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From albums yes, not from the scores... lolemoji movie. live action Pokémon movie. 5 transformers movies. Let’s be honest studios have no clue what people wantAre you sure Jackmans been removing the electronics from his music, or just from his albums?<br><br>Civil War was noticeably different, if you compare the OST to what you heard in the movie.Hybrid said there was some sort of legal issue that came up which prevented use of the samples or something like that.Eh, Shore is a smart composer. He could make it work. I guess whether that's what studios think audiences want is another question entirely...
Is it me or are none of the soundtracks on the website showing the sample tracks that you could listen to anymore?Have you heard that Henry Jackman will composing his music for the upcoming 2019 picture called Pokemon: Detective Pikachu?  I wonder what the film soundtrack would sound like.  Hmm...I think that Howard´s style of music doesn´t really fit to the post apocalyptic genreFor a Peter Jackson production I was expecting Howard Shore.I listened to the score and is one of the most entertaining scores of this year. It's great to see the main theme return but there are a lot of new elements to enjoy and discover here. There were parts that kind of reminded me of Incredibles 2, like the begining of Shank. And tracks like Vanellope's March or Big Strong Man In Need of Rescue are just pure fun.<br><br>Really great score!
I was this tracklist for a 3rd cd floating around, is this legit ?<br><br><br>Disc 1  <br>1.  Planet Earth II Suite  <br>2.  The Sloth<br>3.  Home To Dragons<br>4.  Albatross Dance<br>5.  Racer Snakes vs Iguanas<br>6.  Chinstrap Penguins<br>7.  Singing Indri<br>8.  Competing Hummingbirds<br>9.  Life In The Canopy<br>10. Jungle Weather<br>11. Night Crawlers<br>12. World of Bioluminescence<br>13. Wilson's Bird-of-Paradise<br>14. Something Worth Protecting<br>15. Life Without Water<br>16. Monsoon Deserts/Canyonlands<br>17. Lions vs Giraffe<br>18. The Butcher Bird<br>19. Wild Horses<br>20. Desert Nightlife/Golden Mole<br>21. Long-Eared Bat vs Scorpion<br>22. Early Morning Fog<br><br>Disc 2 <br>1.  Roof Of The World<br>2.  Peaks of North America<br>3.  The Ibex<br>4.  The Himalayas<br>5.  Flight Over Alps<br>6.  Ice Skating Flamingos<br>7.  Dancing Bears<br>8.  Tenacious Bobcat<br>9.  Garden of Ice<br>10. Snow Leopards<br>11. Savage Beauty<br>12. Nomadic Life<br>13. Hunting Buffalo Herds<br>14. The Okavango<br>15. Carmine Bee Eaters<br>16. Industrious Insects<br>17. The Great Migration<br>18. The Unnatural Habitat<br>19. Langurs of Jodhpur<br>20. Temple Gardens<br>21. Market Thieves<br>22. Illuminated<br>23. City Skylines<br>24. Starlings<br>25. Toronto Raccoons<br>26. We Are The Designers<br>27. Epilogue<br><br>Disc 3<br>1. Harvest Mouse<br>2. Jumping Widowbirds<br>3. The Red Fox<br>4. Cacti<br>5. Harris Hawks<br>6. Draco Lizard<br>7. Glass Frog vs Wasp<br>8. Galapagos<br>9.  Zavodovski Island<br>10. The Great Bower Bird  <br>11. Wels Catfish    <br>12. Frozen NightAbout his studio at RCP, is it rental or he owns the stuff? What happens to the gear when he is not around?That is probably the fairest thing anyone on this website will say about Clemmensen. :P@Anonymous<br><br>Christian Clemmensen believes that Hans Zimmer found his definitive voice back in the 1990s with scores such as Driving Miss Daisy, Rain Man, Crimson Tide, and Lion King. However, he has in reviews of later scores compared Zimmer's overly obvious chord progressions and masculinity with what the "rock ballad" did to rock-n'roll music of the '70s. To him, it's overly powerful, unsubtle, and aggressive music that appeals to the gut more than the heart or the mind. Some of Zimmer's most popular scores such as Gladiator, Pirates, and The Dark Knight he has given middling reviews for because the general sound is derivative from his earlier works, not colorful, and not creative. He also accuses Zimmer of starting a trend with overly-recycled, bombastic, masculine action music that's big on density and power and low on subtlety and personality. <br><br>I can definitely see where he's coming from, one cannot deny the similarities between Crimson Tide, Lion King, Gladiator, Pirates, Dark Knight and so forth. One also cannot deny that scores such as Dunkirk and Blade Runner 2049 qualify more as sound design than actual symphonic music (mostly). However, if he had his way, every film score would be shamelessly optimistic and flighty, all major chords (and occasionally alternating off-key), with prominent woodwinds and metallic percussion. He definitely knows what he's talking about, but he has an ideal image for film music in mind, and that very much comes through in his Zimmer reviews, some of which I think deserve much more credit than he offered (Pirates 3, Da Vinci Code, and Gladiator come to mind).a more orchestral fury road
Tom is gonna score Mortal Engines<br>What kind of sound do you expect?He has a studio at RCP but mostly work from his own home studio. His business is "Sacred Tiger Music."<br>Does Henry actually work for HZ at RCP or does he have his own film score company now like HGW?Why filmtracks always behave very Aggressive about hans zimmer and always trys to make his scores worthless ??!! Its odd for meAw Hell...<br><br>I guess it never did freeze over.
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musician: flute
Richard Harvey
Musician
Harry Potter and the Prisoner of Azkaban
Label: Warner Music
Length: 68'36
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5037 votes)
  1. Lumos! (Hedwig's Theme) (1:38)
  2. Aunt Marge's Waltz (2:15)
  3. The Knight Bus (2:52)
  4. Apparition on the Train (2:15)
  5. Double Trouble (1:37)
  6. Buckbeak's Flight (2:08)
  7. A Window to the Past (3:54)
  8. The Whomping Willow and the Snowball Fight (2:22)
  9. Secrets of the Castle (2:32)
  10. The Portrait Gallery (2:05)
  11. Hagrid the Professor (1:59)
  12. Monster Books and Boggarts! (2:26)
  13. Quidditch, Third Year (3:47)
  14. Lupin's Transformation and Chasing Scabbers (3:01)
  15. The Patronus Light (1:12)
  16. The Werewolf Scene (4:25)
  17. Saving Buckbeak (6:39)
  18. Forward to Time Past (2:33)
  19. The Dementors Converge (3:12)
  20. Finale (3:24)
  21. Mischief Managed! (12:10)
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Mike reply Replies: 3 || 2013-10-09 16:41:26
There's a John Williams score on a Hans Zimmer site.

My life is complete.


MacArthur2013-10-09 17:10:02
Yep


Hermione2013-10-10 01:44:50
Umm...that is because Richard Harvey is an RCP musician. Every RCP musician who's worked on a score had it listed here.

1.) Daft Punk's TRON: Legacy (various RCP musicians were involved)

2.) Theodore Shapiro's Jennifer's Body (Co-composed with Stephen Barton, who is RCP).

3.) Brian Tyler's Rambo (Todd Haberman did some additional cues)

4.) Elliot Goldenthal's Heat (Lisa Gerrard is listed as composer, even though her tracks appear on her album The Mirror Pool, released the same year.

So relax. It's not like a John Williams Harry Potter score is randomly on here. Keep your pants on


Mike2013-10-10 01:58:03
I think you're the one who needs to stay calm. I'm well aware there's stuff by other composers, but the fact that John Williams--the man often pitted against Zimmer as the best modern composer--has a score on here is interesting.

sadra reply Replies: 0 || 2009-06-22 00:00:00
hello

Mario Soundtrack reply Replies: 0 || 2008-12-30 00:00:00
JOHN WILLIAMS the BEST!!!!!!
AUPA Jurassic Park"""!!!!!

DemonStar reply Replies: 0 || 2008-07-18 00:00:00
The best score of the Potter series till date, IMHO. I hope Maestro Williams is back for the final movie(s)!!

Anthony reply Replies: 0 || 2008-07-02 00:00:00
Ha, another one I didn't expect to see here! :)

Antas, Webmaster reply Replies: 0 || 2008-06-29 00:00:00
@Pridelander : Yes, we try to list all soundtracks by/with Richard Harvey so... ;o)

Pridelander reply Replies: 0 || 2008-06-29 00:00:00
wow... a John Williams album on Hans-Zimmer.com!? lol

The solo flute in "A Window to the Past" is one of the most beautiful music I've ever heard. Thank you maestro JW & Mr. Harvey!

Ivan orozco reply Replies: 0 || 2007-06-05 00:00:00
no offence suicune but i dont think you should be sad about william's departure of harry potter what you have to understand is williams was busy with the memoirs of a geisha soundtrack so therefore wb had no choice but to find another composer which patrick doyle he's no williams but he still did a kick ass job with the gof score and now recently nicolas hooper will be the new composer of harry potter if you go to www.harrypotter.com im sure you will be impressed it may be disapointing that williams left the saga but like you said it is his choice in the end dont forget he did the same way for jurassic park 3 including the superman sequals so in the end you cant have everything in life so just let it go

Anonymous reply Replies: 0 || 2007-04-18 00:00:00
The solos von Richard Harvey are so beautiful...

Suicune reply Replies: 0 || 2007-03-14 00:00:00
I know this is HZ.com but I have to say that this is one of the best John Williams soundtracks of the 2000's. I don't understand why he didn't score for the whole saga. Oh, well...It's his choice in the end.

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Harry Potter and the Prisoner of Azkaban soundtrack 2004