NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
You may be right, but I actually think Jackman did a pretty good job with his scores this year. I enjoyed Jumanji, and i may be in the minority here but i actually really enjoyed Kong as well. I tend to think he and Margeson just have a great collaborating chemistry because those Kingsman scores are two of the best scores either one of them has done.I hope he does a better job than in WW. I like the main theme, but I'm not much of a fan of the RGW score. The most striking moments of it are those in which it mentions King Arthur or The Last Samurai.Finally got around to watch this - heavily underappreciated- sequel, and listening to its fantastic score I'm almost positive Jackman had nothing to do with it and it was all Matt Margeson's work. <br><br>I liked his Jumanji, to be honest, but it "only" felt like Jackman slowly coming to his senses after years of lackluster input (Kong, Civil War, Jack Reacher etc.) - it was by no means a strong, thematic, action packed, masterfully orchestrated score as Kingsman 2 (or the first one, for that matter) was. This alone tells me volumes about the composer-listing shennanigans of this soundtrack. If this isn't Margeson through and through, I will eat my hat and chug it down with whiskey.I completely agree!Lol okay I trust you, its awesome how RGW has broken from the comedic scores and is getting some really good opportunities to create some pretty incredible music
Can't divulge the source. But it's happening.Source???? If true I'm pumped. No more of that Elfman crap lolRup's is scoring Aquaman!I’m talking about the Bruce Wayne Dream sequences (and at the beginning of preparation montage). They use the world engine effect in the background, im not sure if it’s the score or just the sfxI am pretty sure they were not incorporated in the film either.<br>You just hear them whenever the engine fires. And sometimes its timed pretty well with the music
Question for anyone whos actually heard this, are the world engine sound effects incorporated in the score like they are in the film?How do I listen to this tracklist?Hey man could any of you please help me find the film version of harry transformation from TASM 2 complete score? I got the 3:09 long one but that's the album versionAh, ok. I didn't know that was a suite, Backbiter. Thanks!superultramegaa i think that you are missing The Knight Ship from TF4.
Wow, great collection superultramega! I don't know if there are any of them missing, but with those, there is a 35-track collection. Not bad at all!The bigger question is; how many more suites did Hans record. We know about The Batman Suite, but what about Lex, etc.So digging this scoreI think I can remember all of them for you.<br><br>TF1 - Autobots, Optimus, The AllSpark, Arrival to Earth, Frenzy, Decepticons, Bumblebee, Whitwicky<br><br>TF2 - Prime, Infinite White, The Fallen, Heed Our Warning, Einstein's Wrong, The Shard<br><br>TF3 - I can't remember the album names but for the complete score there's:<br>Death and Return Suite, Sentinel Prime, Battle Glorious Suite, Battle, Our Final Hope, Megatron in DC, Conspiracy Suite, Shockwave<br><br>TF4 - Autobots Reunite, Tessa, Hunted, Lockdown, Decision, Galvatron, (and maybe I'm forgetting a few others).<br><br>TF5 - Sir Edmund Burton, We Have To Go, Sacrifice, Purity of Heart, Izzy, Merlin's Staff, Seglass Ni Tonday, VivianCould somebody help me to create a list of all the suites from the five Transformers movies? I want to make a compilation of all of them but I cannot figure out what are all of them. Thanks!
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





John PowellGavin GreenawayJohn Ashton ThomasGermaine Franco
ComposerConductorOrchestratorAssistant To Composer
United 93
Label: Varese Sarabande
Length: 43'41
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5192 votes)
0:00
0:00
controls_prev
controls_toggle
controls_next
player_volume

player_loop
player_shuffle
player_download


  1. Prayers (6:02)
  2. Pull The Tapes (4:14)
  3. Take Off (3:07)
  4. 2nd Plane Crash (2:27)
  5. Making The Bomb (3:57)
  6. The Pilots (1:21)
  7. The Pentagon (1:43)
  8. Phone Calls (10:49)
  9. The End (5:50)
  10. Dedication (3:51)
Create Topic

Anonymous reply Replies: 0 || 2007-10-24 00:00:00
By the Way i'm Form Mexico City

Rodrigo Ortíz Gasca reply Replies: 0 || 2007-10-24 00:00:00
I WANT THE DAMN CD NOWˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇ

Rodrigo Ortíz Gasca reply Replies: 0 || 2007-10-24 00:00:00
What a Awsome Music.

Mikel Carmona-S.i.W (from Spain) reply Replies: 0 || 2006-12-28 00:00:00
Congratulations Powell, you have composed a great score for an excelent movie.

Ant reply Replies: 0 || 2006-08-13 00:00:00
I agree with you Martin. This film doesn't want, or need a big brassy heroic score. It needs and underscore and that's what it got. This is a film where the music isn't trying to draw attention to itself.

I'd just like to congratulate Powell on pulling off such a difficult project. It's always a challenge to write a convincing underscore, but on this one, being in a touchy genre must have been harder than we expect.

Martin reply Replies: 0 || 2006-07-12 00:00:00
I saw the film recently in Sydney and found the score to be a sensitive accompaniment to the film. The references to - unwittingly or not - New York minimalism (especially Steve Reich) are very canny and appropriate. A film like this doesn't need a psychologically manipulative or lavish score. Underscoring is what's required and congratulations on delivering just that with no loss of sophistication.

Craig Lowe reply Replies: 0 || 2006-07-03 00:00:00
Hey um i donno what to say because well i only watched the trailer and well i live in the Bahamas and they did not bring the movie here :( and i really wanted to watch it because even though i don't kno anyone that died on september 11th i still feel pain in my heart :( and i really want to watch United 93 and well i bet the soundtrack is awesome because i've heard some of the extracts but i really want to watch the movie...can anyone help

Anonymous reply Replies: 0 || 2006-06-22 00:00:00
UNITED 93 - PRESS RELEASE

(Los Angeles, CA) John Powell scores the much-anticipated United 93 for Universal Pictures and writer-director Paul Greengrass. The film is a real time account of the heroism in United Flight 93, the fourth plane to be hijacked the morning of September the 11th, 2001. The film premiered at New York’s Tribeca Film Festival, screened at Canned and opened April 28. United 93 marks the second collaboration between Powell and Greengrass; the two had collaborated previously on The Bourne Supremacy and will rejoin in The Bourne Ultimatum. For United 93, Powell created an ambient score which he recorded in London with a live orchestra. Varese Sarabande will release the score CD June 6.

As the Powell-scored Ice Age: The Meltdown continues its march to the $200 million mark at the box office, audiences have turned out for another summer box office monster Powell has scored, X-Men: The Last Stand, which has broken records to gross over $175 million in just two weeks.

Powell's long and storied career in music began in Britain where he joined performance art group Media Arts while attending Trinity College of Music. While composing music for television and commercials for Air-Edel Music, he worked alongside composers Hans Zimmer and Patrick Doyle and made his first foray into feature films. After Powell co¬founded the commercial music house Independently Thinking Music (ITM) with longtime collaborator Gavin Greenaway, he moved to Los Angeles to pursue feature film composing.. He immediately scored several projects for DreamWorks Television, but it was his stirring score for John Woo's blockbuster Face/Off that put him in Hollywood's short list. He has since scored a wide variety of films and is well known for his scores to actioners Mr. and Mrs. Smith, The Italian Job, The Bourne Identity and Bourne Supremacy as well as jazzy scores for Be Cool and Alfie.

In addition to Jason Bourne's next adventure, Powell's upcoming slate includes the animated musical Happy Feet, and the film adaptation of the graphic novel The Watchmen.

  Your name :   

Please enter number: 601 

Paul reply Replies: 0 || 2006-06-12 00:00:00
This Sounds Great !!!!. When does it come to Europe ( Holland ) I Hope it comes very fast.

I Think the score sounds better if you have the images from the film in your head...........

Ant reply Replies: 0 || 2006-06-11 00:00:00
I don't think it comes close to an orchestra - I've only listened to it a couple of times because it's so boring and all I remember is some violins and the occasional percussion.

Koala Lin ( http://spaces.msn.com/koalalin120674/ reply Replies: 0 || 2006-06-11 00:00:00

This time Mr. Powell makes me wanna sleep at all...

There is no orchestra in this project , right ?

Ant reply Replies: 0 || 2006-06-06 00:00:00
Rather bland - it just sounded like the Bourne scores without any action.

Dark reply Replies: 0 || 2006-06-01 00:00:00
my thoughts exactly .. the end and dedication are decent but the rest..
and during this time no release for the dynamic klaus badelt score for "Ultraviolet".. ts ts ts

Nautilus reply Replies: 0 || 2006-05-30 00:00:00
very, very, very atmospheric score.
Just percusion and ambience music.

Some string and Powell's son vocals.

"the End" is a moving track.But the rest is like nothing.I can't understand why powell has wanted release this score.

Sylvos reply Replies: 0 || 2006-05-22 00:00:00
Though it seems to be way too short, I'm glad to see this coming out at last.

Indeed, "Thanks Varese!"

YES! reply Replies: 0 || 2006-05-21 00:00:00
YES!!!!!

Kiddo reply Replies: 0 || 2006-05-20 00:00:00
Yes! I began to lose hope of an album release. THANKS, VARESE!!!!

 HANS-ZIMMER.com© 2001-2017 OST 
United 93 soundtrack - John Powell 2006