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Assuming McQ changing up the crew for newer installments applies to the composers too, I'd certainly like to see someone else take the mantle. Would be interesting to see David Arnold tackle a different sort of spy film, or John Ottman taking a stab at it.<br><br>Though if anyone were to return, it'll likely be Balfe, just from all the buzz Fallout got. Would love to see Kraemer again, but the supposed BTS issues make that unlikely.You seriously mean to tell me "Light The Fuse" isn't fun or creative in the slightest? Probably is my favorite rendition of theme regarding just the films. III was certainly dull, but GP proved Gia had a voice for the series.<br><br>Balfe does do some cool things with The Plot, but I fail to see how his renditions of the main theme add anything new. Even the epic choir gets mostly dialed out in the final film. They're perfectly solid, but nothing that I'd say is great.I don't know if it's just me but the music doesn't sound as amazing to me like it did for HTTYD 1 & 2, granted i've only listened to the previews but i did the same for 1 & 2 and it got me hyped. I hope I'm wrongSo having seen the film I can say that this is tonally the most mature score of the series. The old themes all get their moment to shine, but surprisingly are used far less than the previous 2. There also seem to be some temped moments, with one scene using portions of “Battle of the Bewilderbeast” and so on. It will be interesting to see what is missing from the album.<br><br>In terms of new stuff, both “The Hidden World” cue and the “Fury Love Theme” are obviously the standouts. Especially in the way they develop throughout. And without spoiling anything, there are some beautiful choral moments in the last 15 minutes. As for the villain material, there wasn’t really anything distinctive that I picked up, which might change with a few listens.As everyone has said for the billionth time, NO. These are all unofficial fan-made edits or rips.
Is this cd of the complete score available for purchase somewhere?I loved it a lot like you and was searching and searching with no result for a long time.... and know what? Did not forget about it UNTIL NOW!!! It was in a change room at my fitness studio when I heard a very faint sound and was tunderstruck!!! The melody I was looking for for so long!!! And Shazam helped me out: it is a song from the christians from 1995 or so, called: Words! You‘re welcome :-)))and tracklist<br><br>Pictures. Visit the official movie website for more information.<br><br>Here’s the album track list:<br><br><br> <br>1. Serenity<br>2. The Beast<br>3. Suit<br>4. Karen<br>5. Baker Dill<br>6. Patrick<br>7. Memory<br>8. Deliver Me From Temptation<br>9. He Wants Justice<br>10. Girl at the Bridge<br>11. I Am the Rules<br>12. Plymouth Island<br>13. I Remember You<br>14. Catch That Fish<br>15. How We See It<br>16. Creator<br>17. Justice<br>18. Alternate Reality<br>19. It’s Dad<br><br>Saying Balfe has no imagination is beyond stupid. Take a listen at some of his work on animated movies (Home, or his work on KFP2-3), it's definitely not to work of someone without imagination.<br><br>On Fallout in particular, I honestly think he makes the best use of the classic themes in the series. That's maybe not "imaginative", as these themes aren't his, but it's definitely clever and not something every composer can do. Even an experienced guy like Michael Giacchino had 2 stabs at this franchise, and yet failed not only to give a memorable score, but also failed in using these classic themes in such a fun way.JohnWilliams Started out or rather got more into the realm of composing being doing Tv SHows
Meistermind - what’s wrong with being a TV composer ?<br><br>You sound like those idiots on Film music forum that think they know so much .The keyboard comment is exactly the nonsense said.<br><br>Fallout is one of the best action films ever in my opinion with a brilliant soundtrack.<br><br>Balfe is what in the 80s you might have called a TV composer. He has skills to get the job done but no imagination on anything. There'll be a few live bongos in the next film, a lot of supposedly live brass that sounds exactly like my keyboard, and no imagination. <br><br>That's the seemingly Chris Nolan way they want to go here. But if McQuarrie and Cruise are sticking to their mandate on making every film different, well how about (they are not going to go full Lathimos whatever), trying the Jeremy Dyson way, and go for Frank Ilfman. How about being more creative, Mansell has burned his bridges but still does excellent music but how about Richter, he can do anything, or even a Murray Gold. If you hire a pointless HZ flunkie, we'll get someone good, This used to be fine, but now with these dingdongs it is increasingly difficult<br>Balfe did produce both !!!!!!!!!!so ofcause they would sound related <br>Fallout was an excellent film and great soundtrackIn my opinion this soundtrack is very different than the others.<br>Six films and five composers, with a different styles and this soundtrack is very different.<br>For me it's a great soundtrack but the sound is too similar at the dark Knight and Dunkirk.Have to agree about Balfe and Fallout being the best mission score.would be interesting to see what he would do with bond or even Star Wars.<br>There seems to be comments on twitter that Balfe will be doing the score live at the The Royal Albert Hall.anyone know ?
If you want modern, have Ludwig Göransson score the movie. Him or Don Davis. If you want to stick with RCP, I would love to see Benjamin Wallfisch take a stab at it based on his work on King of Thieves.Hello team, i would just like to add to the thank-you's, throughout the years you've been roxxin the world.<br> anyways i particularly enjoyed "time" but not for the movie instead it was used as an AMV on youtube for the japanese anime Zetsuen No Tempest. the story is epic suffice to say that it + time blew my heart away then and there. <br>So thank you very much :D...but modernLalo Schifrin certainly didn't need Lorne Balfe to make him sound cool.Now that would be an interesting to hear what he could do with Star Wars
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Nick Glennie-Smith
Composer
Dirty Pictures
Label: Promotional Release
Length: 21'22
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3770 votes)
  1. 11M20B (from Crimson Tide) (1:01)
  2. 13M21 (from Crimson Tide) (1:54)
  3. 6M14 (from Crimson Tide) (3:30)
  4. 3M6 (from Crimson Tide) (2:12)
  5. Hummell Gets The Rockets (6:28)
  6. 1M8 (from Max Q) (0:16)
  7. 1M11 (from Max Q) (0:14)
  8. 3M23 (from Max Q) (0:25)
  9. 5M32 (from Max Q) (5:24)
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Anonymous reply Replies: 0 || 2011-03-14 00:00:00
send him email he always responds

Anonymous reply Replies: 0 || 2011-03-14 00:00:00
I looked at Gavin's website. Nothing there in any relation to this topic.

Anonymous reply Replies: 0 || 2011-03-14 00:00:00
Do a google search for Gavin Salkeld composer, he might have it

Anonymous reply Replies: 0 || 2011-03-14 00:00:00
Mr. Tweedy thanks for all that info... much appreciated. Now on with the hunt!

Mr Tweedy reply Replies: 0 || 2011-03-14 00:00:00
They are legit. They don't appear on the fan made bootleg because the bootleg was probably created before those cues leaked on the internet.

> I got a copy of the CT fan made bootleg back in 2002 (I through it after the first listen, waste of time!). I only got those CT cues from Dirty Pictures in 2005/2006 !

The 4 cues presented here are significant OR minor depending on your interest in the movie/score.
3m6 is "Little Ducks" from the OST.
6m14 is a thriller/suspense cue which is pretty cool, though you can consider it "minor" if you're not a CT die hard fan.
11m20B ("Crisis Averted") has a nice "relief" feel to it, in the purest 90's MV tradition.
13m21 ("Court of Inquiry") is the film version of Roll Tide's opening. The cue stops abruptly as in the movie it segues into Roll Tide. You can easily do the editing by yourself because both cues share a few seconds in common.

Overall enjoyable cues but... nothing special.

Anonymous reply Replies: 0 || 2011-03-14 00:00:00
Are the CT cues significant or are they minor? You don't happen to have the proper cue names do you?

Anonymous reply Replies: 0 || 2011-03-14 00:00:00
I have this CD with the proper artwork. Seems legit.

Anonymous reply Replies: 0 || 2011-03-13 00:00:00
Are these crimson tide cues legit? Wonder why they aren't on that "fan made" boot?

Anonymous reply Replies: 0 || 2009-04-19 00:00:00
sooo when are the Crimson Tide and Max Q expanded bootlegs gonna surface? :)

Anonymous reply Replies: 0 || 2008-01-04 00:00:00
@Per

I am NOT sure about this agency promo but: I have seen the movie and i think the tracks on this "promo" don't fit to the movie. Those MaxQ, The Rock tracks are not suitable. Maybe i am wrong and maybe such a agency promo is also the reason why nick don't get any new jobs on his own...

Never mind.. it was just a thought not a statement !

Per reply Replies: 0 || 2008-01-03 00:00:00
Representation of what ? Of the best (and longest) cues from the films ?

So what you're saying is that if it had been a real disc submitted by the agency, it would clearly have the best and longest cues, instead of the ones that actually are most suitable for the purpose of the disc (i.e. the "bad & boring" (and short) ones) ?

Anonymous reply Replies: 0 || 2008-01-03 00:00:00
@Per

lol.. do you really think this a "real" agency promo, (look track 6,7,8 with this track times). I listened to it and it contains really bad & boring tracks.. this cant be a real representation !

Per reply Replies: 0 || 2008-01-03 00:00:00
I don't think he (i.e. Nick Glennie-Smith and/or his agency) need to verify to anyone that they have those scores...

LOL (...of the person posting the previous comment)

Anonymous reply Replies: 0 || 2008-01-02 00:00:00
I think someone wants to tell us with that compilation that he owns the recording sessions from Crimson Tide & Max Q....

nash reply Replies: 0 || 2007-12-07 00:00:00
Hummell Gets The Rockets (6:28)
i though hans wrote that part??

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