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I hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and GŲransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with GŲransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who Iíve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNHís themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.
@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about it
True, but he didnít really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasnít really a Disney tentpole release. Maleficent isnít a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think heíll do an awesome job with.@Mephariel - youíre right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, Iíd much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think GŲransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad Iím not the only one whoís more excited for those compared to cold and dark Nolan/Zimmer scores. Iím kinda over those to be honest.
And if Iím completely honest, Iím more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.Geoff is doing Maleficent: Mistress of Evil! Happy for him... glad the Pirates 5 gig opened up the Disney door for him, he deserves it :)This is actually pretty shocking and completely unexpected. Even if he wasnít gonna score it, I was a 100% sure it was gonna be Lorne Balfe. Iím not crazy about Ludwig so for the first time ever in a long time Iím not particularly excited about a Chris Nolan movie soundtrack. I wonder if itís cause Zimmer is damn busy with concerts and movies, could sworn heíd go with someone from RCP@George<br><br>Like I said in another forum, Nolan/Zimmer is one of my favorite collaborations, but if the choice is Zimmer scoring Tenet or Dune, I much rather he than score Dune.<br><br>I honestly probably rather he score Wonder Woman 1984 than Tenet, because Zimmer needs to do more fun films. But then maybe I am making too much assumptions about Tenet. A Nolan espionage movie sounds incredible, but it is probably a cold and dark film.
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Music ArrangerMusic ArrangerMusic Arranger
Klaus BadeltJohn Ashton ThomasIan HoneymanAndrew Raiher
ComposerArrangerArrangerArranger
TMNT
Label: Atlantic Records
Length: 34'50 (Score : 6'07)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4459 votes)
  1. Shell Shock - Gym Class Heroes (3:18)
  2. Rip It Up - Jet (3:21)
  3. There's A Class For This - Cute Is What We Aim For (3:35)
  4. Awww Dip - Cobra Starship (2:56)
  5. Roses - Meg & Dia (3:28)
  6. Bring Me Along - Pepper (3:34)
  7. Fall Back Into My Life - Amber Pacific (3:37)
  8. Red Flag - Billy Talent (3:18)
  9. Walking On Water - This Providence (2:37)
  10. Youth Like Tigers - Ever We Fall (2:45)
  11. Lights Out - P.O.D. (2:56)
  12. Black Betty - Big City Rock (3:32)
  13. I Love Being A Turtle (3:07)
  14. Nightwatcher (3:00)
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Anonymous reply Replies: 0 || 2009-03-29 00:00:00
Wat is theme song in the movie it plays at the part where Leo jumps out of the plane

bat reply Replies: 0 || 2009-01-27 00:00:00
thanks

Manos reply Replies: 0 || 2008-12-03 00:00:00
Hello guyz and greetings from Greece... :)
I 'd like to find the score track in the end
of the movie (IT'S AMAZING)!
I Agree with the guys below asking for the release
of the full score of this movie.

.Pascal reply Replies: 0 || 2008-10-29 00:00:00
That's really a pity that isn't an other CD too.. I signed the Petition and try to find more people to join!

n/a reply Replies: 0 || 2008-07-22 00:00:00
Hello Badelt fans I have made an petition for score releases for various Ninja Turtles movies and TV especially Klaus Badelt's Here is the link: http://www.petitiononline.com/pettur12/petition.html. Please sign and thanks in advance

Joel reply Replies: 0 || 2008-03-24 00:00:00
It's a shame that one of the scores I enjoyed the most during a movie this year is unavailable!
I have nothing against the songs above, the tracks featuring bands, being made available.
But I'm really disapointed that the score itself wasn't given the same respect.
If it ever comes out, consider it purchased!

n/a reply Replies: 0 || 2008-02-25 00:00:00
I agree with you all.
I really want the score too.
The last two tracks which were scores were really great,
but that isn't enough.

Jinx reply Replies: 0 || 2008-01-03 00:00:00
normally films bring out 2 cds - one for the bands and one for the orchestral stuff - i was gutted when i found out tmnt have only done the band one and on itunes you can only get the 2 last tracks if you buy the rest of the album - they shud soooooo bring out the original score on cd!!

Rittz reply Replies: 0 || 2007-11-11 00:00:00
It's a crime that the only score we can actually own is two short pieces. The score was fantastic, and the best part only gets 6 seconds during I Love Being a Turtle.
The rest of the score really needs to be made available. I would buy it in a heartbeat

Steven reply Replies: 0 || 2007-09-17 00:00:00
Hello Mr. Badelt Nice score I really loved the two pices specially Nightwatcher I feel like a ninja every time I listen to it haha really beatifull pieces congrats Mr. Badelt

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TMNT soundtrack - Klaus Badelt 2007