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My one hope is that this doesn't mean Chris Nolan will be tying Zimmer's hands behind his back for future scores. If he wants to do that here, okay. I can get over one score. But I hope Nolan doesn't keep calling for this non-melodic approach.That was one of my favorites, wish it was on the OST.Yeah, was also looking for that track.Nolan's liner notes, which explains a lot on the score :<br><br>"British people are raised on the story of Dunkirk. The events of the evacuation are sacred ground, not to be ventured onto without great care. Daunting for a filmmaker. But the things that place Dunkirk so firmly at the heart of a nation's self-image are the very qualities that make it one of the greatest stories in human history. Irresistible to a filmmaker.<br><br>This film required a remarkable creative team, and Hans Zimmer, as well as having been a valued member in the past, knows how to assemble his own great team. From our first meeting, where I described to the percussionist, Satnam Ramgotra, the unusual rhythmic structure of the script and how it needed to be amplified by the music, through the finishing touches applied by Lorne Balfe during our last weeks of mixing, the importance of teamwork was paramount. The process nicely echoed the circumstances of the events we were trying to honour- a triumph of communal effort, not individual heroism.<br><br>When I called Hans one night with a one word suggestion- "Nimrod", I wasn't sure he'd accept experimenting with an existing theme for the climax of the film. To my surprise, he knew just who to call to achieve the deconstruction of Elgar's monumental theme, a theme as beloved to the English as Dunkirk itself, often played at ceremonial occasions and funerals. It's a theme which (I never admitted to Hans) I am incapable of hearing without feeling the surprising weight of my father's coffin on my shoulder. Hans brought in Benjamin Wallfisch, who, in collaboration with the great music editor Alex Gibson and myself, fashioned a modern reworking that grows out of the sights and sounds of the movie- tapping the original's resonances without feeling unearned. Hans's brass accents complete the piece's power to move without sentimentalizing.<br><br>Hans went on to incorporate Elgar's theme elsewhere in the score, a score that on this album has been divided into cues, but which in the film plays as one long piece with a unifying and complex rhythmic and tonal structure. The structure of the screenplay itself builds upon the shepherd tone concepts I first explored with composer David Julyan in the soundtrack for "The Prestige", but here Zimmer's team (in particular Andy Page and Andrew Kawczynski) and I added a whole new rhythmical structure. This can't be fully represented on the album, but in the film it is able to integrate sound effects and even story structure into the very fabric of the music in a new and unique manner.<br><br>The rigid structure, to which we adamntly stuck, at times proved frustrating for the musicians, but they persevered and produced extraordinary cues based on unusual solutions (such as a recording of my watch that Hans and his team adapted into many different rhythmic voices). The disciplined procedural approach stopped the music for "Dunkirk" from ever resorting to arbitrary cinematic emotionalism, something Hans and I always felt was vital, given the inherent emotional heft of the real life events. This has been a long and hard journey, but I am proud of the final results, and hope that you will share my appreciation for the talent of the artists who worked so hard for so long on this score.<br><br>CHRISTOPHER NOLANI don't think emotion and melodies = Oscar worthy. Dunkirk's score fits in with the movie far better than Chappie.
Saw the film again last night and there are a ton of great cues missing, especially from the first half of the film. It's a crime the cue when they carry the stretcher onto the ship wasn't included.The answer is: Christopher Nolan ;-)It doesn't crossfade as much as, say, The Dark Knight Rises or Inception, but there is  very rarely dead air. I haven't listened enough times to determine when it does and doesn't crossfade, but the tracks are, at least, very closely edited together.I Love Hans' stuff but this score didn't really do it for me. I don't see how people are repping this as Oscar worthy but trash something like CHAPPiEs score, something with actual emotion and melodies.This soundtrack will win an oscar . It's great to see Balfe back with Zimmer. Dream team
Does anyone know whether the cd version actually has the cues crossfading into each other? Since in the film the score plays almost as an entire cue, it would have made sense if they did that. It sounds like some cues in the digital version end kind of awkwardly, like 'Impulse' and 'Home'. These cues fade out while there still seems to be some instrumentation progression going on. Hence the crossfade thought...Oooh credits. I'm guessing from these it's going to be disqualified from entering Oscar nominations because<br>1. Use of a classical musical piece throughout<br>2. More than one guy is credited.<br><br>Anyway, that's how Hans always liked, crediting everyone.I have to agree on the soundtrack being mostly unlistenable...<br><br>This is nothing like Inception, or even Interstellar.<br><br>I seriously doubt there's going to be a big stink made about any track from this score the likes of "No Time For Caution" back in 14...<br><br>I tried...I tried real hard to find something to keep me interested in this score, but I personally couldn't find anything. Most of it is tension building noise. I'm sure it's great within the film, but outside the film? Not so much.<br><br>I guess Zimmer is on "retirement mode" now...He's slowing down and not wanting to produce the rockin stuff that he used to...I can't blame him, but still...This score sounds like a total experiment.Sorry bud...<br><br>Its not.Hi everyone, does anyone know the name of the music in the Dunkirk Trailer 1 at 01:30? It doesn't not seem to be in the score, I'm assuming it's not in the movie, I'm going to see it Sunday. If anyone knows the music or where to find it, please Comment, thanks!
Tina had a lot of work to do here!Each time I listen to "The Oil," I'm convinced it can't get any louder and larger, but it does. If you don't look at the track time, you're just constantly thinking it's about to end, and yet it somehow continues to up the ante until you almost can't handle anymore!I was on three concerts so far and just at the one at Frankfurt some band members came down from the stage after the concert. I didn'f got a autograph but I did photos with nile marr and nick glennie smith. But if you would ask some of the band members I am sure they will say "ok perhaps I can arrange it" would try it this way :)I really like it. It's a clever score that sounds like it had an awful lot of thought put into it.A fanmade.<br><br>Hybrid probably took the track from here because the guy behind the channel was stating that it was original without being. Leaving the link here would only give him more audience.
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Additional Music - Conductor
Hans ZimmerNick Glennie-SmithHarry Gregson-WilliamsDon Harper
ComposerComposerCo-ComposerAdditional Music
The Rock (Complete Score)
Label: Unofficial Release
Length: 107'32
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (11046 votes)
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  1. Opening (3:54)
    Hans Zimmer, Nick Glennie-Smith
  2. Naval Weapons Depot (4:17)
    Hans Zimmer, Nick Glennie-Smith
  3. Baby Doll (2:26)
    Harry Gregson-Williams
  4. Romance #1 (0:19)
    Hans Zimmer, Nick Glennie-Smith
  5. Tour's Over, Bob (3:29)
    Nick Glennie-Smith, Don Harper, Steven Stern
  6. Hummel Speech - Alcatraz Reopened (2:25)
    Hans Zimmer, Nick Glennie-Smith
  7. Hummel's Demand To Pentagon (1:21)
    Hans Zimmer, Nick Glennie-Smith
  8. Romance #2 (0:46)
    Hans Zimmer, Nick Glennie-Smith
  9. Mason Montage (1:24)
    Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
  10. San Francisco Montage (1:17)
    Hans Zimmer, Nick Glennie-Smith, Russ Landau
  11. Interrogation (1:02)
    Nick Glennie-Smith, Steve Stern
  12. The Quarter (0:41)
    Nick Glennie-Smith, Steven Stern
  13. Window Crash - Fairmont (2:07)
    Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
  14. Haircut Escape - The Chase (8:22)
    Hans Zimmer, Nick Glennie-Smith, Don Harper, Harry Gregson-Williams
  15. 32 Stenson Drive (0:49)
    Nick Glennie-Smith
  16. Jade (1:59)
    Nick Glennie-Smith
  17. Blueprints (1:06)
    Nick Glennie-Smith, Harry Gregson-Williams
  18. Hummel - SEALs (7:14)
    Hans Zimmer, Nick Glennie-Smith
  19. Mason Into Furnace - SEALs Tunnel (1:14)
    Nick Glennie-Smith, Don Harper
  20. In The Tunnels (3:32)
    Hans Zimmer, Nick Glennie-Smith, Steven Stern
  21. SEAL Attack (4:52)
    Hans Zimmer, Nick Glennie-Smith, Steven Stern
  22. A Terrible Mistake (0:49)
    Harry Gregson-Williams
  23. Bombs (3:43)
    Nick Glennie-Smith, Harry Gregson-Williams
  24. The Morgue (1:52)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  25. Escape (2:12)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  26. Mine Fight (4:12)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  27. Hostage - Goodspeed Captured (5:35)
    Hans Zimmer, Nick Glennie-Smith
  28. Thermite Plasma (0:51)
    Nick Glennie-Smith
  29. Mason's Walk (4:10)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  30. First Launch (1:54)
    Harry Gregson-Williams
  31. President's Lament (1:57)
    Hans Zimmer, Nick Glennie-Smith
  32. Mission's Over (5:28)
    Hans Zimmer, Nick Glennie-Smith
  33. Final Attack (3:07)
    Hans Zimmer, Nick Glennie-Smith
  34. The Last Chip (2:26)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  35. Green Smoke (2:37)
    Hans Zimmer, Nick Glennie-Smith
  36. Finale (3:24)
    Hans Zimmer, Nick Glennie-Smith
  37. Fort Walton, Kansas (1:37)
    Hans Zimmer, Nick Glennie-Smith
  38. The Mission (Alternate) (1:56)
    Hans Zimmer, Nick Glennie-Smith
  39. In The Tunnels (Alternate 1) (1:37)
  40. In The Tunnels (Alternate 2) (1:31)
  41. Fort Walton, Kansas (Alternate) (1:40)
    Hans Zimmer, Nick Glennie-Smith
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Pages << 1 2 3 4 >>

Felix reply Replies: 0 || 2017-01-13 23:04:06
There's a new tracklist here :)

Ds reply Replies: 0 || 2016-05-18 20:54:36
Hybrid, please tell HZ that this is your favorite score ever, and beg him to play a small little piece from it at the last show in France, as he promised us something special for this show! I'm sure he can be persuaded :-D

Seer reply Replies: 9 || 2015-08-06 07:37:06
There's a new recording session out. How legit/complete is it? Anyone know the source?

ROCK_1M1 Main Titles
ROCK_1M2 Hummel Gets the Rockets
ROCK_2M3 Stanley Disarms The Bomb
ROCK_2M4A Carla Proposes
ROCK_2M5 Alcatraz Takeover
ROCK_2M6 Hummel's Speech
ROCK_3M6A Hummel's Demands
ROCK_3M7A Stanley and Carla
ROCK_3M8 He Does Exist
ROCK_4M9 FBI Arrival
ROCK_4M10 Paxton Briefs Mason
ROCK_4M11 The Quarter
ROCK_4M12 Mason Breaks The Mirror
ROCK_5M15 Mason Prepares His Escape
ROCK_5M16 San Francisco Chase
ROCK_5M17 Stanley Tails Jade
ROCK_5M18 Mason Meets Jade
ROCK_6M18A Mason's Blueprint
ROCK_6M18B The Mission (Insert)
ROCK_6M18B The Mission
ROCK_6M18C The Furnace
ROCK_7M19 Welcome To The Rock (Alt.)
ROCK_7M19 Welcome To The Rock
ROCK_8M20 Shower Room Massacre
ROCK_8M21A Hummel Mourns
ROCK_8M21B Bombs Away
ROCK_9M22 Into The Morgue
ROCK_9M23 Close On The Morgue
ROCK_10M24A Tunnel Fight
ROCK_10M24B Mason's Walk
ROCK_11M25 Thermite Plasma
ROCK_11M26A The Final Hour
ROCK_11M26B Rocket Away
ROCK_12M27 Air Strike Approved
ROCK_12M28 Mutiny
ROCK_12M29 The Last Rocket
ROCK_13M30 Goodspeed and Frye Fight
ROCK_13M31A-B Green Smoke
ROCK_13M31B Green Smoke (Alt.)
ROCK_13M32 Fort Walton
ROCK_14M33 End Credits
ROCK_A Simple Victory (Demo)
ROCK_Guitar Study (Demo)
ROCK_In The Dark Place (Demo)
ROCK_Main Theme - More Developed And BIG (Demo)
ROCK_Main Theme (Unused)
ROCK_Mystery To Love Theme To Bell Theme (Demo)
ROCK_Pastorale (Demo)
ROCK_Portent Theme To Noble Theme (Demo)
ROCK_Theme That Builds (Demo)
ROCK_Theme That Builds With Groove (Demo)
ROCK_The Rock Demos (Demo I, Demo II, Demo III)


T-Mann0362015-08-06 17:26:10
It's real, it's complete, and it's 100% legit!


Scorefan2015-08-06 19:51:56
Well it's completely legit and 100% real, but these 2 cues posted here by Hybrid are missing from the sessions:

40.In The Tunnels (Alternate 2) (1:31)
41.Fort Walton, Kansas (Alternate) (1:40)

With these two cues the sessions would be complete.


Magnus Rex2015-08-07 07:57:29
This is not entirely legitimate. For one, it's partially made from an older fan edit which crossfades some cues. The real sessions have clean openings and endings to each piece. In addition the "demos", as far as I can tell, are almost all fake (or else Hybrid would have surely added them here). They sound nothing like The Rock score. The only real demos are the I, II and III pieces, which come from an old NGS promo.


Hybrid Soldier2015-08-07 08:28:05
The demos are real.

I never added some for some reason. But trust me they are all legitimate...


Scorefan2015-08-07 21:01:11
Thanks Hybrid


Angelos2015-08-08 10:29:10
So, da shit is real dawg.....

Dat question is : when is LLL going to make this an official release? You know, give it a good remastering and make it official....


T-Mann0362015-08-08 17:04:55
Intrada would be an excellent choice to release The Rock complete film score.


Angelos2015-08-08 18:08:35
Ya dawg, Intrada would do too...


Anonymous2015-08-10 20:38:52
Given that a certain someone keeps leaking recording sessions that more often than not end up getting an official release (Wyatt Earp, Jennifer 8, The Ghost and the Darkness, etc.), perhaps a label is going to release this at some point in the future? Who knows; the two occurrences may not be linked at all.

KLF reply Replies: 2 || 2015-01-29 03:33:17
Track #40 - In The Tunnels Alt. 2 - this is on the CD OST somewhere?


Jemima2015-04-13 18:02:40
Hey.

So where can one buy this?

Also is there an "official" complete version? Cause there are plenty of "completes" out there, all with different track listings, some with SFX, some without
### EDITED ###

Cheers.


Damien, Moderator2015-04-13 20:44:05
As all score marked "Unofficial Release", you can't.

High reply Replies: 1 || 2014-07-17 13:49:55
Would be soo nice, if Zimmer would make a long version of "Fort Walton" or if he did so, show us this masterpiece..


High2014-07-17 13:53:23
As I found out, there is an alternate take with Nick Smith.. ;)

Bioscope reply Replies: 1 || 2014-05-05 06:09:29
This suddenly looks more complete. Does that mean its finally out there, no sfx?


Anonymous2014-05-05 23:51:50
it's just added credits

Edmund Meinerts reply Replies: 7 || 2014-05-04 20:59:20
For the new credits here (sorry in advance for overly anal-ness, Hybrid...). Wherever Zimmer appears, is it because he actually had a hand in those cues or is it just because of his theme?


Mike2014-05-04 21:00:28
Well, I think we can definitely say he did the Opening, right...?


Mike2014-05-04 21:02:25
Also, sorry for making two posts in a row, but I guess he also did some of the Fort Walton, Kansas cue, because his name is there, but the main theme isn't in it.


Edmund Meinerts2014-05-04 21:06:31
I always thought that the only two really Zimmer cues in the score are the opening and Hummel's speech. But come to think of it you must be right about Fort Walton, Kansas. :)


Hybrid Soldier2014-05-04 21:51:19
No he actually wrote the score... No choice... Rescue...

With Nick of course but Mason's Walk or The Mission are clearly written by Hans himself...


Mike2014-05-04 22:01:26
That explains SO MUCH. Cues like "The Mission" always screamed that they were 100% Zimmer to me.


Hybrid Soldier2014-05-04 23:07:43
And Hans actually wrote the Opening Title for the SEAL Attack in the first place... It only became the Opening Title after... lol


Hybrid Soldier2014-05-05 08:48:02
Has someone any idea what San Francisco Montage might be ?

I know that cue is credited to Russ Landau (yeah... even he worked on that score lol...).

I always thought it was "Deadline"...

Mike reply Replies: 2 || 2014-01-03 23:48:15
Is the awesome opening cue by Zimmer or NGS?


marco2014-01-04 01:50:38
Hard to tell mate. It could be NGS as he efforts after the rock sound identical such as the man in the iron mask.


Michael H2014-01-04 11:28:47
The main theme in the opening credits is HZ...

Felix reply Replies: 0 || 2013-11-16 22:17:25
Hybrid, can you write the credits please?

Anonymous reply Replies: 1 || 2013-08-10 18:54:56
I find it odd that HGW is credited a principal composer on the cover. It seems like he just did a bit here and there.


Hybrid Soldier2013-08-10 19:44:36
Harry did a lot of the action cues in the middle of the movie...

Hybrid Soldier reply Replies: 2 || 2013-08-10 11:04:01
Little HZ comment regarding his involvement on The Rock :

"I ended up writing the main themes, the scene where they all get killed... I think I had a hand in most cues by the end. I can't really remember all that much. Jerry, M. Bay and Nick was just not a good combination. Yes, I seem to remember the Hummel speech, and Harry learned how to write a car chase. Maybe a hundred times :)"


Evenstar2013-08-10 12:37:35
nice :)


Mike2013-08-10 18:11:21
Interesting timing. I was wondering about Zimmer's involvement here just a couple days ago. I imagine the album track "Hummel Gets the Rockets" has a lot of Hans in it, and I know his theme is used a lot throughout, but I didn't know he was involved with the cues, really. Thanks for the info.

Gav reply Replies: 1 || 2009-08-03 00:00:00
Sadly, this is NOT complete - only expanded. Some cues are missing.


Peter Jacobs2012-06-15 05:18:16
Exactly. The cue I notice immediately is the love theme between Goodspeed and his wife. A slower and more romantic version of Fort Walton, Kansas. I believe would be titled "Marriage"

Played as Goodspeed and his wife talk about getting married in San Francisco just after making love.

Peter Jacobs reply Replies: 0 || 2012-06-15 04:54:39
I'm waiting for the day La La Land or some company picks up this score and decides to release it in complete form. Hans Zimmer, NGS, HGW, and Don Harper all did a fantastic job on this.

Aggelos reply Replies: 0 || 2011-12-04 16:27:50
Folks, La-La Land has to release a complete edition for this score right here, right now for Christ's sake!!!!
One the best action scores ever!!!




H-GW: "I basically helped Nick Glennie Smith and Hans get through it - there was a mountain of music to be written and hardly any time (what's new), not to mention probably the most odious director alive plus the eternal task master Jerry "let's torture Harry now" Bruckheimer. The car chase was one of a few that became my responsibility. I thought Nick did a REALLY good job considering the circumstances."

Zimmer: "The main theme is mine, as are a few other bits. It's really hard to tell. I do have a huge influence in there. But I never really wanted to write any of it. It was always supposed to be Nick Glennie-Smith's score."


1 - Opening Titles - Hans Zimmer, Nick Glennie-Smith
2 - Hummel Gets The Rockets - Nick Glennie-Smith, Harry Gregson-Williams
3 - Baby Doll* - Harry Gregson-Williams
4 - Rock House Jail - Nick Glennie-Smith
5 - Hummel's Speech - Hans Zimmer, Nick Glennie-Smith
6 - The Quarter* - Nick Glennie-Smith
7 - The Chase - Nick Glennie-Smith, Harry Gregson-Williams, Don Harper
8 - Jade - Nick Glennie-Smith
9 - Lift Off - Nick Glennie-Smith
10 - The Furnace - Welcome To The Rock - Don Harper, Nick Glennie-Smith, Harry Gregson-Williams
11 - The Shower Scene* - Nick Glennie-Smith
12 - Rodent Problem* - Harry Gregson-Williams
13 - The Morgue* - Harry Gregson-Williams
14 - In The Tunnels - Harry Gregson-Williams
15 - Off The Track - Nick Glennie-Smith, Harry Gregson-Williams
16 - Mason's Walk - Nick Glennie-Smith, Harry Gregson-Williams
17 - Deadline - Nick Glennie-Smith, Harry Gregson-Williams
18 - First Launch - Harry Gregson-Williams
19 - Aftermath* - Nick Glennie-Smith
20 - Mutiny - Nick Glennie-Smith, Harry Gregson-Williams
21 - Lighthouse - Harry Gregson-Williams
22 - The Last Chip - Harry Gregson-Williams
23 - Green Smoke - Nick Glennie-Smith
24 - Safe* - Nick Glennie-Smith
25 - Fort Walton Kansas - Nick Glennie-Smith

*Tracks not on the OST

Iceboy reply Replies: 0 || 2010-12-22 00:00:00
@Anon: Recording sessions are not necessarily complete. For example, the Blade recording sessions by Mark Isham are not complete, but are still labelled as such as they contain alternate and unused cues. The alternates and film mixes on this disc have NOT been released before and are NOT on any other version. The name of "recording sessions" is therefore more fitting, to differentiate it from the "expanded" versions out there.

Dante reply Replies: 0 || 2010-03-29 00:00:00
The Rock is a rather good movie, but an awesome soundtrack

thx for ur piece of great music
I'm a kinda reserved man... I always keep what I feel deep inside not lettin' anyone guess what I really feel, but when I listened to some of these tracks it even drived a tear out of me.

Thx for that.
Cheers and GL.

Phantom250 reply Replies: 0 || 2009-12-03 00:00:00
THIS IS ONE OF THE BEST FILM I EVER SEEN IN MY LIFE, SO AWSOME WITH NICOLAS CAGE AND SEAN CONNERY TOGETHER IS AWSOME AND I LOVED (u cannot imagine how) THE MUSIC, IT'S ... AWSOME(i wish to make bigger letters but i cant)


Hans Zimmer OWNS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! and i like call of duty modern warfare 2 music too but not as much as THE ROCK.

thnks

Anonymous reply Replies: 0 || 2009-09-06 00:00:00
The Tracklist below is a fanmade expanded score, the "recording session" label is wrong. Its the expanded version added with the tracks from NGS "The Rock Ideas" Bootleg. Fact: A "real" complete is still not available.

Bla reply Replies: 0 || 2009-09-04 00:00:00
The Rock (Recording Sessions)
CD1
01. Main Titles (3:49)
02. Hummel Gets The Rockets (4:15)
03. Terrorist Care Package (2:25)
04. Taking Over Alcatraz (3:31)
05. Hummel's Speech / Alcatraz Reopened (2:27)
06. Mason Breaks Window / Drive To The Hotel (2:08)
07. Rope Trick / The Chase (8:37)
08. Jade (2:02)
09. SEAL Incursion (7:14)
10. Welcome To The Rock / In The Tunnels (4:14)
11. Shower Room Shootout (4:54)
12. Flush The Pipes (3:45)
13. The Morgue (1:48)
14. Mine Cart Escape (2:01)
15. Battle In The Mine (4:12)
16. Mason Meets Hummel / Goodspeed Is Captured (5:36)
17. Preparing For Launch (4:08)
18. Missile Loose (1:54)
19. President's Speech (1:56)
20. Mutiny (5:24)
21. The Lighthouse (3:06)

CD2
01. Hunting Goodspeed (2:25)
02. Green Smoke / Hostages Alive (5:31)
03. Fort Walton, Kansas (1:35)
04. End Credits (4:51)
05. Main Titles (Demo) (2:42)
06. Hummel Gets The Rockets (Alternate) (4:18)
07. Terrorist Care Package (Alternate) (2:26)
08. Jade (Demo) (2:50)
09. SEAL Incursion (Alternate) (7:22)
10. Mine Cart Escape (Alternate) (2:13)
11. Green Smoke (Alternate) (2:38)
12. Kansas (Demo) (2:26)
13. Alternate I (1:38)
14. Alternate II (1:57)
-----------------------------------------------------------
Total Duration: 02:04:16

Anonymous reply Replies: 0 || 2008-08-02 00:00:00
no sound effects

Music without sounds/voices from the movie.

isirius reply Replies: 0 || 2008-08-02 00:00:00
what is the meaning The Score without SFX??

DemonStar reply Replies: 0 || 2008-07-17 00:00:00
As far as I'm concerned, it has most of the good cues from the score, and the quality's great. Great stuff! ;)

Paul Anderson reply Replies: 0 || 2008-05-10 00:00:00
Maps
Your album with sfx.
__
I have the Rock NO SFX.

Jaume reply Replies: 0 || 2008-04-03 00:00:00
Fine music!

Where can be found a midi or a sheet notation for this soundtrack?

Maps reply Replies: 0 || 2007-09-19 00:00:00
I created an own bootleg with all the music released fort his film with this track listing:

01 Opening titles (3:51)
02 Hummel gets the rockets (4:12)
03 Defusing the bomb (2:24)
04 Marriage (00:16)
05 Tours over (3:26)
06 Hummel’s speech (2:35)
07 Marriage II (00:42)
08 Mason breaks the glass (2:15)
09 The chase (8:33)
10 Jade (1:59)
11 The mission (7:21)
12 The mission (alternate) (1:53)
13 Father–daughter-chat (1:46)
14 Welcome to the rock (4:16)
15 Welcome to the rock (alternate) (1:34)
16 The shower room massacre (4:37)
17 Bombs away (4:37)
18 The morgue I (1:44)
19 The morgue II (2:10)
20 Tunnel shootout (4:10)
21 Mason’s walk (5:32)
22 The final hour (4:09)
23 Rocket away (1:51)
24 The air force approved (1:56)
25 Mutiny (5:25)
26 The last rocket (3:06)
27 Frye and Goodspeed fight (2:24)
28 Green smoke (2:36)
29 Saving Goodspeed (3:23)
30 Fort Walton – Kansas (alternate) (2:51)
31 Fort Walton – Kansas (1:29)
32 End Credit suite (5:14)
33 The Rock (ideas)

Total running time: 1:42:18

NO SFX!

mark reply Replies: 0 || 2007-08-28 00:00:00
on the rock cover is are names of nick glennie-smith,hans zimmer,harry gregson-williams,but i dont know who did witch theme,who did all score and who just was helping in work.anybady know who did what in this score???

Manuel reply Replies: 0 || 2007-08-27 00:00:00
Well this is a version without sfx. But is not the complete score, The movie runs over 2 hrs and 15 minutes, and many music from the film is not included in this version. Also, we can find this parts of the music in others version but conatins a little sfx. Also, There changes between some tracks from the other versions and this. Please, team of remote control productions, lauch the complete score with all the music and the alternate tracks.

Thanks.

Aggelos reply Replies: 0 || 2007-08-20 00:00:00
Most of the bootleg covers are fan made

Aggelos reply Replies: 0 || 2007-08-20 00:00:00
I also have the version that ok mentioned about. It's very nice! Hail to complete score with no SFX!!!

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The Rock (Complete Score) soundtrack - Hans Zimmer - Nick Glennie-Smith 1996