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Really want this score!!Do we know if Lorne Balfe will be involved in Dune?  Maybe he could compose the Dune seriesAnd streaming practically dominates how the majority listen to music. Physical media is costly and expensive to manufacture and don't sell very well in stores as everyone prefers to to use Spotify and getting the same album for free. Same goes for movies and TV shows as well with Netflix.For me it's easy.<br>If there is a cd version I buy it. If there is only digital version.....NO<br>I'll pay for music while there are physical format (only cd really). I'm not interested in pay for downloads,Spotify, etcLorne has nothing to do with interstellar
GITS 2.0? I hope not.I have no idea why, filmmusicreporter wrote about it...Seriously? Why they make this decision? They want to sound like Interstellar or what?LOL, Lorne is co-composing "Ad Astra" with Max Richter, that guy is everywhereI think we can call Ian Brown McCarthy the Anti-MacArthur....lol.... Where MacArthur set out to prove everything was by Zimmer, Ian proves everything is by Lorne. ;)<br><br>Kidding, mostly. Lorne's contributions, especially where he has "producer" credits like on this score, are undeniably underrepresented. I've always considered Lorne a co-composer here, just like on Inception, Sherlock Holmes, and Kung Fu Panda 2-3.
Not to nitpick, but even "near co-composer" is downplaying Lorne's role IMO; I've had him listed as co-composer in my personal library for a solid year now.<br><br>On a relate note: man, Hans and Lorne make damn good music together.What I want to know is if the album version of Nixon Defeated is the solo Hans alt or notFeels like there are more Balfe credits on this version than on the album (e.g. Status Suite, solo Hans on the album, Hans/LB here). In fact I'd go so far as to label him a near co-composer here, just like Inception and Sherlock Holmes.Any word on where this can be found, or if it actually exists? H-Z (here) is the only place any of these tracks (let alone mention of a complete version of this score) can be found.Why you haven't update about David Buckley with Angel Has Fallen score yet?
Yep, fun (if slight) score to a very fun movie. "Get it On" is a great action cue.It was also one of the first HG-W's scores I ever listened to (way back when!), so maybe it's just nostalgia talking. <br>But it's worth a listen at least.It's a shame no one talks about this score. <br><br>It's a great listen if you love heavily percussive music! <br><br>Not a highlight in HG-W's carreer by any means, but it's a fun ride, and has some neat unique sounding stuff courtesy of Heitor Pereira, as well as plenty of goold ol' MV style synth/orchestra pounding!He returns to the hitman's bodyguard part 2I was honored, back in 2006, to meet both Nick Glennie-Smith and Harry Gregson-Williams.<br><br>I talked with both about The Rock, and here's what they told.<br><br>Nick & Hans worked very closely on most of their cues. That's why it's so hard to notice any difference between their own styles (and why they share most of the credits).<br>Harry worked separately from Nick & Hans. He remembered working on the San Francisco Chase (though we know Don Harper helped at some point in the process), and on "a lot of the action material from the second half of the movie, once the heroes reach Alcatraz".<br>The credits here tend to prove they were right.<br><br>All the Opening Titles / SEAL Attack is a bit complicated. Hans might have written the theme, but it also might be arranged for pictures by Nick Glennie-Smith (plus there's a lot more going on in these tracks than the man theme alone). So, well, I guess the final result still is a collaborative effort.
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Additional Music - Conductor - Orchestrator
Hans ZimmerNick Glennie-SmithChristopher WardJay Rifkin
ComposerAdditional MusicAdditional ArrangementsScore Producer
Crimson Tide
Label: Hollywood Records
Length: 60'17
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (12397 votes)
  1. Mutiny (8:57)
  2. Alabama (23:50)
  3. Little Ducks (2:03)
  4. 1SQ (18:03)
  5. Roll Tide (7:33) *
* Includes Hymn "Eternal Father Strong To Save" written by John B. Dykes with words by William Whiting
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Brian reply Replies: 0 || 2005-02-04 00:00:00
hans is the best composer hands down and I first heard him on this movie and was blown away he is incredible and so our his themes like this one!

Spectacular Music Score reply Replies: 0 || 2005-01-02 00:00:00
I've never heard great and emotional music like this.
this is the best music score to me ever made!!!!!!

Demetris Christodoulides reply Replies: 0 || 2004-12-17 00:00:00
There's not much to be said about a classic score that influenced so many people since its release and added another brick in the ever-expanding wall of film music.

Itís true that some long-cue scores tend to become tedious and tiring for the listener but I personally donít have a problem with long cues as long as they do not fall into that trap. The particular ones, not only do they avoid that trap but a long of thematic and general musical development takes place in that duration and thatís a very pleasant fact because we get a coherent whole, with strong and memorable thematic material.

If you correspondingly of the contrasting issue that appears largely in score cds lately, i.e. the small cues that donít have the time and space to develop in order to actually offer something important to the listener other than plain underscore and semi-finished and undeveloped ideas, this is a rather welcome score.

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Crimson Tide soundtrack - Hans Zimmer 1995