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@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>
Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Donít even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.
One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.hans should win the oscar for best sound effects and not for the best music/score. just as a statement.And it's also unfair to use Balfe to criticize Powell. He started working on American projects in 2005 with Batman Begins, and only after 2010 did he receive individual projects. Is it accurate to compare someone who entered the party at the last minute with two others who are in it for 20 (Powell) and 30 (Zimmer)?<br><br>I'm in a hurry and I put everything into a translator. Forgive the many mistakes.<br> <br><br><br>Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.<br><br>I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.<br><br>For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.
The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldnít change a thing about it), I must admit, it doesnít have nearly the same effect as a stand-alone listen. Itís literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it ďawardĒ worthy? Iím not sure. If based solely on the film, you betcha. If based purely on the music itself, I donít think so. Thatís where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or ďactualĒ music (again, works IN the film). Itís glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... Iíve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did itís job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-phaha hybrid :D made my day
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Composer - Musician : Synthesizer - Synth ProgrammingComposer - Musician : Piano
Hans ZimmerJames Newton HowardLorne BalfeHenry Jackman
ComposerComposerAdditional MusicAdditional Arrangements
The Dark Knight
Label: Warner Bros. Records
Length: 73'24
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (29276 votes)
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  1. Why So Serious? (9:14)
  2. I'm Not A Hero (6:34)
  3. Harvey Two-Face (6:16)
  4. Aggressive Expansion (4:35)
  5. Always A Catch (1:39)
  6. Blood On My Hands (2:16)
  7. A Little Push (2:42)
  8. Like A Dog Chasing Cars (5:02)
  9. I Am The Batman (1:59)
  10. And I Thought My Jokes Were Bad (2:28)
  11. Agent Of Chaos (6:55)
  12. Introduce A Little Anarchy (3:42)
  13. Watch The World Burn (3:47)
  14. A Dark Knight (16:15)
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Littany reply Replies: 0 || 2008-07-10 00:00:00
I'm glad I already pre-ordered the album, because the audio quality of the leaked album is lower than what I like and there are moments when it seems like the audio hasn't been smoothed over or run through the appropriate filters or edited. Maybe it's just a leak of the unfinished thing, like a wooden table just before it's been stained.

Matt reply Replies: 0 || 2008-07-10 00:00:00
Hey can anyone tell me if they remember the theme from Batman Begins that played when bruce plays the piano to open the batcave doors? Does that apprear on the cd? And if so does it sound like it did in Batman Begins? I loved that theme

A Sentient Being reply Replies: 0 || 2008-07-10 00:00:00
"Hey can anyone tell me if they remember the theme from Batman Begins that played when bruce plays the piano to open the batcave doors?"

Dear Matt, the theme you are looking for is heard on Batman Begins expanded score, "End Credits", (which I call "Ametrida", to corelate with other BB track titles). I'm not sure if that particular theme is heard on The Dark Knight soundtrack, but I think it is not there. Perhaps in the movie, so that would mean we will have to wait for The Dark Knight Complete Score.

By the way, does anyone know if there is Batman Begins Complete Score, beside the regular and expanded ones? I mean, the BB score is amazing and it would be pity not to hear every single note from it, because there we some pretty cool themes not heard on the regular score, or the expanded one (which is actually the regular with only track order changed plus few official score edits - pretty dumb, ha?).

Bring on Batman Begins Complete Score!!!

Cheers!

A Sentient Being reply Replies: 0 || 2008-07-10 00:00:00
Matt, sorry, I realized later I had made a mistake. The theme I mentioned is when Alfred plays the piano while the mansion is burning, not Bruce. We should wait for a Complete Score to appear to hear that outstanding theme!

ema reply Replies: 0 || 2008-07-10 00:00:00
I donīt like this OST than the 1st :(

I hope more than the 1st

Peter reply Replies: 0 || 2008-07-10 00:00:00
Dear boys...I' GOT COMPLETE SCORE FROM BATMAN BEGINS!!!!!! hehehe..in box, with great artwork:D Now this is how dreams come truth :D
amazing score!

Kusi reply Replies: 0 || 2008-07-10 00:00:00
@peter: do you can plz post a tracklist ? :-)

steven reply Replies: 0 || 2008-07-09 00:00:00
Let's stop fighting and enjoy the beatiful music Mr. Hans composed and Mr. James hehehe and of course Mr. Williams they are all supreme but well anyways I'm a huge Hans Zimmer fan hehehe

Anonymous reply Replies: 0 || 2008-07-09 00:00:00
This Score Is Brilliant The Best Score EVER

ZED reply Replies: 0 || 2008-07-09 00:00:00
I'm in Australia and just got a copy of the soundtrack and all I can say is that it is a masterpiece! The opening track "Why So Serious?" is harsh, brutal and down right chilling, but like every track, there is a constant pulse to the music. "Like A Dog Chasing Cars" will be a highlight for many action score fans and "Harvey Two-Face" is just so full of honest passion! The end track "A Dark Knight" is 16 minutes of pure beauty, power and menace and i'd pay huge bucks just to have that one piece of music. It is by far one of the most brilliant pieces of music I have ever heard! "The Dark Knight" score is one of the most innovative and compelling scores I have ever heard. It may sound crazy but every time the Joker's theme comes in, I get a cheeky smile on my face. It is pure genius! This is a score for people who understand and appreciate the realm of sound design aswell as music itself. If this score doesn't take you to the deepest, darkest, adventurous thoughts of your mind then there is seriously something wrong with you! ;) As the Joker would say... "Why So Serious?".
This soundtrack is an absolute must for any music fan! Take care all.. :)

&#12502;&#12524;&#12488; reply Replies: 0 || 2008-07-09 00:00:00
The originality of the score is amazing. I love how it still has strong ties to the first BB score, so it's more of a musical evolution than a sequel score. The duo didn't throw much out but instead added upon it and built it in layers. I love the dynamics introduced by combining Jame's pule elegance with Zimmer's very brash bombastico style. In my opinion this is by far the most intrigueing and dark scores ever written. Applaude gentleman, we've just heard the work of masters.

Saix reply Replies: 0 || 2008-07-09 00:00:00
I have the leaked soundtrack and "A Dark Knight" seems to be screwed up at the last few minutes. It seems to skip a lot for some reason

mathieu reply Replies: 0 || 2008-07-08 00:00:00
and in track "harvey Two Face" at 5.25-5.35 : isn't a theme of John Williams for "Hook"

-Blitz- reply Replies: 0 || 2008-07-08 00:00:00
GREAT!!!!!

Anonymous reply Replies: 0 || 2008-07-08 00:00:00
and in track "harvey Two Face" at 5.25-5.35 : isn't a theme of John Williams for ''Hook''
____________________________________________

What a hell is john williams has to do with The Dark Knight Score???????????????

And What a hell is hook theme has to do with Harvey Two Face?????? people Makes Me piss off with Stupid comments like that

And No It isn't a Theme Of John god damn williams why should howard take a theme from a composer not as genius as him

A Sentient Being reply Replies: 0 || 2008-07-08 00:00:00
"And No It isn't a Theme Of John god damn williams why should howard take a theme from a composer not as genius as him"

First of all, John Williams IS the GREATEST COMPOSER EVER! However, the theme heard in "Harvey Two-Face" is NOT from "Hook". That is simply a musical idea, or a motif, which occured to James Newton Howard, which concidentally sounds like a theme from "Hook". But, frankly, I cannot recall any such theme in "Hook".

By the way, The Dark Knight music is so good, I already have it pre-ordered at Amazon.com weeks ago!

I think this soundtrack has more action than Batman Begins, also BB themes are here somewhat more developed and much more defined, as if Hans and James attentionally did not allow those themes in BB to fully develop, thus emphasizing the movie's "Begins" character. Here, Batman is stronger, more defined, non-compomising and such is the music, as well.

The theme for the Joker is excellent. It depicts the character as not just some clown, but rather as a real psychotic murderer, also prone to theatricality as is Batman.

"Blood on My Hands" is one of the reare good love themes heard in 2008, or in couple of years. Harvey's theme is very good, nice, ellegant, but foreboding. Newton Howard used one of the themes from Batman Begins for Harvey Dent.

"Like a Dog Chasing Cars" is yet another brilliantly composed chase sequence theme, almost as a sequel to "Molossus" (which I call "Rooftops and Highways").

"A Dark Knight" could have been more thematically developed. However, I should wait for the CD to arrive to judge on that one.

So far, I'm not disappointed. The movie will be undoubtedly the best Batman movie and the best of 2008. Great work!

Cheers!

A Sentient Being reply Replies: 0 || 2008-07-08 00:00:00
"I think this soundtrack has more action than Batman Begins, also BB themes are here somewhat more developed and much more defined, as if Hans and James attentionally did not allow those themes in BB to fully develop, thus emphasizing the movie's "Begins" character."

I'm sorry, I meant "intentionally" instead of "attentionally". Lapsus! :-)

Mathieu reply Replies: 0 || 2008-07-08 00:00:00
I am wrong, it's not Hook but Jurassic Park this ground reminds me a little.

Mr. J reply Replies: 0 || 2008-07-07 00:00:00
So I heard the Leak..and besides the quality, I can't help but notice how repetative the score is..nothing fresh and exciting..I'm hoping that the leak is just stiched together clips, because if not, I'm so dissapointed

Cloud reply Replies: 0 || 2008-07-07 00:00:00
I don't think so, it's a masterful sequel score. People who liked the Batman Begins score are going to love this one.

Hybrid Soldier reply Replies: 0 || 2008-07-07 00:00:00
100% true Cloud !

The ones who liked BB are gonna LOVE it...


The ones who disliked BB are gonna HATE it even more ! :-P

Deakins reply Replies: 0 || 2008-07-07 00:00:00
I listen the score and I'm a little disapointed to no hear real new things! The score is always between Da Vinci Code, King Arthur and some scores of James Newton Howard and there is cues very exciting (I think "Like A Dog Chasing Cars" and "A Dark Knight") but some tracks like "Why So Serious?" or "Blood On My Hands " are definitely boring).
However, it's a pleasure for those who have like the "Batman Begins" score. The themes are here and with a good arrangement but it lacks a piece of novelty.
But maybe 'Dark Knight' is the "Dead man's Chest" of Christopher Nolan's Batman serie.
I wait his "World's End".
Now, it seems that music of "Dark Knight" is very effective in the movie and it's the main objective!! :D

African Master reply Replies: 0 || 2008-07-07 00:00:00
The ugliest music ever composed !

Anonymous reply Replies: 0 || 2008-07-07 00:00:00
I heard the leak, and even though I was waiting for something more I still think it's brilliant and it grows on you. Just one wasn't there s theme for Harvey Dent that James Newton Howard worked on while Hans worked on the Joker's? I'm just asking

Anonymous reply Replies: 0 || 2008-07-07 00:00:00
African Master you know nothing about music and thats true

hans batman-zimmer reply Replies: 0 || 2008-07-07 00:00:00
I love this score.
We can't find any music like this from other composers.
Good job!

PJ2 reply Replies: 0 || 2008-07-07 00:00:00
Tracks like "Harvey Two-Face", "Agressive Expansion", "Like a dog chasing cars" or "A Dark knight" are really brilliant. However maybe I'm a little bit disappointed by the rest of the soundtrack; although I think the Joker's theme will be perfect in the movie, it's really unlistenable as a music cue... (forgive my uncertain english I'm french^^)

fabien reply Replies: 0 || 2008-07-07 00:00:00
Track 14 is a masterpiece. It sounds like Chevalier of Sangreal and Am I not merciful. A perfect mix between these two tunes added over the Batman theme give a amazing sound for The DARK KNIGHT one. Brilliant.
And it's also the case for the joker's theme. It 's unbelievable how it works well with the batman theme in track 8 : Like A Dog Chasing Cars (5:02)

Deakins reply Replies: 0 || 2008-07-07 00:00:00
It seems that the new theme wrote by Hans doesn't figure on the cd but appears twice in the movie? What's this theme?

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The Dark Knight soundtrack - Hans Zimmer - James Newton Howard 2008