NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
well the composer confirmed he is working on it to be released very soon<br>"It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain."<br><br>I didn't think it was possible for a Bay fan of all people to be this insufferably pretentious.<br><br>I thought that was more Snyder fanboy territory.<br><br>But here we are, calling dog-humping, Decepticon testicles, and mommy-on-pot-brownies "challenging the viewer."<br><br>Kudos, man.  Kudos.<br><br>You can hide behind however many fallacies you want.  If "Not to me" and "You do you" didn't give it away early on in this thread, I DIDN'T try to treat my opinions as fact.<br><br>But that doesn't mean I'm going to add a little "IMO" at the end of every goddamn sentence just to coddle you. <br><br>On the flip-side, consistently making appeals to authority and popularity, "B-b-but Spielberg said!", "B-b-but the Forbes poll said!" don't make you objective.<br><br>Y'know, it's funny.  When I listed off better blockbuster examples, you could've very easily just argued against them on the level of the films themselves, and everything would've been fine.<br><br>Sure, you would've just claimed you can't see the action at night sooner, which is rich when you praise the film series that puts the subjects of its action scenes OUT OF FOCUS every other shot, but hey, that's just honest opinions versus honest opinions.<br><br>But using two belated half-assed sequels from different, less talented directors that lost most of the appeal of the first movies, as some sorta litmus test for how well-liked the first movies were, is the biggest bunch of bullshit I've ever heard.  That's not objectivity, that's not even confusing correlation with causation, that's saying 1+2=4.<br><br>That's the real joke here.  Instead of accepting that your love of Bay is nothing more than a opinion, just as my claim that he misses the point of what makes action movies fun is, you turn into an overly-defensive nut, desperately quoting every opinion piece under the sun to pretend your opinion is some statistically-backed fact.  I've seen you do this every time someone talks shit about Bay around here.  It's psychotic.<br><br>Bad movies make money.  Everyone knows that, and everyone knows that's not proof of quality.  But if that's the kinda road you wanna go down, I guess movies like Avatar, The Force Awakens, or all the Avengers movies, are "objectively" better movies in every conceivable way than anything Bay has made in his entire career.  I mean, CLEARLY those films must have a bolder style and push more boundaries.<br><br>Why else would more people watch and rewatch them, right?<br><br>Reasonable causation is for those goshdarn geek journos.<br><br>And by the way, The Last Knight lost money.  Period.  Almost 100M according to Paramount themselves.<br><br>That's not just a domestic bomb, that's a bomb altogether.<br><br>Have a nice day.Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br>==================<br><br>Kinda ironic, coming from you....but I'll take it as a compliment. Thank you! <br><br>And yes, he sides with me because what I say is common sense. For whatever reason, you have these strong negative feelings toward Bay films and those feelings blind you to some pretty obvious truths. <br><br>Have to say tho - for a 'hater' you sure know A LOT about him, his style and his movies. <br><br>Just admit it - you are a huge Bay fan but you just want to score some points with the snobbish internet crowd. <br><br><br><br>============<br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br>============<br><br>Oh, you're one of THOSE people......"Fury Roaaaaaaaaad is DA BEST FILM EVAAAAAAAA".<br><br>Let me guess: you also think that Nolan is the greatest director/person of all time. On par with Jesus himself. <br><br><br><br>==========<br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br>==========<br><br>Which is what Transformers 1 is. <br><br>Which is why the movie connected with audiences. It was - at its heart - a story about a boy and his car. Even the most jaded critics enjoyed that aspect.<br><br><br>=============<br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br>=============<br><br>Excuse? For what?<br><br>My friend, you do realize that Bay in particular is one of the most powerful and successful filmmakers of all time, right? He is the second highest-grossing director of all time (domestically), only behind Spielberg. You can dismiss box office success all you want but you don't get to where Bay is if you're not good at your job. <br><br>Snyder is nowhere near Bay, in terms of success and influence. Personally, I don't care much about him. <br><br><br>P.S. Guy Ritchie (and Edgar Wright) are huge Bay fans. Ask yourself why. <br><br><br>===============<br>They just aren't very good filmmakers on the whole<br>===============<br><br>Your opinion.<br><br>I disagree.Bay walks the lines between being self-serious and comical, but his films aren't well=written enough to serve the former, or witty enough to serve the latter, and the end-result is droll and annoying.<br>====================<br><br>You sure you're not a "writer" for one of those ridiculous geek sites like Collider, Screen Rant or Slash Film? Because you sound a lot like one of those "beloved" writers. <br><br>Anyway......Yes, Bay's movies always walk that line but whether that works or not is........Yes! a matter of opinion. For me, Pain and Gain is one of the best modern satires while for you it is - I'm guessing - "droll and annoying".<br><br>It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain. <br><br>Some of you folks are indeed very hard to please. <br><br><br>===============<br>The first POTC earns it. The Bad Boys 2 doesn't. Infinity War earns it. TF 1/2/3/4/5 doesn't.<br>==============<br><br>Okay, now that statement is the best joke of the year! Thank you for the good laugh! Really! Oh, and I've definitely argued with you before, my friend. You are clearly one of those ten Bay haters from the IMDb forums who claim to hate everything the man does, yet they have seen EVERYTHING he had done. Why is that, I wonder?<br><br><br>===========<br>Fitting, as Synder and Bay are cut from a very similar cloth. Difference is, unless we're talking Man of Steel, I'd sooner rely on Snyder for consistently good action sequences<br>===========<br><br>Well, I would trust Spielberg on this. Because it was Spielberg who said, and I quote: "Michael (Bay) is one of the greatest action directors. He has the best eye in Hollywood." Spielberg works with a lot of directors. But he never said anything like that about any other director. So clearly he means what he says about Bay. And....you know......unlike most people, Speilberg actually knows a thing or two about filmmaking. <br><br><br>================<br>300 didn't try to start a franchise. It was a one-off adaptation of a graphic novel in the same vein as Sin City, and was successful. They tried to make a cash-grab sequel almost a decade later, without Snyder, and it failed. That's hardly the first film's fault.<br>================<br><br>It is a clear proof that people weren't that excited to visit this world again. And mind you, that happened with the first sequel! Talk about a one-time thing, huh?<br><br>At the same time, Bay made FOUR Transformers movies - with different casts - before there were any signs of audience fatigue. <br><br>That speaks for itself.<br><br>===========<br>Pacific Rim suffered from lackluster marketing, and yet still managed to turn a profit and attract a strong following.<br>==========<br><br>Excuses, excuses, excuses.....So you can display all the excuses in the world for Pac Rim but when it comes to Transformers, you don't accept anything. <br><br>Double standard much?<br><br>P.S. That "strong following" is on the internet. The same following that was supposed to make Scott Pillgrim a huge hit. Everyone knows that internet hype is not real-world hype. I know very well the type of people who act as if Pac Rim is the best thing since sliced bread. Total geeks who are angry that Transformers is much more popular and much more successful than Del Toro's "let's shoot all the robot fights in pitch black so audiences can't see shit" movie.  <br><br>Also, let's not pretend that Pac Rim is a universally beloved film. You know very well that there are A LOT of detractors as well. That's what you get when people can't tell what's going on during the movie because you shot it all at night. Just like that Godzilla movie. <br><br><br>============<br>Versus something like Transformers, which has piggybacked on an established IP, relentless marketing campaigns and tie-ins, and a fairly consistent release schedule. And even then, recycling the same bullshit eventually took its toll.<br>============<br><br><br>Wrong.<br><br>Do you read Forbes? You should. Because it's a place where objective people write. It ain't a stupid militant film geek site like Ain't it Cool News or Screen Rant.<br><br>Forbes published multiple articles explaining in great detail why the Transformers movies were successful EXACTLY because they were directed by Bay. Whether you like it or not, my friend, Bay is a brand. He is an auteur. There were multiple polls before the first two Transformers movies and Bay being the director was one of the main reasons for people to watch the movies. <br><br>But I guess you missed all of that, huh?<br><br>How convenient.<br><br><br>==============<br>Friendly reminder that AoE also relied on China (more pathetically then even Pacific Rim did) to compensate for diminishing domestic returns. To say nothing of TLK outright bombing.<br>==============<br><br>First: according to ACTUAL real data, the only TF movie that was saved by China is.......Bumblebee! Yeah, you better believe it. Go to Deadline and Forbes and read it for yourself.<br><br>Second: TLK bombed domestically, yes. <br>But not internationally. No one with actual knowledge of the situation refers to that movie as an international "bomb". Besides, there were 4 super successful TF movies before TLK. So Bay got nothing to prove. He already created one of the biggfest film franchises in history. <br><br>How many directors can say that?<br><br><br><br>==================<br>I know you like debunking Bay naysayers with "facts and logic," but it helps to not be grossly disingenuous while doing it<br>==================<br><br><br>Goes both ways, my friend. But unlike most naysayers, I don't treat my own personal opinions as facts. And if I'm being "disingenuous" then I don't even know what to say about some Bay haters who refuse to accept even the most obvious facts and truths.nope
You realize there is a very easy and free method to get the music from that site, dont you?Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.
I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMACan these be accessed anywhere?The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean
'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Composer - Musician : Synthesizer - Synth ProgrammingComposer - Musician : Piano
Hans ZimmerJames Newton HowardLorne BalfeHenry Jackman
ComposerComposerAdditional MusicAdditional Arrangements
The Dark Knight
Label: Warner Bros. Records
Length: 73'24
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (30818 votes)
  1. Why So Serious? (9:14)
  2. I'm Not A Hero (6:34)
  3. Harvey Two-Face (6:16)
  4. Aggressive Expansion (4:35)
  5. Always A Catch (1:39)
  6. Blood On My Hands (2:16)
  7. A Little Push (2:42)
  8. Like A Dog Chasing Cars (5:02)
  9. I Am The Batman (1:59)
  10. And I Thought My Jokes Were Bad (2:28)
  11. Agent Of Chaos (6:55)
  12. Introduce A Little Anarchy (3:42)
  13. Watch The World Burn (3:47)
  14. A Dark Knight (16:15)
Create Topic

Pages << 1 2 3 4 5 6 7 8 9 10 11 12 13 >>

RemoteDead6 reply Replies: 0 || 2008-07-18 00:00:00
dude, your an idiot! van gogh never had any fans, he only sold one painting his entire life.. And by Beethovens 9th symphony he was completely deaf so he wouldnt hear anyone anyways... Why don't read a book once in a while!!

...joker theme, by the way, works great in the movie!

A Sentient Being reply Replies: 0 || 2008-07-17 00:00:00
me: "I want to hear this "real theme" that HZ and JNH had composed for this film and it either didn't make it on the album or wasn't used at all."

Me, the theme you're looking for, i.e. the Batman heroic theme is heard in Track 8: "Like a Dog Chasing Cars", in Track 12: "Introduce a Little Anarchy" and Track 14: "A Dark Knight". Listen to those three tracks one after another and you'll notice it. BTW, the theme is outstanding!

me reply Replies: 0 || 2008-07-17 00:00:00
A Sentient Being, thanks for the info. After listening to those tracks a couple of times, the theme really stood out. The more I listen to it, the more this album is becoming my favorite HZ album, even though he didn't compose all of the pieces solely.

Gr8vel reply Replies: 0 || 2008-07-17 00:00:00
I love what i've heard of the extracts here but, the i'm not a hero track that i've listened to a few times elsewhere in links from this site. is not done justice here. I think it's the one track i really want to hear more of. I can see where zimmer has held back on going all out on a few of tracks, almost like someone has told him, now Mr ZImmer i like your work, i like it a lot, but the things is with this Batman movie, i don't wan't it going all Armageddon on me!! If you know what i mean!! We want people leaving the theatre thinking Batman kicks ass! not Batman saves the day again, isn't he great!!

vanessa reply Replies: 0 || 2008-07-16 00:00:00
zimmer's work is BORING !

he does the same crap for every score !

And now he needs, even more then ever, HUGE teams of collaborators, to do multi-million crap !

Jesse Stipek reply Replies: 0 || 2008-07-16 00:00:00
Track 8 is where it's at! Cool soundtrack :)

Zi Jie reply Replies: 0 || 2008-07-16 00:00:00
The score is rather masterfull, the score captures that inner psycological fued that is seething beneath Bruce Wayne and the city of Gotham. As far as being a bombastic piece that is just fun to listen to it just won't be most people's cup of tea. For those seeking an emotional exploration of your deeper and much darker inner self then this score sounds about right. The score may not stand out for now, but once the movie has been seen I think people will associate the images with the music and thus improve the candor of the "batman" music schema. As the films evolve and the characters in them then the music will follow (as long as it's the same two composers) and enhance the experience. It does appear that Hans Zimmer has been using the same musical elements in his more recent scores, but that just means that soon these ideas will be mastered, whereas if he kept trying to "reinvent" either the musical genre or his own compositional style then we would continually be intrigued but unfulfilled. It still sounds like people are whining because there is no "batman theme" like elfmans...I like this better, my brain gets to do more of it's own work.

DemonStar reply Replies: 0 || 2008-07-16 00:00:00
Well, being a Batman fan since childhood, I feel it fits the tone of the film perfectly and though it may not be as good a listening experience as, say, Elfman's Batman scores (what can you expect if Nolan doesn't WANT it to have a big theme?) but I still get goosebumps listening to parts of it. "Why So Serious", in my very humble opinion, fits the Joker's character perfectly! And "Like a Dog Chasing Cars" is probably one of the best action tracks of the year. The Harvey Dent track is also gorgeous.

Robert reply Replies: 0 || 2008-07-16 00:00:00
Anyone know what is exactly included in the 2-Disc LP set of heavy-weight 180 gram vinyl version, and why it is the most expensive one?

  Your name :   

Please enter number: 786 

From North Africa reply Replies: 0 || 2008-07-16 00:00:00
vanessa You Look Like a batman and robin fan what a hell are you doing here and who the hell are you to judge on this MASTERPIECE ??????????

This is the most Emotional Score ever Composed

A Dark Knight = The Greatest and Most Emotional Music Ever Composed

I've Said That Already & I Will Say It Again Mr.Zimmer & Mr. Howard Are Angels Because There's No Human With There Talents God Bless Them

OKKU reply Replies: 0 || 2008-07-16 00:00:00
Not to be flash soundtrack in the albüm.

me reply Replies: 0 || 2008-07-16 00:00:00
Okay, lets get this straight. Zimmer's work is by no means boring. He is my favorite composer of all time and I am a huge collector of anything he has a part of. And I don't want an Elfman score for these Batman films. Zimmer/Howard's work fits perfectly in these films and enhances the experience when watching. I guess I'm just greedy, but I want to hear this "real theme" that HZ and JNH had composed for this film and it either didn't make it on the album or wasn't used at all. This is a fantastic score, much better than the first. Like A Dog Chasing Cars is one of the best action pieces ever written. Zimmer's work is amazing and James Newton Howard is fastly becoming one of my favorite composers. Okay, maybe that clears things up.

Sylvos reply Replies: 0 || 2008-07-15 00:00:00
I'm probably the last person on this board to listen to this one. To me, The Dark Knight is an example of a good score written for the film and not for album. It functions well in its purpose as it emphasizes the film's dark tones but standing alone, it does not make for a memorable listening experience. At least not for me.

Darke Ascension reply Replies: 0 || 2008-07-15 00:00:00
THE DARK KNIGHT OST is great. Love all the themes, all the suites, and all the sweeping scores. A true treasure for any fan of orchestrated original soundtrack music.

=-)

Ronin. reply Replies: 0 || 2008-07-15 00:00:00
I'm going out to get it now.

me reply Replies: 0 || 2008-07-15 00:00:00
Let me say this. It met my expectations, but did not surpass them. If Christopher Nolan desides to do a third Batman film and he signs both Hans Zimmer and James Newton Howard for the score, lets hope they finally use the "theme" that was almost used on this film. Great album, still waiting for that 10/10 album.

RemoteDead6 reply Replies: 0 || 2008-07-15 00:00:00
I hav to agree with Me and Sylvos. Im sure the score is gonna sound great in the film, especially in IMAX, but it isnt enough to stand on its own. And we were promised this full, magnificent theme and all we got are the same two notes as the last album (which Jablonsky used in the Island) the Harvey Dent theme is well done, props to JNH, but the album is already sittin on my shelf... 3 out of 5!

H reply Replies: 0 || 2008-07-14 00:00:00
Why So Serious? sounds like "Heat" from Elliot Goldenthal.

The rest of the score is just average...

DemonStar reply Replies: 0 || 2008-07-14 00:00:00
Just 1 day to go! :D

Feared reply Replies: 0 || 2008-07-14 00:00:00
As far as I know, only the package is different. The music is exactly the same.

Seth reply Replies: 0 || 2008-07-13 00:00:00
Just echoing ronin's question - does anyone know the difference between the standard and limited edition releases yet? Is it just the jewel case vs. digipak, or is there gonna be some extra music? Warner's site doesn't have any extra info yet...

ronin reply Replies: 0 || 2008-07-12 00:00:00
Can someone tell me the differences between the regular north American edition and the deluxe one?
thanks.

Anonymous reply Replies: 0 || 2008-07-12 00:00:00
May i ask you one question Mr.Zimmer????

WHY THE HELL DO YOU HAVE ONLY ONE OSCAR???????
YOU SHOULD BY NOW HAVE 11 OR 12 AND I TALKING SERIOUSLY 13 WITH The Dark Knight

You Are Simply THE BEST COMPOSER EVER

Steve Deneault reply Replies: 0 || 2008-07-11 00:00:00
Oh Momma! Just heard some of the new score for THE DARK KNIGHT. I thought the first one was good. Chills, Mr.Zimmer, you gave me chills.

Peter reply Replies: 0 || 2008-07-11 00:00:00
Track List:

CD/1

01 - batman
02 - legend
03 - are you ready to begin
04 - wayne empire
05 - folletto!...folletto! (from opera mefistofele)
06 - the wayne tragedy & training
07 - revenge
08 - facing fear
09 - bat cave
10 - return of bruce wayne
11 - fox department
12 - base jump
13 - first attack
14 - capture
15 - scarecrow
16 - batsuit
17 - escape
18 - chase
19 - unmasked

CD//2

01 - ...all that's left
02 - immortal
03 - invasion
04 - attack on gotham
05 - train fight
06 - aftermath
07 - final
08 - end credits
09 - medley suite
10 - lasiurus (bonus track)
11 - barbastella (album edit)
12 - macrotus (album edit)
13 - eptesicus (album edit)
14 - preparation
15 - augustus (trailer music #1)
16 - monk with bell (trailer music #2)
17 - nightwatcher (veigar music from the trailer)
18 - backend (veigar music from the TV spot)

Hybrid Soldier reply Replies: 0 || 2008-07-11 00:00:00
@A Sentient Being

Please, stop asking that kind of things, it's not the right place for that...

@Peter

Well, I'm a bit disappointed... It's just an expanded with SFX tracks and lots of useless bonus tracks... :P

A Sentient Being reply Replies: 0 || 2008-07-11 00:00:00
IT'S HIGH TIME SOMEONE MADE A DECENT BATMAN BEGINS COMPLETE SCORE, NOT THIS JUNK WITH SFX!

WE NEED IT BADLY!!!

Shaun reply Replies: 0 || 2008-07-11 00:00:00
Hi there,

This one seems to be the most complete version Ive come across. It must be out there somewhere. Only thing is the sites I found this on only had the artwork/track listing etc

DISC I

01 OPENING TITLE/YOUNG BRUCE
02 MEETING WITH DUCARD
03 TRAVELLING THE WORLD
04 LEAGUE OF SHADOWS
05 GOTHAM
06 FATEFUL NIGHT
07 TRAINING
08 YOUR ANGER GIVES YOU GREAT POWER
09 NOT HOME FOR LONG
10 VENGEANCE PT1
11 VENGEANCE PT II
12 WE DON’T NEED TO SEE THIS
13 THIS CITY IS ROTTING
14 SHAME
15 CONFRONTATION WITH FALCONE
16 TRAVELS
17 THE HEIST
18 WHAT IS NECESSARY
19 COURT
20 BRUCE SEES RACHEL
21 THE CAVE PT1
22 WAYNE ENTERPRISES
23 MEETING WITH LUCIOUS FOX
24 THE CAVE PT II/COSTUME MONTAGE PT I/MEETING WITH GORDON
25 BRUCE SPIES FALCONE/COSTUME MONTAGE PT II
26 “WHERE ARE YOU?”
27 “I’M BATMAN”
28 ATTACK ON RACHEL/FALCONE ARRESTED

DISC II

01 THEFT ON WAYNE ENTERPRISES
02 IT’S WHAT YOU DO THAT DEFINES YOU
03 CRANE & FALCONE
04 ON THE ROOF
05 ONE MORE CONTAINER/THE KID
06 LIGHTEN UP (FILM VERSION)
07 LIGHTEN UP (ALBUM VERSION)
08 HAPPY BIRTHDAY, BRUCE
09 BATMAN PREPARES
10 YOU’RE FIRED
11 RACHEL & CRANE/ESCAPE
12 ASYLUM FIGHT
13 POLICE
14 BACKUP
15 THE CHASE
16 RACHEL IN THE CAVE
17 RA’S AL GHUL AT THE PARTY
18 CONFRONATION WITH RA’S AL GHUL
19 ALFRED SAVES VRUCE
20 YOU STILL HAVEN’T GIVEN UP ON ME?
21 VAPORISATION
22 BATMAN JOINS NARROWS
23 A NARROWS RESCUE
24 TRAIN FIGHT
25 IT’S OVER
26 REBUILDING
27 END CREDITS

Deakins reply Replies: 0 || 2008-07-11 00:00:00
And the site is???
fakkkkkke lol

Pages << 1 2 3 4 5 6 7 8 9 10 11 12 13 >>

 HANS-ZIMMER.com© 2001-2018 OST 
The Dark Knight soundtrack - Hans Zimmer - James Newton Howard 2008