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Probably not. The two are indepedent events.@Edmund<br><br>actually i wasn't interested in the Dragon scores...or Pan, for that matter. Xmen 3 wasn't too bad, but he still had that tight RCP score techniques...Yeah, I think he must have changed his methods since Hancock/Green Zone...Because I'm not interested in hsi work after that. Must be those pesky drums he doesnt use anymore?Yeah, I know there's more than just the main theme in those Trek scores, I was just exaggerating to make a point. :pPretty sure the reason HGW works with Washington so often is because Tony Scott worked with him so often... :pWait, Meta, you haven't liked Powell since Hancock? This despite putting out his career peak in the How to Train Your Dragon scores? I mean, if there's anything that proves he's got the chops for Star Wars style orchestral and thematic music, it's those two (and X-Men: The Last Stand, and Pan).
Excellent score!  Reminds me of pieces of The Rock, BHD, Drop Zone, stuff from The Pacific.  Great job Andrew!  Nice themes!  Fun RCP stuff!Yes it was announced a while back, Harry returns !I can confirm that he is working on it.I'm waiting for Harry's response for returning for the sequel or not? My opinion is, I think Harry seem like working with Denzel Washington often in the movies like Man Of Fire, Deja Vu, and The Taking Of Pelham 123 and Unstoppable, The Equalizer, I think Antoine Fuqua director should hire him back again, but I don't know if his schedule conflicts with busy working with MEG Score.@superultramegaa and others<br><br>Honestly, if you take an objective look back, you can still see RC written all over Powell...And thats all well and good, because I like Powell. Well, maybe not since Hancock, but I like his style.<br><br>That being said, This will be the official first Star Wars outing with an RC score. Sure, Williams phoned in a theme...But going forward I expect RC influence to be the norm.<br><br>And, as for Giacchino...Jesus Christ. For someone who practically MADE his career apeing Williams (Jurassic Park and Medal of Honor video games spring to mind), his Rogue One was  dreadful...I cant disagree with you. <br><br><br>
Powell is heavily influenced by Zimmer. The only thing that differs him from the others is that he really has a style of his own that matches the traces of the career he shared with Zimmer. If you listen to any of your action scores, you will notice that they are clearly RCP scores. Even the orchestral, especially "Pan" have some passages that are very reminiscent of Pirates, Prince of Egypt and Gladiator.Really awesome "Is She With You?" cover by Nir Shor!Hey Hybrid Soldier, is Harry returning for the Sequel??Hybrid, Hollywood in Vienna just announced that Zimmer will be receiving the Max Steiner award. Do you know if the Hollywood in Vienna program the same as the The World of Hans Zimmer program? If it is, King Arthur is confirmed to be in the program as well.I wasn't saying Powell sounds like Williams. I'm saying he's closer in sound to Williams than he is to Zimmer for his animated movies.
While John Powell is usually far more melodic and classical than your usual RCP composer, I don't see the Williams similarity. His music doesn't really sounds like Williams' scores. But I think he is perfect for Star Wars. I am much more excited about this than Giacchino's Rogue One.Yeah, this is the best RCP action score of the year so far. Much better than Balfe's efforts and Junkie's.@superultramega It’s funny you should say that about Rogue One because, even though I do like the themes, I will agree that it definitely is weaker than any Star Wars score and seems to lack the life Giacchino normally puts into his music.<br><br>Even weirder, his music for Jupiter Ascending (another big space opera) is far more aggressive and developed, and probably one of his best. It makes me wonder if the Star Wars team wanted the safe route....Ok, not restraint on drums, but I still don't really see how exactly his music for animated films comes even close to being an RC product. When I think of RC I think of the music for the Pirates movies, the early Bay and Bruckheimer films, etc. The work on Shrek, Antz, Ice Age, and How to Train Your Dragon is much closer to a traditional Williams score than any RC product. <br><br>Plus he's working on Star Wars so he's obviously going to try his damnedest to stick to that kind of music, and to avoid the Zimmer style. I just don't understand why you think Powell, of all people is going to be the one to dilute the Star Wars sound. <br><br>Hell, I think Giacchino's score for Rogue One was pretty much nothing more than an unmemorable, and bland version of Star Wars with very little going on besides broken down notes of the Star Wars theme playing and generic Williams copy. Just like Jurassic World. I don't know how Giacchino makes Williams' style bland but he finds a way. At least with Powell we'll get more style and memorability on top of a Williams imitation.Restraint on drums? <br><br>Have you listened to Green Zone? The Bourne movies? Hancock?<br><br>Cmon...Yeah he's not Zimmer, but this isn't a Williams product we are talking about. It's an RC product. This is what I am talking about.
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Additional Music
Jim DooleyTodd HabermanMatthew MargesonHans Zimmer
ComposerAdditional MusicAdditional ArrangementsScore Producer
Urmel Aus Dem Eis (aka : Impy's Island)
Label: Edel Kids
Length: 42'49
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3963 votes)
  1. Urmel Aus Dem Eis (1:14)
  2. Der Eisberg Beginnt Seine Reise (0:54)
  3. Die Insel Von Professor Tibatong (1:22)
  4. Eine Ganz Normale Unterrichtsstunde (1:40)
  5. Die Riesenmuschel (2:01)
  6. Der Eisberg Muss An Land! (1:13)
  7. Wir Brüten Ein Ei Aus (1:28)
  8. Urmels Erste Laute (0:45)
  9. U.R.M.E.L. (1:12)
  10. Urmels Schlaflied (1:41)
  11. Ich Will Auch Eine Muppel! (1:06)
  12. Urmel Wird Versteckt (1:13)
  13. Urmel J AGD (1:26)
  14. Wie Bitte? (1:28)
  15. Ein König Für Titiwu (1:03)
  16. König Pumponell Der 55. (2:52)
  17. Die Fleischfressende Pflanze (1:58)
  18. Wawa, Der Held (1:40)
  19. Urmel Lebt! (1:26)
  20. Die Höhle (1:07)
  21. Nix Wie Weg! (1:06)
  22. König Ping, Der Erste (1:01)
  23. Die Rettungsaktion (1:06)
  24. Das Urmel-Rettungs-Unterwasser-Boot (0:45)
  25. König In Der Tonne (1:30)
  26. Der Letzte Gang (1:50)
  27. Der Vulkanausbruch (6:41)
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Hybrid Soldier reply Replies: 0 || 2006-12-02 00:00:00
Great score between HGW's Narnia, JNH's Dinosaur and Powell's Ice Age 2...

My favourite track is n°26...

Sylvos reply Replies: 0 || 2006-11-29 00:00:00
The English Tracklisting:

1. Main Titles (1:13)
2. Iceberg Breaking (0:54)
3. Professor Habakuk Tibatong's Island (1:22)
4. Food Fight (1:40)
5. A New Shell (2:00)
6. Iceberg Capture (1:12)
7. Hatching (1:28)
8. Impy Cries (0:45)
9. It's An Impy (1:12)
10. Lullaby (1:40)
11. Denied A Shell (1:05)
12. Hide Impy (1:13)
13. Chasing Impy (1:25)
14. What Do You Mean? (1:28)
15. I'll Live Here (1:03)
16. King Pumponell (2:52)
17. Plant Fight (1:58)
18. Monte Helps Impy (1:39)
19. Impy Is Alive (1:25)
20. Entering The Cave (1:07)
21. Get Out! (1:06)
22. Ping To The Rescue (1:01)
23. Saved (1:05)
24. Underwater Rescue Piggy-Barrel Impy Ship (0:44)
25. Rescuing King Pumponell (1:30)
26. The Final Stretch (1:50)
27. Volcanic Eruption (4:08)

Andres reply Replies: 0 || 2006-07-28 00:00:00
Hello there! James Dooley did a GREAT job on this score! Congratulations, Jim. Swiss Greetings, Andres.

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Urmel Aus Dem Eis (aka : Impy's Island) soundtrack - Jim Dooley 2006