NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
About his studio at RCP, is it rental or he owns the stuff? What happens to the gear when he is not around?That is probably the fairest thing anyone on this website will say about Clemmensen. :P@Anonymous<br><br>Christian Clemmensen believes that Hans Zimmer found his definitive voice back in the 1990s with scores such as Driving Miss Daisy, Rain Man, Crimson Tide, and Lion King. However, he has in reviews of later scores compared Zimmer's overly obvious chord progressions and masculinity with what the "rock ballad" did to rock-n'roll music of the '70s. To him, it's overly powerful, unsubtle, and aggressive music that appeals to the gut more than the heart or the mind. Some of Zimmer's most popular scores such as Gladiator, Pirates, and The Dark Knight he has given middling reviews for because the general sound is derivative from his earlier works, not colorful, and not creative. He also accuses Zimmer of starting a trend with overly-recycled, bombastic, masculine action music that's big on density and power and low on subtlety and personality. <br><br>I can definitely see where he's coming from, one cannot deny the similarities between Crimson Tide, Lion King, Gladiator, Pirates, Dark Knight and so forth. One also cannot deny that scores such as Dunkirk and Blade Runner 2049 qualify more as sound design than actual symphonic music (mostly). However, if he had his way, every film score would be shamelessly optimistic and flighty, all major chords (and occasionally alternating off-key), with prominent woodwinds and metallic percussion. He definitely knows what he's talking about, but he has an ideal image for film music in mind, and that very much comes through in his Zimmer reviews, some of which I think deserve much more credit than he offered (Pirates 3, Da Vinci Code, and Gladiator come to mind).a more orchestral fury roadTom is gonna score Mortal Engines<br>What kind of sound do you expect?
He has a studio at RCP but mostly work from his own home studio. His business is "Sacred Tiger Music."<br>Does Henry actually work for HZ at RCP or does he have his own film score company now like HGW?Why filmtracks always behave very Aggressive about hans zimmer and always trys to make his scores worthless ??!! Its odd for meAw Hell...<br><br>I guess it never did freeze over.Sorry, I should've been more specific. This is a comment I had originally posted on the Filmtracks forum, NOT from a Christian Clemmensen review. My bad.
Referring to the previous comment (how did it not reply to the the previous message?)That's not the actual review. The length is a pretty big giveaway. Also, I'm fairly certain he's still given some RCP efforts some good scores.WOW....color me impressed at Filmtracks. I thought that site was anti-Zimmer in all aspects far, wide, near and dear.Copied from Filmtracks:<br><br>Excellent score - a little slow in the middle third*, but some really stirring fantasy-adventure elsewhere. "The Internet" is Cue of the Year material. Although it's odd how little synth there is here, particularly in the finale, where the orchestra seems to completely take over; this isn't too bad of a thing because Jackman's orchestral skills are downright breathtaking at times. The references to other Disney scores/musicals (yes, including Star Wars) left a big dumb grin on my face.<br><br>*I get the sense that this movie might be too long (1 hour and 52 minutes).No you're not. I think Jackman has made some great score over the last through years.<br>And I think this is one of them. Both tracks with or without electronics
So I guess I'm the only one who likes less-electronic-Henry?Henry has been removing electronics for 4 years now...Listen to<br><br>A Big Strong Man In Need Of Rescuing.<br><br>That whole track is a damn easter eggI haven't seen the movie yet but I like the score more with each listen. Not a classic Zimmer by any means but still an enjoyable listen at its short running time. Looking forward to the movie as well.This is me or Henry Jackman removed the electronics this year it could be affect to the predator score because I was thinking about the predator score affect him to remove electronics and turned serious & dramatic. That's weird when Henry Jackman used a lot electronics & fun since 2009 to 2017 with his scores.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Orchestrator - Additional MusicConductor - Orchestrator
Hans ZimmerBruce FowlerJay RifkinShirley Walker
ComposerAdditional ArrangementsMusic ProducerOrchestrator
A League Of Their Own (Complete Score)
Label: Unofficial Release
Length: 66'42
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5245 votes)
  1. Overture (2:15)
  2. Commercial #1 (1:10)
  3. Race Among Sisters (1:08)
  4. Catch Up The Train (2:00)
  5. New Player - The Stadium (3:09)
  6. Training (2:32)
  7. Take Me Out To The Ball Game (0:38)
  8. First Game (0:42)
  9. Commercial #2 (1:42)
  10. The Suds Bucket (2:30)
  11. Jimmy's Balls (1:06)
  12. Coach War (1:25)
  13. No Crying In Baseball (0:36)
  14. Win The Crowd (5:36)
  15. This Is A Product (0:29)
  16. Sister's Clash (1:58)
  17. The Telegram (4:38)
  18. Goodbye Dottie (1:02)
  19. World Series (1:27)
  20. The Prayer (1:19)
  21. The Final Game (Part 1) (4:03)
  22. The Final Game (Part 2) (9:15)
  23. Kit & Dottie (2:49)
  24. Life Goes On (Part 1) (3:09)
  25. Life Goes On (Part 2) (5:45)
  26. Take Me Out To The Ball Game (Alternate) (1:07)
  27. The Suds Bucket (Alternate) (2:30)
  28. World Series (Alternate) (0:18)
  29. The Final Game (Part 2) (Alternate Ending) (0:39)
Create Topic

ei18 reply Replies: 0 || 2016-12-12 23:19:49
is this available anywhere?

Anonymous reply Replies: 0 || 2016-12-11 05:21:42
cool

DemonStar reply Replies: 0 || 2008-12-21 00:00:00
Great score!

Sylvos reply Replies: 0 || 2007-01-19 00:00:00
Awesome job RV!

Shinji reply Replies: 0 || 2007-01-15 00:00:00
When the Cool Runnings 15 track promo gets added, somebody could come up with a track list as well, would be really nice :)

Antas, Webmaster reply Replies: 0 || 2007-01-14 00:00:00
@RV

Thx ! tracklist updated

RV reply Replies: 0 || 2007-01-14 00:00:00
There is a tracklisting:

1. Main Titles
2. War Commercial
3. Race To The House
4. The Station And The Field
5. Training Playoffs
6. Welcome To Jimmy's Ball Game
7. Diamond Galls
8. The Sud's Bucket
9. Heaven's Just A Ballpark Win Away
10. Win The Crowd
11. The Telegram
12. The Playoffs - The Prayer
13. The Final Game
14. Sisters Say Goodbye
15. Life Goes On

Sylvos reply Replies: 0 || 2007-01-14 00:00:00
Umm... Is any gonna play creative and come up with some sort of tracklisting for this bootleg? ;-)

Antas, Webmaster reply Replies: 0 || 2007-01-11 00:00:00
@dég...

please write in english or don't post

dég... reply Replies: 0 || 2007-01-10 00:00:00
c'est dommage d'imaginer que vous n'aurez jamais certains trucs :) alors que d'autres be si :)

Antas, Webmaster reply Replies: 0 || 2007-01-10 00:00:00
@Hybrid Soldier

Here it is ;o)
http://www.hans-zimmer.com/fr/disco_detail.php?id=672

Hybrid Soldier reply Replies: 0 || 2007-01-09 00:00:00
Le compliment va droit au coeur... ;-)

dég.. reply Replies: 0 || 2007-01-09 00:00:00
doivent être contents de l'avoir choper chez hans zimmer.com... cette bande de pirates.

Levente reply Replies: 0 || 2007-01-09 00:00:00
I want that bootleg: Pearl Harbor rules! :(
And yes I want this too.

RV reply Replies: 0 || 2007-01-09 00:00:00
I want this bootleg, too. I'm still searching :D

Hybrid Soldier reply Replies: 0 || 2007-01-09 00:00:00
This is not (yet ? ;-)) on H-Z.com Levente, but a real great bootleg of Pearl Harbor does exist !

And it's amazing (44 tracks)... ^_^

Levente reply Replies: 0 || 2007-01-09 00:00:00
Pearl Harbor recording session? Where???????? Is on this webpage?

D Wade reply Replies: 0 || 2007-01-09 00:00:00
Finally, what seems to be the complete score for a movie released almost fifteen years ago. Great quality, too. I've always thought this was fun music, and regretted that we only had about sixteen minutes of it available. Now we can hear the thing in its entirety and it was well worth the wait! (Track 13 is just wonderful!) We've had Pearl Harbor recording sessions, a Cool Runnings promo, and now this all within the last few months. Thank you, Hans. Thank you thank you thank you! Now if we could just get a hold of full scores for more of your best (*cough* Batman Begins *cough*), then the world will be a better place...

 HANS-ZIMMER.com© 2001-2018 OST 
A League Of Their Own (Complete Score) soundtrack - Hans Zimmer 1992