Score Composed & Arranged by Hans Zimmer Score Produced by Hans Zimmer & Jay Rifkin (In Absentia)
Album Produced by Hans Zimmer & Jay Rifkin Music Conducted by Bruce Fowler & Don Harper
Synthesizer: Hans F. Zimmer Baritone Guitar: Duane Eddy (Courtesy of Curb Records)
All Other Guitars: Bob Daspit Percussion: Emil Richards Trumpet: Walt Fowler One Note Trombone: Bruce Fowler Weird Noises: Ryeland Allison Vocals: Lisbeth Scott
Score Recorded & Mixed by Slamm Andrews Assisted by Gregg W. Silk & Brian Richards Music Editor: Adam Smalley Album Compiled by Jeff Rona Music Recorded & Mixed at Media Ventures, Los Angeles
Copyist: JoAnn Kane Music Service Music Contractor: Sandy DeCrescent Children's Choir Contracted by Maggie Rodford Sampled at Air Lyndhurst, London
Music Production Services: Media Ventures Equipment: Euphonix, Steinberg, Yamaha, Korg, Waldorf, Spatializer Disclavier Pianos Courtesy of Yamaha Pianos Furnished by David Abel Pianos, Los Angeles
Assistants: Marc Streitenfeld, Justin Burnett & Boris Zelkin Score Wrangler: Emma Burnham Album Supervision: David Franco Milan Executive Producers: Emmanuel Chamboredon & Toby Pieniek
Thanks to: John Woo, John Wright, Robert Kraft, Suzette, Sam Schwartz, Michael Gorfaine, Mark Levy, Suzanne Zimmer & Zoe Zimmer
Brothers (7:05) Hans Zimmer
Secure (4:47) Hans Zimmer
Stealth (7:35) Hans Zimmer, Harry Gregson-Williams
Write your own comment here (in english please)
This zone is only to post comment, not to ask for CD downloading, copying or trading ! Each comment can be possibly edited or deleted to ensure it is suitable for public presentation.
4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospital
It's been a while since I've seen Scream 2, but I clearly remember that, for whatever strange reason, Marco Beltrami and Wes Craven decided to use the Deakins theme from the Broken Arrow score as the intro theme for Dewey.
Do you guys remember that? Remember the scene?
I still wonder why they decided to do it. It's incredibly rare to have the exact same track in two completely different movies. Hell, come to think of it, this might be the only case.....
James
2017-11-08 16:22:19
It's not that unusual. It was a ripoff. The director was in love with the theme.
George
2017-11-08 16:56:02
I’m also fairly certain Marco hated having to rip-off the temp music and almost got in a lot of trouble for calling the director out on it
Hybrid Soldier
2017-11-08 17:53:15
Yeah Marco complained about it and got in trouble with no other than Harvey Weinstein !
Edmund Meinerts
2017-11-08 19:25:21
So ahead of the times, Beltrami.
Mike (OTM)
2017-11-08 22:29:06
Bayhem, I know Paul Greengrass used "The End" by John Powell from United 93 in Captain Phillips. So there's one more case.
Herr Zimmer ich liebe ihre musik sehr. Sieser soundtrack ist perfekt. Der track 8 ist einfach genial! Ich habe fast alle ihre soundtracks und kann es kaum noch erwarten bis neue auf den Markt kommen wie z.b. Der Davinci Kode und Pirates of the caribbean teil 2. Sie sind einfach genial. Weiter so Herr Zimmer!!!
Du Grand Hans Zimmer qui commence des le debut avec les excellent Brothers-Secure puis nous emmene avec l'action pure dans les trés reussis Mine, Nuke et Hammerhead