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I can't imagine how someone likes Balfe's part over Richters. As you said Thomas, Richters work sounds more like suites, and Balfes work is written more to picture. BUT, it sounds to me also like a typical RCP-work with Hans. While Hans gives the direction with his suites and melodies, Balfe and co are adapting those suites to the specific scenes and writing some "new" stuff to fill any gap if there is any need of it, so they become additional composers in the credits.<br><br>And here, we have the same. Richter shows the direction and some cues are real intense and beautiful. Balfes parts sounding like a gap-filler. I don't want to talk bad about Balfe, he's a composing machine, but still i can't find anything remarkable on those parts and so i can't understand how Richters work hasn't been used but instead the more colorless cues from Balfes part :/<br><br>Again, don't feel insulted guys, it's just my sensationBalfe’s part is the best I think.<br>It also seems written to picture instead of just long suites.<br>My understanding is the Balfe wrote half of the score but the album doesn’t seem to represent that for some reason.I really liked Richter’s score over balfesI listened Max Richter for years. He is the kind of select or minority composer who does his solo works and soundtrack for movies not so famous. <br>His solo works are really really good with quintet and piano and voice. "on the nature of daylight" is definitely the best. <br>His sountrack is not good as his solo, to be honest. I think "the Leftovers" (2014-2017, HBO series), "Miss Slaone" (2016) and "Mary Queen of Scots" (2019) are cool.<br>If you need some peaceful music for meditation or good sleep, listen to his work.Richter did his recording in january and june 2019. The Director himself is a fan of Richter, so the deadline and director are not the reason.<br>It seemed that producers were not satisfied with Richter's music and they wanted something new, that's why they got Lorne. It turned out Lorne brought a very limited new...
@Cercei<br>Hybrid can definitely answer that best. Richter’s score is used (alongside Balfe’s material) as well as some source pieces. If I remember correctly it’s a mish-mash of the two.I do know that piece, it’s very pretty. I’ll check out his other works, thanks for the recommendation. In terms of minimalism I really am into Brian Eno at the moment. His “Music For Airports” and “The Lovely Bones” are excellent if you like more introspective music.btw, you're saying Lorne recomposed and reworked the entire score. as i haven't seen the movie yet, did the producers end up with not using richters score for it at all and just used the score from Lorne?thanks for your information. but i actually don't understand why they have done that. i've heard now Lornes cues and Richters cues. all those cues from Lorne, they sound very similiar to that what Richter composed, but somehow with less melodies. And you really have to work hard to not use fewer melodies then Richter, as he's a minimalist at its best ^^ with that being said, i can't hear any groundbreaking differences from Lornes part, so what was their idea on hiring it and getting the same style of music, but in a more "light" version? :/i really admire Max Richters work, he isn't that new in this scene. his style is that repeating minimalism. maybe you've heard once the cue "on the nature of daylight" which was used a lot by many other movies. his last score which knocked me out was "Hostiles". such an emotional and intense score, you need to hear that, and probably see the movie as well (with Christian Bale). <br><br>
Really surprised at this album, I’ve never really heard anything from Max Richter but I really like what he ended up writing for this score. It surprisingly flows well for a stand alone listen. It’s funny that the producers wanted a different approach, I think Richter nailed it.<br><br>Balfe’s contribution is excellent as well, I particularly like that repeating chord progression (which is starting to become one of his trademarks considering how many times he has used it). It’s disappointing that they didn’t include more of his contribution though, since he apparently rewrote the entire score.Lorne said in his Twitter, the first album for His Dark Materials come 3rd November, no date, for the moment, for the second album.Was the producersi haven't understood the fact, that Lorne was involved in this. Can someone explain it for me? Was the director not satisfied with Richters music? Was the deadline too near? Or what was the reason why they have brought Lorne to this project?"The Wanderer", "Event Horizon", "You Have To Let Me Go" and "Tuesday (Voiceless)" = WOW WOW WOW!!!
Zanelli is no James Newton Howard, but he did a fantastic job with writing a large scale fantasy score. I’ll even say that, while I think the first Maleficent is stronger overall, I personally like the action writing better here. Also 2 little things I’ve noticed;<br><br>1. The new theme here sounds fairly similar to the Father/Son tune from KFP3<br>2. 2:20-3:30 sounds like it may have been temped from the finale of Fantastic Beasts. (Or maybe I’m just crazy lol)Great work of Zanelli, if is not as good like JNH's Maleficent, is a tremendous work, with a terrific writing and orchestrations, even the most tender parts are terrific.It’s definitely Balfe. I’ve seen the film for the second time two weeks ago so my memory is kind of hazy but luckily I decided to record the end credits for reference and I think it plays in Balfe’s section / variation of one of his themes played on a solo string instrument. <br><br>I think we got most of Richter cues as it was mainly his release. I feel that Lorne has moved on from this project - he didn’t even mention the release so an extended release of his material seems unlikely to happen :( <br><br>For those interested the credits suite plays as follows: <br><br><br>“A Trip To The Moon” (synth part)<br>“I Put All That Away”<br>Variation on the theme in “Underground Lake” at 0:14<br>Variation on the theme in “Trip To Neptune” 0-1:00<br>“To The Stars”Season 2 premieres in 2 weeks, if he was scoring he would be working on it at the moment. But yes no confirmation regarding his return or a new composer. No news regarding new composer might be a hint whether Djawadi is returning or not.I only listened to the first couple of cues so it is too early to form an opinion comparing it to JNH but I disagree the first half drags. Maybe because I love tender themes.
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Hans ZimmerLisa GerrardKlaus BadeltNick Glennie-Smith
ComposerComposerCo-ComposerAdditional Music
Gladiator (Expanded Score)
Label: Unofficial Release
Length: 172'35
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (9797 votes)
  1. The Wheat - The Battle (11:42)
    Hans Zimmer, Lisa Gerrard
  2. Commodus - After The War (2:44)
    Hans Zimmer
  3. Marcus And Lucilla (2:07)
    Hans Zimmer
  4. Tell Me About Your Home (1:07)
    Klaus Badelt, Lisa Gerrard
  5. Lucilla And Maximus (2:21)
    Hans Zimmer
  6. Patricide (4:02)
    Hans Zimmer
  7. The Emperor Is Dead (2:19)
    Klaus Badelt, Lisa Gerrard
  8. A Soldier's Death - Home (4:20)
    Hans Zimmer
  9. The Bodies (1:30)
    Klaus Badelt, Lisa Gerrard
  10. Back To Marrakesh (4:08)
    Hans Zimmer
  11. I Salute You (7:34)
    Hans Zimmer
  12. The Greatness Of Rome (2:20)
    Hans Zimmer
  13. Rome Prepares For The Games (1:28)
    Hans Zimmer
  14. Six Man Fight (2:46)
    Hans Zimmer
  15. Win The Crowd - Not Yet (5:44)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
  16. He Sleeps So Well (1:06)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
  17. Afraid Of The Dark (1:16)
    Hans Zimmer, Klaus Badelt
  18. Walk To Coliseum (0:55)
    Hans Zimmer
  19. Maximus And Lucius Meet (1:33)
    Klaus Badelt, Lisa Gerrard
  20. Barbarian Horde - I Think I'll Meet Him (13:49)
    Hans Zimmer, Nick Glennie-Smith
  21. I'm Vexed (1:22)
    Hans Zimmer
  22. I Knew A Man Once (1:03)
    Hans Zimmer
  23. Waiting For Judgement (2:26)
    Hans Zimmer
  24. You Simply Won't Die (3:00)
    Hans Zimmer
  25. Figurines (1:10)
    Klaus Badelt, Lisa Gerrard
  26. Scherning Commodus (1:31)
    Hans Zimmer
  27. We Will Lie Still (2:08)
    Klaus Badelt
  28. Wish Of A Dying Man (4:27)
    Hans Zimmer, Klaus Badelt
  29. Secrets (2:59)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
  30. The Kiss (2:09)
    Hans Zimmer
  31. Busy Bee (3:44)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
  32. The Trap - Escape Fails (4:20)
    Hans Zimmer
  33. Am I Not Merciful? (6:40)
    Hans Zimmer
  34. Flashback (0:50)
    Klaus Badelt, Lisa Gerrard
  35. Death - Now We Are Free (8:26)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
  36. Duduk Of The North (Original Demo) (5:34)
    Hans Zimmer
  37. The Gladiator Waltz (Original Demo) (8:26)
    Hans Zimmer
  38. Rome Is The Light (Unused) (2:45)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
  39. All That Remains (Unused) (0:56)
    Hans Zimmer
  40. The Battle (Alternate Ending) (1:42)
    Hans Zimmer
  41. The Bodies (Alternate) (1:29)
    Hans Zimmer, Lisa Gerrard
  42. Back To Marrakesh (Alternate I) (3:17)
    Hans Zimmer
  43. Back To Marrakesh (Alternate II) (4:07)
    Hans Zimmer
  44. Back To Marrakesh (Alternate III) (4:12)
    Hans Zimmer
  45. Marrakesh Marketplace (Source) (0:43)
    Jeff Rona
  46. Win The Crowd (Alternate) (1:33)
    Klaus Badelt, Lisa Gerrard
  47. Afraid Of The Dark (Alternate) (0:49)
    Hans Zimmer, Klaus Badelt
  48. Figurines (Alternate I) (1:11)
    Hans Zimmer
  49. Figurines (Alternate II) (1:04)
    Hans Zimmer
  50. Busy Bee (Alternate) (3:52)
    Klaus Badelt, Lisa Gerrard
  51. The Trap (Alternate Insert) (0:45)
    Hans Zimmer
  52. Now We Are Free (Alternate I) (4:00)
    Klaus Badelt, Lisa Gerrard
  53. Now We Are Free (Alternate II) (5:08)
    Hans Zimmer, Klaus Badelt, Lisa Gerrard
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Bayhem reply Replies: 12 || 2019-07-31 10:02:55
Okay, quick unofficial poll (because I keep hearing so many different opinions from fans outside of this site):

At the end of the day, which Zimmer do you prefer?

- the 90's/early 2000s Zimmer when he was working a lot with Bay, Bruckheimer, Ridley Scott and Tony Scott?

or

- Zimmer from 2005 onward, when he started working with Christopher Nolan?

Some say that Zimmer got worse with Nolan (all those complaints about Inception's VROOOOOM, BROOOOOOM!), some say he got better......What do you think, folks?


Shince Thomas 2019-07-31 13:37:10
I think musically Hans before Nolan was richer, but thematically and subject oriented films after 2005 has Hans bring the best in him.


Ro2019-07-31 13:50:12
Definitely the pre Dark Knight era. I miss Power Anthems and those over-the-top epic tunes for orchestra, synth overdubs and chorus, dearly.


Edmund Meinerts2019-07-31 14:08:58
With no hesitation whatsoever, the pre-Nolan era.


rockhound2019-07-31 14:44:52
i also prefer the pre-2005 era.


mpolonest123 2019-07-31 15:08:22
Great question. On one hand I absolutely love the early Zimmer power anthem era (Peacemaker, Drop Zone, The Rock, Pirates) where his music was as bombastic as possible.

On the other hand, I do think Hans has matured his style in the past decade, and I’ve always loved his willingness to experiment and completely change his approach to scoring with different projects. (Interstellar, Dark Knight, Man of Steel, Spidey 2, Sherlock Holmes, etc.)

Regardless of what approach he takes, I always love me an HZ score.


iamtommie442019-07-31 16:22:35
For me it's exactly like mpolonest123 says.

I love his earlier scores, especially the Pirates scores. And even though a lot of his music in Pirates 4, was music that has nothing to do with the scene, I still love that score.

After 2005, the 3 Batman scores are amazing, Interstellar, Inception, Dark Phoenix & Dunkirk I think are all excellent.

So as said before, every time a Zimmer score is released I always find tons of music to love. Mostly because his scores are so varied.


Ds2019-07-31 18:21:57
The thing is, his musical soul is just the same as always, and it can be heard in all of his scores. It's just that his style has been a continuously evolving thing. He started from synths, then leaned more and more to the orchestral side of things until the early 2000s, and then started to experiment with sounds, orchestra and synths, to deliver scores that were less catchy but were more into creating an atmosphere. There isn't really a "threshold year" like Bayhem's suggested 2005 - come on, 2007 brought us At World's End!
That being said the scores I grew up with, and that made me feel in love with music (and with HZ music specifically), are the ones from the 2000s - all years included, from MI2 to Inception.


Hybrid Soldier2019-07-31 19:17:01
Where are the 80s ?


Anyway, I like all periods, trying to put them in boxes is pointless...


e2019-07-31 19:51:14
I like his animation scores the most. Kung Fu Panda, Boss Baby, Little Prince, Prince of Egypt... all full of fun orchestrations and great tunes.


Mike2019-07-31 21:56:33
I definitely prefer the unabashed power and thematic memorability of the pre-Nolan era. At the same time, something Hans has gotten very good at with-and-post-Nolan is his ability to distill the music down to its essential emotional components. The short motifs in Batman and MoS, for example, perfectly convey the sonic world of those movies. The problem with those scores? Big, memorable tunes take a back seat. If he could mix both approaches, i'd be happy. But on the whole, I prefer the pre-Nolan Zimmer. Prince of Egypt, At World's End, King Arthur, Gladiator — those scores are still incredibly powerful now. His later stuff requires a bit more "movie context" to have its full effect.


superultramegaa2019-08-01 16:50:03
Pre-Nolan had some generic and unmemorable music for sure, but there was a certain joyfulness and fun that all of the pre-2005 era had, whereas now, everything's starting to have a more and more bleak and depressing tone in general.

Much of this has to do with how aesthetically ugly Hans' style has gotten lately (Chappie, BvS, Man of Steel, Dunkirk), but it's also the lack of real innovation in his writing and interesting thematic material. The heart of his music just feels stripped away at this point.


Knight2019-08-01 17:15:32
>Man of Steel and Chappie are ugly
ok bruv

Mike (OTM) reply Replies: 1 || 2018-01-25 18:30:54
I was re-watching Gladiator the other day, and it made me wish Zimmer and Ridley Scott hadn't had their falling-out. Zimmer's changed his style, sure, but certain directors seem to inspire different kinds of music from him, and I think Scott and he were a good combination.

Unrelated, did anyone else notice that the trumpet fanfare for Commodus played in the film when he enters the Colosseum is actually the little motif for Commodus from the score itself?


Oscarilbo2018-03-14 16:43:51
did they really had a fallout ?
I mean.. Hans always talks wonders about R Scott and vice versa. Hans even worked on Blade Runner 2049 which R Scott produced.

balfes son reply Replies: 1 || 2018-03-13 17:09:02
this hasn't leaked or released so far, am i right?


Scorefan2018-03-13 20:57:28
It was leaked years ago

Boromir reply Replies: 3 || 2016-12-26 19:59:54
I've always had this question: What happened between Hans Zimmer and Ridley Scott? Why aren't they work together anymore ?


OskarC2016-12-26 20:15:14
Yeah, i've been asking myself the same question. They worked tohether for years, why doesn't Zimmer score Ridley's movies anymore.


Ds2016-12-26 22:19:08
The question is more like: why doesnt any composer work regularly with Ridley anymore? He used to have great scores in his movies, now they are all forgettable. Sadly The Martian seems like an exception in years of musical emptiness...


Edmund Meinerts2016-12-30 13:36:19
I thought Exodus was a decent score too. The HGW contributions are the highlight but I liked Iglesias and Jusid's material too, and it's surprisingly cohesive considering how many cooks there are. I do wish Harry had gotten that movie to himself, though.

mpolonest123 reply Replies: 1 || 2016-12-26 23:08:00
Ridley reached his peak with KOH music-wise. Both Prometheus and The Martian are decent, but neither comes remotely close to the quality of Gladiator or Hannibal.

What's really sad is the fact that most of his earlier films were so musically strong and diverse; what with Alien, Blade Runner, BHD, etc.
Not sure what happened to him as of late...


mpolonest123 2016-12-26 23:08:41
meant to post under Boromir

Alex reply Replies: 0 || 2016-10-27 21:53:49
Wonderful! What do I have to do to download this marvel?!

Peter reply Replies: 0 || 2015-11-07 14:30:45
Please, Let somebody give it in Poland. I need this album

Evan reply Replies: 1 || 2015-10-28 17:16:29
I actually own the 3 disk set mentioned below, I was very excited to hear it but instantly I knew it was going to be a let down. The track "German Battlefront" was definitely taken from the original OST. Now don't get me wrong, its a more enjoyable experience than the original soundtrack and "more music" release but there's still some music missing that I guess we'll never get a chance to own. I wouldn't spend too much time tracking it down. Whoever made this album must have spent hours cutting and splicing trying to put together a more complete score but all in all, it isn't what it claims to be. The track "Battle of Carriage (alternate version)" is quite interesting though. I'm pretty sure a legitimate complete score does not exist.


...2015-10-30 00:07:20
Look above at the tracklist with 53 tracks. It's a good version.

Steven reply Replies: 2 || 2013-09-03 20:52:37
Later on in the movie Lucilla visits Maximus in prison. After a conversation they kiss and the "Earth-Theme" is heard, BUT in a different awesome version.

PLEASE, where on earth can I find THIS VERY version????????????


Anonymous2013-12-05 21:35:49
30. The Kiss ?!


Steven2015-07-17 22:35:14
YES.. Ooops.. so obvoius... And it is on the track list.... But unfortunately this album has not been released :-(

Zimson reply Replies: 0 || 2014-05-03 00:03:08
Oh my god, I just saw this live in concert, the whole movie, and Lisa Gerrard sung!! Hans Zimmer, you are better than sex!!! What a god.

Anonymous reply Replies: 3 || 2013-07-19 18:44:56
Why are Klaus Badelt and Lisa Gerrard listed as composers? HZ said Lisa didn't compose any of it, and KB if anything would be additional music.


al bundy2013-07-19 19:14:51
so you're saying if Klaus did additional music he wasn't a composer?


Anonymous2013-07-19 19:27:11
He was, but composer implies he did a considerable portion of the work. If I'm not mistaken he did a few cues, that's it.


Hybrid Soldier2013-07-19 19:48:14
And Nick Glennie-Smith only got a special thanks in the credits... So what ? ;)

Anonymous reply Replies: 0 || 2013-02-08 04:39:09
Excellent Score! one of the best from Zimmer. Right now i am listening this full score and it's amazing

Commodus reply Replies: 2 || 2013-02-07 09:55:56
Hybrid, can you tell us, if this is the real complete score? or just another fan-edited one and it's missing some cues?


Magnus Rex2013-02-07 10:10:36
Hybrid does not list fan-made scores on here. This is as real as it gets.


Mike2013-02-07 23:29:20
Oh oops, the above comment about the Wheat was supposed to go here.

Anonymous reply Replies: 1 || 2013-02-07 22:14:17
When will be leaked?????????????


Mike2013-02-07 23:23:34
Where's The Wheat at the beginning, I wonder...

Maybe it's like The Dark Knight Rises and some cues were put in the movie later.

ScoreS reply Replies: 2 || 2013-01-29 02:01:57
when will be leaked?


fabien2013-01-29 16:00:31
Amazing release.
Finally we get it !


T-Mann0362013-02-07 06:05:26
Are you not entertained? What more can I say. I love the score!!!!!

Mike reply Replies: 5 || 2012-12-01 19:39:30
Whoa, when did this get put up???? :D


Mike2012-12-01 19:41:07
And if it's been up for a while, why did people bother saying "HEY LOOK I HAVE THE RECORDING SESSIONS"?


Master of Fate2012-12-01 19:55:37
You don't ever think your thoughts out very far, do you, Mike?


Mike2012-12-02 00:30:18
Yeah, I reckon I'm pretty stupid.


Anonymous2012-12-02 00:57:23
This is true, not fake


Mike2012-12-02 07:59:40
Indeed, Anonymous. If it's been posted as a page, it's real.

Mr. Charles reply Replies: 0 || 2012-12-01 22:33:00
OMG how legit is this?

axel reply Replies: 0 || 2012-12-01 08:53:38
Great ! I finally got it!! ;)

Gabriel Samson reply Replies: 0 || 2010-08-16 00:00:00
Hello!!!!


I speak not very good english..I'm 17 Years old..
I love the Music of gladiator, Honor Him and Now we are Free.. This music are important because I think an a Friend important for me...

Good Bye!!

Gabriel

RuthlessGravity reply Replies: 0 || 2010-01-02 00:00:00
Heres a fun fact, Duduk Of The North was used in WWII In HD.

Mr Tweedy reply Replies: 0 || 2008-11-27 00:00:00
Homecoming without dialogues has a pretty easy answer... It is ripped from a bonus of the second edition of the Gladiator DVD. There are some bonuses with isolated score. And I'm sure about those facts : I am the guy who made that rip.
But it seems somebody put my rip on a bootleg and claimed to have something new... that's so cute...

maps reply Replies: 0 || 2008-11-27 00:00:00
Hello, everybody!

I finally got the 3-CD-Edition, too and I'm very sorry to say: sidums is right!

Also this Bootleg release is just a fake. You can hear that since the first track.

The first track contains the original prologue music (no wonder, it could be ripped easily from the DVD) then following is "The wheat" (taken from the original release) and going into "The Battle". Here this glory theme with horns and humming choir is just played once, as on the album! In the film it's repeated immediately (you can hear the film version in the background of an interview track on the third disc). Than the film version of the battle is heard (with the humming male voice heard twice and the very short guitar solo - on the album, it is much longer) but then falling back in the album version.
On screen, when the battle is filmed in this 'trance-like' sequence just the strings a heard. On the album Lisa Gerrard is singing along that part - as on every dammed bootleg version! I never got my hands on a version only the strings a playing (and that's really sad).

After that, Commudus and Lucilla is just the Album version of the "prologue" fading out very abruptly.

"The Aftermath" is just the source music heard in the tent. It is also contained on most of the 2-CD-Sets, but here it is longer - because the guy who created this just repeated the second half.

And so it goes on and on. Just one thing on this boot which is very nice: "Homecoming" is completely without dialogue!

For all you are hunting this I say: Don't hunt for it any longer. I dread we have to wait twenty or more years when an official complete version gets released.

Cloud reply Replies: 0 || 2008-07-06 00:00:00
The fact that you can't find it doesn't mean it doesn't exist ;)

sidums reply Replies: 0 || 2008-07-06 00:00:00
By the way, the 3cd soundtrack mentioned below is just a mix up of all the expanded cds released previously plus music taken from the menu screens of the new Gladiator Extended DVD. So once again, a real complete score still does not exist.

Though the CD release that medivh mentioned below sounds interesting, but i have never seen that one anywhere, and since he has taken the track vnames directly from the DVD Chapters titles i think its likely he was making it up.

Sorry to sound negative, but im only telling you guys the truth. A REAL GLADIATOR COMPLETE SCORE DOES NOT EXIST!..........Yet

UltimateManGod reply Replies: 0 || 2008-07-03 00:00:00
I also have that 3 CD soundtrack. Does anyone know the chronological order for all the songs? I can tell they're out of order, but don't know the right order.

  Your name :   

Please enter number: 617 

Thrustmaster reply Replies: 0 || 2008-05-22 00:00:00
Oh my God, I've finally got the 3CD Soundtrack. It's amazing and it's really sad, that this isn't released yet. Hans should release this as an ultimate collection as he does with PotC. In this version of Bootleg, there are ALL tracks of the original and "more music" soundtrack and plus some alternate and unused cues - and every song doesn't have any dialogs (-> i looove "Homecoming").

Here is the tracklist of the 3CD Recording Session Bootleg of Gladiator:

CD 1

01 The German Battlefront
02 The German Battlefront (Alternate Version)
03 Commodus And Lucilla
04 Aftermath
05 Earth
06 The Campus
07 Loving Daughter, Good Father
08 The Protector Of Rome
09 The Protector Of Rome (Short Version)
10 Figurines
11 Figurines (Alternate Version)
12 Patricide
13 The Emperor Is Dead
14 Escape - Homecoming
15 Desert Journey
16 Sorrow
17 Desert Journey (Alternate Edit)
18 The Caravan In The Desert
19 The Caravan In The Desert (Extended Version)
20 Marrakesh Marketplace
21 To Zucchabar

CD 2

01 All That Remains
02 Maximus
03 Maximus, The Merciful
04 The General Who Became A Slave
05 Rome Is The Light
06 Battle In Chains
07 Battle In Chains (Short Version)
08 The Might Of Rome
09 The Might Of Rome (Short Version)
10 Win The Crowd
11 Duduk Of The North
12 Barbarian Horde
13 The Mob
14 The Mob (Extended Version)
15 Betrayal
16 The Slave Who Became A Gladiator
17 The Slave Who Became A Gladiator (Short Version)
18 Proximo
19 Not Yet
20 Slaves To Rome
21 Conspiracy - The Streets Of Rome

CD 3

01 Coliseum
02 The Battle Of Carthage
03 The Battle Of Carthage (Alternate Version)
04 The Gladiator Who Defied An Emperor
05 The Execution
06 Thumb Down
07 Figurines II
08 Plans - Senators Arrested
09 Secrets
10 Busy Little Bee
11 The Trap
12 The Trap (Alternate Version)
13 Death Smile At Us All
14 Elysium
15 Am I Not Merciful
16 Honor Him
17 Now We Are Free
18 Now We Are Free (Short Version)
19 Now We Are Free (Juba's Version)
20 Now We Are Free (Maximus' Version)
21 The Rhino Fight (Unused)

I hope, I could help somebody out with this.
I'm going now enjoying the soundtrack again. :)

Maps reply Replies: 0 || 2008-02-21 00:00:00
Can anybody post the tracklist of the complete-3-CD-version you where talking about?

Mathieu reply Replies: 0 || 2007-12-16 00:00:00
is there a real complete score ???

Sylvos reply Replies: 0 || 2007-10-02 00:00:00
Yep, Manuel is right I guess. I too have heard about a 3 CD set. It has like 84 tracks if I'm not mistaking. oooooo...

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Gladiator (Expanded Score) soundtrack - Hans Zimmer - Lisa Gerrard 2000