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So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?
Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.
@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.
I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?Comparing it to YFM’s sfx edit this is what I’ve got;<br><br>“The Mole” seems to be an alternate of the opening sequence. The first minute or so is used, while the rest isn’t. “We Need Our Army Back/Regimental Brothers” are both made up of several cues from different points in the film. <br>“Home” is completely different in the film, which makes me think it may have been recorded specifically for the album. Similar situation with “Oil”. <br>“Supermarine” is definitely a suite. The rest is chronological.<br><br>Interesting thing to note, it seems like a lot of the tempo changes/ticking effects/bass overlays were removed from the album release, making almost every track sound different from the actual film versions. The music in context has a constant pulse going, especially in the way cues segue into each other and change tempo.It's not really possible to chronologically order the album because the album doesn't use the same tracks as the movie. Plus, the album is more or less chronological anyway, given the areas where they are the same.<br>With the complete cue sheet out now. Does anyone know what the chronological order of the album would be?
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John PowellJames McKee SmithJohn Ashton ThomasBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
Agent Cody Banks (Complete Score)
Label: Unofficial Release
Length: 79'14
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3656 votes)
  1. Opening (2:02)
    John Powell
  2. Kid In Peril (0:41)
    John Powell, James McKee Smith
  3. Skateboard Chase (2:00)
    John Powell
  4. Hero - Nano (2:18)
    John Powell
  5. CIA (0:16)
    John Powell
  6. Field Agent (1:00)
    John Powell
  7. Agent Development Program (0:44)
    John Powell, John Ashton Thomas
  8. Stutter Boy (0:31)
    John Powell
  9. Cody To Duty (2:24)
    John Powell
  10. Welcome To The CIA (0:46)
    John Powell, James McKee Smith
  11. CIA Lab (2:15)
    John Powell
  12. School Brochure (0:26)
    John Powell
  13. Slo-Mo Natalie (0:28)
    John Powell, James McKee Smith
  14. Fantasy Fight (0:21)
    John Powell
  15. Silver Button (0:24)
    John Powell, James McKee Smith
  16. Classes (1:16)
    John Powell
  17. Mr. Yip (1:36)
    John Powell
  18. Failed (0:53)
    John Powell
  19. Sparring Match (1:37)
    John Powell, John Ashton Thomas
  20. CIA Cleans House (2:21)
    John Powell, John Ashton Thomas
  21. Walk The Dog (0:15)
    John Powell
  22. The Van (0:58)
    John Powell
  23. Call Natalie (0:48)
    John Powell
  24. Girl School (2:37)
    John Powell
  25. Natalie Slides (1:01)
    John Powell
  26. Nurse! (1:34)
    John Powell
  27. Roadside Briefs (0:47)
    John Powell
  28. Banks, Cody Banks (1:03)
    John Powell, John Ashton Thomas
  29. Break In (Part 1) (1:49)
    John Powell, John Ashton Thomas
  30. Break In (Part 2) (7:15)
    John Powell
  31. Pool Fight (1:58)
    John Powell
  32. Sacked - Natalie Visits (1:31)
    John Powell
  33. Kitchen Fight (1:43)
    John Powell
  34. Cody Can't Help (1:08)
    John Powell
  35. Jr. Jr. Secret Agent (3:05)
    John Powell
  36. Seaplane (1:20)
    John Powell
  37. Snowmobile Intro (0:34)
    John Powell
  38. Snowmobile Chase - Helicopter (2:47)
    John Powell
  39. To Lair (3:57)
    John Powell, John Ashton Thomas
  40. Escape Fails (2:19)
    John Powell
  41. Natalie Rescued - Countdown (7:51)
    John Powell, John Ashton Thomas
  42. I'll Be Back (2:06)
    John Powell
  43. Hero's Homecoming (2:12)
    John Powell
  44. End Credits (4:38)
    John Powell
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MarioSoundtrack reply Replies: 1 || 2014-09-18 17:34:21
Everything Powell does is awesome, enormous and special! God bless u John!


Edmund Meinerts2014-09-19 16:01:35
Everything? Even Chill Factor and Fair Game? :p

Hybrid Soldier reply Replies: 0 || 2008-03-06 00:00:00
Happy Anty ? :P

Anthony reply Replies: 0 || 2007-11-27 00:00:00
Woo, finally! You might want to check out the track listing on my site though as that one is buggered. :(

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Agent Cody Banks (Complete Score) soundtrack - John Powell 2003