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Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits update
A bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.
I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.
Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.
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Additional Music - Conductor
Hans ZimmerNick Glennie-SmithHarry Gregson-WilliamsDon Harper
ComposerComposerCo-ComposerAdditional Music
The Rock (Complete Score)
Label: Unofficial Release
Length: 107'32
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (12300 votes)
  1. Opening (3:54)
    Hans Zimmer, Nick Glennie-Smith
  2. Naval Weapons Depot (4:17)
    Hans Zimmer, Nick Glennie-Smith
  3. Baby Gas (2:26)
    Harry Gregson-Williams
  4. Romance #1 (0:19)
    Hans Zimmer, Nick Glennie-Smith
  5. Tour's Over, Bob (3:29)
    Nick Glennie-Smith, Don Harper, Steven Stern
  6. Hummel Speech - Alcatraz Reopened (2:25)
    Hans Zimmer, Nick Glennie-Smith
  7. Hummel's Demands To Pentagon (1:21)
    Hans Zimmer, Nick Glennie-Smith
  8. Romance #2 (0:46)
    Hans Zimmer, Nick Glennie-Smith
  9. Mason Montage (1:24)
    Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
  10. San Francisco Montage (1:17)
    Hans Zimmer, Nick Glennie-Smith, Russ Landau
  11. Interrogation (1:02)
    Nick Glennie-Smith, Steven Stern
  12. The Quarter (0:41)
    Nick Glennie-Smith, Steven Stern
  13. Window Crash - Fairmont (2:07)
    Nick Glennie-Smith, Harry Gregson-Williams, Steven Stern
  14. Haircut - Escape: The Chase!! (8:22)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams, Don Harper
  15. Goodspeed Tracks Jade (0:49)
    Harry Gregson-Williams
  16. Jade (1:59)
    Nick Glennie-Smith
  17. Blueprints (1:06)
    Nick Glennie-Smith, Harry Gregson-Williams
  18. Hummel - SEALs (7:14)
    Hans Zimmer, Nick Glennie-Smith
  19. Mason Into Furnace - SEALs Tunnel (1:14)
    Nick Glennie-Smith, Don Harper
  20. In The Tunnels (3:32)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams, Don Harper, Steven Stern
  21. SEAL Attack (4:52)
    Hans Zimmer, Nick Glennie-Smith, Steven Stern
  22. Aftermath (0:49)
    Harry Gregson-Williams
  23. Bombs (3:43)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  24. Hammer Head (1:52)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  25. The Morgue (2:12)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  26. Indiana Jones - Fight With Marines (4:12)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  27. Hostage - Goodspeed Captured (5:35)
    Hans Zimmer, Nick Glennie-Smith
  28. Plasma Bomb Is Ready (0:51)
    Nick Glennie-Smith, Harry Gregson-Williams
  29. Mason's Walk (4:10)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  30. First Launch (1:54)
    Harry Gregson-Williams
  31. President's Lament (1:57)
    Hans Zimmer, Nick Glennie-Smith
  32. Mission's Over (5:28)
    Hans Zimmer, Nick Glennie-Smith
  33. Final Attack (3:07)
    Hans Zimmer, Nick Glennie-Smith
  34. The Last Chip (2:26)
    Hans Zimmer, Nick Glennie-Smith, Harry Gregson-Williams
  35. Finale (Part 1) (2:37)
    Hans Zimmer, Nick Glennie-Smith
  36. Finale (Part 2) (3:24)
    Hans Zimmer, Nick Glennie-Smith
  37. Fort Walton, Kansas (1:37)
    Hans Zimmer, Nick Glennie-Smith
  38. Hummel - SEALs (Alternate) (1:56)
    Hans Zimmer, Nick Glennie-Smith
  39. In The Tunnels (Alternate 1) (1:37)
    Hans Zimmer, Nick Glennie-Smith, Don Harper
  40. In The Tunnels (Alternate 2) (1:31)
    Hans Zimmer, Nick Glennie-Smith, Don Harper
  41. Fort Walton, Kansas (Alternate) (1:40)
    Hans Zimmer, Nick Glennie-Smith
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mark reply Replies: 0 || 2007-08-28 00:00:00
on the rock cover is are names of nick glennie-smith,hans zimmer,harry gregson-williams,but i dont know who did witch theme,who did all score and who just was helping in work.anybady know who did what in this score???

Manuel reply Replies: 0 || 2007-08-27 00:00:00
Well this is a version without sfx. But is not the complete score, The movie runs over 2 hrs and 15 minutes, and many music from the film is not included in this version. Also, we can find this parts of the music in others version but conatins a little sfx. Also, There changes between some tracks from the other versions and this. Please, team of remote control productions, lauch the complete score with all the music and the alternate tracks.

Thanks.

Aggelos reply Replies: 0 || 2007-08-20 00:00:00
Most of the bootleg covers are fan made

Aggelos reply Replies: 0 || 2007-08-20 00:00:00
I also have the version that ok mentioned about. It's very nice! Hail to complete score with no SFX!!!

ok reply Replies: 0 || 2007-08-17 00:00:00
i just saw the cover and its strange that only zimmers name is present when the music is mostly nick glennie smith and then a parts by hans zimmer and least bu harry gregson williams.

Per reply Replies: 0 || 2007-08-17 00:00:00
ok :

This one you mention, is just the same as the one listed on this page, only the cues are rearranged in the correct order they appear in the film, and named a bit differently...that's all !

...actually not difficult to figure out this just by comparing the two tracklists.... ;)

The Colonel reply Replies: 0 || 2007-08-17 00:00:00
The cover's most likely fan-made by some goon who doesn't know better; just knows that Zimmer worked on it and as he's the biggest name assumed that he contributed the most.
Poor Nick has never gotten the true recognition deserved to him for this, his fantastic score. A pity.
Anyway this "reordered" track version thankfully seems more "available" than the disordered original tracklist. I'm very happy with it.

Antas, Webmaster reply Replies: 0 || 2007-08-16 00:00:00
@ok : could you contact me privately ?

ok reply Replies: 0 || 2007-08-16 00:00:00
hey antas/hybrid i found this version,
CD 1
01- A Grave Injustice
02- Hummel Gets The Rockets
03- Defusing The Bomb
04- Tour's Over
05- Hummel's Speech
06- Mason Breaks The Glass
07- The Chase
08- Jade
09- The Mission
10- The Mission (Alternate)
11- Welcome To The Rock
12- Welcome To The Rock (Short Alternate)
13- Shower Room Massacer
14- Bomb's Away
15- The Morgue Part I
16- The Morgue Part II
CD 2
01- Tunnel Shootout
02- Mason's Walk
03- The Final Hour
04- Rocket Away
05- Airstrike Approved
06- Mutiny
07- Frye and Goodspeed Fight
07- The Last Rocket
09- Green Smoke
10- Saving Goodspeed
11- Fort Walton, Kansas
what do u think, its without sfx and has great quality, seems like a complete.

MexX reply Replies: 0 || 2007-07-10 00:00:00
Oke!, i accept that i cant buying this beautiful musik of once of the best composers (hans zimmer, nick glennie-smith, harry gregson-williams and much more) but i want to know, why we cant get this album or anything albums with "[Bootleg Release]", why musst they save that and why dont want to get much money with that musik??? My englisch are so bad because iam from germany^^, i a little composer, i have any good programms and synthesizer with midi funktion and make a little musik for a german movie too. Iam playing pionao for 8 years and since 5 years, iam a BIG hans zimmer fan (composer of RCP too). I have bougth so many albums from hans zimmer (and other) but the best musik are saved!!! and my question ist: WHY, why cant they make
officially this good musik???

Marie reply Replies: 0 || 2007-02-23 00:00:00
just one word: Amazing!

xeriouxi reply Replies: 0 || 2007-02-18 00:00:00
I find it's a shame too that they aren't released to the public. I really love this release since I got it a few years ago and it's a shame that it wasn't a 2-disc release to begin with. =(

Roy reply Replies: 0 || 2007-01-27 00:00:00
I understand.. only its sad.. they let us hear a little part of this beautiful cd, and we cant buy it any were :(

fatih reply Replies: 0 || 2007-01-25 00:00:00
tnk

Parvus reply Replies: 0 || 2007-01-24 00:00:00
OK, I understand. I'm sorry, I do not want any problems. :)

Antas, Webmaster reply Replies: 0 || 2007-01-23 00:00:00
You know, HZ staff (and other composers as well) read regularly the site -- so you can easily understand why it's better to not tell where to find such releases...
We don't want any problem with owners' copyrights

Anthony reply Replies: 0 || 2007-01-23 00:00:00
Screw all the "don't tell people where to get bootlegs" thing. I respect the rules here, but it's not like the H-Z.com guys didn't have to ask around to get them is it. :)

Hybrid Soldier reply Replies: 0 || 2007-01-23 00:00:00
LOL why not (I don't know why, I already feel the webmasters' Red Alert) ? But come to the forum to find me...

Hybrid Soldier reply Replies: 0 || 2007-01-22 00:00:00
timo I really understand what you mean...

This bootleg world is "selfish", isn't it ?

We can talk about bootlegs, give opinion about bootlegs, tell they exist... But we can't tell where to find these bootlegs !

It's a great paradox...

If I tell you where to begin your research, this message will be deleted... ;-(

timo reply Replies: 0 || 2007-01-22 00:00:00
@webmaster all those guys talk about it and listen it,...how did they get them?
thanks

Hybrid Soldier reply Replies: 0 || 2007-01-22 00:00:00
Yes Antas !

A 33 tracks... I don't know how is it (quality ?, SFX ?)... I'll have it soon if you know what I mean... ;-]

Antas, Webmaster reply Replies: 0 || 2007-01-22 00:00:00
@Hybrid

I didn't manage to find any promo or boot with Hans or Mark music for Sniper. Did you ?

Parvus reply Replies: 0 || 2007-01-22 00:00:00
PLEASE HELP How can I get this album?

timo reply Replies: 0 || 2007-01-21 00:00:00
Hybrid Soldier, are you sure is it not possible to get them anyhow?thanks for answering

Antas, Webmaster reply Replies: 0 || 2007-01-21 00:00:00
@timo

bootlegs are not official CD -- so you can't buy them.

D Wade reply Replies: 0 || 2007-01-21 00:00:00
Thanks for all the explanations as to who did what on the score. This might be a little off the Rock subject, but can anyone tell me which pieces of the score to Sniper were written by Hans?

Hybrid Soldier reply Replies: 0 || 2007-01-21 00:00:00
LOL D Wade !

That's a really good question... You certainly talk about the Sniper bootleg available with as only information "Gary Chang - Hans Zimmer - Mark Mancina" as composers...

Per reply Replies: 0 || 2007-01-17 00:00:00
Mr Tweedy, the interview i talked about (this: http://www.cinemusic.net/spotlight/1999/hz-spotlight.html), isn't the same one where he (Zimmer) explains why he was 'called'...
I can't remember seeing this interview, maybe I've seen it, but I can't seem to find it again, do you (or anyone else) know if this interview is still online on some site ? (or does anyone have a copy of the interview).
Just would be fun/interesting to see the whole interview (again (?)), but any help will be appreciated, thanks :)

Per reply Replies: 0 || 2007-01-16 00:00:00
Mr Tweedy said:

"Zimmer said he wrote 3 themes to replace NGS's original ones. If it is true, Zimmer replaced the 3 themes from "The Rock Ideas" : -> main theme, mason's theme & the guitar theme (for goodspeed & his girlfriend)...."

Have he said this in a interview ? (if he did, do you remember which one, and if it's still avaible somewhere, do you have a link for it, maybe ?

I've read Zimmer said in interview(s) that "The Rock was really Nick's score, except I wrote a couple of themes on it.", but if that means 2, or 3 themes, and I don't know if the themes he made for it, replaced the 3 'rejected' (?)/demos/ideas themes by NG-S, i don't know.

Personally i always have thought that The Rock is Nick Glennie-Smith's score ('main' composer), regardless of who's written what, and how much... it's not necessarely the one who has composed the main themes that are the main composer, and the same the other way around (in other 'cases')

But it would have been interesting to know exactly who did which themes, cues etc. on it (along with all the other scores too) ;)

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The Rock (Complete Score) soundtrack - Hans Zimmer - Nick Glennie-Smith 1996