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As always with unused pieces of music. There are always be more interesting. Like with Dark Phoenix.I think what Lorne wrote for the last 30 min of the movie is way better than what ended in the movie... Lorne tried to elevate what was going on on screen, but it was probably too "bold" for the taste of production... They wanted to keep as "kow key" as possible but to me it made the ending of the film fall super flat...
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<br>In the end there isn't that much Lorne in the film (most of the "Moon" reel is Lorne though, that big 4 notes motif appearing during the moon landing and then takeoff). Ironically most of the droning you're all complaining about is not that much Lorne... lol
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<br>I really hope Lorne will put out as much music as possible, even all the unused parts, which are the more interesting ones !Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldnít help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ĎTerence Malick-yí, ďThin Red LineĒ feel throughout.<br><br>Iím definitely not familiar with Max Richter so I canít comment on what he might have written, but Balfeís broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.I'm just waiting for Gemini Man, that (i hope) would be fun
I love that cue.So I created a page for it, move away from Ghost In The Shell !! :PI wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.Not any more lame than the Balfe cue
Lorne says it will be released and insists itís not a GITS situation.That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lolSo is this how itís gonna be? Official release for Richter and leaks by Balfe :(
Lorne posted a track from Ad Astra on his YouTube channelThank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?Thatís literally the best part of the score though. But itís typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.
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Steve JablonskyJay FloodPieter A. SchlosserJeff Biggers
ComposerAdditional MusicAdditional ArrangementsMusic Scoring Mixer
D-War
Label: Milan Records
Length: 46'23
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (9420 votes)
  1. Imoogi (2:19)
  2. The Legend Awakes (5:57)
  3. Village Attack (5:40)
  4. Love Theme (1:40)
  5. Yeouijoo (2:57)
  6. General And His Army (1:00)
  7. Second Life (1:18)
  8. Destiny (2:55)
  9. Battle In The Sky (2:24)
  10. Hypnosis And Flashback (2:32)
  11. Cafe Attack (1:58)
  12. Rooftop Showdown (2:31)
  13. The Altar (2:22)
  14. Buraki (2:52)
  15. D-War (2:01)
  16. Farewell (2:41)
  17. Arirang (Traditional) (3:16)
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Danny reply Replies: 0 || 2007-09-23 00:00:00
You might wanna add PIETER A. SCHLOSSER to additional music.

maik reply Replies: 0 || 2007-09-15 00:00:00
this is a great score, perfect.....

OKKU reply Replies: 0 || 2007-09-10 00:00:00
AND D-WAR TRACK IS EXCELLENT.I LOVE THIS SITE

OKKU reply Replies: 0 || 2007-09-08 00:00:00
TRACK 1 VERY BEST.THANK'S FOR EXTRACT'S

Music Lover reply Replies: 0 || 2007-09-04 00:00:00
Hans zimmer is the greatest.... at least I think so

Ops reply Replies: 0 || 2007-09-04 00:00:00
Excellent Score!!!

Me reply Replies: 0 || 2007-09-03 00:00:00
Steve Jablonsky is one of the best new comer Remote Control composers, original. Better tha Ramin Djawadi, Trevor Morris, Geoff Zanelli, maybe only James Dooley is better than him

Mario reply Replies: 0 || 2007-09-03 00:00:00
Good score, it's just that it seems Jablonsky's become too repetitive so early in his career. You could also say that he has developed a particular style of his own, but I think he should really try to sound less repetitive.

Fall reply Replies: 0 || 2007-09-01 00:00:00
I heard that 'Arirang' is one of the Korean folk song.

hisham reply Replies: 0 || 2007-08-31 00:00:00
thank`s Jablonsky

Richard reply Replies: 0 || 2007-08-26 00:00:00
These sample tracks sound great and I cant wait to get it. Now.... Where is the transformers score?!!!

Lťo Meneghelli reply Replies: 0 || 2007-08-23 00:00:00
Very beaultufil
Arirang is awesome!!!!!!!!!!
perfect!!!

tis something oriental mix with tradicional american!!!!!
amazing!

hans-batman-zimmer reply Replies: 0 || 2007-08-22 00:00:00
Imoogi and Love Theme are very beautiful.
Destiny and D-War are also good.
But the others...


From Japan

Cloud reply Replies: 0 || 2007-08-19 00:00:00
Great score. Somebody said it didn't sound like a Jablonsky score - trust me, it sounds just like that. It's far more listenable that The Island or The Texas Chainsaw Massacre scores, though some of the action parts seem very similar. The main theme (Imoogi) is without a doubt the highlight and whenever it appears throughout the score, it's just gorgeous. So is the folk song Arirang, a great arrangement by Jablonsky. On the other hand, the action material is not even close to Transformers. But all in all, D-War is easily one of the better Jablonsky scores - Steamboy and Transformers still lead the way for me.

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Falconet reply Replies: 0 || 2007-08-19 00:00:00
addittional music by Jay Flood :-)

Piotr reply Replies: 0 || 2007-08-19 00:00:00
This is very good soundtrack. In this year Steve Jablonsky create 2 super soundtrack from Transformers and D-War

Danny reply Replies: 0 || 2007-08-17 00:00:00
I wouldnt say unoriginal.It actually sounds nothing like a regular Jablonsky Score. He obviously had a different conductor than Blake Neely,Nick Glennie Smith, or Pete Anthony would are the usually conductors. But its definetly original. Transformers was a great score but it was more like a culmination of all the technuques of the past scores into one gigantic score. This score is like if Steamboy had a darker sequel this would be it.

vkrvkbfcxm reply Replies: 0 || 2007-08-16 00:00:00
Hello! Good Site! Thanks you! lkyeacbtderazq

Go D-war!! reply Replies: 0 || 2007-08-16 00:00:00
wonderful!

musicos reply Replies: 0 || 2007-08-16 00:00:00
Good. i want to buy it :-0

Adriaan reply Replies: 0 || 2007-08-16 00:00:00
only @ yesasia.com ? is the site trustable, just like Amazon.com ? and is there a big chance itll be available on amazon.com soon?

Adriaan reply Replies: 0 || 2007-08-16 00:00:00
@ Antas: look at the title: Steve JabRonsky?
feel thats one letter too much!

nash reply Replies: 0 || 2007-08-16 00:00:00
great music but its but the length is way to short.

ZED reply Replies: 0 || 2007-08-16 00:00:00
Far out the opening track sounds exactly like Braveheart! Same as Transformers is almost identical to Armegeddon. Still sounds good though but very unoriginal!

ZED reply Replies: 0 || 2007-08-16 00:00:00
I forgot to mention.. HOw FANTASTIC does the last track Arirang sound? Can't wait to play that track loud! Very uplifting indeed! The guys at Remote Control are the best and i can't wait for Steve Jablonsky to find his own true sound. I think we are going to hear some amazing music in the future from him.

Antas, Webmaster reply Replies: 0 || 2007-08-16 00:00:00
@Adriaan : Thanks - page updated

Eberson, Laguerre reply Replies: 0 || 2007-08-15 00:00:00
This score is the savior for those who were innocently starving from the Transformers Score!! Awesome Tracks! Especially the first One, Imoogi!

Sylvos reply Replies: 0 || 2007-08-15 00:00:00
That picture is not a scan of the actual soundtrack CD, is it?

nash reply Replies: 0 || 2007-08-15 00:00:00
very good,

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D-War soundtrack - Steve Jablonsky 2007