Score Produced by Hans Zimmer & Ramin Djawadi Executive Soundtrack Producers: Jon Favreau, Kevin Feige & Dave Jordan
Additional Music & Arrangements: Lorne Balfe, Atli Örvarsson, Bobby Tahouri, Clay Duncan & Ryeland Allison Ambient Music Designer: Rob Simon Music Editors: Shannon Erbe & David Klotz Score Recorded by Geoff Foster at Air Lyndhurst Studios, London
Sound Engineers: Chris Barrett & Adam Miller Score Mixed by Alan Meyerson at Remote Control Productions, Santa Monica
Additional Recordings by Slamm Andrews & Jeff Biggers Score Assistant Engineers: Greg Vines & Katia Lewin Technical Composer Assistants: Jacob Shea, Tom Player & Will Greig Score Conducted by Gavin Greenaway Orchestrations: Stephen Coleman Additional Orchestrations: Matt Dunkley Music Production Services by Steven Kofsky, Remote Control Productions
Studio Management: Czar Russell, Remote Control Productions
Orchestra Leader: Perry Montague-Mason Score Technical Engineers: Thomas Broderick, Peter "Oso" Snell Score Preparation: Rob Sneddon for Dakota Music London Orchestral Contractor: Isobel Griffiths, Ltd.
Assistant Orchestral Contractor: Leila Stacey & Lucy Whalley Album Mastered by Gavin Lurssen at Lurssen Mastering
Guitars: Aaron Kaplan Drums: Ryeland Allison Electric Cello: Martin Tillman Percussion & Dulcimer: Greg Ellis
For Lionsgate: Jay Faires - President of Music
Chris Fagot - Head of Soundtracks
Lenny Wohl - General Manager & EVP, Business Affairs
Jeanne Fay & Jennifer Jones - Soundtrack Clearance
Thanks to: Azam Ali, Avi Arad, Peter Billingsley, Laura Breakey, Michael Chong, Charlie Davis, Louis D'Esposito, the Djawadi Family, Lumi Docan, Michael Gorfaine, Bart Hendrickson, Tanya Hill, Karen Johnson, Uli Kurtinat, Jeremy Latcham, Dan Lebental, Seth Lehman, Elizabeth Lynch, Maria Machado, David Maisel, Tom Morello, Ryan Potter, Sean Ricigliano, Sam Schwartz, Rob Simon, Cheryl Tiano, Rebekah Touma, Jack Urbont, Jojo Villanueva, Megan Weller, Andrew Zack, everybody at Remote Control
Release date : 05/06/2008
Driving With The Top Down (3:09) Ramin Djawadi, Hans Zimmer, Ryeland Allison
Iron Man (2008 Version) (1:05) John O'Brien, Rick Boston
Merchant Of Death (2:14) Ramin Djawadi, Ryeland Allison
Trinkets To Kill A Prince (3:07) Ramin Djawadi, Hans Zimmer
Mark I (3:53) Ramin Djawadi
Fireman (2:09) Ramin Djawadi, Hans Zimmer, Lorne Balfe
Vacation's Over (3:34) Ramin Djawadi, Hans Zimmer, Bobby Tahouri
Golden Egg (4:12) Ramin Djawadi, Clay Duncan, Bobby Tahouri
DamnKid (1:12) DJ Boborobo
Mark II (2:47) Ramin Djawadi, Hans Zimmer
Extra Dry, Extra Olives (1:43) Ramin Djawadi
Iron Man (3:30) Ramin Djawadi
Gulmira (4:05) Ramin Djawadi, Hans Zimmer, Atli Örvarsson, Lorne Balfe
Are Those Bullet Holes? (2:00) Ramin Djawadi
Section 16 (2:33) Ramin Djawadi
Iron Monger (4:45) Ramin Djawadi, Hans Zimmer, Lorne Balfe
Arc Reaktor (3:55) Ramin Djawadi, Hans Zimmer, Lorne Balfe
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Actually Harry Gregson-Williams was offered to score the film but he had conflicts with The Prince Caspian and Ramin Djawadi was a replacement. I wonder how would Gregson-Williams do the job.
zeroman
2013-03-27 15:27:25
I enjoyed what Ramin did for the score to a degree. But no doubt...if Harry had scored it probably would have turned out alot better.
Anonymous
2013-03-28 06:32:03
Wolverine and Cowboys vs Aliens quickly come to mind...
so was Djawdi never really wanted for the first iron man. since Debny, who has composed all Favreus other films is now composing the second (did he want Debny to begin with and the studio decided aginst it. Or did Djawdi just not want to come back?
I'm very glad that Ramin got this job and in my opinion he also did it well. I don't think that these kind of films need so profound approach. It's all about the fun and entertainment.
Thanks for adding the individual song credits to this and POTC - it really clears some things up. But where did you find these credits? Are they official or just educated guesses?
Absolutely amazing sound tracks, the sound track fits the theme and the movie's sequences of scenes. A lot of idiots have commented in here that its not good enough, some even haven't seen the damn movie, jerks.
And those who moan about a classic piece of rock and orchestral fusion have no taste for anything, bunch of tossers.
meh
This easily one of the best scores of the year! There is no disappointment, the only disappointment is that there are a lot of hot heads and goofs who moan about it.
Well I have to say, the movie and the score blew me away. I wasn't expecting what everyone delivered. However, even though I own the soundtrack, working with music a lot myself, I sometimes find missing pieces with movie scores. There is a lot of music in the film not found on it. Does anyone know of anything being released in the future? They market this album as a soundtrack, not a score.
"Hi guys. Does anyone know what are the tracks mixed together in the animation bettween the end of the film and the credits. One is Black Sabbath - Iron Man but the other?"
Yeah, Kudredin. Here you go:
After that awful Black Sabbath song, there comes THE REAL music! That is:
10. Mark II 01. Driving with Top Down 11. Extra Dry, Extra Olives
How come I cant find a list of players. Who was the drummer, Guitars, Bass, Orchestra????????? Writing is one thing. Playing another. Why are you not giving credit to the musicians who played the score?
Movie was excellent. Score... hmm... Hans Zimmer with Batman had more punch to it than this, so I would have to say that I'm disappointed - slightly.
I think we can safely say that things could heat up a little more for a sequel. I place my $$ on a better follow through in part II. The only problem?... will Robert Downey Jr. reprise his role or will he figure that the first time out was for an "art" expedition..?
Let's hope he and Gwenyth come back. Excellent chemistry.
Get IM to fight someone with substance... perhaps a war ridden country again but with a diabolical Marvel foe who is behind another arms type operation, which threatens the west again. Hide the foe, generate a political ally, and throw some romance into the second movie... sounds good already!
The movie was great, it was touching, as you say it is was. But the score was totally repeating it's theme all through out the movie maybe not exactly during the touching parts,but I feel that if you really listen it all sounds very similar. so yeah I would have rather listened to a more in touch piece of music,than to have listen to some poor knock off of a cheese B flick from the early 00's. So logical or not, the score still sucks. and theirs nothing anybody can do about it. Except for Top Ramin noodles what ever his name is... Thanks for the reply danny boy.
THIS score SUCKED bad. Lacked emotional content, and was really flat. Need proof listen to spider man's score, Iron man by Black Sabbath was all this movie needed, to bad we all had to wait until the end of the movie to hear a real piece music. Oh well better luck next time.
SO you're saying that theyb shuld have just hrown out the whole score and just play Iron Man by Black Sabbath the whole time. even during touching moments. Hmmmm...sounds logical.
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