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I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...
Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
<br>
<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.
And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:
I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.
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Hans ZimmerJohn PowellHenry JackmanJames McKee Smith
ComposerComposerAdditional MusicAdditional Music
Kung Fu Panda
Label: DreamWorks Records
Length: 60'14 (Score: 57'44)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (13515 votes)
  1. Hero (4:41)
  2. Let The Tournament Begin (1:58) *
  3. Dragon Warrior Is Among Us (2:56)
  4. Tai Lung Escapes (7:05)
  5. Peach Tree Of Wisdom (1:53)
  6. Accu-Flashback (4:04) *
  7. Impersonating Shifu (2:17)
  8. Sacred Pool Of Tears (9:50) **
  9. Training Po (1:28)
  10. The Bridge (3:22) **
  11. Shifu Faces Tai Long (4:46) **
  12. The Dragon Scroll (2:31)
  13. Po VS Tai Lung (2:40)
  14. Dragon Warrior Rises (3:22)
  15. Panda Po (2:39)
  16. Oogway Ascends (2:03) *
  17. Kung Fu Fighting - Cee-Lo Green & Jack Black (2:30)
*Co-written with Henry Jackman

**Co-written with James McKee Smith
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Knight reply Replies: 2 || 2019-08-07 17:28:03
Credits for the OST seems to be a bit bungled so heres what I found for it on GEMA:
Hans Zimmer, John Powell, James McKee Smith

HERO
SACRED POOL OF TEARS
THE BRIDGE
SHIFU FACES TAI LUNG

Hans Zimmer, John Powell, Henry Jackman

LET THE TOURNAMENT BEGIN
ACCU-FLASHBACK
THE DRAGON SCROLL
OOGWAY ASCENDS

Hans Zimmer, John Powell, James McKee Smith, Henry Jackman
TAI LUNG ESCAPES


Mike2019-08-07 18:02:09
The cuesheet credits have been on the complete score page for some time. ;)


Knight2019-08-07 19:57:22
I know, but not everyone has access to the complete.

NB reply Replies: 3 || 2018-07-18 15:14:42
I'm curious, who do you think mostly wrote 'Tai Lung Escapes'?

I've always loved that track, and always felt that it was mostly a John Powell cue, although that very dark first part could easily be Hans' work. I could also see it being a Henry Jackman cue though... I don't know. :p


Edmund Meinerts2018-07-18 18:47:01
I'm pretty sure that the majority of it is Henry Jackman (maybe with a bit of Hans). I don't get much of a Powell vibe off that particular cue at all.


NB2018-07-18 20:09:44
Yeah, you're probably right.

I guess I thought of it as a Powell cue mostly because between the two main composers, it matched more with his style than Hans', but yeah it's probably Jackman's stuff.

Either way, I love that track.


NB2018-07-19 15:20:17
Easy now Mr. Anonymous, no need to be so superior.
I looked up that tracklist, and couldn't find 'Tai Lung Escapes' specifficaly listed, hence asking. Closest there is 'Shogun Mongol Prison', but it's too short to be the whole scene.

But I'll try to get a hold of that complete version somehow, looks super interesting.

Po Lover reply Replies: 0 || 2014-01-04 05:11:23
Hans Zimmer or John Powell, or anyone for that matter, where can i find the entire original parts/ score for Sacred Pool of Tears? I would be gladly willing to pay for this entire original sheet music as it is truly a masterpiece. It would be used for personal use and enjoyment, so anybody, can you please help me?
Thank You So Very Much!!!

Anonymous reply Replies: 0 || 2013-12-17 16:18:10
what cues make up sacred pool of tears?

Victor reply Replies: 2 || 2008-12-23 00:00:00
"Oogway Ascends" is one of the most beautiful pieces of Mr. Zimmer... Nice Violin solo


Alexis2012-12-21 20:09:48
It's not a violin, it's an erhu, a chinese violin.





Lucien2013-10-27 08:30:45
Yeah. It is an Erhu.

Anonymous reply Replies: 4 || 2013-07-31 23:54:26
Question: how correct are the automatic CD credits?

In order:

1. Hans Zimmer
2. John Powell
3. John Powell
4. Hans Zimmer
5. Hans Zimmer
6. Hans Zimmer
7. Hans Zimmer
8. Hans Zimmer
9. Hans Zimmer
10. John Powell
11. John Powell
12. Hans Zimmer
13. Hans Zimmer
14. John Powell
15. Hans Zimmer
16. John Powell

This strikes me as way off. The score sounds much more Powellish than Zimmerish as a whole, and I have a very difficult time believing Oogway Ascends is Powell... :P


Zimson2013-08-01 10:34:25
Wrong! :D
Panda Po is by Powell and Oogway Ascends by Zimmer. Sebastian Wulff was one the arrangers from the score and he uploaded some sheets on which the composers are credited. But you got Sacred Pool of Tears right.
sebastianwolff.info/news/category/music/sheet-music/page/8/
I mostly agree on the rest with you


Zimson2013-08-01 10:37:19
And Dragonwarrior rises is by both composers I think. The same theme is used in Oogway ascends


Anonymous2013-08-01 15:27:48
Never said I thought these were the correct answers, so I didn't get anything wrong--I just said this was what the CD gave. ;)


Mike2013-08-01 15:37:17
If anything, I would assume this is mostly Powell and some Zimmer. Zimmer said himself in one interview that he lets Powell take the lead with Kung Fu Panda.

Mike reply Replies: 0 || 2013-07-17 00:04:04
The only tracks I can really discern as Zimmer are "Tai Lung Escapes", "Peach Tree of Wisdom", and "Oogway Ascends". The rest sounds like Powell, with the exception of "Hero", "Panda Po", and "Sacred Pool of Tears", which sounds like both of them.

Anonymous123 reply Replies: 0 || 2013-04-30 06:32:04
KUNG FU PANDA RECORDING SESSIONS

TRACKLIST:
01 - 1m1 DWA Logo, Chinese Inspired
01 - 02 - 1m2-3 Legend Of Dragon Warrior - Po Wakes Up
01 - 03 - 1m4 Shifu Flute And Furious Five
01 - 04 - 1m5-6 Oogway Summons Shifu
01 - 05 - 1m7 Selling Noodles - Shifu Gong
01 - 06 - 1m8-9 Po Climbs Stairs To Souvenir
01 - 07 - 1m10 Let The Tournament Begin
01 - 08 - 1m11 Dragon Warrior Is Among Us
01 - 09 - 1m12a Po Is Chosen
01 - 10 - 1m12b The Celebration
01 - 11 - 1m13 Shogun Prison (Tai Lung)
01 - 12 - 1m14 Reprise Festival
01 - 13 - 2m15 Hall Of Warriors - Furious Five
01 - 14 - 2m15b Training Hall - Master Shifu
01 - 15 - 2m17-18 How's That
01 - 16 - 2m19 First Night
01 - 17 - 2m20 You Don't Belong
01 - 18 - 2m21 Peach Tree Of Wisdom (Oogway Theme)
02 - 01 - 2m22 Tai Lung Escapes
02 - 02 - 2m23 Po Sparring Match
02 - 03 - 3m26 Po Acupuncture - Shifu And Tai Lung
02 - 04 - 3m28 You Must Believe (Oogway's Theme)
02 - 05 - 3m29 Po Imitates Shifu
02 - 06 - 3m31 Shifu Must Convince Po
02 - 07 - 3m32 Furious Five Set Out
02 - 08 - 4m34 Training Begins
02 - 09 - 4m34b Alt. Training Begins (Alternate)
02 - 10 - 4m36 Furious Five - Tai Lung Showdown
02 - 11 - 4m37 Furious Five Defeated
02 - 12 - 5m41 Tai Lung - Shifu's End
02 - 13 - 5m44 Battle For Scroll
02 - 14 - 5m46 Po Vs. Tai Lung
02 - 15 - 5m47-48 Dragon Warrior Has Risen
02 - 16 - Kung Fu Panda Po Tune
02 - 17 - Kung Fu Panda Spiritual Tune (Oogway)

Hope reply Replies: 0 || 2012-04-03 04:41:09
I love the music from Kung fu panda!!!!!! :)

Sad Fan reply Replies: 2 || 2012-01-12 02:30:12
I would appreciate it if in the future all of the Kung Fu Panda soundtracks actually included ALL the music from the movie.

I am greatly disappointed in the fact that I paid for something and realistically only got half of it.

Same with the Kung Fu Panda 2 Soundtrack.

Where is all the music?
It's a soundtrack, you're supposed to put all the music on it.

Is there any chance we could get the music that is missing from the soundtracks?


Mycroft2012-01-12 03:15:56
No. If you seek the music that's missing off of a soundtrack by RCP, you'd have better luck seeking out the Holy Grail.

I like what you say though: "It's a soundtrack, you're supposed to put all the music on it. " RCP needs to hear that!


Sad Fan2012-01-12 03:28:05
How do I contact them?

Anonymous reply Replies: 1 || 2008-05-02 00:00:00
I Can't Wait Mr.Zimmer I Caaaaaaaaaaaaaaaaaan't


Sebastian Wolff2011-09-26 00:46:09
I just arranged some sheet music for:
- Oogway Ascends: sebastianwolff.info/news/2011/09/kung-fu-panda-oogway-ascend s/
- Panda Po: sebastianwolff.info/news/2011/09/kung-fu-panda-panda-po/
- Sacred Pool of Tears: sebastianwolff.info/news/2011/09/kung-fu-panda-sacred-pool-o f-tears/

Cheers - and happy playing.

Anonymous reply Replies: 0 || 2011-06-02 16:50:07
I LOVE Oogway Ascends. It's either one of or IS the prettiest thing(s) I've EVER heard.

Bondo reply Replies: 0 || 2011-04-09 00:00:00
I know that Powell and Zimmer worked together on this one, but are there any tracks that just the one composer scored alone?

Kiltee Bindy reply Replies: 0 || 2011-02-09 00:00:00
The song is awesome and very sad... I love it!!! :)

David Roberts reply Replies: 0 || 2010-06-27 00:00:00
Such beautiful compositions capturing the eastern flavors! I truly love the works of Hans Zimmer as well as the famous works of John Powell! I was hoping to get into contact with someone for usage of some of the songs in this album. The reason I'm asking is because I'm working on a game (free-time) and I was wondering if I could have some kind of usage of the songs. my contact information is KyoteX@live.com. Once again I really appreciate your works and I look forward to listening to more soundtracks from the second Kung Fu Panda!

Anonymous reply Replies: 0 || 2010-04-17 00:00:00
burcu

Andy reply Replies: 0 || 2010-01-06 00:00:00
I love Hero, Sacred Pool of Tears, and mosta of all, Oogway Ascends. Hero is just pure awesomeness, Sacred Pool of Tears I can't even begin to describe, and Oogway ascends is one of the deepest and most sentimental pieces I have a ever heard.

Christine reply Replies: 0 || 2009-12-18 00:00:00
PLEASE, tell where to get the piano music sheet of oogway ascends. IT'S IMPORTANT THAT I GET A RESPONSE TODAY! I WANT TO PLAY IT SO BADLY! I've been searching for the music sheet, but I can't find one, SO PLEASE!

  Your name :   

Please enter number: 787 

Gustavo reply Replies: 0 || 2009-12-06 00:00:00
Where i can find the sheet?

Gustavo reply Replies: 0 || 2009-12-05 00:00:00
Oogway ascends really the best ever

Sung reply Replies: 0 || 2009-07-09 00:00:00
Hey,

Is a music score (sheet music) of Kung Fu Panda available for purchase by any chance?
Can you please let me know?
jipu4ever@me.com

jurisLV reply Replies: 0 || 2009-06-04 00:00:00
Realy great music, i like it! But can some one tell me from wich piece of music is the frase of 3. (Dragon Warrior Is Among Us) track at 00:40" to 00:42".Sorry for my english. Please ansver me, someone!

sandra reply Replies: 0 || 2009-05-26 00:00:00
for me "oogway ascends" the best everrrrrrr...

Mario Soundtrack reply Replies: 0 || 2009-01-20 00:00:00
UOOOO!
Sacred Pool of Tears, Shifu Faces Tai Long & Oogway Ascends (Y) GOOD PIECES

mary plaud reply Replies: 0 || 2009-01-20 00:00:00
could you please put oogway ascends violin sheet music on your web site

Pierre Leindfelder reply Replies: 0 || 2009-01-13 00:00:00
yeah i was interested in finding the sheet music for "oogway ascends" but have not been able to locate it anywhere.

Wyatt Martinez reply Replies: 0 || 2009-01-02 00:00:00
I was wondering if any of you lads out there know where to find the sheet music for the track "Oogway ascends" if you know i would very much appreciate leaving a comment here on the matter.

pantea reply Replies: 0 || 2008-12-30 00:00:00
hi iam pantea from iran how can i have your music ???????all of thems are great music.
thanx about your beautiful website.

politod reply Replies: 0 || 2008-11-30 00:00:00
estoy con ganas de comprarme el dvd de Kung fu Panda solo queria hacerles una pregunta no se si han hecho videos del sound track de kung fu panda quisiera comprar please Buy sound track movie of Kung fu panda more Panda Po & Oogway Ascend

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Kung Fu Panda soundtrack - Hans Zimmer - John Powell 2008