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Atli still has his studio at Remote but mostly works from home in Iceland.<br><br>Guillaume game back to settle to Remote a couple of years ago (before he was splitting time between RCP & France).<br><br>Heitor still is at RCP as far as I know, haven't heard anything in a while.<br><br>Nathan Stornetta left Remote in 2015 (against Hans' will !! :)) cause he didn't fancy much that whole Hollywood business. He is home in Switzerland doing his own projects, but also touring with Hans...Atli Örvarsson, Heitor Pereira, Guillaume Roussel and Nathan Stornetta ?Marc left RCP in like... 2003 ? lol<br><br><br>And yes he is, check his page, he just doesn't have much going on anyway.But Marc is no longer with RCP I am assuming. His scores are not advertised here.If the Snyder Cut comes out, who's ready to hear Junkie XL score Godzilla vs. Kong?
https://www.forbes.com/sites/simonthompson/2020/09/16/music- business-zack-snyder-justice-league-junkie-xl-tom-holkenborg -dcu-snyder-cut/https://www.forbes.com/sites/simonthompson/2020/09/16/music- business-zack-snyder-justice-league-junkie-xl-tom-holkenborg -dcu-snyder-cut/Marc just reunited with Ridley on the amazing Raised By Wolves series.<br><br>Klaus is more worried about his other businesses rather than film scoring, I think...Will any tracks from Man of Steel be played on the Live2021 tour? It is a life ambition of mine to experience a live performance of it!I missed Jasha Klebe. I thought he did some really good stuff at Bleeding Fingers. I am looking forward to hearing more from Kara Talve. I think she is a really good talent.<br><br>What happened to Marc Streitenfeld? I was going to ask about Klaus Badelt, but I am pretty sure I am not going to get that story.<br>
Tom's more recent work has received more love, but I personally love the Fury Road and Rise of an Empire type soundtrack more. I'm looking forward to this and I hope it's close to what Man of Steel and Dawn of Justice sounded like. Although, the snippet he shared doesn't really sound like it. We'll see.That´s why I asked myself, why dont they ever re-unite like before, so yea, they sometimes doInterestingly, Aljoscha is collaborating a lot with 2WEI these days. The Junkie Team reassembles ! lolOh I see, very interesting! Many thanks for the answer :)Fired ?!
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<br>Haha no.
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<br>You gotta realize being an additional composer is not exactly an easy thing. Some jump ship after a few years or have other aspirations, try to work solo and so on.
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<br>Vörlander worked for Junkie from 2010 to 2015, then started his own business of writing for commercials, trailers etc. (it's called 2WEI, in Germany) He even did keep working on some trailers for JXL's scores after that, or helped on FIFA 17. Junkie had Aljoscha Christenhuß who worked for him from 2015 to 2018. Then Antonio jointed in 2016, Sara Barone joined more recently last year.
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<br>Thomas is doing his own thing too, he founded Chromium Music and is doing some solo projects now.
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<br>Jasha, after working for Lorne & Hans, "transfered" to Bleeding Fingers but after a while left to focus on his own solo career too.
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<br>Ultimately, everyone leaves, sooner or later... :)
@Hybrid, I was always wondering, what happened to composers like Thomas Farnon, Jasha Klebe or Christian Vorlander - why are they not working with Lorne/Junkie anymore? Did they get fired or did they just move on? I find it weird, that Lorne/Rupert/Junkie/Etc would fire their additional composers after all those years of collaboration.The theme he was supposed to write but didn't ? :D lol<br><br>Well don't take word for word what he says. He's being general, the interview was for Forbes afterall.<br><br>Just take the extract we got, it had a quote from BvS that had nothing to do with either Superman or Wonder Woman... lol*forgot to mentioned"Besides the Man of Steel theme for Superman and the theme for Wonder Woman, which I have given a new spin, all the other themes for this movie are brand new,”<br><br>I hope Tom just forget to mention about Batman's theme and will reuse it too, because if he don't, then what's the point of it?Junkie's score for GvK is probably going to be better than his score for Justice League if he is that interested in doing a score for a godzilla movie.
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John PowellJohn Ashton ThomasGermaine FrancoBryce Jacobs
ComposerAdditional MusicMusic Production CoordinatorMusic Preparation
P.S. I Love You
Label: Varese Sarabande
Length: 49'47
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4561 votes)
  1. Make Up Kisses (3:00)
  2. Bette Davis Montage (1:23)
  3. You Gotta Be Rich (0:52)
  4. The Cake (1:46)
  5. The Um (2:00)
  6. Puke - 1st Letter (2:43)
  7. Holly Gets Fired (0:45)
  8. Jacket (1:27)
  9. Travel Agent (4:04)
  10. To Eire (2:54)
  11. Reading Letters (0:47)
  12. William On The Lake (1:23)
  13. Kitchen Waltz (4:04)
  14. On The Lake (2:29)
  15. The Kennedys (1:08)
  16. Last Tune (0:50)
  17. Gerry's Fort (1:04)
  18. The Meeting (4:31)
  19. The Kiss (1:56)
  20. Home Again (0:33)
  21. Enough (0:39)
  22. Somebody's Gerry (1:43)
  23. It Was Me (3:35)
  24. Sis Kiss (2:38)
  25. P.S. I Love You (1:23)
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Anonymous reply Replies: 0 || 2010-05-11 00:00:00
i'm listening to it right now, i bought the CD two years ago (already ... pfff) and I live listening to it from time to time. So nice, smooth ... simple beauty

Mikel S.i.W (from Spain) reply Replies: 0 || 2009-03-03 00:00:00
P.S: I love all your music Mr Powell!!!!!!!

Matt reply Replies: 0 || 2008-12-19 00:00:00
It's a romantic "dramadey" so I think the score fits the movie perfectly. John Powell very rarely misses on a score and this CD is a great listening experience. "To Eire", "Gerry's Fort" and "William On the Lake" are great tracks.

Anthony reply Replies: 0 || 2008-05-01 00:00:00
Hehe, ok, it's not as full of the sappy stuff as it could be, but it's still what makes it THIS score. :)

Kaya reply Replies: 0 || 2008-04-29 00:00:00
:(

lol.

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Anthony reply Replies: 0 || 2008-04-27 00:00:00
I disagree completley. It's full of the sappy and schmaltzy stuff you're on about. :)

Kaya reply Replies: 0 || 2008-04-23 00:00:00
Agreed, he was able to make it sweet and touching but was able to stay out of that sappy and schmaltzy territory. Takes a skilled composer to do that. The score definitely holds romantic and dramatic qualities.

gabriel reply Replies: 0 || 2008-04-22 00:00:00
Beautiful music! I'll buy the CD.

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P.S. I Love You soundtrack - John Powell 2007