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I think Balfe has to come back because Fallout was the first since Mission 2 the music worked.He made Laloís theme sound modern and cool.It's out there.Reef 2: High TideSerenity going to be released next week<br><br>https:/ / www.amazon.com/gp/product/B07KZGKX4K/ref=as_li_qf_asin_il_tl ?ie=UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creativ eASIN=B07KZGKX4K&linkId=b932ee0afd97cf3be04f644cad294734I watched again and the "thickness" in some of the low end was in fact multiple kettle drums being rapidly pounded which in fact accounts for the excess reverberation and explains why it sounded muddy to me.  I will have to get the "World of Hans Zimmer" recording that others are talking about and see if I like that one better.
Personally, I do not want Balfe or Kraemer to return. I found Kraemer's score to be too restrained, and while Balfe's score is exciting, when I watched the film, I thought the music worn out quickly by the middle of the film. Too much of the same orchestrations. <br><br>I hope they go with someone new.Please add some Interstellar, Man of Steel or Batman Begins to the 2019 tour..I was meaning in addition to stairs and rooftops is there any other segments that play that partI would rather Balfe do the next Bond.MI5 Rogue Nation was a completely breath of fresh air in the series. Thanks to McQuarry and of course Cruise. But also, Kramer take the music in a new level and for me it's one of the best scores in the series. Balfe elevate the music to the netx level. No one doubt is the best in the series, even Balfe took some motifs from Giacchino's scores. So if Balfe return it would be awesome hear what could be the next level in his music, but if Kramer returns, is sure he will take the music to all new level. One of the things Cruise take care in the series is the music, he has a good ear, so many people were surprised when he choose Balfe to score the film.
I think that it's ridiculous that there is going to be a mission impossible 7 & 8. Hopefully, these are going to be the last ones and that they end on a high note. I do want Balfe back if they are going to make these films.I liked Fallout but Rogue Nation is where it's at. I wish Kraemer could return :/@ Jason Stairs & Rooftops was a standard track not a bonus<br><br>@ Peter cruise wanted a different composer and director for every film so they all have a different feel. McQuarrie made history there as the first filmmaker to do 2 M:I filmsStairs and rooftops is a fantastic track.Does anyone know why Kraemer wasnít used?<br>I was at Admiralspalast on Sunday evening and I completely agree with what you wrote!
Guys... he-he's not getting it...was that segment in any of the bounus tracks? from LALA LAnd.I honestly love stairs and rooftops that track I could listen to that segment from about 3:25-4:20 over and over again. so I hope balfe does it againRogue Nation was a great soundtrack but Fallout has to be one of the best action scores since The Dark Knight.I hope they keep Balfe on for the next 2 films@Edmund Not at all! I think Kraemerís score honestly is one of the best in the series, especially with the way he approached the material. On the same token though, I am also a massive fan of what Balfe did. A different approach for sure, but it still helped elevate the film much in the way Fury Roadís score did for that film. <br><br>Personally though, I feel like bringing a new composer on board to give a different take would be the most ideal, but thatís just me.
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Additional Music - Conductor - Orchestrator
Hans ZimmerNick Glennie-SmithChristopher WardJay Rifkin
ComposerAdditional MusicAdditional ArrangementsScore Producer
Crimson Tide
Label: Hollywood Records
Length: 60'17
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (12122 votes)
  1. Mutiny (8:57)
  2. Alabama (23:50)
  3. Little Ducks (2:03)
  4. 1SQ (18:03)
  5. Roll Tide (7:33) *
* Includes Hymn "Eternal Father Strong To Save" written by John B. Dykes with words by William Whiting
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Demetris Christodoulides reply Replies: 0 || 2004-12-17 00:00:00
There's not much to be said about a classic score that influenced so many people since its release and added another brick in the ever-expanding wall of film music.

Itís true that some long-cue scores tend to become tedious and tiring for the listener but I personally donít have a problem with long cues as long as they do not fall into that trap. The particular ones, not only do they avoid that trap but a long of thematic and general musical development takes place in that duration and thatís a very pleasant fact because we get a coherent whole, with strong and memorable thematic material.

If you correspondingly of the contrasting issue that appears largely in score cds lately, i.e. the small cues that donít have the time and space to develop in order to actually offer something important to the listener other than plain underscore and semi-finished and undeveloped ideas, this is a rather welcome score.

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Crimson Tide soundtrack - Hans Zimmer 1995