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Most of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?Comparing it to YFM’s sfx edit this is what I’ve got;<br><br>“The Mole” seems to be an alternate of the opening sequence. The first minute or so is used, while the rest isn’t. “We Need Our Army Back/Regimental Brothers” are both made up of several cues from different points in the film. <br>“Home” is completely different in the film, which makes me think it may have been recorded specifically for the album. Similar situation with “Oil”. <br>“Supermarine” is definitely a suite. The rest is chronological.<br><br>Interesting thing to note, it seems like a lot of the tempo changes/ticking effects/bass overlays were removed from the album release, making almost every track sound different from the actual film versions. The music in context has a constant pulse going, especially in the way cues segue into each other and change tempo.It's not really possible to chronologically order the album because the album doesn't use the same tracks as the movie. Plus, the album is more or less chronological anyway, given the areas where they are the same.<br>With the complete cue sheet out now. Does anyone know what the chronological order of the album would be?Movie credits:<br><br>Music Composed and Mixed by:<br>TOM HOLKENBORG<br><br>Additional Music:<br>ANTONIO DI IORIO<br><br>Music Supervisor:<br>DAVE JORDAN<br><br>Music Editor:<br>PETER MYLES<br><br>Score Conducted by:<br>CONRAD POPE<br><br>Score Orchestrated by:<br>EDWARD TRYBEK, HENRI WILKINSON, JONATHAN BEARD, TOM HOLKENBORG<br>Score Copied by:<br>EDWARD TRYBEK, HENRI WILKINSON<br><br>Score Contracted by:<br>PETER ROTTER<br><br>Choir Contracted by:<br>JASPER RANDALL<br><br>Score Recorded by:<br>ALAN MEYERSON, BRAD HAEHNEL<br><br>Digital Recording by:<br>KEVIN GLOBERMAN<br><br>Technical Score Engineers:<br>ALEX RUGER, EMILY RICE,<br><br>Synth Programming by:<br>JACOPO TRIFONE, JONAS FRIEDMAN, MAX KARMAZYN<br><br>Score Recorded at:<br>NEWMAN RECORDING STAGE<br><br>Music Production Services by:<br>MICHIEL GROENEVELD<br><br>Score Mixed at:<br>COMPUTER HELL CABIN<br><br>Newman Stage Engineer:<br>MARC GEBAUER<br><br>Newman Recordist:<br>TIM LAUBER<br><br>Newman Stage Managers:<br>DAMON TEDESCO, PETER NELSON
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Additional Music - Conductor
Steve JablonskyBlake NeelyClay DuncanRamin Djawadi
ComposerAdditional MusicAdditional MusicAdditional Music
The Island (Complete Score)
Label: Bootleg Release
Length: 115'50
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6094 votes)
  1. Main Title (1:27)
    Steve Jablonsky
  2. Nightmare #1 (1:03)
    Steve Jablonsky, Mel Wesson
  3. Missing A Shoe (1:18)
    Steve Jablonsky, Clay Duncan
  4. Lottery Source (1:19)
    Steve Jablonsky, Clay Duncan
  5. I'm Such A Loser (0:47)
    Steve Jablonsky
  6. Health Club (0:56)
    Clay Duncan, Kenric Dion Frelix
  7. Cafeteria (2:18)
    Steve Jablonsky, Blake Neely
  8. Nice Tests (Part 1) (1:04)
    Steve Jablonsky
  9. Nice Tests (Part 2) (2:11)
    Steve Jablonsky
  10. Going To Work (0:36)
    Steve Jablonsky, Clay Duncan
  11. What If It's Rigged? (0:22)
    Steve Jablonsky
  12. Messing With Foxtrot (0:16)
    Steve Jablonsky, Bart Hendrickson
  13. Lima In Labout - My Chip Fried (2:18)
    Steve Jablonsky
  14. Lincoln Discovers A Moth (0:34)
    Steve Jablonsky
  15. Agnate Ukuleles (1:49)
    Steve Jablonsky, Blake Neely
  16. Ukuleles 2 (0:56)
    Steve Jablonsky
  17. Home For A Moth (0:22)
    Steve Jablonsky, Blake Neely
  18. Fight Simulator (0:52)
    Steve Jablonsky, Bart Hendrickson
  19. Stim Bar (0:26)
    Ryeland Allison
  20. Good Things Do Happen (1:12)
    Steve Jablonsky
  21. Nightmare #2 (0:40)
    Mel Wesson
  22. Releasing The Moth (2:28)
    Steve Jablonsky
  23. Lima's Demise (2:13)
    Steve Jablonsky
  24. Starkweather's Demise (2:46)
    Steve Jablonsky
  25. A Product On The Loose (2:36)
    Steve Jablonsky
  26. Censor Chase (Part 1) (2:33)
    Steve Jablonsky
  27. Censor Chase (Part 2) (1:28)
    Steve Jablonsky, Ramin Djawadi
  28. Censor Chase (Part 3) (1:54)
    Steve Jablonsky
  29. The Outside World (1:09)
    Steve Jablonsky
  30. Selling Agnates - Laurent Arrives (2:14)
    Steve Jablonsky
  31. Security Breach (2:21)
    Steve Jablonsky, Blake Neely
  32. Briefing Laurent (0:53)
    Steve Jablonsky, Blake Neely
  33. Route 39 (0:58)
    Steve Jablonsky, Blake Neely
  34. Helicopters #1 (0:14)
    Steve Jablonsky, Bart Hendrickson
  35. Eat The Burger, Meet The Cow (2:32)
    Steve Jablonsky
  36. Helicopters #2 (0:32)
    Steve Jablonsky, Bart Hendrickson
  37. These Are Mail Order (1:01)
    Steve Jablonsky, Blake Neely
  38. Helicopters #3 (0:15)
    Steve Jablonsky, Bart Hendrickson
  39. Train Station Chase (2:40)
    Steve Jablonsky
  40. In LA - Calvin Klein (2:01)
    Steve Jablonsky, Ramin Djawadi
  41. Tracking The Clones (4:10)
    Steve Jablonsky
  42. Mass Vehicular Carnage #1 - Shootout (1:11)
    Steve Jablonsky, Trevor Morris
  43. Mass Vehicular Carnage #2 - On Foot (0:50)
    Steve Jablonsky, Trevor Morris
  44. Mass Vehicular Carnage #3 - Train Wheels (1:54)
    Steve Jablonsky, Trevor Morris
  45. Mass Vehicular Carnage #4 - Enter Wasp (1:52)
    Steve Jablonsky
  46. Mass Vehicular Carnage #5 - Wasp Chase (1:25)
    Steve Jablonsky, Blake Neely, Trevor Morris
  47. Mass Vehicular Carnage #6 - The BIG R (2:12)
    Steve Jablonsky, Blake Neely
  48. Gandu's Demise (0:27)
    Steve Jablonsky
  49. The Rain (1:01)
    Steve Jablonsky
  50. Lincoln Meets Lincoln (1:40)
    Steve Jablonsky, Blake Neely
  51. Genetic Memory (1:02)
    Steve Jablonsky
  52. Tom Sells Out His Clone (3:10)
    Steve Jablonsky, Blake Neely
  53. Worth Every Penny (1:12)
    Steve Jablonsky
  54. I'm Not Ready To Die (1:32)
    Steve Jablonsky
  55. Ready To Die, Apparently (1:23)
    Steve Jablonsky
  56. Laurent Is Fooled (1:24)
    Steve Jablonsky, Blake Neely
  57. The Tongue Thing's Amazing (1:26)
    Steve Jablonsky
  58. Mass Winnings (3:03)
    Steve Jablonsky
  59. Return To The Institute (Part 1) (1:13)
    Steve Jablonsky
  60. Return To The Institute (Part 2) (1:09)
    Steve Jablonsky
  61. Return To The Institute (End) (0:39)
    Steve Jablonsky
  62. Busting Some Ass (1:16)
    Steve Jablonsky, Blake Neely
  63. Rendezvous (2:10)
    Steve Jablonsky, Blake Neely
  64. Laurent Questions Merrick (2:01)
    Steve Jablonsky
  65. Do Not Disconnect - Breaker (3:20)
    Steve Jablonsky, Trevor Morris
  66. Final Fight - Better Call Maintenance (1:45)
    Steve Jablonsky, Clay Duncan
  67. The End Of Merrick (3:40)
    Steve Jablonsky
  68. Health Club (Album Version)
    Clay Duncan, Kenric Dion Frelix
  69. Starkweather (Unused) (1:54)
    Steve Jablonsky
  70. Booze (Unused) (1:27)
    Steve Jablonsky
  71. Mass Vehicular Carnage #3 - Train Wheels (Alternate) (1:56)
    Steve Jablonsky, Trevor Morris
  72. Mass Vehicular Carnage #5 - Wasp Chase (Alternate) (1:25)
    Steve Jablonsky, Trevor Morris
  73. Return To The Institute (Part 2) (Alternate) (1:07)
    Steve Jablonsky
  74. Return To The Institute (End) (Alternate) (0:40)
    Steve Jablonsky
  75. Better Call Maintenance (Alternate) (0:54)
    Steve Jablonsky, Clay Duncan
  76. Morning Stark (Unused) (0:56)
    Ryeland Allison
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Knight reply Replies: 4 || 2018-12-13 18:22:33
Hybrid is it possible that you could do a crossreference of what cues here = the ones on album like you did for King Arthur and Transformers 4?


Hybrid Soldier2018-12-13 18:51:11
01 - THE ISLAND AWAITS YOU => 1M1 MAIN TITLES + 1M2 NIGHTMARE #1
02 - WHERE DO THESE TUBES GO? => 1M2 MISSING A SHOE + 4M24 ROUTE 39
03 - SECTOR 6 => 4M19C CENSOR CHASE PT 3 + 4M19D THE OUTSIDE WORLD
04 - STARKWEATHER => NOT IN MIXES (Album idea or suite idea ?) + 6M33H MVC PT 6 THE BIG R
05 - AGNATE UKULELES => 2M10 AGNATE UKULELES + 2M10B UKULELES 2 - ELECTRIC B
06 - YOU HAVE A SPECIAL PURPOSE IN LIFE => 3M14A RELEASING THE MOTH + 3M14B LIMA'S DEMISE
07 - MASS VEHICULAR CARNAGE => 1MD HEALTH CLUB (ALBUM SONG VERSION)
08 - RENOVATIO => 5M32B TRACKING THE CLONES
09 - I'M NOT READY TO DIE => 3M15 STARKWEATHER'S DEMISE (EDITED)
10 - THIS TONGUE THING'S AMAZING => 7M43 THIS TONGUE THING'S AMAZING + 6M38 CONFESSIONS & REGRETS
11 - MASS WINNINGS => 7M44 MASS WINNINGS + 7M45 RETURN TO INSTITUTE + 7M45 RETURN TO INSTITURE PT 2
12 - THE CRAZIEST MESS I'VE EVER SEEN => 3M16-17 A PRODUCT ON THE LOOSE + 3M18A CENSOR CHASE PT 1
13 - SEND IN THE CLONES => 5M29 TRAIN STATION CHASE + 5M31-32 IN LA - CALVIN KLEIN
14 - MY NAME IS LINCOLN => 8M52 THE END OF MERRICK

;)


Knight2018-12-13 18:53:32
Thanks so much!


Hybrid Soldier2018-12-13 18:55:47
I have done this for... so many things ! :P


Knight2018-12-13 19:11:07
I'm guessing CONFESSIONS & REGRETS is Tom Sells out his Clone?

Bayhem reply Replies: 0 || 2017-07-17 13:52:11
I always thought that Hans was heavily (and secretly) involved here as a composer, but it's nice to see that it was indeed Steve who was running the show. He had help on some cues, but he was still involved in every track. It's not something you see every day when it comes to MV/RC scores. So props to him!

Chechof reply Replies: 1 || 2014-07-09 08:16:53
So where do i get this insanely good score? Didnt know it existed, i had the "normal" score which features less than half of this tracks.


Bayhem2017-07-17 13:42:51
Tell me about. I would pay top dollar for this complete score. Over 70 tracks! Amazing.

Kampfkeks46 reply Replies: 8 || 2013-09-15 12:12:56
Where did I get this Complete Score? Or Where can I buy it?


Evenstar2013-09-15 12:55:15
you won't get this information from here


Kampfkeks462013-09-15 18:32:38
But this Soundtrack is sooooo AWESOME! I Love it so.


Areozz2013-09-16 00:38:01
The fact that you love this soundtrack so much doesn't affect what kind of information is allowed to be discussed on here.


MacArthur2013-09-16 00:42:42
What are the scores Pirated or something, I mean if the guy is willing to pay money to the people who made the score, wouldn't it be fair to let him get it.


Kampfkeks462013-09-16 09:43:10
Yes. I don't care if I have to pay money for this Score. The fact is, that I Love this Score very much!


MacArthur2013-09-16 18:24:47
Cool that will be $1200. lol


Kampfkeks462013-09-17 06:50:59
But then I have to pay it in "Euro" (€), because I am from Germany. I hope they will release this Complete Score soon, so I can buy it.


MacArthur2013-09-17 07:24:03
Alright then lots of luck to you and yours.

T-Mann036 reply Replies: 0 || 2013-09-20 06:55:54
I love it!

MacArthur reply Replies: 1 || 2013-09-04 17:29:02
Is That Scarlett Johansson


al bundy2013-09-05 09:55:43
yes

ScoreS reply Replies: 2 || 2013-01-29 02:01:07
when will be leaked?


Anakin2013-04-17 16:22:41
I hope soon


lebo2013-09-04 11:25:39
maybe

Mr. Charles reply Replies: 0 || 2013-01-01 00:25:58
Hold up, when were the credits for this added? Awesome! Thanks Hybrid :)

anonymous reply Replies: 0 || 2012-12-31 21:16:53
Great list !!! Can't wait for that ;)

Stewie reply Replies: 0 || 2009-07-12 00:00:00
i love dick

Hale reply Replies: 0 || 2008-03-09 00:00:00
This version is not a real expanded.
I make a version with true parts unreleased from the DVD. The result is very good (with lot of work in cool edit lol) and I publish the tracklist soon. ;)

Rgravity reply Replies: 0 || 2008-01-01 00:00:00
The reason why they post these Expanded Scores is for archival reasons, research, and what the composer has made in his/hers career including that of expanded/promo/complete scores.

Patrick P reply Replies: 0 || 2007-12-28 00:00:00
Can someone give a chronological list of the tracks from the 2 versions (official and bootleg) as they are used in the movie?
I have this 2 versions, but I want to make a playlist in the same order as the movie.
By the way, it's a very nice score, I love the "quiet" pieces.

Anonymous reply Replies: 0 || 2007-10-14 00:00:00
why call it expanded score soundtrack, when all of the new tracks are just longer versions and repetitions of the tracks in the official score? There are still loads of music missing and no plans of release. it's so frustrating..

Rob W reply Replies: 0 || 2007-05-25 00:00:00
Its all very well advertising the fact that there are bootleg versions of scores but for someone like me who loves movie scores - ITS FRUSTRATING!!!! All it does to people like me is annoy me, its a tease to put info on expanded versions of scores on a website and then tell us its not available - whats the point!?! You may as well not bother to tell us if there is no chance of us being able to buy it for ourselves or download it. Giving us 30 seconds of a sample is just as annoying because its just enough time to get into the track and then it ends - AAAAAAAAAAAAAARRRRRRRRRRRRRRRRGH!!! If you're going to show off these great 2 disc versions of scores - LET US BUY THEM - PLEASE, PLEASE, PLEASE

Uluk reply Replies: 0 || 2006-08-17 00:00:00
Well, you can see It, you can rate it, but you cannot listen to it... quite frustrating !!

Eberson reply Replies: 0 || 2006-08-04 00:00:00
this score could be used over and over again, it's really cinematic,uplifting, and awe-aspiring , i wish steve jablonsky could base another movie on it

Hybrid Soldier reply Replies: 0 || 2006-06-15 00:00:00
Very nice bootleg, good quality, and good music !

Damien, Moderator reply Replies: 0 || 2006-05-28 00:00:00
@Reuben Lane
If you look at notice above place where you enter your comment or at disco page (http://www.hans-zimmer.com/fr/disco.php), you will get the answer.

Reuben Lane reply Replies: 0 || 2006-05-28 00:00:00
Why is all this stuff you list unavailable for purchase - or do you "give it away" for free if we write and ask for it ??

Mano reply Replies: 0 || 2006-05-14 00:00:00
Why the h... do they not publish complete scores

Antas, Webmaster reply Replies: 0 || 2006-05-07 00:00:00
On the first CD, only the "End Credits" and perhaps "Island" are unreleased. On the second one, almost all the score tracks seem to be unreleased.
I don't know for the car chase music

Levente reply Replies: 0 || 2006-05-07 00:00:00
So, can anyone confirm it, how many plus music is here? Is the car chase music on the album?

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The Island (Complete Score) soundtrack - Steve Jablonsky 2005