NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
King Arthur is the perfect example. A terrible script but a great scoreAfter I saw the movie....very great movie & very great scores, better than the first scores!! And the theme for Poppy is also very good!!Well there's also the track where Izzy's transformers dies, a few action tracks not included that I'd be interested to hear, but you're right, the track I'm most interested in is We Have To Go's film version. The extra strings in the small excerpt where Megatron's arm gets cut off, and the ones added to the main theme really give the song a more heroic and intense tone.Yep. These tracks are amazingOnly tracks that come to mind that aren't in the OST are a variation of Seglass when introducing Edmund, and the film version of We Have To Go.<br><br>Hell, the OST has more music than the movie.
Daniel Pemberton seems like a twat.I own the CD and I agree there are times in the score where it's so bombastic it distorts your speakers.<br><br>Still, I felt this was a great score from Zimmer.  It was peak Russian sounding chorus time for Hans and the action cues were better than other scores of this time like The Rock.i think Armageddon is better in covering of all emotions than Pirates III, because there is one more thing the music has to do in Armageddon....covering bad acting. without the music, all emotional scenes with bruce willis would have been a joke. he acts really bad in these scenes, but the music works wonders.Lol. Anyone can write up a bunch of random slate numbers. Nice try.Armageddon is great fun, but I can think of plenty other scores that cover that spectrum of emotions. At World's End certainly does, and then some.
Someone who know the LINK of the complete Soundtrack can Post it here? Thank U<br><br>Ps. Can't wait to hear it!!mmmh not for me, even The Peacemaker or Deep Blue Sea (both ****) are superior than this one! (Iíll give it a *** 1/2).THIS, ladies and gents, is the greatest MediaVentures-RemoteControl score. No way you can convince me otherwise. lol! No seriously, even The Rock and Crimson Tide are inferior. The Armageddon score has it all, breathtaking and epic action cues, powerful dramatic cues, adventurous pieces, comedic cues. It literally covers the entire emotional spectrum. What other score can do that? Think about it and you'll see that I'm right.   <br><br>Cheers, <br><br>B.It'll come out at some point, but in reality the complete score wouldn't be too different from the album release. Jablonsky said in the all access interview that he wanted the album to contain the songs as he intended them to be, and not what Michael Bay edited everything down to be.The previous scores were leaked, AoE didn't even get recording sessions leaked. And yeah, TF5 earned half a billion, which isn't well for Paramount.<br><br>I don't doubt it will happen, we just won't know when, could be months or years.
Why do you doubt it will happen? They released the other complete scores. Did TF5 not sell as well?Please make this a melodic memorable score. I understand due the context of the film their will most likely be sound design. All I want is one or two beautiful melodical electronic themes like the original Vangelis theme for BR. Hope to hear an epic emotional action sound similar to CHAPPiEs action themes. Please don't make another Dunkirk type score.Great inside look!! And the things we got to hear sound pretty amazing. Can't wait for it!!!If Paramount makes another For Your Consideration campaign in november/december, but I heavily doubt that will happen.<br><br>If that doesn't happen, we will never know.Anyone have any idea when the complete score for this is coming out?
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





cello
Hans ZimmerJohn PowellJeff RonaMartin Tillman
Composer : Main ThemeComposerComposerMusician
High Incident
Label: Unofficial Release
Length: 36'03
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2279 votes)
0:00
0:00
controls_prev
controls_toggle
controls_next
player_volume

player_loop
player_shuffle
player_download


  1. Main Title '96 (0:44)
  2. Militia (2:49)
  3. Corbusier (2:43)
  4. B.R.A.D. (2:12)
  5. Into Tunnel (3:02)
  6. Tino (1:50)
  7. Santa Chase (1:36)
  8. Warehouse AM (3:34)
  9. Bomb (1:51)
  10. Dark Angel (1:01)
  11. The Stalkin' (1:31)
  12. War (3:49)
  13. Angel Rald (4:15)
  14. The Sting (4:19)
  15. Main Title '97 (0:41)
Create Topic

Edmund Meinerts reply Replies: 3 || 2017-02-16 23:49:04
Okay, so sorry for sounding a bit like Poleschuk on this one, but I have a couple questions about High Incident.

Basically I have heard two different boots: this one, and a second one with 10 tracks running about 21 minutes. This first one sounds to me mostly like John Powell in very early I-don't-really-have-a-style-yet MV mode. The second one is a lot calmer and more melodic (and better!), and it uses the "Main Title '97" theme a lot. But it doesn't sound much like Powell at all. Is that one by Jeff Rona? From the little I've heard by him, it sounds like it might be.

Also, about those themes - who wrote them? Was it really Hans? The more upbeat "Main Title '96" sounds very much like Powell, to me. "Main Title '97" with the trumpet solo could be Hans, I suppose, but I could easily believe it being Powell or Rona as well.

Any clues, Hybrid?


Michael Poleschuck2017-02-17 03:17:54
There are a few episodes of this show on YouTube.

And interesting thing: on the main titles of the Pilot - "Main Title '96". On the end titles of the Pilot - "Main Title' 97".

And other interesting thing: "Main Title' 97" are on the 9th minute of the Pilot (night talking of the cops). So, maybe, this main theme was originally Zimmer's hand.


Michael Poleschuck2017-02-17 03:20:58
Maybe, the second boot is a score for Pilot?


rockhound2017-02-17 07:28:13
the more emotional music, which also uses the Main Title 97 theme often, is by jeff rona. you will find many tracks on his website. it has bit of his music for Chicago Hope. i remember, that the Main Title 97 was also used in the first season as the end title. i dont know know why they changed it in the second season. the Main Title 96 was perfect for opening credits. But i think both of them are by hans with trumpet performances by mark isham. at least i always saw his name in the opening credits.

Vandit reply Replies: 0 || 2008-08-05 00:00:00
The score for Hi-Incident is sooo great. I wish they show would be available either on DVD or on TV in Austria. I really love the soundtracks from Hans Zimmer especially the ones for Babylon 5 and for High Incident. Keep up the great work. Weiter so!!!

Greetz from Austria
Vandit

 HANS-ZIMMER.com© 2001-2017 OST 
High Incident soundtrack - John Powell - Jeff Rona 1996