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yeah that's just one though. We'll see!! no info on a release date, on lornes twitter it says it's coming out very soon."Shatterdome Attacked", at least we'll get one 7-minute action cue...<br><br>Also. TRACKLIST YOU GET DID WHERE???An agent isn't the problem. Powell is choosing to work less, and only on certain types of movies.Damn the tracks are really short, i was hoping for some long epic music. Hopefully he'll deliver on the epic (I'm sure he will)Giacchino has some points about Powell because of the variety of his work. The man works on several beloved franchises through the pubic and every year makes some score for Pixar. From Powell, so far we've only had Bourne and the animated films from Dreamworks and Blue Sky. That's the only problem with him. The lack of a good agent to get projects beyond the territory conquered by him in the mid-00's.
where got you did tracklist have been?Where did you get the tracklist ???????Where you get the tracklist?<br><br>;)Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.
And @Ian, re: talent of assistants, to add to your point... Kick It was, according to Hybrid, Hansí theme turned into a suite by Balfe...so even there, with his interesting stuff, the nucleus of it is still Zimmer. If youíre talking about Training from Begins for Djawadi, ditto there. Hans said that was the first theme he (Hans) wrote for the movie. So in both cases, these guys kinda sound best when expanding on Hansí ideas.His KPM and Extreme library tracks are excellentOh I know! I'd say I've heard maybe 20 scores or so by him, so not totally useless, but he's definitely someone I still need to explore more.It would be good to see Kawczynski doing more.Chappie was excellentIan - I prefer Rogue One over Jurassic World. The movie and the score.<br><br>Edmund - You have missing a lot of great stuff by Goldsmith! :D
Probably the only reason Goldsmith isn't in my top 3 is I haven't heard enough of his music. :pWallfisch is a good composer indeed, but BR2049 (and Dunkirk) were absolutely the wrong place for him. He's not a synth guy. He was originally a protege of Dario Marianelli, for heaven's sake - he's got a far more classical/orchestral sensibility. A score like Cure for Wellness is a much better fit for him. I'm not sure why Hans thought it was best to bring him of all people in on BR2049 when the more electronically-inclined Mazzaro/Kawczynski duo would have made more sense for a Blade Runner score (I say this based mostly on Chappie).Ian - no one is trying to compare Balfe to Zimmer !Firstly there is a 20 year age gap!!!Zimmer will always be the best in my eyes but doesnít harm saying someone else can be good <br><br>Still confused why this conversation is still troubling some.I remember saying last year that I thought Lego Batman was one of the best animation scores that year and it caused some to have heart attacks.there are a hand full of people that donít think he is either good or should be working .... we get !!!! <br><br><br><br>Edmund - given the rationality you've displayed in your comments, I'm disappointed Goldsmith isn't in your top three. ;)<br><br>In all seriousness, I'd put money on Powell fucking nailing the integration of Williams's theme. While Giacchino did a solid job on Jurassic World and Rogue One (I tend to think my assessment of the latter is a bit more positive than most), frankly I just think Powell is a far better composer - a genuine A-level guy, whereas Giacchino is moreso very competent without that spark of pure talent seen in Williams, Goldsmith, Elfman, Zimmer etcI think it's worth noting that Zimmer's popularity at this point is largely under his direct control - meaning that if he were to decide to stop touring, go back to writing full-time, and return to his 'epic' thematic style, I think we'd see a surge in his popularity of the sort we saw from Batman Begins through til Interstellar. However, I just don't think he's interested, which is totally his right.<br><br>I certainly agree that the RCP proteges at this point are, frankly, shit compared to how they used to be. I mean, even a guy like Steve Mazzaro (who I genuinely like and who wrote some of the coolest cues in Chappie, and basically co-wrote BvS - a score I actually like) just utterly pales in comparison to the Powell era.<br><br>Actually, I have to take that back a bit; Wallfisch is a very, very talented guy, honestly so much better than someone like Junkie that I weirdly tend to forget he's under the RCP roof now.
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Harry Gregson-WilliamsDavid BuckleyJames McKee SmithStephen Barton
ComposerAdditional MusicAdditional MusicAdditional Music
Shrek The Third
Label: Varese Sarabande
Length: 40'32
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4603 votes)
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  1. The Royal Treatment (2:31)
    Harry Gregson-Williams, David Buckley
  2. Fatherly Dreams (2:19)
    Harry Gregson-Williams (Edward Elgar)
  3. The Frog King Dies (2:51)
    Harry Gregson-Williams
  4. Another Adventure (2:33)
    Harry Gregson-Williams, David Buckley (John Powell)
  5. Little Ogre Feet (1:53)
    Harry Gregson-Williams, Stephen Barton
  6. Worcestershiree? (1:53)
    Harry Gregson-Williams
  7. Charmed & Dangerous (3:25)
    Harry Gregson-Williams
  8. Artie's Sob Story (1:33)
    Harry Gregson-Williams
  9. A Warm & Fuzzy Navel (2:17)
    Harry Gregson-Williams, Stephen Barton
  10. The Campfire (1:34)
    Harry Gregson-Williams (John Powell)
  11. The Hook Attack (1:22)
    Harry Gregson-Williams, James McKee Smith
  12. Merlin (1:48)
    Harry Gregson-Williams
  13. The Trip Home (2:15)
    Harry Gregson-Williams
  14. Princess Resistance (2:26)
    Harry Gregson-Williams, Halli Cauthery
  15. The Dressing Room (2:19)
    Harry Gregson-Williams
  16. The Show Begins (2:03)
    Harry Gregson-Williams, Stephen Barton
  17. King Arthur (3:30)
    Harry Gregson-Williams
  18. (Almost) Alone At Last (2:01)
    Harry Gregson-Williams (John Powell)
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Hybrid Soldier reply Replies: 2 || 2016-07-10 18:08:27
Composer credits !


Edmund Meinerts2016-07-11 10:40:13
You're on a roll! :D


Hybrid Soldier2016-07-11 12:39:04
Yep, actually I did the same with Shrek 4 as well...

Andrew reply Replies: 0 || 2010-04-09 00:00:00
Someone brought to my attention today that track 7, Charmed and Dangerous, has James Horner's well-known four-note-danger-motif trademark. It is played 3 or 4 times starting from 0:34!

Mario Soundtrack reply Replies: 0 || 2008-11-12 00:00:00
!Another Adventure" is good, the rest of album is medium.

Falconet reply Replies: 0 || 2007-09-05 00:00:00
Not Problem Antas :-)

Antas, Webmaster reply Replies: 0 || 2007-09-04 00:00:00
@Falconet : Thanks for the add

Falconet reply Replies: 0 || 2007-09-04 00:00:00
Stephen Barton and James Mckee Smith Additional Music :-)

Sylvos reply Replies: 0 || 2007-06-18 00:00:00
So Shrek The Third was not bad after all. I totally enjoyed this CD though it was more Narnia influneced than Shrek-ish. Can't call it a conclusion to a trilogy though... Right now it's confirmed that there are two more Shrek films on the way... Hoooolly CGI!

Hans Jaskiewicz reply Replies: 0 || 2007-05-25 00:00:00
I cant wait for Prince Caspien!

Anthony reply Replies: 0 || 2007-05-24 00:00:00
I pretty much agree with you Han. I heard Harry talk about how a lot of the temp music (which was from Shrek 1 & 2) for the movie fitted perfectly so he just had some pieces reorchestrated.

And after seeing the movie, it's pretty obvious which bits of music these are.

I'll probably get this, but I'm just expecting a re-hash of the first two.

Han Jaskiewicz reply Replies: 0 || 2007-05-24 00:00:00
Hmm, Im trying to think if this cd is worth buying. Most of the great themes are found on the first movie soundtrack... I really dont think anything new stood out to me. What do you guys think?

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Shrek The Third soundtrack - Harry Gregson-Williams 2007