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Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didn’t really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasn’t really a Disney tentpole release. Maleficent isn’t a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think he’ll do an awesome job with.@Mephariel - you’re right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, I’d much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think Göransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad I’m not the only one who’s more excited for those compared to cold and dark Nolan/Zimmer scores. I’m kinda over those to be honest.And if I’m completely honest, I’m more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
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Pirates Of The Caribbean: At World's End - Remixes
Label: Disney
Length: 26'03
HZimmer.com rating:        1/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7826 votes)
  1. Jacks Suite (Paul Oakenfold remix) (6:51)
  2. Jacks Suite (The Crystal Method remix) (6:04)
  3. Jacks Suite (Paul Oakenfold radio edit) (3:38)
  4. Jacks Suite (The Crystal Method radio edit) (3:47)
  5. Pirates Live Forever (Ryeland Allison Remix) (5:43)
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Randi reply Replies: 0 || 2011-06-14 11:48:10
YouÂ’re a real deep thienkr. Thanks for sharing.

Bette reply Replies: 0 || 2011-06-14 03:21:19
Kudos to you! I hadn't tohguht of that!

sally reply Replies: 0 || 2010-11-12 00:00:00
I am trying to find out who wrote the score for the music box of Davy Jones' and if there is ---where would I go to find the music and possibly the music box----and also what is the name of that particular piece of music

zito reply Replies: 0 || 2009-03-26 00:00:00
nice

DemonStar reply Replies: 0 || 2008-07-16 00:00:00
Would be better if they do an actual expanded score instead of these rubbish remix stuffs...

Wagner Ramos reply Replies: 0 || 2008-06-16 00:00:00
You are get crazy!!!

d17 reply Replies: 0 || 2008-03-20 00:00:00
the curse of the black pearl (pirates of the caribbean1) is composed by Klaus Badelt

Bryan reply Replies: 0 || 2008-01-10 00:00:00
They really are good scores. But who did the orignal score for curse of the black pearl? not mr Zimmer. But the are great none the less

Bullo reply Replies: 0 || 2007-12-21 00:00:00
I LOVE the original score and I think this is a s***, what a bad and uninteresting music ! This "remix" distorts the wonderful Zimmer's work...

Bojda reply Replies: 0 || 2007-12-12 00:00:00
hi ... I´ll want email of keira knightley , please , you send me email thank you

Johnny Depp reply Replies: 0 || 2007-11-14 00:00:00
awfull! =(

zabeen narayan reply Replies: 0 || 2007-09-29 00:00:00
remixes are AMAZING

Ziggey reply Replies: 0 || 2007-08-22 00:00:00
I really don't like the remixes. Sorry. I really love all of Zimmers work, to me this is destruction of the themes.

ADALBERTO reply Replies: 0 || 2007-07-28 00:00:00
hello I am ADALBERTO AND WRITE THIS EMAIL FROM MY COUNTRY COLOMBIA

hans zimmer for me is a big inspiration I hope so maybe soon day I write music like HANS

you are very important to me, course like music pirates of the caribean is excelent the music to me is freedom
thank you HANS ZIMMER

I AM SORRY FOR MY BAD ENGLISH TAKE CARE MASTER OF COMPOSITION

-nemo reply Replies: 0 || 2007-07-26 00:00:00
as far as mixes...the He's a Pirate mix featured on the P2 soundtrack is as good as it gets!

Bobymed reply Replies: 0 || 2007-07-23 00:00:00
I love the rock soundtrack everyday i hear it , ######## .... from Algeria

callum reply Replies: 0 || 2007-07-16 00:00:00
Iwont at world's end

Maria (Zimmer superfan) reply Replies: 0 || 2007-07-14 00:00:00
I LOVED the original score. What is this supposed to have accomplished? One can't improve perfection, which Hans has proven to be for years now!

Amy reply Replies: 0 || 2007-07-11 00:00:00
I have recently purchased the soundtrack to the 3rd Pirate's Movie. I have super enjoyed the music, the orchestration and the repeated refrain of Hoist the Colors blended in an underscore. I also like the voices on Never Say We Die who is not predominant in the score but add to the intensity like another ensemble. I really hope and pray you win the Oscar for music this year.
Bestg wishes, Amy Sanchez.

BayJ reply Replies: 0 || 2007-07-09 00:00:00
I love all of your music. You are such a powerful composer! I look forward to hearing all of your pieces :)

Sylvos reply Replies: 0 || 2007-07-03 00:00:00
Jack Sparrow: This is not my theme. My theme is magnificent, and fierce and huge-ish and... GONE. Why is it gone?

Sarah reply Replies: 0 || 2007-06-29 00:00:00
I preferred the original version...the original one it's reaaaallly what I mean when I say a music is so true you can actually see what's happening in the film while listening to it.

Savannah reply Replies: 0 || 2007-06-25 00:00:00
Your music is powerful. It's the best "movie" music I've ever heard. I loved the Davy Jones music, and the music where Elizabeth Swann says,"I Don't Think Now Is The Best Time." I wish to hear you somemore!

Alex reply Replies: 0 || 2007-06-24 00:00:00
Dude you are amazing

Aleksander Vinter reply Replies: 0 || 2007-06-22 00:00:00
Offcourse, the electronic music genre is very popular. And Disney, like any commercial franchise, is eager to please the crowd and get the hard cash. I compose a lot of soundtrack music myself, as well as trance and house etc, I respect the genres. But this is like raping a queen. Or doing graffiti on The Mona Lisa by Da Vinci.

oguzhan hilal reply Replies: 0 || 2007-06-22 00:00:00
&#305; watched Pirates Of The Caribbean all parts.and when &#305; listened davy jones music.&#305; was shocked.it is very strong feeling to make like that music.&#305; from turkey so my english is not enogh to tell u what my feelings.but it is very beatifull music.&#305;f god ll give me a one chance what &#305; want &#305; can do at this world.&#305; want from god to listen davy jones music from hans zimmers hands.u r very good musician hans go like that.

Koray reply Replies: 0 || 2007-06-20 00:00:00
Who greenlights these things? Takes a great piece of music and ruins it. All I hear is static.

Carlos Moran reply Replies: 0 || 2007-06-20 00:00:00
This was a great movie, with some amazing composing with the music. Great job Mr. Zimmer.

Stephanie reply Replies: 0 || 2007-06-19 00:00:00
I like it. :)

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Pirates Of The Caribbean: At World's End - Remixes soundtrack 2007