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there are plenty of early HZ scores that sound as bland as Lorne's early scores@Ian<br><br>I am in a moment of procrastination before dawn ... I believe you also have nothing more interesting to do than post here at the moment. I give my word that I will not be here for many hours!<br><br>@Miguel<br><br>I know, I understand and I have no problem with that.<br>Everything I wrote so far was against it:<br><br>"THE MAJORY of Zimmer's films in the last 15 YEARS..."<br><br>We know this is only valid for 5 projects (KFP3, Sherlock, Inception, Frost/Nixon and TDKR).Really ?if he didnít contribute so much he wouldnít be given ďproducerĒ all the time.He does a lot so thatís that.You are now resorting to searching on google on Balfe !havent you got better things to do than try and prove your uselessness point!Come onOkay, I'm a "hater" for not agreeing that Balfe is responsible for half of the music composed for Transformers, Inception and etc. I'm happy for this. Good night!
I do not know how I fell here, but a 2002 Interview...<br><br>www.scotsman<br><br>.com/lifestyle/<br><br>culture/music/theme-perks-1-622232God not again.Haters give up.This!@Miguel <br><br>How are you so sure of that? Mazzaro is credited as composer in almost every BvS cues. He and AK have had massive appearances in Inferno, Chappie and even Interstellar... Other composers were also as important as Balfe in Pirates, Da Vince Code, Rush, Lone Ranger, The Holiday, King Arthur... I do not deny the importance of Balfe in Inception, Sherlock and The Dark Knight (along with JNH, Jackman, Wesson and Djawadi), but point out that he was co-composer in almost everything done by Zimmer in the last 15 years is overkill.He was there, yes, but he was never alone.There was a team of RCP guys with him and Zimmer."Captain Philips for Jackman.Ironman for Ramin ....."<br><br>Correction : Captain Phillips for Hans, Iron Man for Hans. :P
Would love to hear Hybrids opinion ?????sure he can educate you with the facts@Miguel<br>Lorne has not worked on every Transformers film. He worked on TF 1 and 2 only. Maybe you should educate yourself before accusing everyone who questions you of being uneducated.Sorry but those three composers you mentioned have never contributed 50/50 to every score the same way as Balfe has.Boss Baby is the closet and unfortunately they needed Conrad Pope to actually come in and write the most memorable cue . Balfe on the other hand has been a major co composer even though for some reason like on Sherlock Holmes not get a co-credit.And, frankly, I do not see any problem in Balfe working on the scores of these composers. To say that he has full responsibility for the end result is the same that to say that Mazzaro, AK, or Aruj made up more than 50 percent of his previous and current scores. What we know to be nonsense, mainly in the RCP territory.I do not think it has been "uneducated". I even stated the same thing as you in the comment below posted on this same page on february fourth...<br><br>Here it is:<br><br>"I see that people have always directed some expectation to Lorne's involvement in Zimmer scores and even credit a part of their success to his "Phantom Hand" (in the end he was Zimmer's most enduring assistant, losing only to NGS, who worked with him his entire life in the most different roles). Considering all this is a bit normal to see some people rooting for him every time his name is announced to do something. That's nothing new. One part of the public reserves a certain curiosity about the newest composer who came out from under Zimmer's wings. Many of them had very high expectations about Geoff's PoTC 5 and WW by RGW. And that feeling was shared on the most different internet discussion sites."
Olive - it totally is unwarranted. <br><br>Your points are very un-educated .<br><br>Ask yourself this .... why has Balfe worked on every Transformere film ?The Majority of Zimmerís films in the last 15 years and according to ASCAP been an equal composer .Captain Philips for Jackman.Ironman for Ramin .....<br><br><br>Okay, I'll wait for the more detailed credits in the release.Yeah, Mazzaro and AK would be more interesting choices, even Balfe.<br><br>Maybe Zimmer has more confidence in Wallfisch? He delivered Verbinsky's "Cure" gratuitously for him and then tied him up on two of his major projects last year.<br><br>When I refer to security, I talk about the "assurance of delivering a good job".Olive - wrong.Balfe has said it is used in the film on Twitter.Geostorm is fun, with a nostalgic nods to the old MV scores.<br><br>And much better than 12 Strong
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Richard Harvey
Composer
Luther
Label: BMG
Length: 72'17
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3621 votes)
  1. In Nomine (3:11)
  2. Of God And The Devil (2:27)
  3. Journey To Rome (5:04)
  4. University - New Ideas (2:18)
  5. Death Of An Innocent (2:54)
  6. The Glory, And The Power (2:39)
  7. Salvation For Sale! (4:56)
  8. A Fateful Day (3:19)
  9. Servants Of God (2:39)
  10. Infinite Mercy (2:00)
  11. Heretic - Luther Will Not Recant (3:48)
  12. A Wise Protector (2:48)
  13. Worlds Collide (2:56)
  14. The Love Of The People (1:37)
  15. Here I Stand (3:25)
  16. To The Safety Of A Distant Castle (2:45)
  17. A Nation In Flames (3:47)
  18. A Bitter Harvest (4:10)
  19. De Profundis/Katharina von Bora (2:12)
  20. Luther's Wedding - A Moment Of Joy (1:09)
  21. Libera Me - The Death Of Leo (2:22)
  22. Aus tiefer Not (1:34)
  23. The Power Of Good Men (3:12)
  24. A Brave Future (4:53)
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Daniel reply Replies: 0 || 2009-06-14 00:00:00
hey,
I bought the CD with the luther film music yesterday, but I can't find the lyrics of ''the glory and the power''
could you help me?

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Luther soundtrack - Richard Harvey 2003