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It's been nearly 27 years since this came out in 1991.Nop, you're not the only one.<br><br>I can say everything i listen John Powell is something with quality and personality.<br><br>How to Train Your Dragon is one of his best. You are missing out. <br><br>But I may be the only person who thinks Face/Off is one of his best scores. I love that score more than nearly any John Powell scores.I'm agree thatThey are independent events, but I think they are working in conjunction with each other. I based this on the description on the Vienna website. Their program is called The World of Hans Zimmer and some of the arrangements will be written by Zimmer himself. That leads me to believe this year's gala is a bit different and is just a stop for Zimmer's tour.
Probably not. The two are indepedent events.@Edmund<br><br>actually i wasn't interested in the Dragon scores...or Pan, for that matter. Xmen 3 wasn't too bad, but he still had that tight RCP score techniques...Yeah, I think he must have changed his methods since Hancock/Green Zone...Because I'm not interested in hsi work after that. Must be those pesky drums he doesnt use anymore?Yeah, I know there's more than just the main theme in those Trek scores, I was just exaggerating to make a point. :pPretty sure the reason HGW works with Washington so often is because Tony Scott worked with him so often... :pWait, Meta, you haven't liked Powell since Hancock? This despite putting out his career peak in the How to Train Your Dragon scores? I mean, if there's anything that proves he's got the chops for Star Wars style orchestral and thematic music, it's those two (and X-Men: The Last Stand, and Pan).
Excellent score!  Reminds me of pieces of The Rock, BHD, Drop Zone, stuff from The Pacific.  Great job Andrew!  Nice themes!  Fun RCP stuff!Yes it was announced a while back, Harry returns !I can confirm that he is working on it.I'm waiting for Harry's response for returning for the sequel or not? My opinion is, I think Harry seem like working with Denzel Washington often in the movies like Man Of Fire, Deja Vu, and The Taking Of Pelham 123 and Unstoppable, The Equalizer, I think Antoine Fuqua director should hire him back again, but I don't know if his schedule conflicts with busy working with MEG Score.@superultramegaa and others<br><br>Honestly, if you take an objective look back, you can still see RC written all over Powell...And thats all well and good, because I like Powell. Well, maybe not since Hancock, but I like his style.<br><br>That being said, This will be the official first Star Wars outing with an RC score. Sure, Williams phoned in a theme...But going forward I expect RC influence to be the norm.<br><br>And, as for Giacchino...Jesus Christ. For someone who practically MADE his career apeing Williams (Jurassic Park and Medal of Honor video games spring to mind), his Rogue One was  dreadful...I cant disagree with you. <br><br><br>
Powell is heavily influenced by Zimmer. The only thing that differs him from the others is that he really has a style of his own that matches the traces of the career he shared with Zimmer. If you listen to any of your action scores, you will notice that they are clearly RCP scores. Even the orchestral, especially "Pan" have some passages that are very reminiscent of Pirates, Prince of Egypt and Gladiator.Really awesome "Is She With You?" cover by Nir Shor!Hey Hybrid Soldier, is Harry returning for the Sequel??Hybrid, Hollywood in Vienna just announced that Zimmer will be receiving the Max Steiner award. Do you know if the Hollywood in Vienna program the same as the The World of Hans Zimmer program? If it is, King Arthur is confirmed to be in the program as well.I wasn't saying Powell sounds like Williams. I'm saying he's closer in sound to Williams than he is to Zimmer for his animated movies.
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John PowellJohn Ashton ThomasGermaine FrancoBryce Jacobs
ComposerAdditional MusicMusic Production CoordinatorMusic Preparation
P.S. I Love You (Soundtrack)
Label: Atlantic Records
Length: 56'45 (Score: 4'30)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4364 votes)
  1. Love You 'Till The End - The Pogues (4:30)
  2. Same Mistake - James Blunt (4:58)
  3. More Time - Needtobreathe (4:22)
  4. Carousel - Laura Izibor (3:31)
  5. Fortress - Hope (3:36)
  6. Last Train Home - Ryan Star (4:12)
  7. Rewind - Paolo Nutini (4:19)
  8. My Sweet Song - Toby Lightman (4:00)
  9. No Other Love - Chuck Prophet (3:53)
  10. Everything We Had - The Academy Is... (3:39)
  11. In The Beginning - The Stills (5:43)
  12. If I Ever Leave This World - Flogging Molly (3:21)
  13. P.S. I Love You - Nellie McKay (2:10)
  14. Kisses And Cake (4:30)
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holly reply Replies: 0 || 2009-08-07 00:00:00
very good..

chouaib reply Replies: 0 || 2008-08-22 00:00:00
is the very movie in this life

Madi reply Replies: 0 || 2008-02-28 00:00:00
I love the music for this movie. All so well chosen, and a real surprise was John Powell. I love Kisses and Cake so much! I can listen to it for hours. But it's a shame that I can't find the other music that he wrote for this movie. On the site of the movie wasn't any information about that.

Sylvos reply Replies: 0 || 2008-02-12 00:00:00
Yeah. Too bad bad that website music is in such a mediocere quality.

OMG reply Replies: 0 || 2008-02-09 00:00:00
The promo score release has 18 mins of music, which I'm guessing is the whole score given the amount of songs on the soundtrack as well.

Some good stuff on there, considering it's a romcom

Sylvos reply Replies: 0 || 2008-02-08 00:00:00
Not much but there's a nice little slice of score here. The more I listen to it, the more I come to appreciate it.

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P.S. I Love You (Soundtrack) soundtrack - John Powell 2007