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Known credits are Renaway Train for Mazzaro (was on his website), The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.<br><br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.<br><br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.<br><br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.
And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:
I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.
Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004The tracklist they posted has 58 tracks and yours contains only 54<br>interesting thing, He never really spoke about Last Samurai. but you have to realize, even when He speaks, its not always the truth. <br><br>The only thing I know, in 2013 doing press for Rush, He really said the hardest job was Last Samurai, well its not true according to himself, if you watch the behind the scenes stuff from Matchstick Men from 2003, right there He says that he was working on 3 huge films, (tears of the sun / Pirates / last samurai) and Mathstick men was the absolute hardest for him.<br><br>also Ed Zwick talks about working with Hans on the dvd commentary sometimes, but nothing really fancy.<br><br>Im sure there is an interview for this film with him, since he was at the premier
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Hans ZimmerLisa GerrardKlaus BadeltNick Glennie-Smith
ComposerComposerCo-ComposerAdditional Music
Gladiator (Expanded Score)
Label: Unofficial Release
Length: 172'35
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (10394 votes)
  1. The Wheat - The Battle (11:42)
    Hans Zimmer, Lisa Gerrard
  2. Commodus - After The War (2:44)
    Hans Zimmer
  3. Marcus And Lucilla (2:07)
    Hans Zimmer
  4. Tell Me About Your Home (1:07)
    Klaus Badelt, Lisa Gerrard
  5. Lucilla And Maximus (2:21)
    Hans Zimmer
  6. Patricide (4:02)
    Hans Zimmer
  7. The Emperor Is Dead (2:19)
    Klaus Badelt, Lisa Gerrard
  8. A Soldier's Death - Home (4:20)
    Hans Zimmer
  9. The Bodies (1:30)
    Klaus Badelt, Lisa Gerrard
  10. Back To Marrakesh (4:08)
    Hans Zimmer
  11. I Salute You (7:34)
    Hans Zimmer
  12. The Greatness Of Rome (2:20)
    Hans Zimmer
  13. Rome Prepares For The Games (1:28)
    Hans Zimmer
  14. Six Man Fight (2:46)
    Hans Zimmer
  15. Win The Crowd - Not Yet (5:44)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
  16. He Sleeps So Well (1:06)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
  17. Afraid Of The Dark (1:16)
    Hans Zimmer, Klaus Badelt
  18. Walk To Coliseum (0:55)
    Hans Zimmer
  19. Maximus And Lucius Meet (1:33)
    Klaus Badelt, Lisa Gerrard
  20. Barbarian Horde - I Think I'll Meet Him (13:49)
    Hans Zimmer, Nick Glennie-Smith
  21. I'm Vexed (1:22)
    Hans Zimmer
  22. I Knew A Man Once (1:03)
    Hans Zimmer
  23. Waiting For Judgement (2:26)
    Hans Zimmer
  24. You Simply Won't Die (3:00)
    Hans Zimmer
  25. Figurines (1:10)
    Klaus Badelt, Lisa Gerrard
  26. Scherning Commodus (1:31)
    Hans Zimmer
  27. We Will Lie Still (2:08)
    Klaus Badelt
  28. Wish Of A Dying Man (4:27)
    Hans Zimmer, Klaus Badelt
  29. Secrets (2:59)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
  30. The Kiss (2:09)
    Hans Zimmer
  31. Busy Bee (3:44)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
  32. The Trap - Escape Fails (4:20)
    Hans Zimmer
  33. Am I Not Merciful? (6:40)
    Hans Zimmer
  34. Flashback (0:50)
    Klaus Badelt, Lisa Gerrard
  35. Death - Now We Are Free (8:26)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
  36. Duduk Of The North (Original Demo) (5:34)
    Hans Zimmer
  37. The Gladiator Waltz (Original Demo) (8:26)
    Hans Zimmer
  38. Rome Is The Light (Unused) (2:45)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
  39. All That Remains (Unused) (0:56)
    Hans Zimmer
  40. The Battle (Alternate Ending) (1:42)
    Hans Zimmer
  41. The Bodies (Alternate) (1:29)
    Hans Zimmer, Lisa Gerrard
  42. Back To Marrakesh (Alternate I) (3:17)
    Hans Zimmer
  43. Back To Marrakesh (Alternate II) (4:07)
    Hans Zimmer
  44. Back To Marrakesh (Alternate III) (4:12)
    Hans Zimmer
  45. Marrakesh Marketplace (Source) (0:43)
    Jeff Rona
  46. Win The Crowd (Alternate) (1:33)
    Klaus Badelt, Lisa Gerrard
  47. Afraid Of The Dark (Alternate) (0:49)
    Hans Zimmer, Klaus Badelt
  48. Figurines (Alternate I) (1:11)
    Hans Zimmer
  49. Figurines (Alternate II) (1:04)
    Hans Zimmer
  50. Busy Bee (Alternate) (3:52)
    Klaus Badelt, Lisa Gerrard
  51. The Trap (Alternate Insert) (0:45)
    Hans Zimmer
  52. Now We Are Free (Alternate I) (4:00)
    Klaus Badelt, Lisa Gerrard
  53. Now We Are Free (Alternate II) (5:08)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
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Bayhem reply Replies: 12 || 2019-07-31 10:02:55
Okay, quick unofficial poll (because I keep hearing so many different opinions from fans outside of this site):

At the end of the day, which Zimmer do you prefer?

- the 90's/early 2000s Zimmer when he was working a lot with Bay, Bruckheimer, Ridley Scott and Tony Scott?

or

- Zimmer from 2005 onward, when he started working with Christopher Nolan?

Some say that Zimmer got worse with Nolan (all those complaints about Inception's VROOOOOM, BROOOOOOM!), some say he got better......What do you think, folks?


Shince Thomas 2019-07-31 13:37:10
I think musically Hans before Nolan was richer, but thematically and subject oriented films after 2005 has Hans bring the best in him.


Ro2019-07-31 13:50:12
Definitely the pre Dark Knight era. I miss Power Anthems and those over-the-top epic tunes for orchestra, synth overdubs and chorus, dearly.


Edmund Meinerts2019-07-31 14:08:58
With no hesitation whatsoever, the pre-Nolan era.


rockhound2019-07-31 14:44:52
i also prefer the pre-2005 era.


mpolonest123 2019-07-31 15:08:22
Great question. On one hand I absolutely love the early Zimmer power anthem era (Peacemaker, Drop Zone, The Rock, Pirates) where his music was as bombastic as possible.

On the other hand, I do think Hans has matured his style in the past decade, and I’ve always loved his willingness to experiment and completely change his approach to scoring with different projects. (Interstellar, Dark Knight, Man of Steel, Spidey 2, Sherlock Holmes, etc.)

Regardless of what approach he takes, I always love me an HZ score.


iamtommie442019-07-31 16:22:35
For me it's exactly like mpolonest123 says.

I love his earlier scores, especially the Pirates scores. And even though a lot of his music in Pirates 4, was music that has nothing to do with the scene, I still love that score.

After 2005, the 3 Batman scores are amazing, Interstellar, Inception, Dark Phoenix & Dunkirk I think are all excellent.

So as said before, every time a Zimmer score is released I always find tons of music to love. Mostly because his scores are so varied.


Ds2019-07-31 18:21:57
The thing is, his musical soul is just the same as always, and it can be heard in all of his scores. It's just that his style has been a continuously evolving thing. He started from synths, then leaned more and more to the orchestral side of things until the early 2000s, and then started to experiment with sounds, orchestra and synths, to deliver scores that were less catchy but were more into creating an atmosphere. There isn't really a "threshold year" like Bayhem's suggested 2005 - come on, 2007 brought us At World's End!
That being said the scores I grew up with, and that made me feel in love with music (and with HZ music specifically), are the ones from the 2000s - all years included, from MI2 to Inception.


Hybrid Soldier2019-07-31 19:17:01
Where are the 80s ?


Anyway, I like all periods, trying to put them in boxes is pointless...


e2019-07-31 19:51:14
I like his animation scores the most. Kung Fu Panda, Boss Baby, Little Prince, Prince of Egypt... all full of fun orchestrations and great tunes.


Mike2019-07-31 21:56:33
I definitely prefer the unabashed power and thematic memorability of the pre-Nolan era. At the same time, something Hans has gotten very good at with-and-post-Nolan is his ability to distill the music down to its essential emotional components. The short motifs in Batman and MoS, for example, perfectly convey the sonic world of those movies. The problem with those scores? Big, memorable tunes take a back seat. If he could mix both approaches, i'd be happy. But on the whole, I prefer the pre-Nolan Zimmer. Prince of Egypt, At World's End, King Arthur, Gladiator — those scores are still incredibly powerful now. His later stuff requires a bit more "movie context" to have its full effect.


superultramegaa2019-08-01 16:50:03
Pre-Nolan had some generic and unmemorable music for sure, but there was a certain joyfulness and fun that all of the pre-2005 era had, whereas now, everything's starting to have a more and more bleak and depressing tone in general.

Much of this has to do with how aesthetically ugly Hans' style has gotten lately (Chappie, BvS, Man of Steel, Dunkirk), but it's also the lack of real innovation in his writing and interesting thematic material. The heart of his music just feels stripped away at this point.


Knight2019-08-01 17:15:32
>Man of Steel and Chappie are ugly
ok bruv

Mike (OTM) reply Replies: 1 || 2018-01-25 18:30:54
I was re-watching Gladiator the other day, and it made me wish Zimmer and Ridley Scott hadn't had their falling-out. Zimmer's changed his style, sure, but certain directors seem to inspire different kinds of music from him, and I think Scott and he were a good combination.

Unrelated, did anyone else notice that the trumpet fanfare for Commodus played in the film when he enters the Colosseum is actually the little motif for Commodus from the score itself?


Oscarilbo2018-03-14 16:43:51
did they really had a fallout ?
I mean.. Hans always talks wonders about R Scott and vice versa. Hans even worked on Blade Runner 2049 which R Scott produced.

balfes son reply Replies: 1 || 2018-03-13 17:09:02
this hasn't leaked or released so far, am i right?


Scorefan2018-03-13 20:57:28
It was leaked years ago

Boromir reply Replies: 3 || 2016-12-26 19:59:54
I've always had this question: What happened between Hans Zimmer and Ridley Scott? Why aren't they work together anymore ?


OskarC2016-12-26 20:15:14
Yeah, i've been asking myself the same question. They worked tohether for years, why doesn't Zimmer score Ridley's movies anymore.


Ds2016-12-26 22:19:08
The question is more like: why doesnt any composer work regularly with Ridley anymore? He used to have great scores in his movies, now they are all forgettable. Sadly The Martian seems like an exception in years of musical emptiness...


Edmund Meinerts2016-12-30 13:36:19
I thought Exodus was a decent score too. The HGW contributions are the highlight but I liked Iglesias and Jusid's material too, and it's surprisingly cohesive considering how many cooks there are. I do wish Harry had gotten that movie to himself, though.

mpolonest123 reply Replies: 1 || 2016-12-26 23:08:00
Ridley reached his peak with KOH music-wise. Both Prometheus and The Martian are decent, but neither comes remotely close to the quality of Gladiator or Hannibal.

What's really sad is the fact that most of his earlier films were so musically strong and diverse; what with Alien, Blade Runner, BHD, etc.
Not sure what happened to him as of late...


mpolonest123 2016-12-26 23:08:41
meant to post under Boromir

Alex reply Replies: 0 || 2016-10-27 21:53:49
Wonderful! What do I have to do to download this marvel?!

Peter reply Replies: 0 || 2015-11-07 14:30:45
Please, Let somebody give it in Poland. I need this album

Evan reply Replies: 1 || 2015-10-28 17:16:29
I actually own the 3 disk set mentioned below, I was very excited to hear it but instantly I knew it was going to be a let down. The track "German Battlefront" was definitely taken from the original OST. Now don't get me wrong, its a more enjoyable experience than the original soundtrack and "more music" release but there's still some music missing that I guess we'll never get a chance to own. I wouldn't spend too much time tracking it down. Whoever made this album must have spent hours cutting and splicing trying to put together a more complete score but all in all, it isn't what it claims to be. The track "Battle of Carriage (alternate version)" is quite interesting though. I'm pretty sure a legitimate complete score does not exist.


...2015-10-30 00:07:20
Look above at the tracklist with 53 tracks. It's a good version.

Steven reply Replies: 2 || 2013-09-03 20:52:37
Later on in the movie Lucilla visits Maximus in prison. After a conversation they kiss and the "Earth-Theme" is heard, BUT in a different awesome version.

PLEASE, where on earth can I find THIS VERY version????????????


Anonymous2013-12-05 21:35:49
30. The Kiss ?!


Steven2015-07-17 22:35:14
YES.. Ooops.. so obvoius... And it is on the track list.... But unfortunately this album has not been released :-(

Zimson reply Replies: 0 || 2014-05-03 00:03:08
Oh my god, I just saw this live in concert, the whole movie, and Lisa Gerrard sung!! Hans Zimmer, you are better than sex!!! What a god.

Anonymous reply Replies: 3 || 2013-07-19 18:44:56
Why are Klaus Badelt and Lisa Gerrard listed as composers? HZ said Lisa didn't compose any of it, and KB if anything would be additional music.


al bundy2013-07-19 19:14:51
so you're saying if Klaus did additional music he wasn't a composer?


Anonymous2013-07-19 19:27:11
He was, but composer implies he did a considerable portion of the work. If I'm not mistaken he did a few cues, that's it.


Hybrid Soldier2013-07-19 19:48:14
And Nick Glennie-Smith only got a special thanks in the credits... So what ? ;)

Anonymous reply Replies: 0 || 2013-02-08 04:39:09
Excellent Score! one of the best from Zimmer. Right now i am listening this full score and it's amazing

Commodus reply Replies: 2 || 2013-02-07 09:55:56
Hybrid, can you tell us, if this is the real complete score? or just another fan-edited one and it's missing some cues?


Magnus Rex2013-02-07 10:10:36
Hybrid does not list fan-made scores on here. This is as real as it gets.


Mike2013-02-07 23:29:20
Oh oops, the above comment about the Wheat was supposed to go here.

Anonymous reply Replies: 1 || 2013-02-07 22:14:17
When will be leaked?????????????


Mike2013-02-07 23:23:34
Where's The Wheat at the beginning, I wonder...

Maybe it's like The Dark Knight Rises and some cues were put in the movie later.

ScoreS reply Replies: 2 || 2013-01-29 02:01:57
when will be leaked?


fabien2013-01-29 16:00:31
Amazing release.
Finally we get it !


T-Mann0362013-02-07 06:05:26
Are you not entertained? What more can I say. I love the score!!!!!

Mike reply Replies: 5 || 2012-12-01 19:39:30
Whoa, when did this get put up???? :D


Mike2012-12-01 19:41:07
And if it's been up for a while, why did people bother saying "HEY LOOK I HAVE THE RECORDING SESSIONS"?


Master of Fate2012-12-01 19:55:37
You don't ever think your thoughts out very far, do you, Mike?


Mike2012-12-02 00:30:18
Yeah, I reckon I'm pretty stupid.


Anonymous2012-12-02 00:57:23
This is true, not fake


Mike2012-12-02 07:59:40
Indeed, Anonymous. If it's been posted as a page, it's real.

Mr. Charles reply Replies: 0 || 2012-12-01 22:33:00
OMG how legit is this?

axel reply Replies: 0 || 2012-12-01 08:53:38
Great ! I finally got it!! ;)

Gabriel Samson reply Replies: 0 || 2010-08-16 00:00:00
Hello!!!!


I speak not very good english..I'm 17 Years old..
I love the Music of gladiator, Honor Him and Now we are Free.. This music are important because I think an a Friend important for me...

Good Bye!!

Gabriel

RuthlessGravity reply Replies: 0 || 2010-01-02 00:00:00
Heres a fun fact, Duduk Of The North was used in WWII In HD.

Mr Tweedy reply Replies: 0 || 2008-11-27 00:00:00
Homecoming without dialogues has a pretty easy answer... It is ripped from a bonus of the second edition of the Gladiator DVD. There are some bonuses with isolated score. And I'm sure about those facts : I am the guy who made that rip.
But it seems somebody put my rip on a bootleg and claimed to have something new... that's so cute...

maps reply Replies: 0 || 2008-11-27 00:00:00
Hello, everybody!

I finally got the 3-CD-Edition, too and I'm very sorry to say: sidums is right!

Also this Bootleg release is just a fake. You can hear that since the first track.

The first track contains the original prologue music (no wonder, it could be ripped easily from the DVD) then following is "The wheat" (taken from the original release) and going into "The Battle". Here this glory theme with horns and humming choir is just played once, as on the album! In the film it's repeated immediately (you can hear the film version in the background of an interview track on the third disc). Than the film version of the battle is heard (with the humming male voice heard twice and the very short guitar solo - on the album, it is much longer) but then falling back in the album version.
On screen, when the battle is filmed in this 'trance-like' sequence just the strings a heard. On the album Lisa Gerrard is singing along that part - as on every dammed bootleg version! I never got my hands on a version only the strings a playing (and that's really sad).

After that, Commudus and Lucilla is just the Album version of the "prologue" fading out very abruptly.

"The Aftermath" is just the source music heard in the tent. It is also contained on most of the 2-CD-Sets, but here it is longer - because the guy who created this just repeated the second half.

And so it goes on and on. Just one thing on this boot which is very nice: "Homecoming" is completely without dialogue!

For all you are hunting this I say: Don't hunt for it any longer. I dread we have to wait twenty or more years when an official complete version gets released.

Cloud reply Replies: 0 || 2008-07-06 00:00:00
The fact that you can't find it doesn't mean it doesn't exist ;)

sidums reply Replies: 0 || 2008-07-06 00:00:00
By the way, the 3cd soundtrack mentioned below is just a mix up of all the expanded cds released previously plus music taken from the menu screens of the new Gladiator Extended DVD. So once again, a real complete score still does not exist.

Though the CD release that medivh mentioned below sounds interesting, but i have never seen that one anywhere, and since he has taken the track vnames directly from the DVD Chapters titles i think its likely he was making it up.

Sorry to sound negative, but im only telling you guys the truth. A REAL GLADIATOR COMPLETE SCORE DOES NOT EXIST!..........Yet

UltimateManGod reply Replies: 0 || 2008-07-03 00:00:00
I also have that 3 CD soundtrack. Does anyone know the chronological order for all the songs? I can tell they're out of order, but don't know the right order.

Thrustmaster reply Replies: 0 || 2008-05-22 00:00:00
Oh my God, I've finally got the 3CD Soundtrack. It's amazing and it's really sad, that this isn't released yet. Hans should release this as an ultimate collection as he does with PotC. In this version of Bootleg, there are ALL tracks of the original and "more music" soundtrack and plus some alternate and unused cues - and every song doesn't have any dialogs (-> i looove "Homecoming").

Here is the tracklist of the 3CD Recording Session Bootleg of Gladiator:

CD 1

01 The German Battlefront
02 The German Battlefront (Alternate Version)
03 Commodus And Lucilla
04 Aftermath
05 Earth
06 The Campus
07 Loving Daughter, Good Father
08 The Protector Of Rome
09 The Protector Of Rome (Short Version)
10 Figurines
11 Figurines (Alternate Version)
12 Patricide
13 The Emperor Is Dead
14 Escape - Homecoming
15 Desert Journey
16 Sorrow
17 Desert Journey (Alternate Edit)
18 The Caravan In The Desert
19 The Caravan In The Desert (Extended Version)
20 Marrakesh Marketplace
21 To Zucchabar

CD 2

01 All That Remains
02 Maximus
03 Maximus, The Merciful
04 The General Who Became A Slave
05 Rome Is The Light
06 Battle In Chains
07 Battle In Chains (Short Version)
08 The Might Of Rome
09 The Might Of Rome (Short Version)
10 Win The Crowd
11 Duduk Of The North
12 Barbarian Horde
13 The Mob
14 The Mob (Extended Version)
15 Betrayal
16 The Slave Who Became A Gladiator
17 The Slave Who Became A Gladiator (Short Version)
18 Proximo
19 Not Yet
20 Slaves To Rome
21 Conspiracy - The Streets Of Rome

CD 3

01 Coliseum
02 The Battle Of Carthage
03 The Battle Of Carthage (Alternate Version)
04 The Gladiator Who Defied An Emperor
05 The Execution
06 Thumb Down
07 Figurines II
08 Plans - Senators Arrested
09 Secrets
10 Busy Little Bee
11 The Trap
12 The Trap (Alternate Version)
13 Death Smile At Us All
14 Elysium
15 Am I Not Merciful
16 Honor Him
17 Now We Are Free
18 Now We Are Free (Short Version)
19 Now We Are Free (Juba's Version)
20 Now We Are Free (Maximus' Version)
21 The Rhino Fight (Unused)

I hope, I could help somebody out with this.
I'm going now enjoying the soundtrack again. :)

Maps reply Replies: 0 || 2008-02-21 00:00:00
Can anybody post the tracklist of the complete-3-CD-version you where talking about?

Mathieu reply Replies: 0 || 2007-12-16 00:00:00
is there a real complete score ???

Sylvos reply Replies: 0 || 2007-10-02 00:00:00
Yep, Manuel is right I guess. I too have heard about a 3 CD set. It has like 84 tracks if I'm not mistaking. oooooo...

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Gladiator (Expanded Score) soundtrack - Hans Zimmer - Lisa Gerrard 2000