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@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>
Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Don’t even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.
One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.hans should win the oscar for best sound effects and not for the best music/score. just as a statement.And it's also unfair to use Balfe to criticize Powell. He started working on American projects in 2005 with Batman Begins, and only after 2010 did he receive individual projects. Is it accurate to compare someone who entered the party at the last minute with two others who are in it for 20 (Powell) and 30 (Zimmer)?<br><br>I'm in a hurry and I put everything into a translator. Forgive the many mistakes.<br> <br><br><br>Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.<br><br>I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.<br><br>For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.
The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldn’t change a thing about it), I must admit, it doesn’t have nearly the same effect as a stand-alone listen. It’s literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it “award” worthy? I’m not sure. If based solely on the film, you betcha. If based purely on the music itself, I don’t think so. That’s where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or “actual” music (again, works IN the film). It’s glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... I’ve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did it’s job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-phaha hybrid :D made my day
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Additional Music - OrchestratorConductor
Mark MancinaDave MetzgerDon HarperChuck Choi
ComposerAdditional MusicConductorTechnical Score Advisor
August Rush (Soundtrack)
Label: Sony Music Soundtrax
Length: 58'57 (Score: 34'21)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (8436 votes)
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  1. Main Title (2:21)
  2. Bach / Break - Steve Erdody & Jonathan Rhys Meyers (3:52) *
  3. Moondance - Jonathan Rhys Meyers (1:51)
  4. This Time - Jonathan Rhys Meyers (4:13)
  5. Bari Improv - Kaki King (1:37) **
  6. Ritual Dance - Kaki King (1:35)
  7. Raise It Up - Jamia Simone Nash & The IMPACT Repertory Theatre (2:29)
  8. Dueling Guitars - Heitor Pereira & Doug Smith (2:36) ¤
  9. Elgar / Something Inside - Steve Erdody & Jonathan Rhys Meyers (4:53) *
  10. August's Rhapsody (7:37)
  11. Someday - John Legend (3:04)
  12. King Of The Earth - John Ondrasik (3:45)
  13. God Bless The Child - Chris Botti & Paula Cole (4:30)
  14. La Bamba - Leon Thomas III (3:50)
  15. Moondance - Chris Botti (2:20)
  16. Washington Square (2:13) +
  17. Arpeggio Theme (2:52) +
  18. Basketball To Organ Loft (3:16) +
*Arranged and orchestrated by Dave Metzger

**Written by Kaki King & Mark Mancina

¤Written by Heitor Pereira, produced by Mark Mancina

+Japanese Edition Only
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KB reply Replies: 2 || 2009-01-31 00:00:00
Actually, the only thing composed by Hans Zimmer on the soundtrack was the Main Theme, which was Mark Mancina as well. I think he was also a music supervisor, but I don't remember for sure. What has been driving me mad is who wrote the Rhapsody?!? It doesn't say in the movie credits, and he album on iTunes says it is composed by "August Rush". Big help.... Shame, because that was a magnificent piece and I would have loved to look up the artist's other works. How is it that no one claims the song that stole the show?


Luka2014-07-28 05:30:29
Actually I bought the "August's Rhapsody" and it says Freddie Highmore & Mark Mancina. ;)


Nahoko2014-11-13 07:35:42
HI. I am a student of 3DCG animation school in Japan. and making a video work
for presentation at my school and for my job transfer as a appeal to companies.
i'd like to use the music, "Dueling Guitars" in my video work.
Could you tell me how should I go through the formalities for obtain permission ?
I hope her from you.

salvo reply Replies: 0 || 2010-05-23 00:00:00
I don t have word s for this movie the music and the story are wonderful

dalila diaz arredondo reply Replies: 0 || 2010-02-22 00:00:00
is beuty, the best!!!

Filippo Francione reply Replies: 0 || 2009-11-23 00:00:00
Hello guys, I would like to know, who was the composer of the August's Raphsody.

Enrico reply Replies: 0 || 2009-09-09 00:00:00
Isn't there a clip for this music please?!
Thanks...

ilse reply Replies: 0 || 2009-08-28 00:00:00
bien

mariam reply Replies: 0 || 2009-08-28 00:00:00
i love this movie soooooooooo much . the story, music and the songs...wonderful

reinoha reply Replies: 0 || 2009-08-04 00:00:00
my teacher said music is a idiom, I m agree . and let me said thanks,for speak the Idiom´s Soul,
reinoha

empunk chamir reply Replies: 0 || 2009-03-14 00:00:00
as a music lover, i liked the movie.......... i liked the way the kid Evan Taylor(as known in the movie) listens all the voices n noises that he hears n transformed it into music. the director or the story writer as i would say must be a great music lover. this is for the director of the movie.......... "way to go dude" keep doing this n u will be on the top within no time.

loris thomas reply Replies: 0 || 2009-03-07 00:00:00
i love this movie becuase iam a great musician and it motivated me to do better

Tom reply Replies: 0 || 2009-02-01 00:00:00
Saw this movie for the first time last night (1/31/09), the music is wonderful! Does anyone know how to get the Japanese version of the soundtrack with the three extra tracks?
THXS!

Hybrid Soldier reply Replies: 0 || 2009-01-31 00:00:00
Hans did NOT compose anything... :)

Lee reply Replies: 0 || 2009-01-30 00:00:00
Score album as digital download

amazon.com/August-Rush-Original-Motion-Picture/dp/B001R1VK5A /ref=sr_f3_2?ie=UTF8&s=dmusic&qid=1233299589&sr=103-2

Klaas reply Replies: 0 || 2009-01-03 00:00:00
Yeah! Thanks Mark, erm, Hans!

Camilo reply Replies: 0 || 2009-01-03 00:00:00
I don´t have words to describe the music of this movie... Hans... as always you kick ass!!! Thanks for the music you compose

Fedor Lastovsky reply Replies: 0 || 2008-12-22 00:00:00
I've seen it, and it marvelous!

Lyla10 reply Replies: 0 || 2008-12-21 00:00:00
Who will want such damaged tones? Yet i always hear and feel it. Maybe one day it will follow or lead- it really doesnt matter- as long as "i know" its by MY side. THANKS for the moments. Still ..-just breathe-

Lyla10 reply Replies: 0 || 2008-12-21 00:00:00
Who will want such damaged tones? Yet i always hear and feel it. Maybe one day it will follow or lead- it really doesnt matter- as long as "i know" its by MY side. THANKS for the moments. Still ..-just breathe-

Hybrid Soldier reply Replies: 0 || 2008-09-27 00:00:00
I updated the tracklist a little bit... ;-)

Hybrid Soldier reply Replies: 0 || 2008-09-08 00:00:00
Ok perfect ! :-)

Pridelander reply Replies: 0 || 2008-09-08 00:00:00
You're so fast ;) I'll report the length if I have a chance to get it...

Hybrid Soldier reply Replies: 0 || 2008-09-08 00:00:00
I added it...


Unfortunately I don't have all the track length... :P

Pridelander reply Replies: 0 || 2008-09-08 00:00:00
http://www.amazon.com/dp/B00172RMTC/

Surprisingly, Japanese edition of August Rush soundtrack has 3 bonus score tracks by Mancina.

16. Washington Square
17. Arpeggio Theme
18. Basketball To Organ Loft

andrew reply Replies: 0 || 2008-09-07 00:00:00
Why so little score? you'd think that a movie so musically driven would include more score or even an entire score album. I loved the music so much

Steven reply Replies: 0 || 2008-08-01 00:00:00
Beautiful movie I saw it and it was just brilliant, And just after I saw it I went running to my provitional Keyboard cuz my cello needs a string and I played the theme like a thousand times I just Love this movie and music is jut amazing Mr Hans Zimmer and Mr Mark Mancina You guys are the best
Zacatecas, Mexico
Steven

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Cardsopen reply Replies: 0 || 2008-05-28 00:00:00
The movie and the music as itself was pretty amazing, but the music actually took my own breath away. The music on the other hand....makes it the key on how it's made into a great movie

LEC101 reply Replies: 0 || 2008-05-06 00:00:00
Is there any super good song someonee will recommend to me

arDz reply Replies: 0 || 2008-05-04 00:00:00
hi,,,GUd joB!!!

Mark reply Replies: 0 || 2008-04-03 00:00:00
i figured Hans had to write the Rhapsody. i could tell he did writing on this film the second i heard the score. Absolutely terrific work on this score. it was glorious.

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August Rush (Soundtrack) soundtrack - Mark Mancina 2007