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Yep, fun (if slight) score to a very fun movie. "Get it On" is a great action cue.It was also one of the first HG-W's scores I ever listened to (way back when!), so maybe it's just nostalgia talking. <br>But it's worth a listen at least.It's a shame no one talks about this score. <br><br>It's a great listen if you love heavily percussive music! <br><br>Not a highlight in HG-W's carreer by any means, but it's a fun ride, and has some neat unique sounding stuff courtesy of Heitor Pereira, as well as plenty of goold ol' MV style synth/orchestra pounding!He returns to the hitman's bodyguard part 2I was honored, back in 2006, to meet both Nick Glennie-Smith and Harry Gregson-Williams.<br><br>I talked with both about The Rock, and here's what they told.<br><br>Nick & Hans worked very closely on most of their cues. That's why it's so hard to notice any difference between their own styles (and why they share most of the credits).<br>Harry worked separately from Nick & Hans. He remembered working on the San Francisco Chase (though we know Don Harper helped at some point in the process), and on "a lot of the action material from the second half of the movie, once the heroes reach Alcatraz".<br>The credits here tend to prove they were right.<br><br>All the Opening Titles / SEAL Attack is a bit complicated. Hans might have written the theme, but it also might be arranged for pictures by Nick Glennie-Smith (plus there's a lot more going on in these tracks than the man theme alone). So, well, I guess the final result still is a collaborative effort.
A brilliant score, no matter what some people might say. Some of the darkest and most beautiful themes by Hans Zimmer were born here, as well as a lot of very exciting and propulsive electronic techniques. <br>Heck, I even like the movie! The score fits like a glove.<br>It helps that I'm a huge Tony Scott fan though.<br><br>Zimmer would even 'steal' from this score quite a bit in some of his later films. The 'Wayne Manor Suite' from TDKR comes to mind, as well as one of the Blade Runner 2049 themes being strangely similar to The Fan's 'Opening Titles' theme, and I'm sure there are other examples.<br><br>I would love for a complete version to be officially released sometime. It's very unlikely, but one can dream...Listen to the first demo at NGS demos album of "The Rock". The opening and SEAL Attack have a few notes from original NGS theme. That's why NGS is credited to it.I remember hearing something about NGS not wanting his name in the opening credits since it was a Hans cue playing. So yeah. I think the opening is really just Zimmer and the NGS credit is a formality since it was supposed to be Nick’s score.I'm sorry, disregard EVERYTHING I just wrote...The credit on "SEAL Attack" is HZ/NGS/Stern, not HZ/HGW/Stern. Not sure how I missed that. *facepalm*OK, so a thought...<br><br>"Opening" and "SEAL Attack" are functionally identical; Hybrid says that Hans originally wrote it for the latter scene and it was then placed over the main titles of the film. However, the former is credited to Hans and NGS, the latter to Hans, HGW and Steven Stern. Presumably, since HGW/Stern aren't credited on "Opening", their contribution to "SEAL Attack" is limited to that first minute, which does indeed have a lot of HGW-ish percussion work to my ears. That leaves the rest of "SEAL Attack" as Hans' work alone, which begs the question: why the heck is NGS credited for "Opening", then, since it's basically identical? Screw it, I'm labeling that a solo Hans cue. Always bugged me that there wasn't at least one on this score. :p
Hi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comThat's the 'Album Version' of Time To Suit UpI'm "missing" three of the tracks for the complete score - CA Suite, WS Suite, and the alternate version of Time to Suit Up. <br><br>It looks like the CA and WS suites are pretty much the same ones on the official release as the lengths match up perfectly, but where can I find the alternate of Suit Up?Cheers mate
I agree. Great score. This is "Hans Zimmer Dark Minimalism" done absolutely right. And the Oscorp stuff has to be temp. It goes up and down in just the right places.Forgot Macrotus, so the numbering messed up on 5-8 lol... Macrotus = Father to the Rescue + Hide in the Dark + Courthouse Pt. 1... Also, Myotis actually = Initiation into the League + Temple Fight. <br><br>If you have the End Credits too, that's a Batman Arrives/Backup mashup + Training + Father to the Rescue + Bruce Left for Dead + Batman Theme.<br>Gotcha covered. <br><br>1. Vespertilio = Batman Titles + The Long Walk<br>2. Eptesicus = Bruce Goes Home + Training <br>3. Myotis = Temple Fight<br>4. Barbastella = Mugging Pt. 2 + Bat Cave <br>6. Artibeus = Dockyard Ambush Pt. 1 + Meeting Ducard<br>7. Tadarida = Rachel in the Bat Cave + Fight in Crane's Lab Pt. 1 + Batman on Fire + Microwave Stolen<br>8. Antrozus = Facing the League + Gordon at Home <br>9. Nycteris = Prototypes + Why Bats? + Finders Keepers Pt. 1<br>10. Molossus = Batmobile Chase<br>11. Corynorhinus = Surveying the Ruins + Gordon Says Thanks <br>12. Lasiurus = Ra's al Ghul theme suite<br>Any chance you could do a what makes up the tracks for the BB album Hybrid?Just want to give this score (and film) some major props. It seems like Ron Howard is one of those great directors who brings the best out of the composers he works with. It’s also interesting hearing just how much Lorne Balfe’s voice really comes through here.<br><br>Also, I wonder if it’s a coincidence just how much the OSCORP tune from TASM2 sounds like “Watergate Montage” (or did Marc Webb like a temp lol)
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John PowellJames McKee SmithJohn Ashton ThomasBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
Agent Cody Banks (Complete Score)
Label: Unofficial Release
Length: 79'14
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3855 votes)
  1. Opening (2:02)
    John Powell
  2. Kid In Peril (0:41)
    John Powell, James McKee Smith
  3. Skateboard Chase (2:00)
    John Powell
  4. Hero - Nano (2:18)
    John Powell
  5. CIA (0:16)
    John Powell
  6. Field Agent (1:00)
    John Powell
  7. Agent Development Program (0:44)
    John Powell, John Ashton Thomas
  8. Stutter Boy (0:31)
    John Powell
  9. Cody To Duty (2:24)
    John Powell
  10. Welcome To The CIA (0:46)
    John Powell, James McKee Smith
  11. CIA Lab (2:15)
    John Powell
  12. School Brochure (0:26)
    John Powell
  13. Slo-Mo Natalie (0:28)
    John Powell, James McKee Smith
  14. Fantasy Fight (0:21)
    John Powell
  15. Silver Button (0:24)
    John Powell, James McKee Smith
  16. Classes (1:16)
    John Powell
  17. Mr. Yip (1:36)
    John Powell
  18. Failed (0:53)
    John Powell
  19. Sparring Match (1:37)
    John Powell, John Ashton Thomas
  20. CIA Cleans House (2:21)
    John Powell, John Ashton Thomas
  21. Walk The Dog (0:15)
    John Powell
  22. The Van (0:58)
    John Powell
  23. Call Natalie (0:48)
    John Powell
  24. Girl School (2:37)
    John Powell
  25. Natalie Slides (1:01)
    John Powell
  26. Nurse! (1:34)
    John Powell
  27. Roadside Briefs (0:47)
    John Powell
  28. Banks, Cody Banks (1:03)
    John Powell, John Ashton Thomas
  29. Break In (Part 1) (1:49)
    John Powell, John Ashton Thomas
  30. Break In (Part 2) (7:15)
    John Powell
  31. Pool Fight (1:58)
    John Powell
  32. Sacked - Natalie Visits (1:31)
    John Powell
  33. Kitchen Fight (1:43)
    John Powell
  34. Cody Can't Help (1:08)
    John Powell
  35. Jr. Jr. Secret Agent (3:05)
    John Powell
  36. Seaplane (1:20)
    John Powell
  37. Snowmobile Intro (0:34)
    John Powell
  38. Snowmobile Chase - Helicopter (2:47)
    John Powell
  39. To Lair (3:57)
    John Powell, John Ashton Thomas
  40. Escape Fails (2:19)
    John Powell
  41. Natalie Rescued - Countdown (7:51)
    John Powell, John Ashton Thomas
  42. I'll Be Back (2:06)
    John Powell
  43. Hero's Homecoming (2:12)
    John Powell
  44. End Credits (4:38)
    John Powell
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Arthur reply Replies: 0 || 2019-02-25 23:12:15
This is the complete?

MarioSoundtrack reply Replies: 1 || 2014-09-18 17:34:21
Everything Powell does is awesome, enormous and special! God bless u John!


Edmund Meinerts2014-09-19 16:01:35
Everything? Even Chill Factor and Fair Game? :p

Hybrid Soldier reply Replies: 0 || 2008-03-06 00:00:00
Happy Anty ? :P

Anthony reply Replies: 0 || 2007-11-27 00:00:00
Woo, finally! You might want to check out the track listing on my site though as that one is buggered. :(

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Agent Cody Banks (Complete Score) soundtrack - John Powell 2003