NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Most of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?Comparing it to YFM’s sfx edit this is what I’ve got;<br><br>“The Mole” seems to be an alternate of the opening sequence. The first minute or so is used, while the rest isn’t. “We Need Our Army Back/Regimental Brothers” are both made up of several cues from different points in the film. <br>“Home” is completely different in the film, which makes me think it may have been recorded specifically for the album. Similar situation with “Oil”. <br>“Supermarine” is definitely a suite. The rest is chronological.<br><br>Interesting thing to note, it seems like a lot of the tempo changes/ticking effects/bass overlays were removed from the album release, making almost every track sound different from the actual film versions. The music in context has a constant pulse going, especially in the way cues segue into each other and change tempo.It's not really possible to chronologically order the album because the album doesn't use the same tracks as the movie. Plus, the album is more or less chronological anyway, given the areas where they are the same.<br>With the complete cue sheet out now. Does anyone know what the chronological order of the album would be?Movie credits:<br><br>Music Composed and Mixed by:<br>TOM HOLKENBORG<br><br>Additional Music:<br>ANTONIO DI IORIO<br><br>Music Supervisor:<br>DAVE JORDAN<br><br>Music Editor:<br>PETER MYLES<br><br>Score Conducted by:<br>CONRAD POPE<br><br>Score Orchestrated by:<br>EDWARD TRYBEK, HENRI WILKINSON, JONATHAN BEARD, TOM HOLKENBORG<br>Score Copied by:<br>EDWARD TRYBEK, HENRI WILKINSON<br><br>Score Contracted by:<br>PETER ROTTER<br><br>Choir Contracted by:<br>JASPER RANDALL<br><br>Score Recorded by:<br>ALAN MEYERSON, BRAD HAEHNEL<br><br>Digital Recording by:<br>KEVIN GLOBERMAN<br><br>Technical Score Engineers:<br>ALEX RUGER, EMILY RICE,<br><br>Synth Programming by:<br>JACOPO TRIFONE, JONAS FRIEDMAN, MAX KARMAZYN<br><br>Score Recorded at:<br>NEWMAN RECORDING STAGE<br><br>Music Production Services by:<br>MICHIEL GROENEVELD<br><br>Score Mixed at:<br>COMPUTER HELL CABIN<br><br>Newman Stage Engineer:<br>MARC GEBAUER<br><br>Newman Recordist:<br>TIM LAUBER<br><br>Newman Stage Managers:<br>DAMON TEDESCO, PETER NELSON
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Additional Music - Conductor
Hans ZimmerNick Glennie-SmithHarry Gregson-WilliamsDon Harper
ComposerComposerCo-ComposerAdditional Music
The Rock (Complete Score)
Label: Unofficial Release
Length: 107'32
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (12192 votes)
  1. Opening (3:54)
    Hans Zimmer, Nick Glennie-Smith
  2. Naval Weapons Depot (4:17)
    Hans Zimmer, Nick Glennie-Smith
  3. Baby Gas (2:26)
    Harry Gregson-Williams
  4. Romance #1 (0:19)
    Hans Zimmer, Nick Glennie-Smith
  5. Tour's Over, Bob (3:29)
    Nick Glennie-Smith, Don Harper, Steven Stern
  6. Hummel Speech - Alcatraz Reopened (2:25)
    Hans Zimmer, Nick Glennie-Smith
  7. Hummel's Demands To Pentagon (1:21)
    Hans Zimmer, Nick Glennie-Smith
  8. Romance #2 (0:46)
    Hans Zimmer, Nick Glennie-Smith
  9. Mason Montage (1:24)
    Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
  10. San Francisco Montage (1:17)
    Hans Zimmer, Nick Glennie-Smith, Russ Landau
  11. Interrogation (1:02)
    Nick Glennie-Smith, Steven Stern
  12. The Quarter (0:41)
    Nick Glennie-Smith, Steven Stern
  13. Window Crash - Fairmont (2:07)
    Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
  14. Haircut - Escape: The Chase!! (8:22)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams, Don Harper
  15. Goodspeed Tracks Jade (0:49)
    Harry Gregson-Williams
  16. Jade (1:59)
    Nick Glennie-Smith
  17. Blueprints (1:06)
    Nick Glennie-Smith, Harry Gregson-Williams
  18. Hummel - SEALs (7:14)
    Hans Zimmer, Nick Glennie-Smith
  19. Mason Into Furnace - SEALs Tunnel (1:14)
    Nick Glennie-Smith, Don Harper
  20. In The Tunnels (3:32)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams, Don Harper, Steven Stern
  21. SEAL Attack (4:52)
    Hans Zimmer, Nick Glennie-Smith, Steven Stern
  22. Aftermath (0:49)
    Harry Gregson-Williams
  23. Bombs (3:43)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  24. Hammer Head (1:52)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  25. The Morgue (2:12)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  26. Indiana Jones - Fight With Marines (4:12)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  27. Hostage - Goodspeed Captured (5:35)
    Hans Zimmer, Nick Glennie-Smith
  28. Plasma Bomb Is Ready (0:51)
    Nick Glennie-Smith, Harry Gregson-Williams
  29. Mason's Walk (4:10)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  30. First Launch (1:54)
    Harry Gregson-Williams
  31. President's Lament (1:57)
    Hans Zimmer, Nick Glennie-Smith
  32. Mission's Over (5:28)
    Hans Zimmer, Nick Glennie-Smith
  33. Final Attack (3:07)
    Hans Zimmer, Nick Glennie-Smith
  34. The Last Chip (2:26)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  35. Finale (Part 1) (2:37)
    Hans Zimmer, Nick Glennie-Smith
  36. Finale (Part 2) (3:24)
    Hans Zimmer, Nick Glennie-Smith
  37. Fort Walton, Kansas (1:37)
    Hans Zimmer, Nick Glennie-Smith
  38. Hummel - SEALs (Alternate) (1:56)
    Hans Zimmer, Nick Glennie-Smith
  39. In The Tunnels (Alternate 1) (1:37)
    Hans Zimmer, Nick Glennie-Smith, Don Harper
  40. In The Tunnels (Alternate 2) (1:31)
    Hans Zimmer, Nick Glennie-Smith, Don Harper
  41. Fort Walton, Kansas (Alternate) (1:40)
    Hans Zimmer, Nick Glennie-Smith
Create Topic

Pages << 1 2 3 4 >>

Hybrid Soldier reply Replies: 8 || 2018-10-30 00:51:23
Cuesheet updated here as well...


mpolonest1232018-10-30 01:24:31
Thanks! It’s interesting how much NGS was involved with the whole thing, regardless of “being replaced” by Zimmer. And I guess this confirms that JNH had no involvement, unless he was either uncredited or just acted as a consultant.


Mike2018-10-30 06:16:06
Interesting this doesn't have any sort of "theme demo" for Hans' replacement theme... Did Hans just kinda dash it off to picture or something?


Hybrid Soldier2018-10-30 08:31:25
There was no time to make demos !

Hans started with "Seal Attack" in fact, before it even became the Opening Titles !

Don Harper left the project in the middle of it and had HGW redo most of his things !


1232018-10-30 10:30:04
Thank you Hybrid, very cool


Hybrid Soldier2018-10-30 10:33:25
As for JNH, words I heard was more like he was thanked because Hans asked him if he could rip him off ! lol And the cue "Hummel / SEALs" sounds a lot like JNH...


Kent Öberg2018-10-30 12:53:53
Hybrid, why did you change some of the titles?


Hybrid Soldier2018-10-30 13:00:36
Yes, with the actual cuesheet cue titles... :)


Except for "The Last Chip", couldn't find that one...


Mr Tweedy2018-10-30 13:13:54
HGW told me, back in 2006 during a chat, that Nick and Hans spent most of their time writing cues together for The Rock, while he wrote a lot of action cues from the middle of the movie.
He also remembered working on a "San Francisco Chase" with Don Harper.
The official credits found here by Hybrid confirms all this!

Bayhem reply Replies: 3 || 2018-01-03 20:26:47
I still wonder if the rumors about James Newton Howard 'helping out' on the score are true? If it's true then this would be the first Newton Howard/Zimmer collaboration. Not the Nolan Batman films :)


James Callahan2018-01-03 23:17:11
The rumors are true. I read this in some 1997 post of somewhere on the internet that I do not remember now.


Bayhem2018-01-03 23:30:25
Wow, that is great. What a crew then!


lol2018-01-04 13:11:37
Yes if you read it somehwere random on the internet in 1997 then surely it must be true

Felix reply Replies: 0 || 2017-01-13 23:04:06
There's a new tracklist here :)

Ds reply Replies: 0 || 2016-05-18 20:54:36
Hybrid, please tell HZ that this is your favorite score ever, and beg him to play a small little piece from it at the last show in France, as he promised us something special for this show! I'm sure he can be persuaded :-D

Seer reply Replies: 9 || 2015-08-06 07:37:06
There's a new recording session out. How legit/complete is it? Anyone know the source?

ROCK_1M1 Main Titles
ROCK_1M2 Hummel Gets the Rockets
ROCK_2M3 Stanley Disarms The Bomb
ROCK_2M4A Carla Proposes
ROCK_2M5 Alcatraz Takeover
ROCK_2M6 Hummel's Speech
ROCK_3M6A Hummel's Demands
ROCK_3M7A Stanley and Carla
ROCK_3M8 He Does Exist
ROCK_4M9 FBI Arrival
ROCK_4M10 Paxton Briefs Mason
ROCK_4M11 The Quarter
ROCK_4M12 Mason Breaks The Mirror
ROCK_5M15 Mason Prepares His Escape
ROCK_5M16 San Francisco Chase
ROCK_5M17 Stanley Tails Jade
ROCK_5M18 Mason Meets Jade
ROCK_6M18A Mason's Blueprint
ROCK_6M18B The Mission (Insert)
ROCK_6M18B The Mission
ROCK_6M18C The Furnace
ROCK_7M19 Welcome To The Rock (Alt.)
ROCK_7M19 Welcome To The Rock
ROCK_8M20 Shower Room Massacre
ROCK_8M21A Hummel Mourns
ROCK_8M21B Bombs Away
ROCK_9M22 Into The Morgue
ROCK_9M23 Close On The Morgue
ROCK_10M24A Tunnel Fight
ROCK_10M24B Mason's Walk
ROCK_11M25 Thermite Plasma
ROCK_11M26A The Final Hour
ROCK_11M26B Rocket Away
ROCK_12M27 Air Strike Approved
ROCK_12M28 Mutiny
ROCK_12M29 The Last Rocket
ROCK_13M30 Goodspeed and Frye Fight
ROCK_13M31A-B Green Smoke
ROCK_13M31B Green Smoke (Alt.)
ROCK_13M32 Fort Walton
ROCK_14M33 End Credits
ROCK_A Simple Victory (Demo)
ROCK_Guitar Study (Demo)
ROCK_In The Dark Place (Demo)
ROCK_Main Theme - More Developed And BIG (Demo)
ROCK_Main Theme (Unused)
ROCK_Mystery To Love Theme To Bell Theme (Demo)
ROCK_Pastorale (Demo)
ROCK_Portent Theme To Noble Theme (Demo)
ROCK_Theme That Builds (Demo)
ROCK_Theme That Builds With Groove (Demo)
ROCK_The Rock Demos (Demo I, Demo II, Demo III)


T-Mann0362015-08-06 17:26:10
It's real, it's complete, and it's 100% legit!


Scorefan2015-08-06 19:51:56
Well it's completely legit and 100% real, but these 2 cues posted here by Hybrid are missing from the sessions:

40.In The Tunnels (Alternate 2) (1:31)
41.Fort Walton, Kansas (Alternate) (1:40)

With these two cues the sessions would be complete.


Magnus Rex2015-08-07 07:57:29
This is not entirely legitimate. For one, it's partially made from an older fan edit which crossfades some cues. The real sessions have clean openings and endings to each piece. In addition the "demos", as far as I can tell, are almost all fake (or else Hybrid would have surely added them here). They sound nothing like The Rock score. The only real demos are the I, II and III pieces, which come from an old NGS promo.


Hybrid Soldier2015-08-07 08:28:05
The demos are real.

I never added some for some reason. But trust me they are all legitimate...


Scorefan2015-08-07 21:01:11
Thanks Hybrid


Angelos2015-08-08 10:29:10
So, da shit is real dawg.....

Dat question is : when is LLL going to make this an official release? You know, give it a good remastering and make it official....


T-Mann0362015-08-08 17:04:55
Intrada would be an excellent choice to release The Rock complete film score.


Angelos2015-08-08 18:08:35
Ya dawg, Intrada would do too...


Anonymous2015-08-10 20:38:52
Given that a certain someone keeps leaking recording sessions that more often than not end up getting an official release (Wyatt Earp, Jennifer 8, The Ghost and the Darkness, etc.), perhaps a label is going to release this at some point in the future? Who knows; the two occurrences may not be linked at all.

KLF reply Replies: 2 || 2015-01-29 03:33:17
Track #40 - In The Tunnels Alt. 2 - this is on the CD OST somewhere?


Jemima2015-04-13 18:02:40
Hey.

So where can one buy this?

Also is there an "official" complete version? Cause there are plenty of "completes" out there, all with different track listings, some with SFX, some without
### EDITED ###

Cheers.


Damien, Moderator2015-04-13 20:44:05
As all score marked "Unofficial Release", you can't.

High reply Replies: 1 || 2014-07-17 13:49:55
Would be soo nice, if Zimmer would make a long version of "Fort Walton" or if he did so, show us this masterpiece..


High2014-07-17 13:53:23
As I found out, there is an alternate take with Nick Smith.. ;)

Bioscope reply Replies: 1 || 2014-05-05 06:09:29
This suddenly looks more complete. Does that mean its finally out there, no sfx?


Anonymous2014-05-05 23:51:50
it's just added credits

Edmund Meinerts reply Replies: 7 || 2014-05-04 20:59:20
For the new credits here (sorry in advance for overly anal-ness, Hybrid...). Wherever Zimmer appears, is it because he actually had a hand in those cues or is it just because of his theme?


Mike2014-05-04 21:00:28
Well, I think we can definitely say he did the Opening, right...?


Mike2014-05-04 21:02:25
Also, sorry for making two posts in a row, but I guess he also did some of the Fort Walton, Kansas cue, because his name is there, but the main theme isn't in it.


Edmund Meinerts2014-05-04 21:06:31
I always thought that the only two really Zimmer cues in the score are the opening and Hummel's speech. But come to think of it you must be right about Fort Walton, Kansas. :)


Hybrid Soldier2014-05-04 21:51:19
No he actually wrote the score... No choice... Rescue...

With Nick of course but Mason's Walk or The Mission are clearly written by Hans himself...


Mike2014-05-04 22:01:26
That explains SO MUCH. Cues like "The Mission" always screamed that they were 100% Zimmer to me.


Hybrid Soldier2014-05-04 23:07:43
And Hans actually wrote the Opening Title for the SEAL Attack in the first place... It only became the Opening Title after... lol


Hybrid Soldier2014-05-05 08:48:02
Has someone any idea what San Francisco Montage might be ?

I know that cue is credited to Russ Landau (yeah... even he worked on that score lol...).

I always thought it was "Deadline"...

Mike reply Replies: 2 || 2014-01-03 23:48:15
Is the awesome opening cue by Zimmer or NGS?


marco2014-01-04 01:50:38
Hard to tell mate. It could be NGS as he efforts after the rock sound identical such as the man in the iron mask.


Michael H2014-01-04 11:28:47
The main theme in the opening credits is HZ...

Felix reply Replies: 0 || 2013-11-16 22:17:25
Hybrid, can you write the credits please?

Anonymous reply Replies: 1 || 2013-08-10 18:54:56
I find it odd that HGW is credited a principal composer on the cover. It seems like he just did a bit here and there.


Hybrid Soldier2013-08-10 19:44:36
Harry did a lot of the action cues in the middle of the movie...

Hybrid Soldier reply Replies: 2 || 2013-08-10 11:04:01
Little HZ comment regarding his involvement on The Rock :

"I ended up writing the main themes, the scene where they all get killed... I think I had a hand in most cues by the end. I can't really remember all that much. Jerry, M. Bay and Nick was just not a good combination. Yes, I seem to remember the Hummel speech, and Harry learned how to write a car chase. Maybe a hundred times :)"


Evenstar2013-08-10 12:37:35
nice :)


Mike2013-08-10 18:11:21
Interesting timing. I was wondering about Zimmer's involvement here just a couple days ago. I imagine the album track "Hummel Gets the Rockets" has a lot of Hans in it, and I know his theme is used a lot throughout, but I didn't know he was involved with the cues, really. Thanks for the info.

Gav reply Replies: 1 || 2009-08-03 00:00:00
Sadly, this is NOT complete - only expanded. Some cues are missing.


Peter Jacobs2012-06-15 05:18:16
Exactly. The cue I notice immediately is the love theme between Goodspeed and his wife. A slower and more romantic version of Fort Walton, Kansas. I believe would be titled "Marriage"

Played as Goodspeed and his wife talk about getting married in San Francisco just after making love.

Peter Jacobs reply Replies: 0 || 2012-06-15 04:54:39
I'm waiting for the day La La Land or some company picks up this score and decides to release it in complete form. Hans Zimmer, NGS, HGW, and Don Harper all did a fantastic job on this.

Aggelos reply Replies: 0 || 2011-12-04 16:27:50
Folks, La-La Land has to release a complete edition for this score right here, right now for Christ's sake!!!!
One the best action scores ever!!!




H-GW: "I basically helped Nick Glennie Smith and Hans get through it - there was a mountain of music to be written and hardly any time (what's new), not to mention probably the most odious director alive plus the eternal task master Jerry "let's torture Harry now" Bruckheimer. The car chase was one of a few that became my responsibility. I thought Nick did a REALLY good job considering the circumstances."

Zimmer: "The main theme is mine, as are a few other bits. It's really hard to tell. I do have a huge influence in there. But I never really wanted to write any of it. It was always supposed to be Nick Glennie-Smith's score."


1 - Opening Titles - Hans Zimmer, Nick Glennie-Smith
2 - Hummel Gets The Rockets - Nick Glennie-Smith, Harry Gregson-Williams
3 - Baby Doll* - Harry Gregson-Williams
4 - Rock House Jail - Nick Glennie-Smith
5 - Hummel's Speech - Hans Zimmer, Nick Glennie-Smith
6 - The Quarter* - Nick Glennie-Smith
7 - The Chase - Nick Glennie-Smith, Harry Gregson-Williams, Don Harper
8 - Jade - Nick Glennie-Smith
9 - Lift Off - Nick Glennie-Smith
10 - The Furnace - Welcome To The Rock - Don Harper, Nick Glennie-Smith, Harry Gregson-Williams
11 - The Shower Scene* - Nick Glennie-Smith
12 - Rodent Problem* - Harry Gregson-Williams
13 - The Morgue* - Harry Gregson-Williams
14 - In The Tunnels - Harry Gregson-Williams
15 - Off The Track - Nick Glennie-Smith, Harry Gregson-Williams
16 - Mason's Walk - Nick Glennie-Smith, Harry Gregson-Williams
17 - Deadline - Nick Glennie-Smith, Harry Gregson-Williams
18 - First Launch - Harry Gregson-Williams
19 - Aftermath* - Nick Glennie-Smith
20 - Mutiny - Nick Glennie-Smith, Harry Gregson-Williams
21 - Lighthouse - Harry Gregson-Williams
22 - The Last Chip - Harry Gregson-Williams
23 - Green Smoke - Nick Glennie-Smith
24 - Safe* - Nick Glennie-Smith
25 - Fort Walton Kansas - Nick Glennie-Smith

*Tracks not on the OST

Iceboy reply Replies: 0 || 2010-12-22 00:00:00
@Anon: Recording sessions are not necessarily complete. For example, the Blade recording sessions by Mark Isham are not complete, but are still labelled as such as they contain alternate and unused cues. The alternates and film mixes on this disc have NOT been released before and are NOT on any other version. The name of "recording sessions" is therefore more fitting, to differentiate it from the "expanded" versions out there.

Dante reply Replies: 0 || 2010-03-29 00:00:00
The Rock is a rather good movie, but an awesome soundtrack

thx for ur piece of great music
I'm a kinda reserved man... I always keep what I feel deep inside not lettin' anyone guess what I really feel, but when I listened to some of these tracks it even drived a tear out of me.

Thx for that.
Cheers and GL.

Phantom250 reply Replies: 0 || 2009-12-03 00:00:00
THIS IS ONE OF THE BEST FILM I EVER SEEN IN MY LIFE, SO AWSOME WITH NICOLAS CAGE AND SEAN CONNERY TOGETHER IS AWSOME AND I LOVED (u cannot imagine how) THE MUSIC, IT'S ... AWSOME(i wish to make bigger letters but i cant)


Hans Zimmer OWNS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! and i like call of duty modern warfare 2 music too but not as much as THE ROCK.

thnks

Anonymous reply Replies: 0 || 2009-09-06 00:00:00
The Tracklist below is a fanmade expanded score, the "recording session" label is wrong. Its the expanded version added with the tracks from NGS "The Rock Ideas" Bootleg. Fact: A "real" complete is still not available.

Bla reply Replies: 0 || 2009-09-04 00:00:00
The Rock (Recording Sessions)
CD1
01. Main Titles (3:49)
02. Hummel Gets The Rockets (4:15)
03. Terrorist Care Package (2:25)
04. Taking Over Alcatraz (3:31)
05. Hummel's Speech / Alcatraz Reopened (2:27)
06. Mason Breaks Window / Drive To The Hotel (2:08)
07. Rope Trick / The Chase (8:37)
08. Jade (2:02)
09. SEAL Incursion (7:14)
10. Welcome To The Rock / In The Tunnels (4:14)
11. Shower Room Shootout (4:54)
12. Flush The Pipes (3:45)
13. The Morgue (1:48)
14. Mine Cart Escape (2:01)
15. Battle In The Mine (4:12)
16. Mason Meets Hummel / Goodspeed Is Captured (5:36)
17. Preparing For Launch (4:08)
18. Missile Loose (1:54)
19. President's Speech (1:56)
20. Mutiny (5:24)
21. The Lighthouse (3:06)

CD2
01. Hunting Goodspeed (2:25)
02. Green Smoke / Hostages Alive (5:31)
03. Fort Walton, Kansas (1:35)
04. End Credits (4:51)
05. Main Titles (Demo) (2:42)
06. Hummel Gets The Rockets (Alternate) (4:18)
07. Terrorist Care Package (Alternate) (2:26)
08. Jade (Demo) (2:50)
09. SEAL Incursion (Alternate) (7:22)
10. Mine Cart Escape (Alternate) (2:13)
11. Green Smoke (Alternate) (2:38)
12. Kansas (Demo) (2:26)
13. Alternate I (1:38)
14. Alternate II (1:57)
-----------------------------------------------------------
Total Duration: 02:04:16

isirius reply Replies: 0 || 2008-08-02 00:00:00
what is the meaning The Score without SFX??

Anonymous reply Replies: 0 || 2008-08-02 00:00:00
no sound effects

Music without sounds/voices from the movie.

DemonStar reply Replies: 0 || 2008-07-17 00:00:00
As far as I'm concerned, it has most of the good cues from the score, and the quality's great. Great stuff! ;)

Paul Anderson reply Replies: 0 || 2008-05-10 00:00:00
Maps
Your album with sfx.
__
I have the Rock NO SFX.

Jaume reply Replies: 0 || 2008-04-03 00:00:00
Fine music!

Where can be found a midi or a sheet notation for this soundtrack?

Maps reply Replies: 0 || 2007-09-19 00:00:00
I created an own bootleg with all the music released fort his film with this track listing:

01 Opening titles (3:51)
02 Hummel gets the rockets (4:12)
03 Defusing the bomb (2:24)
04 Marriage (00:16)
05 Tours over (3:26)
06 Hummel’s speech (2:35)
07 Marriage II (00:42)
08 Mason breaks the glass (2:15)
09 The chase (8:33)
10 Jade (1:59)
11 The mission (7:21)
12 The mission (alternate) (1:53)
13 Father–daughter-chat (1:46)
14 Welcome to the rock (4:16)
15 Welcome to the rock (alternate) (1:34)
16 The shower room massacre (4:37)
17 Bombs away (4:37)
18 The morgue I (1:44)
19 The morgue II (2:10)
20 Tunnel shootout (4:10)
21 Mason’s walk (5:32)
22 The final hour (4:09)
23 Rocket away (1:51)
24 The air force approved (1:56)
25 Mutiny (5:25)
26 The last rocket (3:06)
27 Frye and Goodspeed fight (2:24)
28 Green smoke (2:36)
29 Saving Goodspeed (3:23)
30 Fort Walton – Kansas (alternate) (2:51)
31 Fort Walton – Kansas (1:29)
32 End Credit suite (5:14)
33 The Rock (ideas)

Total running time: 1:42:18

NO SFX!

mark reply Replies: 0 || 2007-08-28 00:00:00
on the rock cover is are names of nick glennie-smith,hans zimmer,harry gregson-williams,but i dont know who did witch theme,who did all score and who just was helping in work.anybady know who did what in this score???

Manuel reply Replies: 0 || 2007-08-27 00:00:00
Well this is a version without sfx. But is not the complete score, The movie runs over 2 hrs and 15 minutes, and many music from the film is not included in this version. Also, we can find this parts of the music in others version but conatins a little sfx. Also, There changes between some tracks from the other versions and this. Please, team of remote control productions, lauch the complete score with all the music and the alternate tracks.

Thanks.

Pages << 1 2 3 4 >>

 HANS-ZIMMER.com© 2001-2018 OST 
The Rock (Complete Score) soundtrack - Hans Zimmer - Nick Glennie-Smith 1996