NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Hybrid, what did Danny think of what Hans was doing? Since he tries to claim that no Batman composer after him wrote a "theme"...Okay, so I'm not a fan of Balfe's; I think it's objectively the case that much of his music is very, very similar to work he's already done (seriously, how many times has he made obviously variations of Journey to the Line / Time?). However, his best work is both highly creative and emotionally compelling IMO, not sure how one could expect more than that. Ironclad is actually a good example of thisActually Hybrid my comment is based on their separate  interviews years apart. Zimmer's arguably dismissive comment years ago and Elfman's arguably stern remark about his theme being the only Batman theme, of recent note. <br><br>If they are both good friends who go to each other's barbecues on Sundays and drink beer together, more power to them. If they have a stellar working relationship, well, I obviously am not privy to that, but good on them. However based on what I've heard my impressions don't lean towards the latter.<br><br>If I'm wrong, I'm wrong. <br>  <br><br><br>"Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty."<br><br>Blackwood might want to have a word with you.Too many songs! But at least there is 15 tracks of score.<br><br>BTW, I don't think Djawadi is able just to do themes. His score in GoT Season 7 shows that he is able to do action tracks very well. Also, in GoT Season 6, he shows that he is able to have many themes and develop them in many different ways.
Meta your comment is based on smoke...<br><br><br>Do you have any idea of what Hans & Elfman's relation is ? How many scores Danny mixed at Remote Control ? That when Hans was writing Batman Begins, Danny was in the next room and Hans invited him to check what he was doing ? How many people from RCP Elfman recruited to help him ?lol it's too funny the guy even spent the time of typing all this...<br><br>Some people apparently have very boring lives on this planet !These comments by “Balfe” are comical.god knows where such venom comes from . Maybe an ex employee probably.he was correct on one point .He is indeed a trailer composer.He just did the mission impossible trailer!!!LOL. I guess this "Balfe" guy is one of those trolls from Stop RCP group.Many benevolent saviours explaining the error of our music tastes have surfaced recently, haven't they?
Eh, Mr. Ellipsis, I have to take issue with your appeal to popularity. Justin Bieber sells millions of records. That doesn't make his music good. Last year's piece of crap pointless Beauty and the Beast remake made a frankly terrifying amount of money at the box office. Doesn't stop it being a piece of crap.Guys, I know a lot of you probably think I'm an overly critical snob, but next time you do, just remember this guy and realize how much worse I could be. :pBalfe is not a composer, but still he gets to compose dozens of films and shows every single year, wow. He must be doing something good if he is on of the most busiest composers out there, don´t you think? Or you want to tell me that every producer, director or whoever hires him is deaf? Do you know how many films had to be re-scored by Balfe in the past few years? <br><br>Why you feed the troll?<br><br>Wrong.<br><br>1. Wallfish is a very fine composer, period. Hans is a synth guy.<br><br>2. If Hans wasn't concern about BR he wouldn't do it.<br><br>3. Slavery was abolished 150 years ago. Hans choose to did it and agreed to involve Wallfish.<br><br>4. Maybe true, but it wasn't the thought of Villeneuve.
here we go again:<br>Why Hans Zimmer Got The Job You Wanted (And You Didn’t)<br>https://behindtheaudio.com/2013/07/hans-zimmer/Hey you guys.<br><br>Balfe is a trailer composer not someone who composes real scores. He helps Hans out on his projects and occasionally may have a good idea. He is not an artist, simple as that.<br><br>Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty. The epitome of that is Terminator Genisys that even fans of the franchise found embarassing (and that is for a series based on synth scores). The samples are especially abhorrent<br><br>How he climbed to compose music for real films is a mystery. Go back to one of his earliest scores, the 2009 'score' for Ironclad, to find how utterly disappointing his work has been all the way throughout his career.<br><br>Balfe is a hack. He will never be considered a real composer. The industry knows Hans is pushing him and once that attention goes somewhere else, as it does with Hans frequently, Balfe will be immediately forgotten. Tell me - who actually wants a Lorne Balfe score for their film!!<br><br>You rapid fans supporting his work will be laughed at as being idiotic symbiotic followers. Get a fragging grip.<br><br>Balfe is not a composer. <br><br><br>This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here?<br><br>1. Wallfisch, a very fine composer is not a synth guy.<br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure.This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here? <br><br>1. Wallfisch, a very fine composer is not a synth guy. <br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure. <br><br><br>Dunkirk is a sound experiment and not a score. It is rather sad to see a fine composer like Benjamin Wallfisch deal with this nationalistic nonsense.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Additional music
Harry Gregson-WilliamsSteve JablonskyHeitor PereiraJames McKee Smith
ComposerAdditional MusicAdditional MusicAdditional Music
Team America - World Police (Expanded Score)
Label: Unofficial Release
Length: 82'14
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2333 votes)
0:00
0:00
controls_prev
controls_toggle
controls_next
player_volume

player_loop
player_shuffle
player_download


  1. Main Title (0:48)
    Harry Gregson-Williams, James McKee Smith
  2. Paris Accordion (0:24)
    Harry Gregson-Williams
  3. Mon Dieu (1:48)
    Harry Gregson-Williams, Steve Jablonsky
  4. Team America March (3:06)
    Harry Gregson-Williams, Stephen Barton
  5. Proposal Crashed (1:43)
    Harry Gregson-Williams
  6. Recruiting Intro (0:49)
    Harry Gregson-Williams, Heitor Pereira
  7. Recruiting Gary (1:50)
    Harry Gregson-Williams
  8. In The Car (0:59)
    Harry Gregson-Williams, Steve Jablonsky
  9. Valmorphanize (0:29)
    Harry Gregson-Williams
  10. Flying Limo (0:32)
    Harry Gregson-Williams, Stephen Barton
  11. Mount Rushmore (1:43)
    Harry Gregson-Williams, Steve Jablonsky
  12. Meet The Team (2:29)
    Harry Gregson-Williams, Stephen Barton
  13. Gary Walks (1:38)
    Harry Gregson-Williams, Stephen Barton
  14. Kim Jong Il (1:47)
    Harry Gregson-Williams, Steve Jablonsky
  15. Gary Returns (0:52)
    Harry Gregson-Williams, Heitor Pereira
  16. Skin (0:35)
    Harry Gregson-Williams
  17. A New Face (0:50)
    Harry Gregson-Williams
  18. New Look (0:33)
    Harry Gregson-Williams
  19. The Plan (1:00)
    Harry Gregson-Williams, James McKee Smith
  20. Actor Hater (1:03)
    Harry Gregson-Williams
  21. Cairo (0:38)
    Harry Gregson-Williams, Toby Chu
  22. Team America Arrival (1:17)
    Harry Gregson-Williams
  23. Cowboy Arab (0:56)
    Harry Gregson-Williams, Toby Chu
  24. Corned (0:48)
    Harry Gregson-Williams
  25. Gary's Pain (1:35)
    Harry Gregson-Williams
  26. Terrorist Escape (0:23)
    Harry Gregson-Williams
  27. Road Chase (2:53)
    Harry Gregson-Williams, Steve Jablonsky
  28. Lisa To The Rescue (1:49)
    Harry Gregson-Williams
  29. Hans Blix (2:04)
    Harry Gregson-Williams, James McKee Smith
  30. Death By Gorilla (3:01)
    Harry Gregson-Williams, James McKee Smith
  31. Panama Canal (2:13)
    Harry Gregson-Williams
  32. Peter Jennings #2 (2:35)
    Harry Gregson-Williams, Steve Jablonsky
  33. Team America VS North Korea (5:13)
    Harry Gregson-Williams, Stephen Barton
  34. Puke (2:20)
    Harry Gregson-Williams
  35. FAG Meeting (1:15)
    Harry Gregson-Williams, James McKee Smith
  36. Rushmore In Ruins (1:45)
    Harry Gregson-Williams, Steve Jablonsky
  37. Blowjob (1:27)
    Harry Gregson-Williams
  38. North Korea Presents (0:54)
    Harry Gregson-Williams
  39. Kim Jong's Plans (0:43)
    Harry Gregson-Williams
  40. Acting Guards (1:26)
    Harry Gregson-Williams, Toby Chu
  41. Gary To The Rescue (0:40)
    Harry Gregson-Williams
  42. Shootout (2:27)
    Harry Gregson-Williams, Steve Jablonsky
  43. Team America VS Actors (Part 1) (0:52)
    Harry Gregson-Williams, Steve Jablonsky
  44. Team America VS Actors (Part 2) (0:48)
    Harry Gregson-Williams
  45. FAG In North Korea (0:42)
    Harry Gregson-Williams, Steve Jablonsky
  46. Team America VS Actors (Part 3) (0:37)
    Harry Gregson-Williams, Steve Jablonsky
  47. Stage Beaking (2:13)
    Harry Gregson-Williams, Steve Jablonsky
  48. A Brilliant Actor (1:37)
    Harry Gregson-Williams, Stephen Barton
  49. Lisa & Gary (1:15)
    Harry Gregson-Williams, James McKee Smith
  50. Proposal Crashed (Alternate) (1:44)
    Harry Gregson-Williams
  51. In The Car (Alternate) (1:14)
    Harry Gregson-Williams, Steve Jablonsky
  52. Meet The Team (Alternate I) (2:28)
    Harry Gregson-Williams, Stephen Barton
  53. Meet The Team (Alternate II) (2:29)
    Harry Gregson-Williams, Stephen Barton
  54. The Plan (Alternate) (0:17)
    Harry Gregson-Williams
  55. Death By Gorilla (Alternate) (3:01)
    Harry Gregson-Williams, James McKee Smith
Create Topic

Shane Wesley reply Replies: 0 || 2008-07-29 00:00:00
This soundtrack is amazing! Fantastic! Probably one of the greatest films ever! Keep rockin' guys!

Adriaan reply Replies: 0 || 2007-10-28 00:00:00
Nameless said:
what's your fucking probleme dude ??
you working for the MPAA or something like this ??
you are disturbing because some peoples have many scores you can't never find ??
Any good scores collectors have a lot of bootlegs, because so many of the best of film music have benn bootleged !!

maybe use your brain the next time before posting some stupid messages like this one !!!

keep the good work Antas, regards !

I don't have a problem, I just don't understand how people obtain this kind of CD's..
Plus, I don't work for the MPAA, I'm just very curious!

John reply Replies: 0 || 2007-05-26 00:00:00
Its Not Fake I Have This Bootleg.

Anonymous reply Replies: 0 || 2007-04-17 00:00:00
Adriaan said:
Bootlegs are illegal, so why could they be widely distributed?????????????????
And how much bootlegs are there made for this film? And for Black Hawk Down?.....

what's your fucking probleme dude ??
you working for the MPAA or something like this ??
you are disturbing because some peoples have many scores you can't never find ??
Any good scores collectors have a lot of bootlegs, because so many of the best of film music have benn bootleged !!

maybe use your brain the next time before posting some stupid messages like this one !!!

keep the good work Antas, regards !

Adriaan reply Replies: 0 || 2006-09-26 00:00:00
''3. Bootlegs without any real interesting or new material are included ONLY if they are widely distributed (so people could alert others about the interest or the quality of it).''

Bootlegs are illegal, so why could they be widely distributed?????????????????
And how much bootlegs are there made for this film? And for Black Hawk Down?

Sylvos reply Replies: 0 || 2006-06-15 00:00:00
So... What was the point for adding this then?? ;-)

Antas, Webmaster reply Replies: 0 || 2006-06-15 00:00:00
Once again :

I would like to explain why I put such a boot or not on the disco.

There are some selection criteria :

1. All the official promos (I manage to find) are included.
2. Bootlegs are included only if they contain very rare or interesting material.
3. Bootlegs without any real interesting or new material are included ONLY if they are widely distributed (so people could alert others about the interest or the quality of it).

Be sure I find many other bootlegs I don't include on the site (for example, I have found more than 10 Batman Begins boots -- and I don't have included all of them on these pages)

Koala Lin ( http://spaces.msn.com/koalalin120674/ reply Replies: 0 || 2006-06-11 00:00:00

I don't understand why webmaster said this is a fake ?

Antas, Webmaster reply Replies: 0 || 2006-06-11 00:00:00
Just see the tracklist I wrote. All the extra tracks are the same than the ones on the official release but are MONO recording.

 HANS-ZIMMER.com© 2001-2017 OST 
Team America - World Police (Expanded Score) soundtrack - Harry Gregson-Williams 2004