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Yeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.
This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracksWow!!!Still my favorite score from the X-Men series.
Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2That recording footage makes it all the more baffling to me why the end product sounds the way it does.I understand the comments about the orchestra sounding like samples by some of the comments?<br><br>If you follow his Twitter you see the BBC orchestra recording the soundtrack.Season two is cool and Balfe’s music is bigger that season 1.Bit choirs also.I love Hillbilly also but it sounds very familiar just with different guitar instruments.Paradise is so emotional and sonically more interesting to me at least
I find Hillbilly more engaging than Paradise, even much interesting dramatic cues.Memorial is heart wrenching.<br>Definitely up there for this years scores.Fantastic music but Balfe and Zimmer.You can hear their different styles in this music.<br>Very beautiful soundtrackCouple of interesting things.
<br>
<br>Williams in the film cuesheet seems to have been credited only for "his" cues but never for others' cues (even if they use either old Star Wars music or new JW Solo material) :
<br>
<br>OPENING (JP)
<br>ENFYS STANDOFF (JP)
<br>FAILED HEIST (JP)
<br>KESSEL RUN PT 1 – TIE CHASE A (JW)
<br>KESSEL RUN PT 1 – TIE CHASE B-1 (JP)
<br>KESSEL RUN PT 1 – TIE CHASE C (JW)
<br>KESSEL RUN PT 1 – TIE CHASE D (JP)
<br>KESSEL RUN PT 1 – TIE CHASE E-2 (JP)
<br>KESSEL RUN PT 2 – TIE CHASE F	 (JP)
<br>KESSEL RUN PT 2 – MAW (JP BS)
<br>KESSEL RUN PT 3 – LIFTOFF (JP)
<br>KESSEL RUN PT 4 – LANDING (JP)
<br>L3 & FALCON PT 1 (JP)
<br>L3 & FALCON PT 2 (JP)
<br>L3’S SACRIFICE	 (JP)
<br>SKYPE SHOWDOWN (JP)
<br>CHEWIE UNTAMED PT 1 (JP AW)
<br>CHEWIE UNTAMED PT 3 (JP)
<br>LANDO’S CLOSET (JP AW)
<br>SAVAREEN TENT A (JP)
<br>SAVAREEN TENT B (JP AW)
<br>CORELLIA CHASE (JP BS)
<br>DRYDEN FIGHT (JP AW)
<br>DRYDEN FIGHT PT 2 (JP)
<br>DRYDEN YACHT DUET	 (JP)
<br>ENFYS NEST ARRIVES (JP BS)
<br>MINES PT 1 – HEIST (JP PM)
<br>MINES PT 2 – FINDING COAXIUM (JP)
<br>MINES PT 2 – CONT’D (JP)
<br>MINES PT 3 – BREAK-OUT (JP)
<br>REAL THING DOUBLE CROSS (JP PM)
<br>SPACEPORT (JP AW)
<br>THE BEAST (JP BS)
<br>BECKETT DEPARTS (JP)
<br>BECKETT LEAVES (JP)
<br>BECKETT SHOWDOWN (JP)
<br>CRAWL (JP)
<br>CRAWL (FROM 1M04-05) (JP)
<br>CRAWL (FROM 2M13) (JP)
<br>CRAWL (FROM 4M28) (JP)
<br>CRAWL (FROM 4M30B) (JP)
<br>LANDO (JP)
<br>MAIN ON ENDS (JP)
<br>MAIN ON ENDS (FROM 5M32) (JP)
<br>BACK TO DRYDEN’S (JP)
<br>BLACKMAIL (JP)
<br>BUNK – PROXIMA (JP)
<br>CAMPFIRE (JP)
<br>CONVEYEX PT 1 (JP)
<br>FAMILY STORIES B (JP)
<br>HAN & QI’RA REUNITE (JP)
<br>JUNGLE CANTINA SOURCE (JP)
<br>MEET DRYDEN (JP)
<br>MIMBAN BATTLE PT 2 (JP)
<br>MIMBAN BATTLE PT 3 (JP)
<br>SABACC GAME (JP)
<br>SABACC REMATCH (JP)
<br>SURVEYING CONVEYEX (JP)
<br>TESTING DRYDEN’S PATIENCE (JP)
<br>TO TATOOINE PT 1 (JP)
<br>TRUST NO ONE (JP)
<br>WALK TO DRYDEN’S PT 1 (JP)
<br>WALK TO DRYDEN’S PT 3 (JP)
<br>YACHT PARTY SOURCE (JP)
<br>YOU DON’T KNOW EVERYTHING (JP)
<br>THE HAN SOLO THEME (JW)
<br>
<br>This is what I could find. Some of the cues I couldn't find at all like Family Stories A, Gonna Be A Pilot or To Tatooine Pt 2 probably have all one thing in common : I guess they're 100% credited to JW.
<br>
<br>That cuesheet matches in fact with the credits I posted above that come from JP's team.
<br>
<br>Interestingly, the 2018 Album does credit Williams very specifically on every cue any of his material is used (The % come from the fact Powell & Mounsey are ASCAP, Williams, Willis & Sener are BMI) :
<br>
<br>ADVENTURES OF HAN (HAN SOLO THEME)
<br>JW 100%
<br>MEET HAN										
<br>JP 28% JW 72%
<br>CORELLIA CHASE								
<br>JP 50% JW BS 50%
<br>SPACEPORT									
<br>JP 55% JW AW 45%
<br>FLYING WITH CHEWIE						
<br>JP 48% JW AW 52%
<br>TRAIN HEIST									
<br>JP 92% JW 8%
<br>MARAUDERS ARRIVE							
<br>JP 55% JW BS 45%
<br>CHICKEN IN THE POT							
<br>JP 100%
<br>IS THIS SEAT TAKEN?							
<br>JP 77% JW 23%
<br>L3 & MILLENNIUM FALCON					
<br>JP 86% JW 14%
<br>LANDO’S CLOSET								
<br>JP 100%
<br>MINE MISSION									
<br>JP 98% JW 2%
<br>BREAK OUT					
<br>JP 78% JW 22%
<br>THE GOOD GUY								
<br>JP PM 74% JW AW 26%
<br>REMINISCENCE THERAPY					
<br>JP 30% JW 70%
<br>INTO THE MAW								
<br>JP 47% JW BS 53%
<br>SAVAREEN STAND OFF						
<br>JP 94% JW 6%
<br>GOOD THING YOU WERE LISTENING			
<br>JP 100%
<br>TESTING ALLEGIANCE						
<br>JP 51% JW AW 49%
<br>DICE & ROLL									
<br>JP 65% JW 35%
<br>
<br>It's not unusual to have different credits for an album VS the same music in the film, depends on the deal that was made.
<br>
<br>Also, some incoherences here, like Willis credited for Lando's Closet in the cuesheet but not in the OST for the same track. But you can't take the cuesheet for absolute truth, additionals did a bit more than that, not necessarly credited, cause it's not as significative to program some percs on a track VS writing 90% of it ! :) Like Willis isn't officially credited for L3's Sacrifice (very end of Extra Deluxe Mine Mission) but has it on his website. Same for Batu with L3 & Falcon. So they had more to do than just what they are credited for... :)
<br>
<br>Also, if you want a breakdown of the Deluxe VS 2018 OST :
<br>
<br>THE ADVENTURES OF HAN => SUITE (NOT IN DELUXE)
<br>MEET HAN => 1M1 MEET HAN
<br>CORELLIA CHASE => 1M4-5 CORELLIA CHASE
<br>SPACEPORT => 1M6-7 SPACEPORT
<br>FLYING WITH CHEWIE => 2M13 CHEWIE UNTAMED
<br>TRAIN HEIST => 2M15-16A-B-C DELUXE TRAIN HEIST (FIRST HALF)
<br>MARAUDERS ARRIVE => 2M15-16A-B-C DELUXE TRAIN HEIST (SECOND HALF) (EDITED) (ALT END)
<br>CHICKEN IN THE POT => 3M18S CHICKEN IN THE POT (ALT VOX)
<br>IS THIS SEAT TAKEN ? => 3M25 SABACC GAME
<br>L3 & MILLENNIUM FALCON => 3M26 L3 & MILLENNIUM FALCON
<br>LANDO'S CLOSET => 4M28 LANDO'S CLOSET
<br>MINE MISSION => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (FIRST HALF)
<br>BREAK OUT => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (SECOND HALF)
<br>THE GOOD GUY => 6M34 SAVAREEN TENT + 6M36-37-38 QI'RA KNOWS A BIT MORE THAN THAT (EDITED) + 6M39-40 DOUBLE-DOUBLE CROSS (EDITED)
<br>REMINISCENCE THERAPY => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (FIRST HALF)
<br>INTO THE MAW => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (SECOND HALF)
<br>SAVAREEN STAND-OFF => 6M35 ENFYS' STAND-OFF
<br>GOOD THING YOU WERE LISTENING => 7M43-44-45 MAUL'S CALL – PARTING WAYS (EDITED) (ALT)
<br>TESTING ALLEGIANCE => 6M41-42 DRYDEN'S LONG, LONG FIGHT (EDITED)
<br>DICE & ROLL => 7M47-48 SABACC REMATCH – TO TATOOINEoscar
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Additional MusicAdditional Music - Conductor
Hans ZimmerNick Glennie-SmithHarry Gregson-WilliamsGraham Preskett
ComposerAdditional MusicAdditional MusicAdditional Music
Muppet Treasure Island
Label: Angel Records
Length: 51'33
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8091 votes)
  1. Treasure Island (1:07)
    Hans Zimmer
  2. Shiver My Timbers (2:24)
    Barry Mann, Cynthia Weil, Hans Zimmer, Simon Greenaway
  3. Something Better (2:59)
    Barry Mann, Cynthia Weil, Hans Zimmer, Simon Greenaway
  4. Sailing For Adventure (2:59)
    Barry Mann, Cynthia Weil, Hans Zimmer, Simon Greenaway
  5. Cabin Fever (2:18)
    Barry Mann, Cynthia Weil, Hans Zimmer, Simon Greenaway
  6. A Professional Pirate (3:14)
    Barry Mann, Cynthia Weil, Hans Zimmer, Simon Greenaway
  7. Boom Shakalaka (1:21)
    Sylvester Stewart, Hans Zimmer, Nick Glennie-Smith
  8. Love Led Us Here (2:22)
    Barry Mann, Cynthia Weil, Hans Zimmer, Nick Glennie-Smith
  9. The Map (4:35)
    Hans Zimmer
  10. Captain Smollet (2:03)
    Hans Zimmer, Harry Gregson-Williams
  11. Land Ho (2:39)
    Hans Zimmer
  12. Compass (1:07)
    Hans Zimmer, Harry Gregson-Williams
  13. Long John (3:57)
    Hans Zimmer
  14. Rescue (7:00)
    Hans Zimmer
  15. Honest Brave And True (3:54)
    Hans Zimmer, Harry Gregson-Williams
  16. Love Power (3:42)
    Ziggy Marley
  17. Love Led Us Here (3:44)
    John Berry, Barry Mann, Cynthia Weil
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Mike (OTM) reply Replies: 0 || 2018-01-16 21:46:34
Boom Shakalaka is actually a pretty epic track, if you can get past the "muppets singing" part. ;)

Hybrid Soldier reply Replies: 7 || 2014-05-10 20:26:02
And T-Mann don't forget this one as well for 1996... ;)


BTW I added some credits...


And there's also The Preacher's Wife, which is also an awesome score (for a terribly lame movie lol)...


Edmund Meinerts2014-05-10 20:28:45
So I guess the rumors I heard about this being a mostly HGW score were untrue...


T-Mann0362014-05-10 20:29:10
I won't "fuggedaboutit", Soldier. Thanks.

*Brooklyn accent


Hybrid Soldier2014-05-10 20:33:01
Well Ed there's qui a lot of unreleased cues, but Harry did a lot... Surely not more than Hans, stuff like The Map or Rescue are just pure zimmerisms... :)


Hybrid Soldier2014-05-10 20:40:59
I remember I made some listing watching the movie last year :

TREASURE ISLAND
SHIVER MY TIMBERS
SOMETHING BETTER
BLIND PEW (UNRELEASED)
THE MAP
HISPANIOLA (UNRELEASED)
MEETING SILVER (UNRELEASED)
ONE LEG (UNRELEASED)
COMPASS (CAP SMOLLET)
SETTING SAILS (UNRELEASED)
SAILING FOR ADVENTURE
PARTY NIGHT (UNRELEASED)
NORTH & SOUTH WEST (UNRELEASED)
TO THE CARIBBEAN (UNRELEASED)
ABDUCTED (UNRELEASED)
LOCK UP THE MAP (UNRELEASED)
WAITING (UNRELEASED)
CABIN FEVER
LONG JOHN
SILVER’S TRUE NATURE (UNRELEASED)
LAND HO
ISLAND PARTY SOURCE (UNRELEASED)
A PROFESSIONAL PIRATE
CAPTAIN SMOLLET (COMPASS)
BOOM SHAKALAKA
OLD GIRLFRIEND (UNRELEASED)
EMPTY CHESTS (UNRELEASED)
BLACK SPOT FOR SILVER (UNRELEASED)
RETURN FROM THE SEA (UNRELEASED)
OLD ACQUAINTANCES AND A GHOST (UNRELEASED)
LOVE LED US HERE
RESCUE
HONEST, BRAVE & TRUE
ZANZIBARBARIANS (UNRELEASED)

And in OST they mixed up Compass & Captain Smollet, they actually interverted the titles...


isildur2014-05-10 21:00:29
This score is so much fun.


Poe2014-05-10 23:48:33
CAPTAIN SMOLLET (COMPASS)

Does this mean it is Captain Smollet (cue title), which is Compass on the OST?


Hybrid Soldier2014-05-10 23:57:11
Haha Poe for a minute I didn't remember... It's not the cuesheet, just me doing titles watching the film... But yes, you are right !! ;)

Anonymous reply Replies: 0 || 2014-01-10 18:40:18
amazing how little-talked about this score is. quite good imo.

Mike reply Replies: 1 || 2013-09-12 17:16:35
"Rescue" sounds like a weird mix of "The Battle" from Gladiator, Pirates of the Caribbean, and Crimson Tide.


MacArthur2013-09-12 17:26:10
Agreed! I also hear The Peacemaker in there a little bit

MacArthur reply Replies: 0 || 2013-09-01 19:29:41
I love this score and with the addition of the muppets great stuff. Love how Zimmer uses his brass in all the Muppet songs. Awesome!

Mike reply Replies: 0 || 2010-09-01 00:00:00
Anyone know if there is an instrumental version of "Shiver My Timbers" available anywhere?

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Anonymous reply Replies: 0 || 2009-06-16 00:00:00
lol this web was last met in 24 09 08 soo old

moscar reply Replies: 0 || 2008-09-24 00:00:00
i like that movie in special the sountrack a ziggy marley song is very fine but im searching the any sountrack but not localizated her

Peggy P reply Replies: 0 || 2008-06-23 00:00:00
Muppet Treasure Island is mu all-time FAVORITE musical. I got hooked (sorry) when my boys started watching as toddlers. I will never givie up my tape - unless I get the DVD. I can sing 'Profession Pirate', 'Cabin Fever', and 'Boom Shakalaka' in my sleep. (A skill I learned as a Mom - cap nap through the movies the kids are watching for the 23rd time.) I love it, love it, and will continue to love it. Perhaps 'Boom Shakalaka' could be played at my wake someday.

Gabriel reply Replies: 0 || 2007-01-13 00:00:00
Love Power by Ziggy Marley And The Medley Makers And Love Led Us Here by Kermit The Frog And Miss Piggy

Mikel Carmona-S.i.W (from Spain) reply Replies: 0 || 2006-12-13 00:00:00
Un trabajo magnífico!! Excelent music.

Hybrid Soldier reply Replies: 0 || 2006-07-27 00:00:00
dlm

Songs Composed and Produced by : Barry Mann
Song Lyrics by : Cynthia Weil

The score rocks, and the songs too !

dlm reply Replies: 0 || 2006-03-24 00:00:00
Does someone know who has arranged the songs for the film? They fit very well with the score...

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Muppet Treasure Island soundtrack - Hans Zimmer 1996