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Okay, I'll wait for the more detailed credits in the release.Yeah, Mazzaro and AK would be more interesting choices, even Balfe.<br><br>Maybe Zimmer has more confidence in Wallfisch? He delivered Verbinsky's "Cure" gratuitously for him and then tied him up on two of his major projects last year.<br><br>When I refer to security, I talk about the "assurance of delivering a good job".Olive - wrong.Balfe has said it is used in the film on Twitter.Geostorm is fun, with a nostalgic nods to the old MV scores.<br><br>And much better than 12 StrongI know this story... It would be good if JP were like HZ in his public promises. xD<br><br>
Well, the fact that Djawadi was not mentioned in the credits confirms that Balfe had not used the theme written by him, right?About the score: Dunkirk's unimaginative copy (regardless of who is the lead author of the Nolan movie score).<br><br>Lego, really, was one of the best scores for animation last year. Churchill is a good accompaniment to the film and Genius is a fun listening with many moments that catch the ear.<br><br>Unfortunately, 12 strong and Geostorm were disappointing, but it is normal for any composer's career to have ups and downs, especially when working with so many numbers in a single year.<br><br>I agree with Mike that there is a very clear difference from when Hans is on a project and when one of his assistants goes to work alone. Pirates, WW and even Tarzan are there as more recent examples, all excellent scores, but you know there's something missing there.<br><br>On the problem with "hate" for Balfe, it is not unwarranted. It is a reaction to the exaggerated attention he has received over the past year, which overlaps with that received by other composers who work with universes with fan platforms far superior to those in which Balfe works. Jablonsky has the billion dollar franchise of the Transformers, Djawadi GoT and Henry Jackman has worked with the Marvel movies. Even Powell's entrance to SW might have made some noise, but nothing. None of these projects received such warm reception from the members of this site as Balfe's latest projects (with the exception of HZ, of course). That bothers me a little.<br><br>Curious to know what he will do with "Pacific Rim".<br><br>A lot of the time when a score's final action/battle sequence is split up among several tracks I edit them together into one track myself in Audacity. The most recent example was Black Panther with "The Great Mound Battle/Glory to Bast/The Jabari, Pt II". And my edit of the final battle music from King Arthur runs nearly 15 minutes. Maybe something similar will be possible for the last few tracks of this score.yeah that's just one though. We'll see!! no info on a release date, on lornes twitter it says it's coming out very soon."Shatterdome Attacked", at least we'll get one 7-minute action cue...<br><br>Also. TRACKLIST YOU GET DID WHERE???
An agent isn't the problem. Powell is choosing to work less, and only on certain types of movies.Damn the tracks are really short, i was hoping for some long epic music. Hopefully he'll deliver on the epic (I'm sure he will)Giacchino has some points about Powell because of the variety of his work. The man works on several beloved franchises through the pubic and every year makes some score for Pixar. From Powell, so far we've only had Bourne and the animated films from Dreamworks and Blue Sky. That's the only problem with him. The lack of a good agent to get projects beyond the territory conquered by him in the mid-00's.where got you did tracklist have been?Where did you get the tracklist ???????
Where you get the tracklist?<br><br>;)Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.And @Ian, re: talent of assistants, to add to your point... Kick It was, according to Hybrid, Hans’ theme turned into a suite by Balfe...so even there, with his interesting stuff, the nucleus of it is still Zimmer. If you’re talking about Training from Begins for Djawadi, ditto there. Hans said that was the first theme he (Hans) wrote for the movie. So in both cases, these guys kinda sound best when expanding on Hans’ ideas.His KPM and Extreme library tracks are excellent
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Atli ÖrvarssonClay DuncanHenry JackmanRyeland Allison
ComposerAdditional MusicAdditional MusicAdditional Music
Vantage Point
Label: Varese Sarabande
Length: 41'30
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5462 votes)
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  1. Vantage Point Main Title (2:45)
  2. Motorcade (1:36)
  3. Enrique And Veronica (2:55)
  4. Run Enrique Run (2:33) *
  5. Lewis And Anna (1:20)
  6. President And Decoy (1:38)
  7. The Chase Begins (2:50)
  8. Serendipity (4:40)
  9. Epilogue (1:55)
  10. Tightening Circle (3:19) **
  11. Clockwork (5:07)
  12. The President Is Safe (1:15)
  13. Explosion Aftermath (3:38)
  14. Suarez' Plan (4:00)
  15. Vantage Point End Title (2:02)
*Co-written with Ryeland Allison

**Co-written with Henry Jackman
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se reply Replies: 0 || 2014-02-17 01:08:32
wow, Barnes Chase is amazing!!!

Felix reply Replies: 1 || 2011-11-29 22:41:06
01.Vantage Point Main Title
02.President And Decoy Pt.1
03.President And Decoy Pt2
04.Presidents Shoot
05.After Shoot
06.Angies Death
07.23 Minutes Earlier
08.12:00PM
09.Motorcade
10.Barnes Suspicion Pt.1
11.Barnes Suspicion Pt.2
12.Presidents Shoot
13.There's A Bomb
14.Explosion Aftermath
15.Oh My God
16.Enrique And Veronica
17.I`m At The Overpass
18.Presidents Shoot
19.Run Enrique Run Pt.1
20.Run Enrique Run Pt.2
21.Surprised I'm Still Alive
22.Lewis
23.Lewis And Anna
24.Lewis Look At The Window
25.He Say The Truth
26.We Need Your Camera
27.Explosion Aftermath
28.Chasing Enrique Pt.1
29.Chasing Enrique Pt.2
30.Mamá
31.We Stop?
32.Hotel Vesta
33.No.1 Is On The Way
34.I Do Not Even Look Like The
35.Presidents TV Shoot
36.Operation Set
37.We Are Out Of Danger
38.I`m At The Overpass
39.Se Llegó El Paquete
40.Meeting Lewis
41.Mobile Shoot
42.Explosion
43.Centrale Is Dead
44. The Chase Begins
45.President Goes Sleeping
46.The Chase Continues Pt.1
47.The Chase Continues Pt.2
48. Barnes Sees Taylor
49. Chase Pt.1
50.Chase Pt.2
51.Where's My Brother
52.He Is Dead
53.Serendipity
54.Mr. President
55.The President Is Save
56.Lewis Call
57.Thank You Thomas, No Cause
58.End Credits Pt.1
59.End Credits Pt.2
60.End Credits Pt.3


Anonymous2011-11-30 11:27:10
Considering the grammar is incorrect on many of these, I seriously doubt this is legit

Danny reply Replies: 0 || 2010-08-31 00:00:00
Most of the tracks are so-so, but the ones using guitar ('Main Title', 'Epilogue', 'End Title') were delightful to listen and 'Serendipity' is a great cue for a strong moment in the movie.

maruf hasan abhi reply Replies: 0 || 2010-08-21 00:00:00
..well ..when i was watching the movie ..the sound grabbed me ..i never knew it was zimmer ..but now i can see why that sound could attract me like hell ..!!

ahmed farag reply Replies: 0 || 2009-02-15 00:00:00
very good id very beatfuil

Adrian reply Replies: 0 || 2008-11-29 00:00:00
@ Lee

Well, the front cover is a very nice one, but the back cover.. you've got to admit, there are better covers-designs on on other labels..

merci reply Replies: 0 || 2008-11-28 00:00:00
thank you

Lee reply Replies: 0 || 2008-11-16 00:00:00
This is one of movie posters and generally record companies can't choose the covers. It's all in a contract.

Adrian reply Replies: 0 || 2008-11-16 00:00:00
Why does Varese Serabande has really ugly back covers ?

Anonymous reply Replies: 0 || 2008-10-22 00:00:00
just want to listen to it online first

Anonymous reply Replies: 0 || 2008-07-10 00:00:00
there are some great cues missing.

hans-batman-zimmer reply Replies: 0 || 2008-04-22 00:00:00
'Serendipity' is great!!

L. Koala reply Replies: 0 || 2008-04-07 00:00:00
The only stuff I love is main theme... but the other action part is very boring and weak. :)

Anonymous reply Replies: 0 || 2008-03-26 00:00:00
The best part is the track 8, 'Serendipity'. The end of the cue remembers 'Da Vinci Code' and 'Hello Beastie' of Dead Man's Chest..
And End Title is a copy of bill brown's music...

Anonymous reply Replies: 0 || 2008-03-22 00:00:00
Maybe Ryeland Allisson?? :)

s reply Replies: 0 || 2008-03-15 00:00:00
Great Score!

who did the vocals on track 4?

nash reply Replies: 0 || 2008-03-08 00:00:00
A good score...

hans-batman-zimmer reply Replies: 0 || 2008-03-05 00:00:00
I like this score.

Eberson Laguerre reply Replies: 0 || 2008-02-24 00:00:00
Tracks 1 & 15 are the new benckmark for this artist representing the Media ventures studio along with Hans Zimmer & Steve Jablonsky!!!

anwar reply Replies: 0 || 2008-02-22 00:00:00
merci

Feared reply Replies: 0 || 2008-02-21 00:00:00
Musically it is rather weak, but it is a true guilty pleasure. Similar to Badelt's The Recruit, the action writing is the closest to what would Zimmer wrote
if he returned to the action scores.

Falconet reply Replies: 0 || 2008-02-04 00:00:00
i can't wait to hear the first Atli's Score :D

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Vantage Point soundtrack - Atli Örvarsson 2008