NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
Jackman is not replacing Balfe! <br>Balfe is the most busiest composer at the moment so he isn’t going to get replaced last minute!!!!!Thank you for your replies. On IMDB she is listed.Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.<br><br>Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed. <br><br>Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material. <br><br>Keller's Briefing - Arrangement of "Deciphering the Signal"<br><br>Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.<br><br>Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material. <br><br>(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me. <br><br>Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track. <br><br>Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there. <br><br>Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve<br><br>Decepticons Mobilize (Part 2) - Arrangement of "Brooding"<br><br>Freeway Fight - Battle version of Decepticon theme from "Brooding"<br><br>Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me. <br><br>You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".<br><br>Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's. <br><br>Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on. <br><br>Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.<br><br>Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2. <br><br>Scorponok - Known fact that he co-wrote this. <br><br>Hoover Dam - Arrangement of military theme<br><br>Transforming -  Same theme from Arctic 1897<br><br>Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.<br><br>Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes. <br><br>Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme. <br><br>Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives. <br><br>Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music. <br><br>Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music. <br><br>Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite. <br><br>Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky. <br><br>Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make. <br><br>Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.<br><br>Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan. <br><br>Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too. <br><br>TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did. <br><br>Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir. <br><br>Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot". <br><br>Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style. <br><br>Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.LP sadly, but it's also on Spotify.Technical reasons ! lol ;)<br><br>But she was there.
Most welcome news. Should be a nice replacement for the Fantastic Beasts score that will have to have been pushed off. I imagine his work on Jungle Cruise will be great as well. 2021 is looking pretty exciting for score releases!She definitely performed on the score, I don't know why she is uncredited...The poster shows Lorne Balfe as the composer.<br><br>But then it also did have Desplat!So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?
Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolinger
thats trueCan't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bondMaybe WW1984damn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOL
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





John PowellJames McKee SmithJohn Ashton ThomasGermaine Franco
ComposerAdditional MusicAdditional MusicMusic Production Coordinator
The Bourne Ultimatum
Label: Decca Records
Length: 55'00 (Score: 50'38)
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (10691 votes)
  1. Six Weeks Ago (4:31)
  2. Tangiers (7:40)
  3. Thinking Of Marie (3:51)
  4. Assets And Targets (7:18)
  5. Faces Without Names (3:31)
  6. Waterloo (10:38)
  7. Coming Home (3:19)
  8. Man Verses Man (5:46)
  9. Jason Is Reborn (4:04)
  10. Extreme Ways (Bourne's Ultimatum) - Moby (4:22)
Create Topic

Pages << 1 2 >>

Michael Poleschuck reply Replies: 0 || 2017-02-14 10:27:52
Yes, right here Gavin Greenaway is conducted!

Mikhail Poleschuck reply Replies: 0 || 2016-10-30 09:22:51
MUSICIANS:

Violins:
PERRY MONTAGUE-MASON (Leader)
JIM McLEOD
WARREN ZIELINSKI
PAUL WILLEY
BOGUSLAW KOSTECKI
JONATHAN EVANS-JONES
EMILYN SINGLETON
SONIA SLANY
PATRICK KIERNAN
CHRIS CLAD
DAVE WOOD-COCK
DEBBIE WIDDUP
JULIAN LEAPER
CATHY THOMPSON
MARK BERROW
JONATHAN REES
EVERTON NELSON
RITA MANNING
TOM PIGOTT-SMITH
LIZ EDWARDS
PETE HANSON
MANON DEROME
STEVE MORRIS
MACIEJ RAKOWSKI
DERMOT CREHAN
NATALIE BONNER
GABY LESTER
ROSE WARREN-GREEN

Violas:
PETER LALE
DON MCVAY
BRUCE WHITE
GUSTAV CLARKSON
RACHEL BOLT
IVO VAN DER WERFF
KATE MUSKER
GEORGE ROBERTSON
ANDY PARKER
NICK BARR
KATIE WILKINSON
GARFIELD JACKSON
JON THORNE
MORGAN GOFF
CHRIS PITSILDIES

Cellos:
ANTHONY PLEETH
PAUL KEGG
DAVE DANIELS
ROBIN FIRMAN
MARTIN LOVEDAY
CATHY GILES
CAROLINE DALE
BEN CHAPPELL
JONATHAN WILLIAMS
TONY HINNIGAN
FRANK SCHAEFFER
NICK COOPER
TONY LEWIS
CHRIS WORSEY
CAROLINE DEARNLEY

Basses:
CHRIS LAURENCE
STEVE MAIR
MARY SCULLY
STEVE McMANUS
PATRICK LANNIGAN
STACEY WATTON
LEON BOSCH
MARKUS VAN HORN
ALLEN WALLEY

Piano/Celeste:
SIMON CHAMBERLAIN

Piano:
DAVE HARTLEY

Bassoon:
RICHARD SKINNER

Horns:
MIKE THOMPSON
NIGEL BLACK
MARTIN OWEN
RICHARD BERRY
PHILIP EASTOP
SIMON RAYNER
CARSTEN WILLIAMS
PAUL GARDHAM
NEIL SHEWAN
JIM RATTIGAN
JONATHAN DURRANT (Tenor Horn)

Trombones:
PETER DAVIES
ROGER HARVEY
SIMON GUNTON

Bass Trombones:
RICHARD EDWARDS
KEITH McNICHOL

Contrabass Trombones:
DAVE STEWART
ROGER ARGENTE

Tubas:
OWEN SLADE
NICK HITCHENS
LEE TSARMARKLIS

Percussion:
LUIS JARDIM
PAUL CLARVIS
FRANK RICOTTI

Ethnic Woodwinds:
JAN HENDRICKSE

Bass Guitar, Electric Guitar, Dulcimer And Synthesizers:
JOHN POWELL

  Your name :   

Please enter number: 708 

Brent reply Replies: 4 || 2016-04-21 07:10:13
Um, so here's an interesting little tidbit of news: the new trailer for Jason Bourne says both John Powell and David Buckly is handling music. You think John is back in full for this or that he's on for more of an advisory position?

Very interesting indeed...


Frank2016-04-21 07:25:25
I guess they will use Powell's music for the original trilogy and Buckley will do some adaptation and arrangement with it. Or Powell wrote a new theme and Buckley is responsible for everything else.


...2016-04-21 14:30:44
I'm so happy about this! Powells return to the action genre! Is something I've been hoping for!


Mike2016-04-22 03:06:45
Hybrid, did Powell actually return, or is this just a temp / adaption job?


:-)2016-04-22 07:33:03
John Powell and David Buckley composed the Score for Jason Bourne!

aldan reply Replies: 2 || 2016-02-14 08:34:51
Imdb just listed Thomas Carlson on the new Bourne movie. He is kind of frequent editor for Powell's score, including the recent Pan.

Any idea that Powell will return? I guess he will, he needs the money.


Brent2016-02-14 18:57:36
I highly doubt Powell "needs the money." As much as I want him to return, I really don't think it will happen. I think the most we'll get from him is as musical consultant, music producer or just "themes by." Most of it will be temp tracked anyways. Although, I am more than willing to be surprised. ;)


meta2016-02-14 19:15:52
if powell doesnt return, thats fine.

As long as they keep and expand the Bourne themes...

... reply Replies: 2 || 2015-08-26 21:05:44
Hybrid, is there any chance that powell will return for the new bourne movie? I'm guessing Greengrass wants someone from RCP but with his reputation...

I hope powell will end up doing it even though I guess it's unlikely.


Hybrid Soldier2015-08-26 22:55:03
I have no idea but I wouldn't count on that...


Good luck to whoever ends up scoring it... It could just end up with temp from the trilogy... that worked well in Bourne 3... lol


Mike2015-08-27 15:03:46
"That worked well in Bourne 3..."

Yeah, after realizing the full extent of Greengrass' temping in that one, I feel confident we'll hear plenty of Powell music anyways. :P

Mike reply Replies: 2 || 2015-08-12 23:35:48
Like I said on the Supremacy page, I was having a Bourne marathon this week, and I took note of all the tracked sequences in this film. I hadn't really realized it until now, but wow. A solid 50%, maybe even 60%, of this score as heard in the film is the Supremacy score tracked in to replace what Powell wrote (with Identity's "Treadstone Assassins" playing as Bourne and Nicky leave Daniels' apartment). Even in the Tangiers cue, the movie uses the Berlin Foot Chase recording rather than the new one.

Assets and Targets, Coming Home, and Jason is Reborn are only partly used, with tracked music filling the remainder. Six Weeks Ago isn't used at all.

It still makes me sad to see him gone from the series, but no wonder Powell isn't returning. Why be hired to write a new score if the director will just ditch most of it for old material? Heck, if Greengrass stays true to form, we may find Bourne 5 full of temp tracks from movies 2 and 3.


Edmund Meinerts2015-08-13 12:14:04
Like I said, early indications of what eventually culminated in the Captain Phillips fiasco. Greengrass makes Ridley Scott look like Steven Spielberg in terms of composer-friendliness. That Powell was able to get such interesting scores written for his movies regardless is an enormous testament to his talent. At least we have the as-written Ultimatum score to enjoy!


Mike2015-08-13 17:02:26
It makes me wonder how the Supremacy score turned out so well, and what it was in the Supremacy score that Greengrass preferred to Ultimatum.

isildur reply Replies: 8 || 2015-04-24 02:42:04
Is he going to return for the next one as Matt Damon and Paul Greengrass are coming together again?


Hybrid Soldier2015-04-24 08:27:17
He already said he won't. Then who knows...


Edmund Meinerts2015-04-24 10:40:52
Pigs will fly and the ocean turn bright pink before John Powell and Paul Greengrass work together on a movie again, I think.


Hybrid Soldier2015-04-24 11:44:45
After Captain Phillips, I doubt at RCP would open Greengrass the door... lol


isildur2015-04-24 11:56:20
Edmund, I like the last part "I think". ;)


Magnus Rex2015-04-25 04:38:47
Why is that, Hybrid?


Edmund Meinerts2015-04-25 10:25:02
In short, the Captain Phillips debacle.


Mark2015-04-26 04:20:19
What Captain Phillips debacle are you referring too?


Lambegue2015-04-26 06:40:38
The writing of the score was very complicated, Greengrass asked for most of the tracks to be re-written several time. A lot of RCP composers worked on this one in order to "save" it, including Zimmer. It was an unpleasant experience for everybody... (plus the final score is according to me very dull, but that's a subjective statement). If you want to have more details, look on the score's page on this site :)

Mike reply Replies: 0 || 2014-10-24 00:18:35
Will somebody clarify something for me? Are "Six Weeks Ago", the beginning couple minutes of "Tangiers", "Coming Home", and "Jason Is Reborn" even used in the movie? I watched the movie recently and don't remember hearing them (and the first couple minutes of Tangiers were replaced with "The Drop" from Supremacy, if I recall...).

Yuself reply Replies: 1 || 2014-07-29 21:14:08
Love that end credits cue so much :D


Mike2014-07-31 16:12:27
Same. I'm unable to get tired of it. The part around 1:17 is just....awesome.

Anonymous reply Replies: 0 || 2013-12-19 20:20:32
Anybody got the who-did-what for this score? :D

A Stressed Dude reply Replies: 1 || 2011-01-12 00:00:00
I know this has been discussed. BUT. I've been trying to find the cue used twice in the Bourne Supremacy, and once in the Bourne Ultimatum. In the Supremacy, it plays when Bourne is in the cafe looking up info on Neski and The Hotel Breker., and also when Landy goes to confront Abbott. In the Ultimatum, it's used when Neil Daniels is leaving his apartment (and it is not "Daniels Clears Out"). Has anyone ever found this? You'd think a cue used three times in two movies would be released...and it's awesome.


Anonymous2013-12-19 20:06:57
"Hotel Brecker - No Percus". ;)

unknown reply Replies: 1 || 2010-06-11 00:00:00
this music is really great! track Tangiers is just awesome!!!! Though you don't read comments thank you very much mr. Powell!!


Evenstar2013-09-11 19:10:55
Tangiers is indeed very epic.

Anonymous reply Replies: 1 || 2013-05-29 22:07:55
Can anyone tell me what cues/tracks from the previous movies are repeated in here? I wanna make an unofficial extended version. I know "Berlin Foot Chase" from Supremacy plays during the opening and a slightly altered version of "Gathering Data" plays when we first see Noah Vosen. Also if I remember right they played part of "Alexander Plats/Abbotts Confesses" at one point.


Dawn2013-05-30 00:59:01
I think somebody else already did the very same job. Check on the internet for Bourne Ultimatum expanded score or film edit maybe...

Anonymous reply Replies: 0 || 2013-04-27 11:02:57
"Where are you right now?"
"I'm in my office."
"I doubt that."

LOL

Anonymous reply Replies: 1 || 2011-01-19 00:00:00
A Stressed Dude : "Hotel brecker" , it's on a bootleg


A Stressed Dude2011-06-01 04:22:44
An unfindable bootleg. I'm still a stressed dude.

A Stressed Dude reply Replies: 0 || 2011-01-18 00:00:00
What is it titled?

Anonymous reply Replies: 0 || 2011-01-12 00:00:00
A Stresses Dude , this track exists - 'have it

fabien reply Replies: 0 || 2010-10-21 00:00:00
probably the score (the expanded) from John powell in the action style. Can't be bored of listening it!!!

Levente reply Replies: 0 || 2010-10-15 00:00:00
@Mr Tweedy
As long as it contains new mateirals I don't care if it is out of order. :)

Bou reply Replies: 0 || 2010-10-15 00:00:00
Mr Tweedy : a great thanks at replacing the cues in order , it will help me for the covers I will create for the score:)

Mr Tweedy reply Replies: 0 || 2010-10-14 00:00:00
Very very wrong tracklist !

First, "Meetings" has the wrong name and wrong place. There's no music during the meeting at the beginning of the movie. The cue's used later in the movie when Bourne arrives in NY. On Ascap, the cue is called "Your Party is Waiting" and should be placed between Morgue and Contact Marie. Contact Marie is a wrong name too, as Marie's dead, the real name of the cue (based on Ascap) is simply "Contact".

"Bonus Cue" isn't a bonus, but is the cue for the final sequence, called on album "Jason is Reborn" and on Ascap "Bourne Adrift". It's up to you to decide which one's best ! :D

"B and E" is in fact the end credits music, and if it was originally meant to be used during the movie, it could have hardly been placed before Car Chase because it doesn't sync with anything there... And then should be considered as the "Bonus Cue".

Then we have this :

1. Six Weeks Ago (4:31)
2. Waterloo Part I (9:38)
3. Waterloo Part II (5:33)
4. Ross Terminated (3:03)
5. Daniels Clear Out (1:49)
6. Unsafe House (12:25)
7. Assets and Targets (7:58)
8. Bike Chase (3:34)
9. Rooftop Chase (4:16)
10. Apartment - Cat and Mouse (2:30)
11. Faces (3:40)
12. Morgue (3:01)
13. Your Party is Coming (2:15)
14. Contact (6:20)
15. Car Chase (2:32)
16. Coming Home (3:19)
17. Remembering (3:49)
18. Corners of My Mind (4:27)
19. Jason is Reborn (3:10)
20. End Credits (Bonus Cue) (3:05)

Levente reply Replies: 0 || 2010-10-13 00:00:00
This is a true expanded score. Everything we heard in the movie is here in these tracks. Sadly also from the previous scores.

1. Six Weeks Ago (4:31)
2. Meetings (2:15)
3. Waterloo Part I (9:38)
4. Waterloo Part II (5:33)
5. Ross Terminated (3:03)
6. Daniels Clear Out (1:49)
7. Unsafe House (12:25)
8. Assets and Targets (7:58)
9. Bike Chase (3:34)
10. Rooftop Chase (4:16)
11. Apartment - Cat and Mouse (2:30)
12. Faces (3:40)
13. Morgue (3:01)
14. Contact Marie (6:20)
15. B and E (3:05)
16. Car Chase (2:32)
17. Coming Home (3:19)
18. Remembering (3:49)
19. Corners of My Mind (4:27)
20. Bonus Cue (3:10)

RuthlessGravity reply Replies: 0 || 2010-10-13 00:00:00
A recent release of a expanded score shares many unreleased or unheard of cues from the film itself. Even Waterloo Parts I & II are different from 'Waterloo' on the original soundtrack.

Heres the expanded score track listings:

1. Six Weeks Ago (4:31)
2. Meetings (2:15)
3. Waterloo Part I (9:38)
4. Waterloo Part II (5:33)
5. Ross Terminated (3:03)
6. Daniels Clear Out (1:49)
7. Unsafe House (12:25)
8. Assets and Targets (7:58)
9. Bike Chase (3:34)
10. Rooftop Chase (4:16)
11. Apartment - Cat and Mouse (2:30)
12. Faces (3:40)
13. Morgue (3:01)
14. Contact Marie (6:20)
15. B and E (3:05)
16. Car Chase (2:32)
17. Coming Home (3:19)
18. Remembering (3:49)
19. Corners of My Mind (4:27)
20. Bonus Cue (3:10)

EDEN reply Replies: 0 || 2009-08-08 00:00:00
Great Score!!!

Ravi Krishna reply Replies: 0 || 2009-08-08 00:00:00
Great score indeed. I consider all three Bourne scores to be among the finest modern action scores.

yahya reply Replies: 0 || 2009-03-13 00:00:00
tanks for this songs i ve been lking for it for a long time

Falconet From Italy reply Replies: 0 || 2008-11-16 00:00:00
Luis Jardim: musician: percussion

Anonymous reply Replies: 0 || 2008-10-05 00:00:00
great

Ruthlessgravity reply Replies: 0 || 2008-05-10 00:00:00
You think they will release expanded soundtracks for these films? In the movies, I heard different music most of the time until the cue for the ones on these soundtracks appear.

Pages << 1 2 >>

 HANS-ZIMMER.com© 2001-2018 OST 
The Bourne Ultimatum soundtrack - John Powell 2007