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If the time ever comes ;(I should remove this page.<br><br>This infamy doesn't belong here. Love you Geoff but sorry... lol<br><br><br>I'll rather add the page for Zack Snyder's Justice League, when the time comes, hopefully...Composer credits for this:<br><br>Danny Elfman, T.J. Lindgren<br><br>BATMAN ON THE ROOF<br><br><br>Danny Elfman, Geoff Zanelli<br><br>THE AMAZON MOTHER BOX<br>ANTI-HERO'S THEME<br><br><br>Danny Elfman, Geoff Zanelli, T.J. Lindgren<br><br>THE TUNNEL FIGHT<br>THE FINAL BATTLE (John Williams)<br><br><br>Danny Elfman, Pinar Toprak<br><br>HIPPOLYTA'S ARROW<br>FRIENDS AND FOES (John Williams)<br><br><br>Danny Elfman (Hans Zimmer)<br><br>WONDER WOMAN RESCUEWhat about his last cover of "Wicked Games"? What a great surprise! Actually, all the themes are being updated every week. Ramin's stealing the show again!Greetings! I have a question regarding the placement of certain cues. Here, "Mycroft Is Nude" is placed where it plays in the film. However, on the sheets, it's shown as being after "Paris Bombing Investigation." Was the scene originally supposed to be later in the film? I'd be curious to know.
just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and WhispersBooklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle Kersten
Booklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)
Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?No idea but he was on it for a bit, I think.
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Additional Music - Score ProducerAdditional MusicAdditional Music
Ramin DjawadiHans ZimmerClay DuncanLorne Balfe
ComposerAdditional MusicAdditional MusicAdditional Music
Iron Man
Label: Lionsgate Records
Length: 54'02 (Score: 47'36)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (13970 votes)
  1. Driving With The Top Down (3:09)
    Ramin Djawadi, Hans Zimmer, Ryeland Allison
  2. Iron Man (2008 Version) (1:05)
    John O'Brien, Rick Boston
  3. Merchant Of Death (2:14)
    Ramin Djawadi, Ryeland Allison
  4. Trinkets To Kill A Prince (3:07)
    Ramin Djawadi, Hans Zimmer
  5. Mark I (3:53)
    Ramin Djawadi
  6. Fireman (2:09)
    Ramin Djawadi, Hans Zimmer, Lorne Balfe
  7. Vacation's Over (3:34)
    Ramin Djawadi, Hans Zimmer, Bobby Tahouri
  8. Golden Egg (4:12)
    Ramin Djawadi, Clay Duncan, Bobby Tahouri
  9. DamnKid (1:12)
    DJ Boborobo
  10. Mark II (2:47)
    Ramin Djawadi, Hans Zimmer
  11. Extra Dry, Extra Olives (1:43)
    Ramin Djawadi
  12. Iron Man (3:30)
    Ramin Djawadi
  13. Gulmira (4:05)
    Ramin Djawadi, Hans Zimmer, Atli Örvarsson, Lorne Balfe
  14. Are Those Bullet Holes? (2:00)
    Ramin Djawadi
  15. Section 16 (2:33)
    Ramin Djawadi
  16. Iron Monger (4:45)
    Ramin Djawadi, Hans Zimmer, Lorne Balfe
  17. Arc Reaktor (3:55)
    Ramin Djawadi, Hans Zimmer, Lorne Balfe
  18. Institutionalized (3:49)
    Suicidal Tendencies
  19. Iron Man (0:20)
    Jack Urbont
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Anonymous reply Replies: 3 || 2019-04-30 12:50:06
Anyone know what the chronological order for this is?


Michael Baker2019-05-01 19:14:57
Should be something like this...

1. Back in Black (AC/DC - missing)
2. DamnKid (DJ Boborobo)
3. Section 16
4. Trinkets to Kill a Prince
5. Mark I
6. Fireman
7. Vacation's Over
8. Institutionalized (Suicidal Tendencies)
9. Mark II (technically the Test Montage suite by Ramin and HZ, but it's used in the film close enough)
10. Driving With the Top Down
11. Extra Dry, Extra Olives
12. Iron Man
13. Gulmira
14. Are Those Bullet Holes?
15. Golden Egg
16. Iron Monger
17. Arc Reaktor
18. Merchant of Death (Driving Montage, a theme suite by Ramin and Ryeland Allison)

If the remaining non-score tracks are in the film, I don't remember where they go.


Anonymous2019-05-01 21:22:52
Thanks


tilibro2019-10-09 06:44:08
"Iron Man (2008 Version)" plays after "DamnKid" in the movie.

Anonymous reply Replies: 0 || 2014-02-03 17:40:31
love that first flight cue! :D

Mike reply Replies: 0 || 2014-01-28 18:41:28
Hybrid, did you not say a while back that you didn't think Zimmer actually sat down and did any music in here (he just kinda gave Ramin pointers)?

Snake reply Replies: 2 || 2013-03-27 09:02:02
Actually Harry Gregson-Williams was offered to score the film but he had conflicts with The Prince Caspian and Ramin Djawadi was a replacement. I wonder how would Gregson-Williams do the job.


zeroman2013-03-27 15:27:25
I enjoyed what Ramin did for the score to a degree. But no doubt...if Harry had scored it probably would have turned out alot better.


Anonymous2013-03-28 06:32:03
Wolverine and Cowboys vs Aliens quickly come to mind...

Anonymous reply Replies: 0 || 2010-08-27 00:00:00
So iron man and the simpsons movie get complete scores.....wheres batman begins?

Anonymous reply Replies: 0 || 2010-08-26 00:00:00
Theres a complete version of this now

sam reply Replies: 0 || 2009-11-22 00:00:00
good very goodd

joshua reply Replies: 0 || 2009-10-21 00:00:00
so was Djawdi never really wanted for the first iron man. since Debny, who has composed all Favreus other films is now composing the second (did he want Debny to begin with and the studio decided aginst it. Or did Djawdi just not want to come back?

Ele reply Replies: 0 || 2009-07-08 00:00:00
Its very bad score... I still can't understand how Hans is involved in so many tracks... This is called the biggest crap of 2008 for a reason.

MK reply Replies: 0 || 2009-06-07 00:00:00
I'm very glad that Ramin got this job and in my opinion he also did it well. I don't think that these kind of films need so profound approach. It's all about the fun and entertainment.

Cooper reply Replies: 0 || 2009-05-16 00:00:00
This is one of my favorite Remote scores.
Ramin is good, Ramin with Zimmer is cool.

Bruno Lasala reply Replies: 0 || 2009-05-16 00:00:00
This score sucks!!!

Hybrid Soldier reply Replies: 0 || 2009-03-06 00:00:00
They come from the ASCAP website... :)

Skyler reply Replies: 0 || 2009-03-06 00:00:00
Thanks for adding the individual song credits to this and POTC - it really clears some things up. But where did you find these credits? Are they official or just educated guesses?

Hybrid Soldier reply Replies: 0 || 2009-02-22 00:00:00
I added the official credits... ;)

OMG reply Replies: 0 || 2008-09-15 00:00:00
Nah, this score was too bland and simplistic for my tastes... and many other people who also disliked it.

There have been far better scores this year.

Viki reply Replies: 0 || 2008-09-13 00:00:00
Absolutely amazing sound tracks, the sound track fits the theme and the movie's sequences of scenes. A lot of idiots have commented in here that its not good enough, some even haven't seen the damn movie, jerks.

And those who moan about a classic piece of rock and orchestral fusion have no taste for anything, bunch of tossers.

meh

This easily one of the best scores of the year! There is no disappointment, the only disappointment is that there are a lot of hot heads and goofs who moan about it.

Anonymous reply Replies: 0 || 2008-09-04 00:00:00
It's not Djawadi fault too, because he did what the director/producer wanted to have.

OMG reply Replies: 0 || 2008-09-04 00:00:00
John Debney commented on Iron Man in his interview at http://www.scorenotes.com/

He says he was attached (and was Favreau's choice) but Marvel went with a generic MV score... as with many people he didn't like the result.

Still can't believe Djawadi got this gig :-(

Debney would have ruled this... Damn studio tampering!

DemonStar reply Replies: 0 || 2008-08-20 00:00:00
Not bad, IMO, but I can't help feel it could've been much better. Though I quite like the end result anyway, hehe.

Wayne reply Replies: 0 || 2008-06-10 00:00:00
Well I have to say, the movie and the score blew me away. I wasn't expecting what everyone delivered. However, even though I own the soundtrack, working with music a lot myself, I sometimes find missing pieces with movie scores. There is a lot of music in the film not found on it. Does anyone know of anything being released in the future? They market this album as a soundtrack, not a score.

Lorie reply Replies: 0 || 2008-05-30 00:00:00
LOVE the theme for Iron Man. Does anyone know how I can get the ringtone??

  Your name :   

Please enter number: 783 

A Sentient Being reply Replies: 0 || 2008-05-28 00:00:00
"Hi guys. Does anyone know what are the tracks mixed together in the animation bettween the end of the film and the credits. One is Black Sabbath - Iron Man but the other?"

Yeah, Kudredin. Here you go:

After that awful Black Sabbath song, there comes THE REAL music! That is:

10. Mark II
01. Driving with Top Down
11. Extra Dry, Extra Olives

Enjoy!

DrDEATH reply Replies: 0 || 2008-05-28 00:00:00
How come I cant find a list of players. Who was the drummer, Guitars, Bass, Orchestra????????? Writing is one thing. Playing another. Why are you not giving credit to the musicians who played the score?

jay arvada reply Replies: 0 || 2008-05-23 00:00:00
The movie was great, it was touching, as you say it is was. But the score was totally repeating it's theme all through out the movie maybe not exactly during the touching parts,but I feel that if you really listen it all sounds very similar. so yeah I would have rather listened to a more in touch piece of music,than to have listen to some poor knock off of a cheese B flick from the early 00's. So logical or not, the score still sucks. and theirs nothing anybody can do about it. Except for Top Ramin noodles what ever his name is... Thanks for the reply danny boy.

Tony Stark reply Replies: 0 || 2008-05-23 00:00:00
Movie was excellent. Score... hmm... Hans Zimmer with Batman had more punch to it than this, so I would have to say that I'm disappointed - slightly.

I think we can safely say that things could heat up a little more for a sequel. I place my $$ on a better follow through in part II. The only problem?... will Robert Downey Jr. reprise his role or will he figure that the first time out was for an "art" expedition..?

Let's hope he and Gwenyth come back. Excellent chemistry.

Get IM to fight someone with substance... perhaps a war ridden country again but with a diabolical Marvel foe who is behind another arms type operation, which threatens the west again. Hide the foe, generate a political ally, and throw some romance into the second movie... sounds good already!

Danny reply Replies: 0 || 2008-05-22 00:00:00
SO you're saying that theyb shuld have just hrown out the whole score and just play Iron Man by Black Sabbath the whole time. even during touching moments. Hmmmm...sounds logical.

jay arvada reply Replies: 0 || 2008-05-22 00:00:00
THIS score SUCKED bad. Lacked emotional content, and was really flat. Need proof listen to spider man's score, Iron man by Black Sabbath was all this movie needed, to bad we all had to wait until the end of the movie to hear a real piece music. Oh well better luck next time.

fabien reply Replies: 0 || 2008-05-21 00:00:00
ramin djawadi is undoubtedly for me the successor of Hans!

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Iron Man soundtrack - Ramin Djawadi 2008