAMEN

Music Produced By
MICHAEL KAMEN
STEPHEN McLAUGHLIN
CHRISTOPHER BROOKS

Orchestrations By
ROBERT ELHAI
BRAD WARNAAR
MICHAEL KAMEN

Sampling And Programming By
JAMES SEYMOUR BRETT
MICHAEL PRICE

Additional Electronic Percussion By
KLAUS BADELT

Music Contracted By
THE MUSIC TEAM
GINA ZIMMITTI
DEBBIE DATE - PYLE

Music Preparations By
JOEL FRANKLIN
ERIC STONEROOK MUSIC

Music Recorded And Mixed By
STEPHEN McLAUGHLIN

Music Editor
DARYL KELL

Additional Recording By
JOEL IWATAKI

Music Performed By
THE LA ALLSTAR ORCHESTRA

Cellists
STEVE ERDODY
DAVID SHAMBAN
DENNIS KARMAZYN

Concert Master
BRUCE DUKOV

Score Recorded At
THE NEWMAN STAGE, TWENTIETH CENTURY FOX

Recordist
JOHN RODD

Engineer
BILL TALBOTT

Stage Crew
TOM STEEL
DAMON TEDESCO

Score Mixed At
THE CHAPEL STUDIO

Assistant Engineers
LEE HANNING
MARK KELLEN
DAN ADAMS

Music Supervisors For Twentieth Century Fox
ROBERT KRAFT
MICHAEL KNOBLOCH

Business Affairs
TRACY GALLAS OPGAHL

Original Score Publishing By
FOX FILM MUSIC CORP.

Chairman, Universal Classics Group
CHRIS ROBERTS

Soundtrack Coordinators
LIAM TONER
MIRANDA SMITH
RANDY DRY

Art Director
BEN ALDIS

And So On!


Scorefan2018-05-05 00:47:53
Bayhem, that0s right. John Murphy was the official composer for Miami Vice but, it's a Michal Mann movie, so Badelt came to add music for that movie.
Well It's not a surprise Michael Mann is always like that in music. Let's remember The Last oh the Mohicans with Trevor Jones and Randy Edelman, Public Enemies with Elliot Goldenthal taking cues of his music from Heat and, well, the known history with Harry Gregson-Williams in Blackhat.

Sam Whitacre reply Replies: 0 || 2019-05-31 03:30:19
I mean, seriously? Klaus Badelt's the music programmer for Michael Kamen's score of X-Men? How the hell does that make sense? That's... really impressive.

Mephariel reply Replies: 2 || 2018-05-04 07:30:24
How awesome would it be if Zimmer ask John Powell to score something for Dark Phoenix just as a nod to X3?


Edmund Meinerts2018-05-04 14:13:42
Sadly I think Dark Phoenix will do all it can to distance itself from X3 and everyone involved in it, and even though Powell is the last person who should be blamed for that film's poor reception, he's tainted by association.


Mephariel2018-05-04 16:28:36
Yeah, too bad. Not only the people, I think based on what I read, they want to distance themselves from the story as well. So I doubt they want the same style of scoring.

bruceV reply Replies: 0 || 2008-06-13 00:00:00
Yes! You are absolutely right! ''The Statue Of Liberty'' along with all the rest tracks was amazing!.... - By the way, YioHaj, you probably mean ''Michael Kamen and his music was great''..., is that right?... ; )

YioHaj reply Replies: 0 || 2008-02-11 00:00:00
the statue of liberty is the best track ih heard since James Horner Braveheart ost. Michael Kane was a great man as is his music

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