NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Hybrid, what did Danny think of what Hans was doing? Since he tries to claim that no Batman composer after him wrote a "theme"...Okay, so I'm not a fan of Balfe's; I think it's objectively the case that much of his music is very, very similar to work he's already done (seriously, how many times has he made obviously variations of Journey to the Line / Time?). However, his best work is both highly creative and emotionally compelling IMO, not sure how one could expect more than that. Ironclad is actually a good example of thisActually Hybrid my comment is based on their separate  interviews years apart. Zimmer's arguably dismissive comment years ago and Elfman's arguably stern remark about his theme being the only Batman theme, of recent note. <br><br>If they are both good friends who go to each other's barbecues on Sundays and drink beer together, more power to them. If they have a stellar working relationship, well, I obviously am not privy to that, but good on them. However based on what I've heard my impressions don't lean towards the latter.<br><br>If I'm wrong, I'm wrong. <br>  <br><br><br>"Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty."<br><br>Blackwood might want to have a word with you.Too many songs! But at least there is 15 tracks of score.<br><br>BTW, I don't think Djawadi is able just to do themes. His score in GoT Season 7 shows that he is able to do action tracks very well. Also, in GoT Season 6, he shows that he is able to have many themes and develop them in many different ways.
Meta your comment is based on smoke...<br><br><br>Do you have any idea of what Hans & Elfman's relation is ? How many scores Danny mixed at Remote Control ? That when Hans was writing Batman Begins, Danny was in the next room and Hans invited him to check what he was doing ? How many people from RCP Elfman recruited to help him ?lol it's too funny the guy even spent the time of typing all this...<br><br>Some people apparently have very boring lives on this planet !These comments by “Balfe” are comical.god knows where such venom comes from . Maybe an ex employee probably.he was correct on one point .He is indeed a trailer composer.He just did the mission impossible trailer!!!LOL. I guess this "Balfe" guy is one of those trolls from Stop RCP group.Many benevolent saviours explaining the error of our music tastes have surfaced recently, haven't they?
Eh, Mr. Ellipsis, I have to take issue with your appeal to popularity. Justin Bieber sells millions of records. That doesn't make his music good. Last year's piece of crap pointless Beauty and the Beast remake made a frankly terrifying amount of money at the box office. Doesn't stop it being a piece of crap.Guys, I know a lot of you probably think I'm an overly critical snob, but next time you do, just remember this guy and realize how much worse I could be. :pBalfe is not a composer, but still he gets to compose dozens of films and shows every single year, wow. He must be doing something good if he is on of the most busiest composers out there, don´t you think? Or you want to tell me that every producer, director or whoever hires him is deaf? Do you know how many films had to be re-scored by Balfe in the past few years? <br><br>Why you feed the troll?<br><br>Wrong.<br><br>1. Wallfish is a very fine composer, period. Hans is a synth guy.<br><br>2. If Hans wasn't concern about BR he wouldn't do it.<br><br>3. Slavery was abolished 150 years ago. Hans choose to did it and agreed to involve Wallfish.<br><br>4. Maybe true, but it wasn't the thought of Villeneuve.
here we go again:<br>Why Hans Zimmer Got The Job You Wanted (And You Didn’t)<br>https://behindtheaudio.com/2013/07/hans-zimmer/Hey you guys.<br><br>Balfe is a trailer composer not someone who composes real scores. He helps Hans out on his projects and occasionally may have a good idea. He is not an artist, simple as that.<br><br>Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty. The epitome of that is Terminator Genisys that even fans of the franchise found embarassing (and that is for a series based on synth scores). The samples are especially abhorrent<br><br>How he climbed to compose music for real films is a mystery. Go back to one of his earliest scores, the 2009 'score' for Ironclad, to find how utterly disappointing his work has been all the way throughout his career.<br><br>Balfe is a hack. He will never be considered a real composer. The industry knows Hans is pushing him and once that attention goes somewhere else, as it does with Hans frequently, Balfe will be immediately forgotten. Tell me - who actually wants a Lorne Balfe score for their film!!<br><br>You rapid fans supporting his work will be laughed at as being idiotic symbiotic followers. Get a fragging grip.<br><br>Balfe is not a composer. <br><br><br>This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here?<br><br>1. Wallfisch, a very fine composer is not a synth guy.<br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure.This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here? <br><br>1. Wallfisch, a very fine composer is not a synth guy. <br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure. <br><br><br>Dunkirk is a sound experiment and not a score. It is rather sad to see a fine composer like Benjamin Wallfisch deal with this nationalistic nonsense.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Hans ZimmerJames S. LevineClay DuncanAlan Meyerson
ComposerCo-ComposerAdditional MusicMusic Scoring Mixer
The Weather Man (Expanded Score)
Label: Unofficial Release
Length: 59'09
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5081 votes)
0:00
0:00
controls_prev
controls_toggle
controls_next
player_volume

player_loop
player_shuffle
player_download


  1. Refreshing (0:21)
    Hans Zimmer, James S. Levine
  2. Daily Routine (1:08)
    Hans Zimmer
  3. I Have A Plan (2:33)
    Hans Zimmer
  4. He Was A Fine Father (1:07)
    Hans Zimmer, James S. Levine
  5. Archery Lessons With Shelly (1:03)
    David Baerwald
  6. Mike Sees Perv At Mall (0:16)
    Hans Zimmer, James S. Levine
  7. Hey Weather Man! (0:25)
    Hans Zimmer
  8. It's A Bullshit Name (0:46)
    Hans Zimmer
  9. Pictures (1:09)
    James S. Levine, Martin Tillman
  10. I Hate That Little Cunt (0:55)
    David Baerwald
  11. Family Winterfest (1:46)
    David Baerwald, Tom Spahn
  12. I'm Not A Football Jocker (0:56)
    James S. Levine
  13. I Had This Thing With Porno (2:45)
    David Baerwald
  14. BJ's Lacked Enthusiasm (1:54)
    Hans Zimmer
  15. Did You Start My Novel Yet? (0:22)
    Hans Zimmer, James S. Levine
  16. Bad News (0:32)
    James S. Levine
  17. Driving With Dad (3:17)
    Hans Zimmer
  18. Dave Tells Shelly About NY (1:28)
    Hans Zimmer, James S. Levine
  19. Someone Should Be Happy Here (0:16)
    Hans Zimmes, James S. Levine
  20. Tartar Sauce (2:16)
    Clay Duncan
  21. Can We Shop Here? (0:43)
    Hans Zimmer
  22. Shelly Goes New York Style (1:25)
    David Baerwald
  23. You Should Carry More Money Than That (0:46)
    Hans Zimmer, James S. Levine
  24. Visions Of SpongeBob (2:12)
    Hans Zimmer, Martin Tillman
  25. Good Morning Mirror (0:44)
    Hans Zimmer
  26. Green Screen Test (0:30)
    David Baerwald
  27. I'm Gonna Slap Him (0:25)
    David Baerwald
  28. No 19th Century Noble Man (1:00)
    Hans Zimmer
  29. Living Funeral (1:14)
    Hans Zimmer, James S. Levine
  30. Hot Apple Pie (1:14)
    Hans Zimmer, James S. Levine
  31. Accuracy Equals Focusing (3:13)
    James S. Levine, Martin Tillman
  32. Something About Bob (1:32)
    Hans Zimmer, James S. Levine
  33. Clowns (1:17)
    Hans Zimmer, James S. Levine, David Baerwald
  34. I Bet You A Million Fucking Dollars (0:19)
    David Baerwald
  35. Always Fast Food (1:25)
    Hans Zimmer
  36. The Real Funeral (1:58)
    James S. Levine, Martin Tillman
  37. Who Knows? (1:51)
    Hans Zimmer
  38. Right On Target (0:59)
    Hans Zimmer
  39. End Credits (6:15)
    Hans Zimmer
  40. Always Fast Food (Alternate) (1:18)
    Hans Zimmer
  41. The Real Funeral (Aternate I) (1:58)
    James S. Levine, Martin Tillman
  42. The Real Funeral (Alternate II) (1:58)
    James S. Levine, Martin Tillman
Create Topic

Edmund Meinerts reply Replies: 0 || 2017-10-26 11:18:54
Revisiting this score for the first time in ages and it suddenly strikes me that there's a foreshadowing of Interstellar, of all the random things. Just check out the second half of "Hot Apple Pie" - I swear I keep expecting it to morph into "Cornfield Chase" (and then it's kind of disappointing when it doesn't and instead just cuts off abruptly). What a weird coincidence - if it is a coincidence!

Hybrid Soldier reply Replies: 5 || 2015-08-16 11:37:21
I worked with the cue sheet to finally replace the crappy random tracklist that was made many years ago. And finally the composer credits... :)


francis2015-10-14 21:27:10
hi, please could you send me the right tracklist with the time of each one? thank you
sends me a msg to
franciswintry@gmail.com


Lynk2017-08-04 11:50:58
Did David Baerwald write the tunes he's credited for specifically for this film or did the scoring team use it from something else Baerwald had worked on before?


Oscarilbo2017-08-04 15:59:09
Hasn't this been released on FLAC or some other lossless format?


Hybrid Soldier2017-08-04 19:00:34
Baerwald did work on this...


bob2017-08-22 05:17:48
Where can I get this soundtrack? I need it badly.

Mike reply Replies: 0 || 2014-10-26 22:37:18
I really dig that end credits cue. It's awesome. Sounds like someone was listening to Green Onions and wanted to infuse a reggae sound into it or something.

cheesy reply Replies: 0 || 2011-10-21 21:51:28
Finally got around to giving this a listen... really starting to grow on me. You don't often hear this kind of sound from HZ... I have to constantly remind myself it's a Zimmer score whenever I'm listening to it. I was pleasantly surprised; very creative atmosphere he created.

Anonymous reply Replies: 0 || 2011-03-17 00:00:00
Fits on one CD

Dan reply Replies: 0 || 2011-01-10 00:00:00
A few of those tracks sound identical - A Living Funeral and Fast Food, for instance.

DemonStar reply Replies: 0 || 2008-06-21 00:00:00
It's not possible to legally "purchase" this as it is a bootleg and not an official product. You'll have to look for it it "unofficial" way if you want it. Gotcha? ;-)

Sarah reply Replies: 0 || 2008-06-12 00:00:00
But....I dont understand HOW you purchase this CD. I have been searching for it since I saw the movie in the theater in 2005!!

Mark reply Replies: 0 || 2008-04-03 00:00:00
sweet two pack of Zimmer music! couldnt get any better. i will definitely get this

Hybrid Soldier reply Replies: 0 || 2008-03-24 00:00:00
Thanks man !

doponko reply Replies: 0 || 2008-03-24 00:00:00
I have this boot,here is the track list.
Disc 1
1.Grown-Up 2.Disappointed 3.Monochrome 4.Fate
5.A Tragic Hero 6.Love,And Trust 7. Every Day
8.Existence 9.Frustrations 10. Depression
11.It's Too Late 12.To New York City? 13.Shelly, My Doughter 14.Noreen 15.Healt Problems 16. Pling Plong 17.My Father 18.Morning News 19.A Little Effort 20.Out Of Control 21. To Get A Grip
22.You Should Carry More 23.Visions Of SpongeBob
24.Refleshing 25.Robert King Spritzel 26.Family 27.I Can It Get Together

Disc 2
1.Living Funeral 2.Hot Apple Pie 3.Melanchromy 4.Trust 5.Archery Lesson 6.Tartar Sauce 7.New York 8.Mini Bar 9.A Living Funeral 10.Fast Food 11.There's Always Looking After 12.Who Knows? 13.Reduction 14.Hello America

Enjoy the CD!

DemonStar reply Replies: 0 || 2008-02-15 00:00:00
Nice score, which perfectly suits the mood of the movie. But as far as deep listening goes, it's not my cup of tea, though.

Sylvos reply Replies: 0 || 2008-02-12 00:00:00
I've got a feeling that no one really knows this film that well or else we would have something more than "Track #" instead of a tracklisting!

zimm44 reply Replies: 0 || 2008-02-07 00:00:00
Does anybody know anything about the release of Casi Divas score? Is it going to be released?

fabien reply Replies: 0 || 2008-02-06 00:00:00
That's a very nice score

 HANS-ZIMMER.com© 2001-2017 OST 
The Weather Man (Expanded Score) soundtrack - Hans Zimmer 2005