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How can I answer that ?<br><br><br>"At the moment ?" is my only true answer for you lolThese two tracks are just outstanding:<br><br>1)<br><br>2) can check these out they're brilliant:<br><br>1)<br><br>2), if you think Brothers In Arms is nothing more than a RCP power anthem, then you're obviously missing something... To me it's one of the most brilliant action tracks of the last few years.
Ola team ! <br>Maybe you do know Joe Kramer won't return to score Mission Impossible 6. And no one seems to know who will.<br>So here's my question : any chance to see someone from RC doing this ? <br><br>Thanks for reading me. Keep goin' your good job here, it's appreciated. :)<br>Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!I'm surprised to have not seen more discussion of this score; I honestly think it represents some of the best music out of RCP in the past half-decade. Yeah, it still has the Journey to the Line / Time four-chord power anthem thing going on, but outside of those themes you have some really creative material that at times doesn't even feel stylistically RCP, and hell, even those structurally-simplistic themes are unusually well-orchestrated. And there's a real orchestra!
Some of you may like this guy's cover of Brothers in Arms! Pretty epic, honestly. <br><br> com/watch?v=LCIY41hopq4This score has improved my mood on more than one occasion. Nancy Meyers needs to make another movie, so Hans can score it. lol.Hello great team of Hans Zimmer,<br><br>I was recently listening to "The Might of Rome" (Gladiator soundtrack) and I am craving to listen the long version of the piece around 2:38 - 2:48 (something like an oriental flute). Does it exist as a standalone composition? Is it inspired from some third party artist, if yes, can you please tell my which one?<br><br>Thanks!@Olive<br><br>Wallfisch's career unquestionably benefited from his involvement with Zimmer. He wouldn't have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence. Wallfisch is a very talented composer, but let's be honest here, his music doesn't immediately strikes anyone as a big action guy. Having Zimmer's name pushing you helps.Hybrid, what do you admire more: Black Hawk Down or Tears of the Sun?
"Elfman's score is like Whedon, horrendous & out of place."<br><br>Out of place, yes. Horrendous, no.Leagues above, and yet I doubt Ben will ever be able to write something like "Brothers In Arms" from Mad Max.<br><br>Comparing people is kinda useless...<br><br>The only who's right is Hans in the end, he knows when to use one and when to use the other... ;)@Edmund<br>Iím in the same boat. When I watch a movie I normally donít pay attention to the music unless itís really distinctive. As a stand alone listening experience I usually want to get music that fits a mood and can hold my interest throughout. Take Silvestriís Avengers score for example. The big statements of the main theme and some of the action cues are excellent. Unfortunately itís surrounded by generic underscore that slows the album down imo. But then you have TASM2, which constantly has something going on no matter what. I feel like thatís something which does relate to the directors, not so much the talent level of the composers.<br><br>@olive<br>Ben Wallfisch is LEAGUES ahead of JXL as a composer, partly because heís had years of experience in film composing. Hopefully his recent successes give him more high profile projects.<br><br>As for Justice League, I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force in the classic themes. Had he done his own spin on Zimmerís material there would a better connection to the previous ones.Elfman's score is like Whedon, horrendous & out of place.@Olive: Is better because there is variety and orchestration, and i'm not a purist (i liked BvS, there is more complexity in it than in MoS), but Danny Elfman has more integrity in that score than in that two scores.

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Mark MancinaDon HarperJohn Van TongerenTrevor Rabin
ComposerAdditional MusicAdditional MusicAdditional Music
Fair Game (Expanded Score)
Label: Unofficial Release
Length: 58'18 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (3021 votes)


  1. Main Title (3:10)
    Mark Mancina
  2. Police Station Shootout (1:06)
    Mark Mancina, Don Harper
  3. Kazak Steps In (0:58)
    Mark Mancina, John Van Tongeren
  4. Kate's Place (1:02)
    Mark Mancina, Don Harper
  5. Arrival At Safehouse (Part 1) (0:49)
    Mark Mancina, Don Harper
  6. Arrival At Safehouse (Part 2) (1:40)
    Mark Mancina, Don Harper
  7. Who's Trying To Kill You? (0:36)
    Mark Mancina, Trevor Rabin
  8. Only Cops I Know - Kazak Listens (4:09)
    Mark Mancina
  9. Garage Shootout (3:14)
    Mark Mancina, John Van Tongeren
  10. Multilingual Max (1:12)
    Mark Mancina, John Van Tongeren
  11. 3 Z's (5:17)
    Mark Mancina, John Van Tongeren
  12. Wrong Number (0:56)
    Mark Mancina, Trevor Rabin
  13. Hardware Test (3:31)
    Mark Mancina, Don Harper
  14. Computer Cash (0:40)
    Mark Mancina, Christopher Ward
  15. Kazak Finds Fax Number (0:48)
    Mark Mancina
  16. Family Business (1:16)
    Mark Mancina, Trevor Rabin
  17. Kazak Visits Jodi (1:13)
    Mark Mancina, Christopher Ward
  18. Tow Truck Chase (4:16)
    Mark Mancina
  19. Best Shot (0:29)
    Mark Mancina, Christopher Ward
  20. Love Train (6:17)
    Mark Mancina, Don Harper
  21. Wait For The Beep (4:17)
    Mark Mancina, Don Harper
  22. Friendly Fire - Kazak's Demise (6:51)
    Mark Mancina
  23. End Credits (4:43)
    Mark Mancina
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Bayhem reply Replies: 0 || 2017-07-06 18:56:32
I know Kamen was supposed to score FAIR GAME, but after watching the movie multiple times throughout the years I just can't imagine it without the Mancina music. It fits so well. He was absolutely perfect for this project and for my money, it's one of his best scores. Shame that during interviews with Mancina no one really mentions this score. It's always about Bad Boys, Speed and Twister. Still, I know I'm not the only one who really loves this score--------and not just because of the amazing opening track :))

Hybrid Soldier reply Replies: 1 || 2016-08-20 09:58:00
Correct order, real cue title & composer credits.

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Please enter number: 764 

rockhound2016-08-20 14:27:51
also a score, which michael kamen should compose, but had to leave for ASSASSINS then. interesting to see, that trevor rabin actually conrtibuted to the composition and not played just guitar.

Mike reply Replies: 8 || 2013-10-27 19:33:39
Hi, does anyone know if this score is available anywhere? (on CD or MP3)

Mike2013-10-27 21:34:09
Fellow name-sharer: this is labelled "Unofficial Release". Unofficial releases have never been released to the public.

thejok3rrules2013-10-28 04:05:05
Sorry, but I know a couple of ''unofficial release''s that have been released to us ;)

Mike2013-10-29 18:21:13
thanks guys,

anywhere I could get hold of one of the 'unofficial' releases?


Hybrid Soldier2013-10-29 18:27:04
No Mike, not that kind of request...

MacArthur2013-10-29 18:57:15
Are you talking to yourself mike or is this another person

Mike2013-10-29 19:08:33
Different Mike, MacArthur. *I* don't ask for bootlegs. ;) lol

Annoying that names can be identical on here, though.

MacArthur2013-10-29 19:42:21
I know I was kidding

Mike2013-10-30 10:08:43
thanks everyone for your responses, it was worth a try! : - )

Edmund Meinerts reply Replies: 0 || 2011-11-04 01:31:20
Funny how on the album it says Mark Mancina and yet above it says John Powell. Could it be that there's two Fair G--naah, no way, couldn't be. ;)

OK reply Replies: 0 || 2011-11-04 00:36:12
this is in the wrong place

Anonymous reply Replies: 0 || 2011-02-19 00:00:00
Pretty good score- this and Money Train need a legit release!

semmy reply Replies: 0 || 2009-10-20 00:00:00

Falconet reply Replies: 0 || 2008-05-15 00:00:00
John Van Tongeren: Addittional Music© 2001-2017 OST 
Fair Game (Expanded Score) soundtrack - Mark Mancina 1995