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I just rewatch the show and i think this is mostly chronological, but there is some suites like Dr Ford we can ear in episode 3,4 6 9 etc. <br>So this is hard to say chronological or not. By the way, lots of variations of Dr Ford aren't on the album, but obviously we can have the whole score on a CD.<br>Did you know if Ramin even release a complete score from his tv show?Does anybody know a chronological order?? I tried myself but I can't work it out.Any news about Hans Next project?Does Hans compose music for releasing as his own records? I wish he'll make someI think BGM stands for any sort of background music, e.g. caffe music, game themes and, sometimes, film scores. But, IMO, "score" sounds way beter than "BGM"<br><br>p.s. Plz, do not my English, imma russian...
One last topic I want to cover for this score, and that's the references to past films. I've found quite a few new ones that may be interesting.<br><br>"Today We Hunt" - Reference to "Bumblebee" at the end of the track.<br><br>"History of Transformers" - Reference to "Bumblebee", the end of "Are You Ladiesman 217?", and a sort of rebuilding of the Autobot theme using it's main notes.<br><br>"Two Moons" - Contains the main 2 notes of "Decepticons" repeated through the entire track, and of course elements of "We Were Gods Once".<br><br>"Prime Versus Bee" - Contains the drum beat featured in "Optimus vs Megatron"<br><br>"Your Voice" - Reference to "Optimus", the escalation of notes featured in scenes where Optimus is almost defeated ("Optimus vs Megatron" and the beginning of "I Claim Your Sun"), the 3 notes of "We Were Gods Once" when Optimus is about to be killed, and of course "Arrival to Earth/There Is No Plan".<br><br>"Battlefield" - Basic notes of the end of "You're A Soldier Now" and the Autobot theme in the 3 note horn section.<br><br>"Did You Forget Who I Am" - Autobot theme plays in the build-up before the "You're a Soldier Now" reprise. (Also maybe a hint of "Skorponok" at the end?)<br><br>The rest has already been pointed out on this website.Bring Him Home and Future King are greatThe show is very good.we managed to watch the show in two days!the music by Gregson-Williams and Balfe is perfect. The score is some of the best TV music at the moment.going to defiantly buy the album now and see what itís like2049 is by Ben, confirmed.generalizing all direct and indirects participations in Zimmer's career, I think this role is of Glennie Smith...<br><br>Second half of 1970-forever.
@Ben: "Hans' last and only Oscar-wining score was Lion King, and that one wasn't so remarkable either."<br><br>The original presentation, of 1994, is not very good to confess. They left out the score to emphasize the songs. However the latest launches "expanded score" and "Legacy Collection" (in my opinion) are among the best as Gladiator, the last Samurai,Prince of Egypt, House of Spirits, Rain Man,<br>Backdraft, regarding Henry,Beyond Ragoon, the Rock, King Arthur, Interstellar, Rush, At worlds End and the Dark Knight (The Collector's version). I like many themes by Hans, but when I come to head the organization factor of the albums most satisfactory these are some of the few that comes to mind.What's the involvement of EW in the Mermaid Suite? I always imagined it that way: Hans being responsible for the first part of the suite, the calmest, Geoff taking care of the piece that corresponds to the moment of the sirens attack and that Eric inserted the choir to finish the composition.In the last 7 years or so the only Oscar that I think was deserved is Gravity by Steven price. By the way hybrid it was a tough comment for me. Thanks to all people here who think it was.<br>I totally agree that the music fit the movie perfectly Hans always did great job in this but as a standalone music for me and again (for me) the docking in interstellar do all the job on Dunkirk ( I mean suspense) so for me all Dunkirk soundtrack = docking in interstellar.<br>quote: "This score is nothing compared to interstellar or even to POTC 3."<br><br>How do you know or how do you judge? By musical complexity, number of themes, etc.? I think the Dunkirk score perfectly serves the movie - which is what it's supposed to do.<br><br>Hans' last and only Oscar-wining score was Lion King, and that one wasn't so remarkable either - on its own. So it would kind of make sense for a score like Dunkirk to get him the award.<br><br>After all, when it comes to the academy, I don't think they look at a score in isolation - like we do as Zimmer fans - but rather how well it serves the film. If they love a film and let it win best picture and other categories, it's very likely they'll also give it "best original score".Great this is geting a release!<br>I am from Greece and the same is Nikos Mastorakis, the director.<br>He always recalls working with Hans Zimmer and Stanley Myers here.
Ultimate masterpiece... 8-) lolVery impressed with the music from this season. Enjoying listening to it.there doesnít seem to be much of the main theme used ?man, i think i haven't listened to "A Dark Knight" deep enough. so many things i picked up from listening to it recently. oh by the way, it's Dunkirk that's making me go back and listen to the old scores.One of the most beautiful choral pieces of the 21st C. Mr. Zimmer please make this original London recording available in a cd (320kbps) or a lostless version to be able to enjoy its full beauty. The version on YouTube is just muddy cruddy. And the version on the Prague cd is not a chorus of this caliber. Plz plz plz! Gratefully, Philip...why is Eric Whitacre's credit being omitted?
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John PowellJohn Ashton ThomasJames McKee SmithBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
X-Men - The Last Stand (Complete Score)
Label: Unofficial Release
Length: 92'44
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4344 votes)
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  1. 20 Years Ago (1:11)
    John Powell
  2. Young Jean (1:22)
    John Powell
  3. Bathroom Titles (2:00)
    John Powell
  4. Danger Room Session (2:29)
    John Powell
  5. Scott's Torment (0:35)
    John Powell
  6. Scott, Logan & Beast (0:46)
    John Powell
  7. Raven (1:46)
    John Powell
  8. Stom Sense (0:29)
    John Powell
  9. Not Telling Us (0:30)
    John Powell
  10. Announcing The Cure (1:39)
    John Powell
  11. The Church Of Magneto - Raven Is My Slave Name (3:13)
    John Powell, James McKee Smith
  12. Meet Leech, Then Off To The Lake - Whirlpool Of Love (4:58)
    John Powell
  13. Examining Jean - Dark Phoenix (4:23)
    John Powell
  14. Angel's Cure (2:53)
    John Powell
  15. Jailbreak (3:29)
    John Powell
  16. Jean & Logan - Dark Phoenix Awakes - Rejection Is Never Easy (4:33)
    John Powell
  17. Magneto Plots - Entering The House - Dark Phoenix's Tragedy - Farewell To X (7:10)
    John Powell
  18. The Funeral (2:56)
    John Powell
  19. Skating On The Pond (2:43)
    John Powell, John Ashton Thomas
  20. Magneto's Camp (3:28)
    John Powell
  21. Logan & Storm (1:56)
    John Powell
  22. Cure Wars (2:57)
    John Powell
  23. Fight In The Woods (4:13)
    John Powell
  24. St. Lupus Day (5:09)
    John Powell, John Ashton Thomas
  25. Building Bridges - Shock & No Oars (3:32)
    John Powell
  26. Attack On Alcatraz (3:20)
    John Powell
  27. Massacre - The Battle Of The Cure (4:50)
    John Powell, James McKee Smith
  28. Fight As A Team (3:49)
    John Powell
  29. Phoenix Rises (5:22)
    John Powell
  30. The Last Stand (6:21)
    John Powell
  31. Young Jean (Alternate) (1:22)
    John Powell
  32. Bathroom Titles (Alternate) (1:55)
    John Powell
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Scorefan reply Replies: 2 || 2017-03-09 18:53:44
@Hybrid, what happened to James Mckee smith and John Ashton Thomas? We don't hear anymore from them.


Hybrid Soldier2017-03-09 18:56:53
JAT is a regular orchestrator still, for Alan Silvestri, Theodore Shapiro etc. Still very busy.

McKee, from what I heard he had several health problems linked to the insane world of film scoring, so he decided to stay away. Still writes music but mostly for Production Music companies.


Scorefan2017-03-10 02:54:18
Thank you Hybrid.

thejok3rrules reply Replies: 2 || 2014-05-29 00:08:34
I do believe this one is Powell's best.


badbu2014-05-29 09:43:08
naaa...
X2! ;)


badbu2014-05-29 09:44:56
oh man...sry :D ottman...:D

alireza reply Replies: 1 || 2013-06-16 19:46:51
ilove you hans zimmer


trent easton navarro2013-06-16 20:09:42
And that has exactly what to do with this John Powell score?

mike reply Replies: 0 || 2009-10-10 00:00:00
john powell forever....

Mikel Siw (a fan from Spain) reply Replies: 0 || 2009-09-25 00:00:00
Powell Forever!!!

Anonymous reply Replies: 0 || 2009-09-24 00:00:00
yes!! is great!!! I want this music!!!

Mario Soundtrack reply Replies: 0 || 2009-07-25 00:00:00
CongratulationS!! John Powell!!!!!!!!!
I arrived late!!
Main Titles are different, yes. Is best the film version, not this.
But Ok, the songs are phantastics.
The final of Church Magneto and Truck are good.

Meet Leeche & Lake are one of the best songs of album. With an small action theme when Cyclops/Scott goes with moto. And the reencounter with Phoenix/Jean are more beautiful.

The Angel's Cure theme which repites in Finale & End Credits are good. A good theme.

The Death of X..Is good, and begin the Phoenix theme.

X Funeral, with a small theme of Phoenix.

Skating!!! This song begins with a mystery love theme. Amazing and Incredible, yes.

Attack On Alcatraz and Battle for the Cure are good themes, but no re the best of the album.

The best song together with Meet Leeche and Lake is The Phoenix Arises, with one simply why: because the Phoenix Theme with a chorus is Genial. I'm loved this theme.

Finale & End Credits is best and the movie version, because two themes are collaged from Meet Leeche, with End Credits. Two minutes more^^

Yes, this message is large, because this album is Incredible!

Anonymous reply Replies: 0 || 2007-10-11 00:00:00
It's essentially a ''complete'' album. Everything in its finished form so no film versions.

Anonymous reply Replies: 0 || 2007-10-11 00:00:00
Is this the film versions of everything? or is it the official release with extra stuff?

Cloud reply Replies: 0 || 2007-07-08 00:00:00
The sound is perfect, can't hear any difference to the OST. Too bad the film version of the Main Titles is still missing, otherwise a perfect album.

Antas, Webmaster reply Replies: 0 || 2007-06-19 00:00:00
Yes -- that means the official release has to be bought even if you have this boot

Sylvos reply Replies: 0 || 2007-06-19 00:00:00
hehehe, it's a bootleg after all, what did you expect OMG? ;-)

OMG reply Replies: 0 || 2007-06-19 00:00:00
Sound quality is not as good as the Varese release :(

Sylvos reply Replies: 0 || 2007-06-17 00:00:00
So, the missing 30 minutes arrived earlier than expected. I wish some other scores would follow the same routine. It seems to me that the good parts are already released on Varese's disc but at least this bootleg is not a gapless album. It may help finding the key tunes we're after faster but listening to a track without a beginning nor ending is weird.

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X-Men - The Last Stand (Complete Score) soundtrack - John Powell 2006