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Conrad Pope orchestrated and conducted this in New Zealand so i hope this isn’t Junkie’s regular sound design, percussion and synth score.@Edmund Meinerts:<br><br>"Hope nobody is stupid enough to think Powell was to blame." This. Following that same logic, Disney should never have let Williams back after the prequel trilogy.Has anyone been able to source this amazing soundtrack on records? <br><br>Thanks,He already did score a masterpiece in Mad Max Fury Road, although his music for that was no masterpiece. ;)Do you say "masterpiece" based on Peter Jackson's name, or based on the trailer? Because I'm really afraid for this movie, I love Jackson's films, but it just looks too dumb :-p
Best chance Junkie XL will ever have to score a masterpiece. Hope he do one this right.According to Film Music Reporter Junkie will score Mortal Engines. <br><br>http: //filmmusicreporter.com/2018/06/18/junkie-xl-scoring-mortal- engines-movie-adaptation/There wasn't really any hype for the movie, it didn't seem like people were all that interested in a Han Solo origin story. Plus it's only been half a year since Last Jedi came out and broke the internet. Unlike Marvel, Star Wars doesn't seem immune to franchise fatigue.<br><br>A shame. Hope nobody is stupid enough to think Powell was to blame.Hi guys. Dose anybody know why solo faild in box office ?Search for "filmtracks".
Sorry, just found it.Tried that, couldn't find an author named Clemmensen who reviewed it. (I don't know where to look I haven't seen this guy's reviews before).Should be easy to find with google...Seriously guys, what site is he on? I want to see this review, but I don't know where it is.I know woodwinds, with few exception, have been completely abandoned by RCP, but man would it be nice if Steve fit woodwinds into the small scale family scenes. He's great with them, but for whatever reason he doesn't seem to be able to use them unless it's an animation, The Sims or IDEA specifically, or fantasy (even then The Last Witch Hunter had no woodwinds). They add so much to the soundscape and make any score so much richer. <br><br>I'm listening to the Lord of the Rings Trilogy again currently, and god, they'd be nothing without all of those flutes and clarinets. Even when the main instrument is brass or string, the addition of woodwinds is so cleverly implemented by Shore, and they not only blend, but they actively enhance the sound. <br><br>Of course I'd also love Steve to continue using choir. He even seems to be getting better with it, with Transformers 5's use of it resembling the Halo franchise in a number of ways. It would be a wonderful surprise though if he went back to woodwinds eventually. I'm definitely not of the belief that they can't be used in a modern day setting either (Silence of the Lambs and the Spider-Man scores use them particularly well).
Steve is a very accommodating composer. So it's really up to the director's vision. With Bay, you know you gonna hear some of the best stuff Steve has to offer and that's because they share the same "musical ear".<br><br>When he's scoring Peter Berg movies, Steve often relies on sound design and his scores for those movies are not really melodic. The few exceptions aside, Berg likes sound design scores. And he likes to experiment A LOT (example: the MRI machine sound that was incorporated in the Battleship score. Bold choice!).<br><br>Where does the director of Skyscraper stand in all of this?<br><br>Personally, I think this score will be "in the middle". Little sound design there, little melodic cue over here.... : ) I don't expect power anthems, simply because - as big as the movie is - it's not "Michael Bay big". I do hope for a little choir work though. Steve is great with choir.The Solo review does look quite good.<br><br>Clemmensen comes across pretty badly in many of his reviews. Even some of the positive ones. He has some very strong preconceptions about certain things that sometimes lead him to say some reasonably aggravating stuff.<br><br>Interestingly, he stays almost reasonable in his A World's End review. I wouldn't point to that one as his most typical negative review.Additional information<br>Posted date 2016<br><br>but, It was sold for two years.<br><br>Hello Hans.<br><br>May i ask you a question?<br><br>The piano sheet is now on sale, so that your music is now in the market for commercial purposes. It is sold at $ 10, although I do not know whether or not the seller arranged the piano music directly. Please check with us for the availability of other music.<br><br>Please refer to this site: htta://www.yes24.com/24/goods/28085649<br><br>(South Korea book store.)<br><br>Book Introduction :<br>It is the piano music which made the best 22 songs. New Age, movies, games, animations, etc., can be seen in various genres, and each sheet of music is directly attached to the author's QR code video.<br><br>If there is no problem, please respond.<br><br>Have a good day.He’s definitely not a bad reviewer, and his writing style is pretty sharp. The obvious problem is that he has a strong bias against Zimmer. Most of his recent Zimmer reviews are less spent talking about themes and more so the “issues” with his current style.
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John PowellJames McKee SmithJohn Ashton ThomasGermaine Franco
ComposerAdditional MusicAdditional MusicMusic Production Coordinator
The Bourne Ultimatum
Label: Decca Records
Length: 55'00 (Score: 50'38)
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8833 votes)
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  1. Six Weeks Ago (4:31)
  2. Tangiers (7:40)
  3. Thinking Of Marie (3:51)
  4. Assets And Targets (7:18)
  5. Faces Without Names (3:31)
  6. Waterloo (10:38)
  7. Coming Home (3:19)
  8. Man Verses Man (5:46)
  9. Jason Is Reborn (4:04)
  10. Extreme Ways (Bourne's Ultimatum) - Moby (4:22)
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Michael Poleschuck reply Replies: 0 || 2017-02-14 10:27:52
Yes, right here Gavin Greenaway is conducted!

Mikhail Poleschuck reply Replies: 0 || 2016-10-30 09:22:51
MUSICIANS:

Violins:
PERRY MONTAGUE-MASON (Leader)
JIM McLEOD
WARREN ZIELINSKI
PAUL WILLEY
BOGUSLAW KOSTECKI
JONATHAN EVANS-JONES
EMILYN SINGLETON
SONIA SLANY
PATRICK KIERNAN
CHRIS CLAD
DAVE WOOD-COCK
DEBBIE WIDDUP
JULIAN LEAPER
CATHY THOMPSON
MARK BERROW
JONATHAN REES
EVERTON NELSON
RITA MANNING
TOM PIGOTT-SMITH
LIZ EDWARDS
PETE HANSON
MANON DEROME
STEVE MORRIS
MACIEJ RAKOWSKI
DERMOT CREHAN
NATALIE BONNER
GABY LESTER
ROSE WARREN-GREEN

Violas:
PETER LALE
DON MCVAY
BRUCE WHITE
GUSTAV CLARKSON
RACHEL BOLT
IVO VAN DER WERFF
KATE MUSKER
GEORGE ROBERTSON
ANDY PARKER
NICK BARR
KATIE WILKINSON
GARFIELD JACKSON
JON THORNE
MORGAN GOFF
CHRIS PITSILDIES

Cellos:
ANTHONY PLEETH
PAUL KEGG
DAVE DANIELS
ROBIN FIRMAN
MARTIN LOVEDAY
CATHY GILES
CAROLINE DALE
BEN CHAPPELL
JONATHAN WILLIAMS
TONY HINNIGAN
FRANK SCHAEFFER
NICK COOPER
TONY LEWIS
CHRIS WORSEY
CAROLINE DEARNLEY

Basses:
CHRIS LAURENCE
STEVE MAIR
MARY SCULLY
STEVE McMANUS
PATRICK LANNIGAN
STACEY WATTON
LEON BOSCH
MARKUS VAN HORN
ALLEN WALLEY

Piano/Celeste:
SIMON CHAMBERLAIN

Piano:
DAVE HARTLEY

Bassoon:
RICHARD SKINNER

Horns:
MIKE THOMPSON
NIGEL BLACK
MARTIN OWEN
RICHARD BERRY
PHILIP EASTOP
SIMON RAYNER
CARSTEN WILLIAMS
PAUL GARDHAM
NEIL SHEWAN
JIM RATTIGAN
JONATHAN DURRANT (Tenor Horn)

Trombones:
PETER DAVIES
ROGER HARVEY
SIMON GUNTON

Bass Trombones:
RICHARD EDWARDS
KEITH McNICHOL

Contrabass Trombones:
DAVE STEWART
ROGER ARGENTE

Tubas:
OWEN SLADE
NICK HITCHENS
LEE TSARMARKLIS

Percussion:
LUIS JARDIM
PAUL CLARVIS
FRANK RICOTTI

Ethnic Woodwinds:
JAN HENDRICKSE

Bass Guitar, Electric Guitar, Dulcimer And Synthesizers:
JOHN POWELL

Brent reply Replies: 4 || 2016-04-21 07:10:13
Um, so here's an interesting little tidbit of news: the new trailer for Jason Bourne says both John Powell and David Buckly is handling music. You think John is back in full for this or that he's on for more of an advisory position?

Very interesting indeed...


Frank2016-04-21 07:25:25
I guess they will use Powell's music for the original trilogy and Buckley will do some adaptation and arrangement with it. Or Powell wrote a new theme and Buckley is responsible for everything else.


...2016-04-21 14:30:44
I'm so happy about this! Powells return to the action genre! Is something I've been hoping for!


Mike2016-04-22 03:06:45
Hybrid, did Powell actually return, or is this just a temp / adaption job?


:-)2016-04-22 07:33:03
John Powell and David Buckley composed the Score for Jason Bourne!

aldan reply Replies: 2 || 2016-02-14 08:34:51
Imdb just listed Thomas Carlson on the new Bourne movie. He is kind of frequent editor for Powell's score, including the recent Pan.

Any idea that Powell will return? I guess he will, he needs the money.


Brent2016-02-14 18:57:36
I highly doubt Powell "needs the money." As much as I want him to return, I really don't think it will happen. I think the most we'll get from him is as musical consultant, music producer or just "themes by." Most of it will be temp tracked anyways. Although, I am more than willing to be surprised. ;)


meta2016-02-14 19:15:52
if powell doesnt return, thats fine.

As long as they keep and expand the Bourne themes...

... reply Replies: 2 || 2015-08-26 21:05:44
Hybrid, is there any chance that powell will return for the new bourne movie? I'm guessing Greengrass wants someone from RCP but with his reputation...

I hope powell will end up doing it even though I guess it's unlikely.


Hybrid Soldier2015-08-26 22:55:03
I have no idea but I wouldn't count on that...


Good luck to whoever ends up scoring it... It could just end up with temp from the trilogy... that worked well in Bourne 3... lol


Mike2015-08-27 15:03:46
"That worked well in Bourne 3..."

Yeah, after realizing the full extent of Greengrass' temping in that one, I feel confident we'll hear plenty of Powell music anyways. :P

Mike reply Replies: 2 || 2015-08-12 23:35:48
Like I said on the Supremacy page, I was having a Bourne marathon this week, and I took note of all the tracked sequences in this film. I hadn't really realized it until now, but wow. A solid 50%, maybe even 60%, of this score as heard in the film is the Supremacy score tracked in to replace what Powell wrote (with Identity's "Treadstone Assassins" playing as Bourne and Nicky leave Daniels' apartment). Even in the Tangiers cue, the movie uses the Berlin Foot Chase recording rather than the new one.

Assets and Targets, Coming Home, and Jason is Reborn are only partly used, with tracked music filling the remainder. Six Weeks Ago isn't used at all.

It still makes me sad to see him gone from the series, but no wonder Powell isn't returning. Why be hired to write a new score if the director will just ditch most of it for old material? Heck, if Greengrass stays true to form, we may find Bourne 5 full of temp tracks from movies 2 and 3.


Edmund Meinerts2015-08-13 12:14:04
Like I said, early indications of what eventually culminated in the Captain Phillips fiasco. Greengrass makes Ridley Scott look like Steven Spielberg in terms of composer-friendliness. That Powell was able to get such interesting scores written for his movies regardless is an enormous testament to his talent. At least we have the as-written Ultimatum score to enjoy!


Mike2015-08-13 17:02:26
It makes me wonder how the Supremacy score turned out so well, and what it was in the Supremacy score that Greengrass preferred to Ultimatum.

isildur reply Replies: 8 || 2015-04-24 02:42:04
Is he going to return for the next one as Matt Damon and Paul Greengrass are coming together again?


Hybrid Soldier2015-04-24 08:27:17
He already said he won't. Then who knows...


Edmund Meinerts2015-04-24 10:40:52
Pigs will fly and the ocean turn bright pink before John Powell and Paul Greengrass work together on a movie again, I think.


Hybrid Soldier2015-04-24 11:44:45
After Captain Phillips, I doubt at RCP would open Greengrass the door... lol


isildur2015-04-24 11:56:20
Edmund, I like the last part "I think". ;)


Magnus Rex2015-04-25 04:38:47
Why is that, Hybrid?


Edmund Meinerts2015-04-25 10:25:02
In short, the Captain Phillips debacle.


Mark2015-04-26 04:20:19
What Captain Phillips debacle are you referring too?


Lambegue2015-04-26 06:40:38
The writing of the score was very complicated, Greengrass asked for most of the tracks to be re-written several time. A lot of RCP composers worked on this one in order to "save" it, including Zimmer. It was an unpleasant experience for everybody... (plus the final score is according to me very dull, but that's a subjective statement). If you want to have more details, look on the score's page on this site :)

Mike reply Replies: 0 || 2014-10-24 00:18:35
Will somebody clarify something for me? Are "Six Weeks Ago", the beginning couple minutes of "Tangiers", "Coming Home", and "Jason Is Reborn" even used in the movie? I watched the movie recently and don't remember hearing them (and the first couple minutes of Tangiers were replaced with "The Drop" from Supremacy, if I recall...).

Yuself reply Replies: 1 || 2014-07-29 21:14:08
Love that end credits cue so much :D


Mike2014-07-31 16:12:27
Same. I'm unable to get tired of it. The part around 1:17 is just....awesome.

Anonymous reply Replies: 0 || 2013-12-19 20:20:32
Anybody got the who-did-what for this score? :D

A Stressed Dude reply Replies: 1 || 2011-01-12 00:00:00
I know this has been discussed. BUT. I've been trying to find the cue used twice in the Bourne Supremacy, and once in the Bourne Ultimatum. In the Supremacy, it plays when Bourne is in the cafe looking up info on Neski and The Hotel Breker., and also when Landy goes to confront Abbott. In the Ultimatum, it's used when Neil Daniels is leaving his apartment (and it is not "Daniels Clears Out"). Has anyone ever found this? You'd think a cue used three times in two movies would be released...and it's awesome.


Anonymous2013-12-19 20:06:57
"Hotel Brecker - No Percus". ;)

unknown reply Replies: 1 || 2010-06-11 00:00:00
this music is really great! track Tangiers is just awesome!!!! Though you don't read comments thank you very much mr. Powell!!


Evenstar2013-09-11 19:10:55
Tangiers is indeed very epic.

Anonymous reply Replies: 1 || 2013-05-29 22:07:55
Can anyone tell me what cues/tracks from the previous movies are repeated in here? I wanna make an unofficial extended version. I know "Berlin Foot Chase" from Supremacy plays during the opening and a slightly altered version of "Gathering Data" plays when we first see Noah Vosen. Also if I remember right they played part of "Alexander Plats/Abbotts Confesses" at one point.


Dawn2013-05-30 00:59:01
I think somebody else already did the very same job. Check on the internet for Bourne Ultimatum expanded score or film edit maybe...

Anonymous reply Replies: 0 || 2013-04-27 11:02:57
"Where are you right now?"
"I'm in my office."
"I doubt that."

LOL

Anonymous reply Replies: 1 || 2011-01-19 00:00:00
A Stressed Dude : "Hotel brecker" , it's on a bootleg


A Stressed Dude2011-06-01 04:22:44
An unfindable bootleg. I'm still a stressed dude.

A Stressed Dude reply Replies: 0 || 2011-01-18 00:00:00
What is it titled?

Anonymous reply Replies: 0 || 2011-01-12 00:00:00
A Stresses Dude , this track exists - 'have it

fabien reply Replies: 0 || 2010-10-21 00:00:00
probably the score (the expanded) from John powell in the action style. Can't be bored of listening it!!!

Levente reply Replies: 0 || 2010-10-15 00:00:00
@Mr Tweedy
As long as it contains new mateirals I don't care if it is out of order. :)

Bou reply Replies: 0 || 2010-10-15 00:00:00
Mr Tweedy : a great thanks at replacing the cues in order , it will help me for the covers I will create for the score:)

Mr Tweedy reply Replies: 0 || 2010-10-14 00:00:00
Very very wrong tracklist !

First, "Meetings" has the wrong name and wrong place. There's no music during the meeting at the beginning of the movie. The cue's used later in the movie when Bourne arrives in NY. On Ascap, the cue is called "Your Party is Waiting" and should be placed between Morgue and Contact Marie. Contact Marie is a wrong name too, as Marie's dead, the real name of the cue (based on Ascap) is simply "Contact".

"Bonus Cue" isn't a bonus, but is the cue for the final sequence, called on album "Jason is Reborn" and on Ascap "Bourne Adrift". It's up to you to decide which one's best ! :D

"B and E" is in fact the end credits music, and if it was originally meant to be used during the movie, it could have hardly been placed before Car Chase because it doesn't sync with anything there... And then should be considered as the "Bonus Cue".

Then we have this :

1. Six Weeks Ago (4:31)
2. Waterloo Part I (9:38)
3. Waterloo Part II (5:33)
4. Ross Terminated (3:03)
5. Daniels Clear Out (1:49)
6. Unsafe House (12:25)
7. Assets and Targets (7:58)
8. Bike Chase (3:34)
9. Rooftop Chase (4:16)
10. Apartment - Cat and Mouse (2:30)
11. Faces (3:40)
12. Morgue (3:01)
13. Your Party is Coming (2:15)
14. Contact (6:20)
15. Car Chase (2:32)
16. Coming Home (3:19)
17. Remembering (3:49)
18. Corners of My Mind (4:27)
19. Jason is Reborn (3:10)
20. End Credits (Bonus Cue) (3:05)

Levente reply Replies: 0 || 2010-10-13 00:00:00
This is a true expanded score. Everything we heard in the movie is here in these tracks. Sadly also from the previous scores.

1. Six Weeks Ago (4:31)
2. Meetings (2:15)
3. Waterloo Part I (9:38)
4. Waterloo Part II (5:33)
5. Ross Terminated (3:03)
6. Daniels Clear Out (1:49)
7. Unsafe House (12:25)
8. Assets and Targets (7:58)
9. Bike Chase (3:34)
10. Rooftop Chase (4:16)
11. Apartment - Cat and Mouse (2:30)
12. Faces (3:40)
13. Morgue (3:01)
14. Contact Marie (6:20)
15. B and E (3:05)
16. Car Chase (2:32)
17. Coming Home (3:19)
18. Remembering (3:49)
19. Corners of My Mind (4:27)
20. Bonus Cue (3:10)

RuthlessGravity reply Replies: 0 || 2010-10-13 00:00:00
A recent release of a expanded score shares many unreleased or unheard of cues from the film itself. Even Waterloo Parts I & II are different from 'Waterloo' on the original soundtrack.

Heres the expanded score track listings:

1. Six Weeks Ago (4:31)
2. Meetings (2:15)
3. Waterloo Part I (9:38)
4. Waterloo Part II (5:33)
5. Ross Terminated (3:03)
6. Daniels Clear Out (1:49)
7. Unsafe House (12:25)
8. Assets and Targets (7:58)
9. Bike Chase (3:34)
10. Rooftop Chase (4:16)
11. Apartment - Cat and Mouse (2:30)
12. Faces (3:40)
13. Morgue (3:01)
14. Contact Marie (6:20)
15. B and E (3:05)
16. Car Chase (2:32)
17. Coming Home (3:19)
18. Remembering (3:49)
19. Corners of My Mind (4:27)
20. Bonus Cue (3:10)

EDEN reply Replies: 0 || 2009-08-08 00:00:00
Great Score!!!

Ravi Krishna reply Replies: 0 || 2009-08-08 00:00:00
Great score indeed. I consider all three Bourne scores to be among the finest modern action scores.

yahya reply Replies: 0 || 2009-03-13 00:00:00
tanks for this songs i ve been lking for it for a long time

Falconet From Italy reply Replies: 0 || 2008-11-16 00:00:00
Luis Jardim: musician: percussion

Anonymous reply Replies: 0 || 2008-10-05 00:00:00
great

Ruthlessgravity reply Replies: 0 || 2008-05-10 00:00:00
You think they will release expanded soundtracks for these films? In the movies, I heard different music most of the time until the cue for the ones on these soundtracks appear.

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The Bourne Ultimatum soundtrack - John Powell 2007