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Maybe the reuse of MW 2 is not Lorne's choice after all. Maybe the movie was temptracked with it, before scored, and the director got attached to it. So Lorne had either to "imitate" it or just use the same cues, since they were his. <br><br>This is just a speculation I made, since this happens quite often. I remember the Elfman - Raimi conflict about the train sequence in Spiderman 2, where Raimi asked Elfman to "copy" a cue from Hellraiser.Guys are you serious ? Iím currently reading comments about how Modern Warfare 2 is in the score. In Bad Boys for Life you can heard firstly  : The Rock, Speed, Bad Boys, ... MW2 is just a reharsch of these score instead with some Black Hawk Down soundscape. Have you heard any MV score post 2005? &#128517;As much as I think that the choice of movie Powell makes, which up till now have created amazing scores, I do wish we'd get more than 1 score of his every year. Even if the quality is like Solo or The Hidden WorldI actually don't know which I prefer. I guess nostalgia might be clouding my judgement, since the album version was the one used on the DVD menu. Both are still pretty good, nonetheless.Yeah no contest IMO, it's much more dynamic and more "Powell-y" compared to that Superman-style rhythm he uses in the album version and elsewhere in the score. Must have been a hasty last-minute redo or something to not show up on the album.
The films Powell is currently choosing allow him to write much more interesting music than your average Marvel movie... ;)<br><br>Excited for Call of the Wild in a few weeks.Does anyone know what the correct chronological tracklist for this would be?Honestly, i think i will be that few people who likes Lights Out. But his best horror score is A Cure for WellnessThatís a cool choice, Iím hoping for something more like ďItĒ and less like ďLightís OutĒ.Wallfisch has compose the score for The Invisible Man, another horror score for the best guy today for the job
Powell has his personal reasons, but I sincerely hope he comes around to do another superhero score again, especially for MARVEL since his style isnít fit for the likes of DC as of now.I like the film version of Bathroom Titles better.LOL!<br><br>He has had some experience with animated projects, Iím interested to hear him do more diverse projects like that.I will never understand when people can't stand people opinions and 'attack' them.<br><br>If some loves Trent Reznor (i hate the guy's music), is his opinion and i no one to say nothing about it.Bring on the remixes!
LOL!!! You have no idea about film music<br>====================<br><br><br>It's his opinion, my friend.<br><br>And his opinion is equally as valid as the opinion of someone who thinks this score is the worst crap ever. Why? Because when it comes to appreciating art (movies, books, music...) it is all completely subjective. <br><br>I always use this example: I have two friends - educated, family men - who have seen The Godfather. One of them thinks it's one of the greatest movies ever, while the other one barely finished watching it. <br><br>At the end of the day, just because a group of people (film critics, film buffs, etc) proclaim that something is "good" or "bad" doesn't mean that it's automatically a holy statement that everyone should agree with. <br><br>We are all different :)<br><br>Cheers!Judging by the clips of this movie, it will be a good choice.<br><br>I can't wait for this one, after seeing those clipsAccording to Film Music Reporter, Tom is also scoring Scoob!MMichaels LOL!!! You have no idea about film musicFantastic score by Balfe.Best action score writer to come from RCP since Powell for sure .
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Additional MusicAdditional Music
Harry Gregson-WilliamsDavid BuckleyClay DuncanStephen Barton
ComposerAdditional MusicAdditional MusicAdditional Music
The Number 23
Label: New Line Records
Length: 44'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5851 votes)
  1. Opening Titles (3:51)
  2. Fingerling's Childhood (3:02)
  3. Suicide Blonde (7:31)
  4. Ned (2:56)
  5. 11:12 PM (3:58)
  6. Finishing The Book (9:03)
  7. Laura Tollins (3:17)
  8. Room 23 (5:34)
  9. Atonement (4:55)
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Alex reply Replies: 0 || 2010-02-24 00:00:00
Great Score...but is there an extended version of the score similar to the movie?

Anonymous reply Replies: 0 || 2009-06-20 00:00:00
Harry scared me by this one, this score shows how Harry could compose an amazing horror score, i know this movie is not a horror movie but this score is really scary.

Michael reply Replies: 0 || 2009-01-12 00:00:00
Fajne :)

yyy reply Replies: 0 || 2008-07-11 00:00:00
Super,podoba mi si&#281; ;)

Falconet reply Replies: 0 || 2007-08-08 00:00:00
ops made no mad :P

Falconet reply Replies: 0 || 2007-08-08 00:00:00
Clay Duncan and Stephen Barton mad Addittional music,uptade :-)

Anonymous reply Replies: 0 || 2007-03-04 00:00:00
Track 6 sounds like a cheaper version of Goldenthal, but all in all it's a good score.

Anonymous reply Replies: 0 || 2007-02-26 00:00:00
Bad?YOU ARE BAD!
HGW is one of the best composer of 20th.

Hybrid Soldier reply Replies: 0 || 2007-02-22 00:00:00
Composed & Produced by Harry Gregson-Williams
Recorded & Mixed by Malcolm Luker
Assistant Mixing by Jamie Luker
Synth Recordings by Meri Gavin & Costa
Orchestra recorded at ToddAO Studios
Score mixed at Wavecrest Studios
Orchestrated by Ladd Macintosh

Featured Soloists :
Jon Hassell - Trumpet
Hugh Marsh - Electric Violin
Martin Tillman - Electric Cello
Peter DiStefano - Electric Guitar

Music Editor : Adam Milo Smalley
Assistant Music Editor : Scott Johnson

Additional Programming by David Buckley, Halli Cauthery & Stephen Barton

Music Contractors : Sandy De Crescent & Peter Rotter

Score Mastered by Stephen Marsh at Threshold Sound + Vision

dlmusic reply Replies: 0 || 2007-02-16 00:00:00
@Sylvos: He can tell for the same reason as the nine persons who already voted and decided that the score should only receive 70/100 can tell... FANtasy ;)

WDWGuy08b reply Replies: 0 || 2007-02-15 00:00:00
it has a hint of narnia to it in some places as well as deja vu too which makes me want to buy it on cd!

Anonymous reply Replies: 0 || 2007-02-15 00:00:00
i like it its interesting!

Sylvos reply Replies: 0 || 2007-02-08 00:00:00
Oops... Sorry about the duplicated posts. Bad internet, bad!

Sylvos reply Replies: 0 || 2007-02-08 00:00:00
huh? The album is not even out yet, how can you tell it's bad?

Sylvos reply Replies: 0 || 2007-02-08 00:00:00
huh? The album is not even out yet, how can you tell?

Anonymous reply Replies: 0 || 2007-02-08 00:00:00
bad, bad, bad, bad! I hate HG-W!!!!!!!!!!!!!

Antas, Webmaster reply Replies: 0 || 2007-02-05 00:00:00
thanks ;o)

Hybrid Soldier reply Replies: 0 || 2007-02-04 00:00:00
1. Opening Titles (3:51)
2. Fingerling's Childhood (3:02)
3. Suicide Blonde (7:31)
4. Ned (2:56)
5. 11:12 p.m. (3:58)
6. Finishing the Book (9:03)
7. Laura Tollins (3:17)
8. Room 23 (5:34)
9. Atonement (4:55)

Total Time: 44:07

;-)

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The Number 23 soundtrack - Harry Gregson-Williams 2007