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Sadly this one failed to impress in any way for me. I felt like falling asleep for much of this album. Overall too simplistic, ugly, and cliched with very difficult to pin down thematic material, as the melodies are so minimalist.To whom it may concern...<br><br>Is it possible to download or in any other way purchase the Hannibal (Expanded) score somewhere? I have the original motion picture soundtrack, but would LOVE to have them both..<br><br>Best regards<br><br>Nicholas10 and 16 are missing from the store pack.Most probablyI am not a hybrid, i will try to give my opinion. I think, music in 5 season will come out when and 6 season. But I really want to be wrong!!! :)
It's very sad...(((The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.Want this so bad!!!Does anyone have a breakdown of this with the official score album?<br>
Hats off to Batu Sener for working on many of the score's best cues though!It all comes to personal preference I think. Personally I’ve moved on from collecting cd’s (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.Powell only does 1 score a year.
Still no news on his next score? Is he taking a break or something? Working on more concert stuff?Was pleasantly surprised by this one when I first heard it. Outside of the ‘modern scoring’ portions you get some fun noir music for the squad, solid action writing, and even some good emotional cues.<br><br>Also gotta love the rhythmic idea from Antz popping up here...Also, the use of the guitars by Jablonsky, are still the best since the 90sI give a spin (almost 4 years after my last listening), it grown on me (still don't consider of the best of Jab), but much better than Skyscraper (ok score) and Battleship (guilty pleasure, but not a good score by any means), i like the style of Jablonsky in this one, his rhythms (but i still don't care about the 'motif' for Cohen or certain sound design tracks like 'You Can't Shoot Me' or 'You Know the Drill')<br><br>But still has such cool action moments (Hot Potato With a Grenade) and emotional/romantic moments, and still enjoyed that from this.<3 Buck Takes the Lead
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cello
Hans ZimmerJohn PowellMartin Tillman
Composer : Main ThemeComposerMusician
High Incident
Label: Unofficial Release
Length: 36'03
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3254 votes)
  1. Main Title '96 (0:44)
  2. Militia (2:49)
  3. Corbusier (2:43)
  4. B.R.A.D. (2:12)
  5. Into Tunnel (3:02)
  6. Tino (1:50)
  7. Santa Chase (1:36)
  8. Warehouse AM (3:34)
  9. Bomb (1:51)
  10. Dark Angel (1:01)
  11. The Stalkin' (1:31)
  12. War (3:49)
  13. Angel Rald (4:15)
  14. The Sting (4:19)
  15. Main Title '97 (0:41)
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Edmund Meinerts reply Replies: 3 || 2017-02-16 23:49:04
Okay, so sorry for sounding a bit like Poleschuk on this one, but I have a couple questions about High Incident.

Basically I have heard two different boots: this one, and a second one with 10 tracks running about 21 minutes. This first one sounds to me mostly like John Powell in very early I-don't-really-have-a-style-yet MV mode. The second one is a lot calmer and more melodic (and better!), and it uses the "Main Title '97" theme a lot. But it doesn't sound much like Powell at all. Is that one by Jeff Rona? From the little I've heard by him, it sounds like it might be.

Also, about those themes - who wrote them? Was it really Hans? The more upbeat "Main Title '96" sounds very much like Powell, to me. "Main Title '97" with the trumpet solo could be Hans, I suppose, but I could easily believe it being Powell or Rona as well.

Any clues, Hybrid?


Michael Poleschuck2017-02-17 03:17:54
There are a few episodes of this show on YouTube.

And interesting thing: on the main titles of the Pilot - "Main Title '96". On the end titles of the Pilot - "Main Title' 97".

And other interesting thing: "Main Title' 97" are on the 9th minute of the Pilot (night talking of the cops). So, maybe, this main theme was originally Zimmer's hand.


Michael Poleschuck2017-02-17 03:20:58
Maybe, the second boot is a score for Pilot?


rockhound2017-02-17 07:28:13
the more emotional music, which also uses the Main Title 97 theme often, is by jeff rona. you will find many tracks on his website. it has bit of his music for Chicago Hope. i remember, that the Main Title 97 was also used in the first season as the end title. i dont know know why they changed it in the second season. the Main Title 96 was perfect for opening credits. But i think both of them are by hans with trumpet performances by mark isham. at least i always saw his name in the opening credits.

Vandit reply Replies: 0 || 2008-08-05 00:00:00
The score for Hi-Incident is sooo great. I wish they show would be available either on DVD or on TV in Austria. I really love the soundtracks from Hans Zimmer especially the ones for Babylon 5 and for High Incident. Keep up the great work. Weiter so!!!

Greetz from Austria
Vandit

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High Incident soundtrack - John Powell 1996