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Because they didn't work direcly in this score, but their material from the previous one was reused.Does anyone know why some of the composer names are in brackets? Thanks!thanks4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospitalIn case he's visiting this site, I wanna say 'Thank You' to Ashton Gleckman who does the 'Behind the Score' episodes on YouTube. I loved the 1-hour episode for the Transformers scores and I actually learned a lot. Very educational. I found the video by accident and now I plan on watching his other videos as well.<br><br>Job well done, my friend.
@Hybrid <br>You don't add anymore Trevor Morris things ?Probably for chronological purposes<br>even though the movie uses a shortened version of Romanian Wind at that timei saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.<br>===============================<br><br><br>I agree. <br><br>And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.<br><br>People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.<br><br>It was pretty much the same with I Am Number Four...<br><br>It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.<br>===========================<br><br><br>I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks. <br><br>But why most people don't think like us?<br><br>The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.<br><br>While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.<br><br>The subtle tracks simply can't win against that. Sadly....<br><br>By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.<br>Why is Romanian Wind not sequenced after Case Re-Opened? Is not the former 7M48 and the latter 7M47?
Yeah that is true, can’t argue there lol<br><br>And is it me or does “Calypso Must Be Released” sound like Black Hawk Down?To be fair there is a lot of King Arthur in At World's End too. Just the general feeling you get from the action tracks in both scores is virtually identical. Hell, one of the main themes from King Arthur even appears when Bootstrap Bill remembers that Will is his son.@MrTweedy<br>That’s totally fine, everyone has their own favorite HZ scores, which is awesome!<br><br>It’s funny though, I feel like DMC is far more schizophrenic than AWE. Now don’t get me wrong, I absolutely love DMC. It’s the score that got me into Hans Zimmer. But still, I feel like a major part of that score is note-for-note reprises of cues/themes from COTBP. Not to mention the temp tracking of King Arthur.<br><br>AWE always felt far more original to me, especially considering that the entire tone of the music shifts from the “rock’n’roll” sound of the first two to a more traditional score (at least by Hans Zimmer standards lol)@MrTweedy<br><br>Just curious, what scores do you considered to be Zimmer's best?The Pinnacle of Hans' career?<br>Although I really like this score, I don't agree. But hey, I know it's just a matter of opinion, okay? ;)<br><br>Of course it shows Hans strengths in almost every area (action, drama, romance, comedy...) but for me it's too much of a medley of previous works, without much personality.<br>It feels a bit like a palette with too many colors. From the action sequences borrowed from Drop Zone, to the Morricone inspirations for Jack's Sequences, to Gladiator's duduk that ended up there with no real reason, to a beautiful Love Theme that brings another new shape to the sonic identity... it's like the score sometimes goes schizophrenic.<br><br>Though each individual idea is really enjoyable to listen to, I think Hans has made scores that are much more cohesive and enjoyable as a whole!
i also think it is an underrated score. especially the action music has a couple of nice touches. i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene. the emotional music is nothing ground breaking, but a lovely listen.Y'know, it's funny. The big names that always get the most attention in film music are often not my favorite tracks of the scores they represent. Now We Are Free, Arrival to Earth, Like A Dog Chasing Cars, Star Wars Main Theme, Indiana Jones Main Theme, Infinite White, One Day, Circle of Life, The Fellowship. Though they are the most well known, they're usually nowhere near the peak of quality of their scores. <br><br><br>I noticed this the most in Hans Zimmer's concerts (not World of Hans Zimmer mind you). The parts he played from The Dark Knight Trilogy in particular usually had the least substance. Just the bombastic tracks. The only choice I agreed with was Time from Inception. There was no Am I Not Merciful, A Watchful Guardian, Sunrise Over Pride Rock, none of that. <br><br><br>Even with Star Wars, the main theme and the Force theme are solid pieces of music, but neither come close to the beauty of Princess Leia's theme, or the wondrous Yoda theme. <br><br><br>Same with Lord of the Rings. The Fellowship Reunited, Very Old Friends, Gollum, and The Breaking of the Fellowship are much more substantial pieces than The Fellowship Theme alone in my opinion. <br><br><br>Can't say anything about My Name is Lincoln because I haven't finished The Island score yet, but yeah. I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.Thanks guys, will check out these cues.Hmm, aside from "The Guardian Suite' I don't think I've heard any other tracks from this score. And I have a feeling I'm not the only one....lol.<br><br>Speaking of.........I would most definitely put "The Guardian Suite' right up there next to "Now We Are Free" and "My Name is Lincoln". It's *that* good and powerful. Shame that the movie is not as popular as The Island and Gladiator. If it was, that suite would've been one of the most popular film score tracks with millions of views on YouTube. It certainly deserves it.Very underrated score. As already pointed out by a couple of reviewers, it's a nice, little throwback to MV/RC's Golden Years and Trevor's own scores from 1997 to 2002. Give it a listen if you can. It's not long and it's worth it.
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Additional Music - Conductor
Hans ZimmerNick Glennie-SmithHarry Gregson-WilliamsDon Harper
ComposerComposerCo-ComposerAdditional Music
The Rock (Complete Score)
Label: Unofficial Release
Length: 107'32
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (11881 votes)
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  1. Opening (3:54)
    Hans Zimmer, Nick Glennie-Smith
  2. Naval Weapons Depot (4:17)
    Hans Zimmer, Nick Glennie-Smith
  3. Baby Doll (2:26)
    Harry Gregson-Williams
  4. Romance #1 (0:19)
    Hans Zimmer, Nick Glennie-Smith
  5. Tour's Over, Bob (3:29)
    Nick Glennie-Smith, Don Harper, Steven Stern
  6. Hummel Speech - Alcatraz Reopened (2:25)
    Hans Zimmer, Nick Glennie-Smith
  7. Hummel's Demand To Pentagon (1:21)
    Hans Zimmer, Nick Glennie-Smith
  8. Romance #2 (0:46)
    Hans Zimmer, Nick Glennie-Smith
  9. Mason Montage (1:24)
    Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
  10. San Francisco Montage (1:17)
    Hans Zimmer, Nick Glennie-Smith, Russ Landau
  11. Interrogation (1:02)
    Nick Glennie-Smith, Steve Stern
  12. The Quarter (0:41)
    Nick Glennie-Smith, Steven Stern
  13. Window Crash - Fairmont (2:07)
    Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
  14. Haircut Escape - The Chase (8:22)
    Hans Zimmer, Nick Glennie-Smith, Don Harper, Harry Gregson-Williams
  15. 32 Stenson Drive (0:49)
    Nick Glennie-Smith
  16. Jade (1:59)
    Nick Glennie-Smith
  17. Blueprints (1:06)
    Nick Glennie-Smith, Harry Gregson-Williams
  18. Hummel - SEALs (7:14)
    Hans Zimmer, Nick Glennie-Smith
  19. Mason Into Furnace - SEALs Tunnel (1:14)
    Nick Glennie-Smith, Don Harper
  20. In The Tunnels (3:32)
    Hans Zimmer, Nick Glennie-Smith, Steven Stern
  21. SEAL Attack (4:52)
    Hans Zimmer, Nick Glennie-Smith, Steven Stern
  22. A Terrible Mistake (0:49)
    Harry Gregson-Williams
  23. Bombs (3:43)
    Nick Glennie-Smith, Harry Gregson-Williams
  24. The Morgue (1:52)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  25. Escape (2:12)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  26. Mine Fight (4:12)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  27. Hostage - Goodspeed Captured (5:35)
    Hans Zimmer, Nick Glennie-Smith
  28. Thermite Plasma (0:51)
    Nick Glennie-Smith
  29. Mason's Walk (4:10)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  30. First Launch (1:54)
    Harry Gregson-Williams
  31. President's Lament (1:57)
    Hans Zimmer, Nick Glennie-Smith
  32. Mission's Over (5:28)
    Hans Zimmer, Nick Glennie-Smith
  33. Final Attack (3:07)
    Hans Zimmer, Nick Glennie-Smith
  34. The Last Chip (2:26)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  35. Green Smoke (2:37)
    Hans Zimmer, Nick Glennie-Smith
  36. Finale (3:24)
    Hans Zimmer, Nick Glennie-Smith
  37. Fort Walton, Kansas (1:37)
    Hans Zimmer, Nick Glennie-Smith
  38. The Mission (Alternate) (1:56)
    Hans Zimmer, Nick Glennie-Smith
  39. In The Tunnels (Alternate 1) (1:37)
  40. In The Tunnels (Alternate 2) (1:31)
  41. Fort Walton, Kansas (Alternate) (1:40)
    Hans Zimmer, Nick Glennie-Smith
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Bayhem reply Replies: 3 || 2018-01-03 20:26:47
I still wonder if the rumors about James Newton Howard 'helping out' on the score are true? If it's true then this would be the first Newton Howard/Zimmer collaboration. Not the Nolan Batman films :)


James Callahan2018-01-03 23:17:11
The rumors are true. I read this in some 1997 post of somewhere on the internet that I do not remember now.


Bayhem2018-01-03 23:30:25
Wow, that is great. What a crew then!


lol2018-01-04 13:11:37
Yes if you read it somehwere random on the internet in 1997 then surely it must be true

Felix reply Replies: 0 || 2017-01-13 23:04:06
There's a new tracklist here :)

Ds reply Replies: 0 || 2016-05-18 20:54:36
Hybrid, please tell HZ that this is your favorite score ever, and beg him to play a small little piece from it at the last show in France, as he promised us something special for this show! I'm sure he can be persuaded :-D

Seer reply Replies: 9 || 2015-08-06 07:37:06
There's a new recording session out. How legit/complete is it? Anyone know the source?

ROCK_1M1 Main Titles
ROCK_1M2 Hummel Gets the Rockets
ROCK_2M3 Stanley Disarms The Bomb
ROCK_2M4A Carla Proposes
ROCK_2M5 Alcatraz Takeover
ROCK_2M6 Hummel's Speech
ROCK_3M6A Hummel's Demands
ROCK_3M7A Stanley and Carla
ROCK_3M8 He Does Exist
ROCK_4M9 FBI Arrival
ROCK_4M10 Paxton Briefs Mason
ROCK_4M11 The Quarter
ROCK_4M12 Mason Breaks The Mirror
ROCK_5M15 Mason Prepares His Escape
ROCK_5M16 San Francisco Chase
ROCK_5M17 Stanley Tails Jade
ROCK_5M18 Mason Meets Jade
ROCK_6M18A Mason's Blueprint
ROCK_6M18B The Mission (Insert)
ROCK_6M18B The Mission
ROCK_6M18C The Furnace
ROCK_7M19 Welcome To The Rock (Alt.)
ROCK_7M19 Welcome To The Rock
ROCK_8M20 Shower Room Massacre
ROCK_8M21A Hummel Mourns
ROCK_8M21B Bombs Away
ROCK_9M22 Into The Morgue
ROCK_9M23 Close On The Morgue
ROCK_10M24A Tunnel Fight
ROCK_10M24B Mason's Walk
ROCK_11M25 Thermite Plasma
ROCK_11M26A The Final Hour
ROCK_11M26B Rocket Away
ROCK_12M27 Air Strike Approved
ROCK_12M28 Mutiny
ROCK_12M29 The Last Rocket
ROCK_13M30 Goodspeed and Frye Fight
ROCK_13M31A-B Green Smoke
ROCK_13M31B Green Smoke (Alt.)
ROCK_13M32 Fort Walton
ROCK_14M33 End Credits
ROCK_A Simple Victory (Demo)
ROCK_Guitar Study (Demo)
ROCK_In The Dark Place (Demo)
ROCK_Main Theme - More Developed And BIG (Demo)
ROCK_Main Theme (Unused)
ROCK_Mystery To Love Theme To Bell Theme (Demo)
ROCK_Pastorale (Demo)
ROCK_Portent Theme To Noble Theme (Demo)
ROCK_Theme That Builds (Demo)
ROCK_Theme That Builds With Groove (Demo)
ROCK_The Rock Demos (Demo I, Demo II, Demo III)


T-Mann0362015-08-06 17:26:10
It's real, it's complete, and it's 100% legit!


Scorefan2015-08-06 19:51:56
Well it's completely legit and 100% real, but these 2 cues posted here by Hybrid are missing from the sessions:

40.In The Tunnels (Alternate 2) (1:31)
41.Fort Walton, Kansas (Alternate) (1:40)

With these two cues the sessions would be complete.


Magnus Rex2015-08-07 07:57:29
This is not entirely legitimate. For one, it's partially made from an older fan edit which crossfades some cues. The real sessions have clean openings and endings to each piece. In addition the "demos", as far as I can tell, are almost all fake (or else Hybrid would have surely added them here). They sound nothing like The Rock score. The only real demos are the I, II and III pieces, which come from an old NGS promo.


Hybrid Soldier2015-08-07 08:28:05
The demos are real.

I never added some for some reason. But trust me they are all legitimate...


Scorefan2015-08-07 21:01:11
Thanks Hybrid


Angelos2015-08-08 10:29:10
So, da shit is real dawg.....

Dat question is : when is LLL going to make this an official release? You know, give it a good remastering and make it official....


T-Mann0362015-08-08 17:04:55
Intrada would be an excellent choice to release The Rock complete film score.


Angelos2015-08-08 18:08:35
Ya dawg, Intrada would do too...


Anonymous2015-08-10 20:38:52
Given that a certain someone keeps leaking recording sessions that more often than not end up getting an official release (Wyatt Earp, Jennifer 8, The Ghost and the Darkness, etc.), perhaps a label is going to release this at some point in the future? Who knows; the two occurrences may not be linked at all.

KLF reply Replies: 2 || 2015-01-29 03:33:17
Track #40 - In The Tunnels Alt. 2 - this is on the CD OST somewhere?


Jemima2015-04-13 18:02:40
Hey.

So where can one buy this?

Also is there an "official" complete version? Cause there are plenty of "completes" out there, all with different track listings, some with SFX, some without
### EDITED ###

Cheers.


Damien, Moderator2015-04-13 20:44:05
As all score marked "Unofficial Release", you can't.

High reply Replies: 1 || 2014-07-17 13:49:55
Would be soo nice, if Zimmer would make a long version of "Fort Walton" or if he did so, show us this masterpiece..


High2014-07-17 13:53:23
As I found out, there is an alternate take with Nick Smith.. ;)

Bioscope reply Replies: 1 || 2014-05-05 06:09:29
This suddenly looks more complete. Does that mean its finally out there, no sfx?


Anonymous2014-05-05 23:51:50
it's just added credits

Edmund Meinerts reply Replies: 7 || 2014-05-04 20:59:20
For the new credits here (sorry in advance for overly anal-ness, Hybrid...). Wherever Zimmer appears, is it because he actually had a hand in those cues or is it just because of his theme?


Mike2014-05-04 21:00:28
Well, I think we can definitely say he did the Opening, right...?


Mike2014-05-04 21:02:25
Also, sorry for making two posts in a row, but I guess he also did some of the Fort Walton, Kansas cue, because his name is there, but the main theme isn't in it.


Edmund Meinerts2014-05-04 21:06:31
I always thought that the only two really Zimmer cues in the score are the opening and Hummel's speech. But come to think of it you must be right about Fort Walton, Kansas. :)


Hybrid Soldier2014-05-04 21:51:19
No he actually wrote the score... No choice... Rescue...

With Nick of course but Mason's Walk or The Mission are clearly written by Hans himself...


Mike2014-05-04 22:01:26
That explains SO MUCH. Cues like "The Mission" always screamed that they were 100% Zimmer to me.


Hybrid Soldier2014-05-04 23:07:43
And Hans actually wrote the Opening Title for the SEAL Attack in the first place... It only became the Opening Title after... lol


Hybrid Soldier2014-05-05 08:48:02
Has someone any idea what San Francisco Montage might be ?

I know that cue is credited to Russ Landau (yeah... even he worked on that score lol...).

I always thought it was "Deadline"...

Mike reply Replies: 2 || 2014-01-03 23:48:15
Is the awesome opening cue by Zimmer or NGS?


marco2014-01-04 01:50:38
Hard to tell mate. It could be NGS as he efforts after the rock sound identical such as the man in the iron mask.


Michael H2014-01-04 11:28:47
The main theme in the opening credits is HZ...

Felix reply Replies: 0 || 2013-11-16 22:17:25
Hybrid, can you write the credits please?

Anonymous reply Replies: 1 || 2013-08-10 18:54:56
I find it odd that HGW is credited a principal composer on the cover. It seems like he just did a bit here and there.


Hybrid Soldier2013-08-10 19:44:36
Harry did a lot of the action cues in the middle of the movie...

Hybrid Soldier reply Replies: 2 || 2013-08-10 11:04:01
Little HZ comment regarding his involvement on The Rock :

"I ended up writing the main themes, the scene where they all get killed... I think I had a hand in most cues by the end. I can't really remember all that much. Jerry, M. Bay and Nick was just not a good combination. Yes, I seem to remember the Hummel speech, and Harry learned how to write a car chase. Maybe a hundred times :)"


Evenstar2013-08-10 12:37:35
nice :)


Mike2013-08-10 18:11:21
Interesting timing. I was wondering about Zimmer's involvement here just a couple days ago. I imagine the album track "Hummel Gets the Rockets" has a lot of Hans in it, and I know his theme is used a lot throughout, but I didn't know he was involved with the cues, really. Thanks for the info.

Gav reply Replies: 1 || 2009-08-03 00:00:00
Sadly, this is NOT complete - only expanded. Some cues are missing.


Peter Jacobs2012-06-15 05:18:16
Exactly. The cue I notice immediately is the love theme between Goodspeed and his wife. A slower and more romantic version of Fort Walton, Kansas. I believe would be titled "Marriage"

Played as Goodspeed and his wife talk about getting married in San Francisco just after making love.

Peter Jacobs reply Replies: 0 || 2012-06-15 04:54:39
I'm waiting for the day La La Land or some company picks up this score and decides to release it in complete form. Hans Zimmer, NGS, HGW, and Don Harper all did a fantastic job on this.

Aggelos reply Replies: 0 || 2011-12-04 16:27:50
Folks, La-La Land has to release a complete edition for this score right here, right now for Christ's sake!!!!
One the best action scores ever!!!




H-GW: "I basically helped Nick Glennie Smith and Hans get through it - there was a mountain of music to be written and hardly any time (what's new), not to mention probably the most odious director alive plus the eternal task master Jerry "let's torture Harry now" Bruckheimer. The car chase was one of a few that became my responsibility. I thought Nick did a REALLY good job considering the circumstances."

Zimmer: "The main theme is mine, as are a few other bits. It's really hard to tell. I do have a huge influence in there. But I never really wanted to write any of it. It was always supposed to be Nick Glennie-Smith's score."


1 - Opening Titles - Hans Zimmer, Nick Glennie-Smith
2 - Hummel Gets The Rockets - Nick Glennie-Smith, Harry Gregson-Williams
3 - Baby Doll* - Harry Gregson-Williams
4 - Rock House Jail - Nick Glennie-Smith
5 - Hummel's Speech - Hans Zimmer, Nick Glennie-Smith
6 - The Quarter* - Nick Glennie-Smith
7 - The Chase - Nick Glennie-Smith, Harry Gregson-Williams, Don Harper
8 - Jade - Nick Glennie-Smith
9 - Lift Off - Nick Glennie-Smith
10 - The Furnace - Welcome To The Rock - Don Harper, Nick Glennie-Smith, Harry Gregson-Williams
11 - The Shower Scene* - Nick Glennie-Smith
12 - Rodent Problem* - Harry Gregson-Williams
13 - The Morgue* - Harry Gregson-Williams
14 - In The Tunnels - Harry Gregson-Williams
15 - Off The Track - Nick Glennie-Smith, Harry Gregson-Williams
16 - Mason's Walk - Nick Glennie-Smith, Harry Gregson-Williams
17 - Deadline - Nick Glennie-Smith, Harry Gregson-Williams
18 - First Launch - Harry Gregson-Williams
19 - Aftermath* - Nick Glennie-Smith
20 - Mutiny - Nick Glennie-Smith, Harry Gregson-Williams
21 - Lighthouse - Harry Gregson-Williams
22 - The Last Chip - Harry Gregson-Williams
23 - Green Smoke - Nick Glennie-Smith
24 - Safe* - Nick Glennie-Smith
25 - Fort Walton Kansas - Nick Glennie-Smith

*Tracks not on the OST

Iceboy reply Replies: 0 || 2010-12-22 00:00:00
@Anon: Recording sessions are not necessarily complete. For example, the Blade recording sessions by Mark Isham are not complete, but are still labelled as such as they contain alternate and unused cues. The alternates and film mixes on this disc have NOT been released before and are NOT on any other version. The name of "recording sessions" is therefore more fitting, to differentiate it from the "expanded" versions out there.

Dante reply Replies: 0 || 2010-03-29 00:00:00
The Rock is a rather good movie, but an awesome soundtrack

thx for ur piece of great music
I'm a kinda reserved man... I always keep what I feel deep inside not lettin' anyone guess what I really feel, but when I listened to some of these tracks it even drived a tear out of me.

Thx for that.
Cheers and GL.

Phantom250 reply Replies: 0 || 2009-12-03 00:00:00
THIS IS ONE OF THE BEST FILM I EVER SEEN IN MY LIFE, SO AWSOME WITH NICOLAS CAGE AND SEAN CONNERY TOGETHER IS AWSOME AND I LOVED (u cannot imagine how) THE MUSIC, IT'S ... AWSOME(i wish to make bigger letters but i cant)


Hans Zimmer OWNS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! and i like call of duty modern warfare 2 music too but not as much as THE ROCK.

thnks

Anonymous reply Replies: 0 || 2009-09-06 00:00:00
The Tracklist below is a fanmade expanded score, the "recording session" label is wrong. Its the expanded version added with the tracks from NGS "The Rock Ideas" Bootleg. Fact: A "real" complete is still not available.

Bla reply Replies: 0 || 2009-09-04 00:00:00
The Rock (Recording Sessions)
CD1
01. Main Titles (3:49)
02. Hummel Gets The Rockets (4:15)
03. Terrorist Care Package (2:25)
04. Taking Over Alcatraz (3:31)
05. Hummel's Speech / Alcatraz Reopened (2:27)
06. Mason Breaks Window / Drive To The Hotel (2:08)
07. Rope Trick / The Chase (8:37)
08. Jade (2:02)
09. SEAL Incursion (7:14)
10. Welcome To The Rock / In The Tunnels (4:14)
11. Shower Room Shootout (4:54)
12. Flush The Pipes (3:45)
13. The Morgue (1:48)
14. Mine Cart Escape (2:01)
15. Battle In The Mine (4:12)
16. Mason Meets Hummel / Goodspeed Is Captured (5:36)
17. Preparing For Launch (4:08)
18. Missile Loose (1:54)
19. President's Speech (1:56)
20. Mutiny (5:24)
21. The Lighthouse (3:06)

CD2
01. Hunting Goodspeed (2:25)
02. Green Smoke / Hostages Alive (5:31)
03. Fort Walton, Kansas (1:35)
04. End Credits (4:51)
05. Main Titles (Demo) (2:42)
06. Hummel Gets The Rockets (Alternate) (4:18)
07. Terrorist Care Package (Alternate) (2:26)
08. Jade (Demo) (2:50)
09. SEAL Incursion (Alternate) (7:22)
10. Mine Cart Escape (Alternate) (2:13)
11. Green Smoke (Alternate) (2:38)
12. Kansas (Demo) (2:26)
13. Alternate I (1:38)
14. Alternate II (1:57)
-----------------------------------------------------------
Total Duration: 02:04:16

Anonymous reply Replies: 0 || 2008-08-02 00:00:00
no sound effects

Music without sounds/voices from the movie.

isirius reply Replies: 0 || 2008-08-02 00:00:00
what is the meaning The Score without SFX??

DemonStar reply Replies: 0 || 2008-07-17 00:00:00
As far as I'm concerned, it has most of the good cues from the score, and the quality's great. Great stuff! ;)

Paul Anderson reply Replies: 0 || 2008-05-10 00:00:00
Maps
Your album with sfx.
__
I have the Rock NO SFX.

Jaume reply Replies: 0 || 2008-04-03 00:00:00
Fine music!

Where can be found a midi or a sheet notation for this soundtrack?

Maps reply Replies: 0 || 2007-09-19 00:00:00
I created an own bootleg with all the music released fort his film with this track listing:

01 Opening titles (3:51)
02 Hummel gets the rockets (4:12)
03 Defusing the bomb (2:24)
04 Marriage (00:16)
05 Tours over (3:26)
06 Hummel’s speech (2:35)
07 Marriage II (00:42)
08 Mason breaks the glass (2:15)
09 The chase (8:33)
10 Jade (1:59)
11 The mission (7:21)
12 The mission (alternate) (1:53)
13 Father–daughter-chat (1:46)
14 Welcome to the rock (4:16)
15 Welcome to the rock (alternate) (1:34)
16 The shower room massacre (4:37)
17 Bombs away (4:37)
18 The morgue I (1:44)
19 The morgue II (2:10)
20 Tunnel shootout (4:10)
21 Mason’s walk (5:32)
22 The final hour (4:09)
23 Rocket away (1:51)
24 The air force approved (1:56)
25 Mutiny (5:25)
26 The last rocket (3:06)
27 Frye and Goodspeed fight (2:24)
28 Green smoke (2:36)
29 Saving Goodspeed (3:23)
30 Fort Walton – Kansas (alternate) (2:51)
31 Fort Walton – Kansas (1:29)
32 End Credit suite (5:14)
33 The Rock (ideas)

Total running time: 1:42:18

NO SFX!

mark reply Replies: 0 || 2007-08-28 00:00:00
on the rock cover is are names of nick glennie-smith,hans zimmer,harry gregson-williams,but i dont know who did witch theme,who did all score and who just was helping in work.anybady know who did what in this score???

Manuel reply Replies: 0 || 2007-08-27 00:00:00
Well this is a version without sfx. But is not the complete score, The movie runs over 2 hrs and 15 minutes, and many music from the film is not included in this version. Also, we can find this parts of the music in others version but conatins a little sfx. Also, There changes between some tracks from the other versions and this. Please, team of remote control productions, lauch the complete score with all the music and the alternate tracks.

Thanks.

Aggelos reply Replies: 0 || 2007-08-20 00:00:00
I also have the version that ok mentioned about. It's very nice! Hail to complete score with no SFX!!!

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The Rock (Complete Score) soundtrack - Hans Zimmer - Nick Glennie-Smith 1996