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Listen all the score and make the list yourself with the best moments for you, guy! Lolcan anybody recommend the absolute best themes on this score to me please!No he is not. It's just the musical palette created for all the futuristic scifi films that are inspired by what Vangelis did in 1982.Balfe is doing a Reddit interview in 2 hours time . Hopefully we can get to the bottom of Why he replaced Pinar and Clint Mansell on Ghost in The ShellI totally agree with you. I was let down when I first heard the album. It's great but it's a selection of the score. I feel like they could've done a better job crafting the album. <br>Hell, something experimental like releasing the music as it is as a long (digital) track would've been interesting. <br><br>I think what made it difficult for them is how the tempo changes all the time, which might have resulted in an unpleasant listening experience (I think that might have been their point of view). For example, in the movie, the tempo of the cue "Home" changes a lot and some layers are taken out while the album version has a constant tempo.<br><br>Unfortunately, the number of people who noticed how unsatisfying this release is, is quite small, so there won't be anything official. Once again, we have to wait for leaks or bootlegs.
also seems very like ghost in the shell. Did Balfe also help out on this score ?I can hear it<br>'Her Eyes were Green' gave me a heavy Arrival-vibe for example<br>Am I the Only one that feels Johánn Johánnsson touch everywere along this score?<br>Truly is the Vangelis reminiscense in each song, but the style is more near to Johánnsson than Wallfisch and of course Zimmer.<br>Could be Denis Villeneuve's suggestion, or maybe Benjamin has study Villeneuve last works, but is unquestionable that 2049 score sounds very Johánnsson.<br><br>Many people these days talking bad about 2049 score (No melodies, No Vangelis, All ambiance...), but the reality is that this work has perfect match with the rest of the film.<br><br>2049 is different to the original Blade Runner. Yes it has the same world and feeling, but is another director's vision, and the music follows (perfectly) the same way.OK, there seems to be a regular edition at amazon and other retailers with the same content (2 CD) for a cheaper price than the limited one. It's nonsense. Will the record label pay me back a couple of bucks? I don't think it is ethical business at all.Saw the film last night and the music score was really good . Big and epic . It is how more scores should
You're right, matthew, but i'd said everyone here is used to this kind of album release with HZ/RCP, like The Thin Red Line or Inception with a lot of suites and not so much of the actual movie score. Personally i don't mind because I know the full score will be release some day and I really enjoy suites. However, I'm afraid there is nothing else to do that wait.<br><br>ps : i think Hans or RCP has no right to publish a full score (even they own), it's up to the studio--If they decide to release a proper FYC hopefully that will contain the film order/versions/unreleased/etc. <br><br>But I do agree, this is one of those scores that is tremendously improved by the film flow. Honestly I never understood the thinking behind putting out an album if you aren’t going to use the full 79 minutes it allows. Especially when you are missing cues which are vastly different from what’s presented. Why “Escape From Ship” or “No Time For Caution” weren’t there to begin with confuses me.Love Ocean Bloom. Hybrid, no release date yet for the album? The first episode is coming out in a week.as a giant fucking fan of this movie, I can't put it into words just how lazy is this presentation of the actual music. <br><br>it annoys the shit out of me when I read comments on youtube, Itunes, Amazon and also here, like whats the opening music? and the stupid answer is from everybody: "oh yeah, you're looking for The Mole, thats the opening scene!" well, fuck, the movie opens with The Mole, but it goes on for only 2 minutes, and the rest 4 minutes is unused, and the actual 4 minutes after 2 minutes, from the opening is unreleased. it is a minor fact that seems 100% unnoticed by every person. because the music is non-stop in the film, I consider the opening from the logos, until we arrive to the beach.<br><br>Shivering Soldier is the first track that appears "as used in the film" form on the release.<br><br>Supermarine is a misleading action suite released before the premiere, because of marketing purposes, I think the studio was a bit scared, so they wanted to demonstrate that this is more of a summer blockbuster than a black and white war movie. <br><br>Home is the classic "different version in film" case, only to give Hybrid Soldier the chance to come here and give a defense speech about how Zimmer, Nolan, and every soul at warner bros, at water tower music, at remote control and every world-class star status earned professionals in hollywood couldn't make the "as used in film" presentation dream come true. the "no the time for caution" event is still comes hilariously amature from a creative business built on the words: "Make it happen" <br><br><br>include the bible and i agree
Balfe is with all this year. <br>Best tv score of the year: Genius<br>Best movie score of the year: Lego Batman<br>Best action score of the year: Geostorm<br>Best drama score of the year: Churchill<br>And best scifi score: Ghost in the shell<br>2017 has been a hell of a year for him<br>It really is an excellent soundtrack with cool action and big epic tunes .Thanks for reply. I asked Watertower Music and they said they did limited edition and that it may be sold out. I was looking if somebody got it from them or if it's just a mistake on their part.The Best Action Score of the Year??? Please hear more Score!Have had the album on constantly all weekend and it’s the best
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Nick Glennie-Smith
Composer
Dirty Pictures
Label: Promotional Release
Length: 21'22
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3275 votes)
  1. 11M20B (from Crimson Tide) (1:01)
  2. 13M21 (from Crimson Tide) (1:54)
  3. 6M14 (from Crimson Tide) (3:30)
  4. 3M6 (from Crimson Tide) (2:12)
  5. Hummell Gets The Rockets (6:28)
  6. 1M8 (from Max Q) (0:16)
  7. 1M11 (from Max Q) (0:14)
  8. 3M23 (from Max Q) (0:25)
  9. 5M32 (from Max Q) (5:24)
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Anonymous reply Replies: 0 || 2011-03-14 00:00:00
send him email he always responds

Anonymous reply Replies: 0 || 2011-03-14 00:00:00
I looked at Gavin's website. Nothing there in any relation to this topic.

Anonymous reply Replies: 0 || 2011-03-14 00:00:00
Do a google search for Gavin Salkeld composer, he might have it

Anonymous reply Replies: 0 || 2011-03-14 00:00:00
Mr. Tweedy thanks for all that info... much appreciated. Now on with the hunt!

Mr Tweedy reply Replies: 0 || 2011-03-14 00:00:00
They are legit. They don't appear on the fan made bootleg because the bootleg was probably created before those cues leaked on the internet.

> I got a copy of the CT fan made bootleg back in 2002 (I through it after the first listen, waste of time!). I only got those CT cues from Dirty Pictures in 2005/2006 !

The 4 cues presented here are significant OR minor depending on your interest in the movie/score.
3m6 is "Little Ducks" from the OST.
6m14 is a thriller/suspense cue which is pretty cool, though you can consider it "minor" if you're not a CT die hard fan.
11m20B ("Crisis Averted") has a nice "relief" feel to it, in the purest 90's MV tradition.
13m21 ("Court of Inquiry") is the film version of Roll Tide's opening. The cue stops abruptly as in the movie it segues into Roll Tide. You can easily do the editing by yourself because both cues share a few seconds in common.

Overall enjoyable cues but... nothing special.

Anonymous reply Replies: 0 || 2011-03-14 00:00:00
Are the CT cues significant or are they minor? You don't happen to have the proper cue names do you?

Anonymous reply Replies: 0 || 2011-03-14 00:00:00
I have this CD with the proper artwork. Seems legit.

Anonymous reply Replies: 0 || 2011-03-13 00:00:00
Are these crimson tide cues legit? Wonder why they aren't on that "fan made" boot?

Anonymous reply Replies: 0 || 2009-04-19 00:00:00
sooo when are the Crimson Tide and Max Q expanded bootlegs gonna surface? :)

Anonymous reply Replies: 0 || 2008-01-04 00:00:00
@Per

I am NOT sure about this agency promo but: I have seen the movie and i think the tracks on this "promo" don't fit to the movie. Those MaxQ, The Rock tracks are not suitable. Maybe i am wrong and maybe such a agency promo is also the reason why nick don't get any new jobs on his own...

Never mind.. it was just a thought not a statement !

Per reply Replies: 0 || 2008-01-03 00:00:00
Representation of what ? Of the best (and longest) cues from the films ?

So what you're saying is that if it had been a real disc submitted by the agency, it would clearly have the best and longest cues, instead of the ones that actually are most suitable for the purpose of the disc (i.e. the "bad & boring" (and short) ones) ?

Anonymous reply Replies: 0 || 2008-01-03 00:00:00
@Per

lol.. do you really think this a "real" agency promo, (look track 6,7,8 with this track times). I listened to it and it contains really bad & boring tracks.. this cant be a real representation !

Per reply Replies: 0 || 2008-01-03 00:00:00
I don't think he (i.e. Nick Glennie-Smith and/or his agency) need to verify to anyone that they have those scores...

LOL (...of the person posting the previous comment)

Anonymous reply Replies: 0 || 2008-01-02 00:00:00
I think someone wants to tell us with that compilation that he owns the recording sessions from Crimson Tide & Max Q....

nash reply Replies: 0 || 2007-12-07 00:00:00
Hummell Gets The Rockets (6:28)
i though hans wrote that part??

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Dirty Pictures soundtrack - Nick Glennie-Smith 1997