NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
Don't feel bad. You've just summed up why Hans and Lorne make a good team. Lorne is by all accounts a fantastic arranger and can bring out the best in others' ideas but I sometimes find his own compositions are a bit basic or leave me cold. Hans on the other hand always nails the theme and the concept but his scoring to picture to me feels clunky and a bit amateurish, especially when the music is dense. <br><br>Both super talented in their own ways. :-)Is there anyway o get sheet music for Into the pie machine for orchestra?Just saw Maleficent 2. There is a lot more Newton Howard in the movoe than there is on album.<br>I actually can't really understand why they didn't include the reprise of The Christening (the dinner scene) & the finale in the movie.<br><br>Zanelli's score is wonderful and I love it very much. But would have loved this on albumI can't imagine how someone likes Balfe's part over Richters. As you said Thomas, Richters work sounds more like suites, and Balfes work is written more to picture. BUT, it sounds to me also like a typical RCP-work with Hans. While Hans gives the direction with his suites and melodies, Balfe and co are adapting those suites to the specific scenes and writing some "new" stuff to fill any gap if there is any need of it, so they become additional composers in the credits.<br><br>And here, we have the same. Richter shows the direction and some cues are real intense and beautiful. Balfes parts sounding like a gap-filler. I don't want to talk bad about Balfe, he's a composing machine, but still i can't find anything remarkable on those parts and so i can't understand how Richters work hasn't been used but instead the more colorless cues from Balfes part :/<br><br>Again, don't feel insulted guys, it's just my sensationBalfeís part is the best I think.<br>It also seems written to picture instead of just long suites.<br>My understanding is the Balfe wrote half of the score but the album doesnít seem to represent that for some reason.
I really liked Richterís score over balfesI listened Max Richter for years. He is the kind of select or minority composer who does his solo works and soundtrack for movies not so famous. <br>His solo works are really really good with quintet and piano and voice. "on the nature of daylight" is definitely the best. <br>His sountrack is not good as his solo, to be honest. I think "the Leftovers" (2014-2017, HBO series), "Miss Slaone" (2016) and "Mary Queen of Scots" (2019) are cool.<br>If you need some peaceful music for meditation or good sleep, listen to his work.Richter did his recording in january and june 2019. The Director himself is a fan of Richter, so the deadline and director are not the reason.<br>It seemed that producers were not satisfied with Richter's music and they wanted something new, that's why they got Lorne. It turned out Lorne brought a very limited new...@Cercei<br>Hybrid can definitely answer that best. Richterís score is used (alongside Balfeís material) as well as some source pieces. If I remember correctly itís a mish-mash of the two.I do know that piece, itís very pretty. Iíll check out his other works, thanks for the recommendation. In terms of minimalism I really am into Brian Eno at the moment. His ďMusic For AirportsĒ and ďThe Lovely BonesĒ are excellent if you like more introspective music.
btw, you're saying Lorne recomposed and reworked the entire score. as i haven't seen the movie yet, did the producers end up with not using richters score for it at all and just used the score from Lorne?thanks for your information. but i actually don't understand why they have done that. i've heard now Lornes cues and Richters cues. all those cues from Lorne, they sound very similiar to that what Richter composed, but somehow with less melodies. And you really have to work hard to not use fewer melodies then Richter, as he's a minimalist at its best ^^ with that being said, i can't hear any groundbreaking differences from Lornes part, so what was their idea on hiring it and getting the same style of music, but in a more "light" version? :/i really admire Max Richters work, he isn't that new in this scene. his style is that repeating minimalism. maybe you've heard once the cue "on the nature of daylight" which was used a lot by many other movies. his last score which knocked me out was "Hostiles". such an emotional and intense score, you need to hear that, and probably see the movie as well (with Christian Bale). <br><br>Really surprised at this album, Iíve never really heard anything from Max Richter but I really like what he ended up writing for this score. It surprisingly flows well for a stand alone listen. Itís funny that the producers wanted a different approach, I think Richter nailed it.<br><br>Balfeís contribution is excellent as well, I particularly like that repeating chord progression (which is starting to become one of his trademarks considering how many times he has used it). Itís disappointing that they didnít include more of his contribution though, since he apparently rewrote the entire score.Lorne said in his Twitter, the first album for His Dark Materials come 3rd November, no date, for the moment, for the second album.
Was the producersi haven't understood the fact, that Lorne was involved in this. Can someone explain it for me? Was the director not satisfied with Richters music? Was the deadline too near? Or what was the reason why they have brought Lorne to this project?"The Wanderer", "Event Horizon", "You Have To Let Me Go" and "Tuesday (Voiceless)" = WOW WOW WOW!!!Zanelli is no James Newton Howard, but he did a fantastic job with writing a large scale fantasy score. Iíll even say that, while I think the first Maleficent is stronger overall, I personally like the action writing better here. Also 2 little things Iíve noticed;<br><br>1. The new theme here sounds fairly similar to the Father/Son tune from KFP3<br>2. 2:20-3:30 sounds like it may have been temped from the finale of Fantastic Beasts. (Or maybe Iím just crazy lol)Great work of Zanelli, if is not as good like JNH's Maleficent, is a tremendous work, with a terrific writing and orchestrations, even the most tender parts are terrific.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Score ProducerMusic Scoring Mixer
David BuckleyNick Glennie-SmithHarry Gregson-WilliamsMalcolm Luker
ComposerAdditional ArrangementsScore ProducerMusic Scoring Mixer
The Forbidden Kingdom
Label: Lionsgate Records
Length: 67'00
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (14868 votes)
  1. The Mountain Of Fruit & Flowers (1:43)
  2. The Peach Banquet (1:46)
  3. Monkey Business (4:31)
  4. China Begins (4:11)
  5. Hops' Shop (3:07)
  6. J&J Temple Fight (5:34)
  7. The Legend Of The Temple Staff (1:59)
  8. Two Tigers - Two Masters (2:49)
  9. Tea House Fight (5:07)
  10. The Tyranny Of War (5:23)
  11. Don't Forget To Breathe (0:52)
  12. Ni Chang & Her Cult Killers (4:35)
  13. Drunken Master Wounded (3:40)
  14. The Seeker Of The Prophecy (5:05)
  15. Let The Journey Begin (2:37)
  16. Monkey King Released (2:27)
  17. Battle Of The Bride (3:01)
  18. Her Destiny Was Written (4:12)
  19. As One Tale Ends... (2:46)
  20. ... Another Tale Begins (1:35)
Create Topic

Pages << 1 2 3 4 >>

Knight reply Replies: 1 || 2019-04-12 07:46:06
Checked ASCAP and BMI, this is what I found:

Buckley, Nick Glennie-Smith

Monkey King and Warlord, Part 2
Training Montage
Sparrow Dies

and apparently Halli Cauthery helped write Let the Journey Begin

  Your name :   

Please enter number: 789 


Knight2019-04-12 08:16:14
Any idea if Nick's contributions are on album, Hybrid?

Bayhem reply Replies: 9 || 2018-10-30 15:28:15
Such a beautiful and layered score. David Buckley deserves as much hype as Lorne. They're both the same age, started at pretty much the same time, they're both pretty active now, yet no one seems to talk about Buckley. While "Lorne talk" is all over the place.

Buckley deserves more recognition. And I would even argue that when it comes to more emotional cues, he's better than Lorne. It's like he took the best from Zimmer and Powell. My opinion....


bildchen2018-10-30 17:48:44
mhm, interesting. i have to admit, i never heard to any of his scores. will start with this one. do you have any more tips for me?


Mephariel2018-10-30 22:30:45
The Forbidden Kingdom is much better than anything Lorne Balfe ever scored. No joke. It is actually one of the best RCP scores of that decade.


Michael2018-10-31 15:54:12
ďBetter than Lorne BalfeĒ

HA!!!!!!!!!

Thats why Balfes gets big movies and Buckley doesnít then is it ? Exactly


Mephariel2018-10-31 16:21:44
Getting big movies doesn't mean better composer.

Balfe also arguably gets bigger films than Carter Burwell, Patrick Doyle, and John Debney.


...2018-10-31 17:57:58
This year Balfe got bigger movies than Zimmer himself... does that make Balfe better than Zimmer lol


Hybrid Soldier2018-10-31 19:20:29
If you keep going the route you're dangerously taking, I'm simply erasing this conversation.


superultramegaa2018-10-31 20:38:51
Lorne Balfe is better than Howard Shore... because he gets more big movies in this period of time. Nice logic, Michael.


Anonymous2018-11-01 01:39:47
wow Hybrid Soldier. dictator much?


Hybrid Soldier2018-11-01 18:45:10
Yes, very much.

punisher reply Replies: 0 || 2010-10-26 00:00:00
i am from egypt i love this song to mutch
salam alikom

punisher reply Replies: 0 || 2010-10-26 00:00:00
i love this movie i love china

oyea reply Replies: 0 || 2010-10-04 00:00:00
:>

Anonymous reply Replies: 0 || 2010-06-15 00:00:00
The Seeker of The Prophecy

anhuynh reply Replies: 0 || 2010-04-01 00:00:00
i have been lookinf for this. TY

Ravi Krishna reply Replies: 0 || 2009-10-01 00:00:00
A very good score, this one. David's a really talented composer! :)

Levente reply Replies: 0 || 2009-10-01 00:00:00
More credits:

Karen Han - Erhu (she aslo worked on POTC 3)
Hugh Marsh - Violin

julystrom reply Replies: 0 || 2009-07-29 00:00:00
thanks for download i can find many music that i like

Anonymous reply Replies: 0 || 2009-07-01 00:00:00
i love this musick!

Rojay reply Replies: 0 || 2009-04-18 00:00:00
Music is great! Too bad the movie was not that good.

sekura reply Replies: 0 || 2009-02-26 00:00:00
This soundtrack was perfect for the film! I love it!

The movie was great too ... thoroughly enjoyable to watch and to listen too!

Anonymous reply Replies: 0 || 2009-01-12 00:00:00
salut

Danny reply Replies: 0 || 2008-12-19 00:00:00
Magnificent score!

It's great to see how the future always look great at Remote Control Productions with now David Buckley making a great one of his own after the likes of Zimmer, Mancina, the Gregson-Williams brothers, Glennie-Smith, Dooley, Jablonsky and co. made it before him from the same studio.

Jade Sharp reply Replies: 0 || 2008-11-06 00:00:00
I have completely fell in love with this film to the point of obsession and watch it at least once every weekend.. i am 23 and think i may have a problem.. LOL Jet Li is to hot, Love the sound track another tale is my fav..absolutly fab film love it love it love it

tibo vertessen reply Replies: 0 || 2008-10-13 00:00:00
cool

joshua reply Replies: 0 || 2008-08-27 00:00:00
what would you compare this score to.

cheese reply Replies: 0 || 2008-08-25 00:00:00
oh!! i cant wait to buy the soundtrack! is it released worldwide??

konstantinos kalas reply Replies: 0 || 2008-08-22 00:00:00
great movie great music.

Pete reply Replies: 0 || 2008-08-17 00:00:00
Incredible soundtrack -- I love it !!! thank you Mr Buckley , you made a guy happy for the year :)

krazie835 reply Replies: 0 || 2008-08-04 00:00:00
It's possible, but some of Harry Gregson-Williams material pops up in this score too.

JT83 reply Replies: 0 || 2008-08-03 00:00:00
Nevermind. For some reason they put it as the album's *last* track. Weird, but acceptable.

Sylvos reply Replies: 0 || 2008-08-03 00:00:00
Excellent score. It sure deserves the wait. It's rich with thematic ideas and ethnic elements, the sound quality is crisp and clear and the mix is superb. It's very hard to believe they were on the narrowest of budgets when recording this thing, when you compare it with some of the big budget scores that's coming out these days.

This one is highly addictive for those who, like me, love exotic/ethnic film scores. Can't wait for David's future works now!

JT83 reply Replies: 0 || 2008-08-03 00:00:00
Listening to the CD, very happy. But no 'Title track' theme? :(

Sylvos reply Replies: 0 || 2008-08-03 00:00:00
You're not wrong dude. But that's the only moment of the whole score where a Batman flavored tune is heard and I assume this is the reason that Hybrid Soldier chose this one for the samples.

Anonymous reply Replies: 0 || 2008-08-03 00:00:00
Maybe David Buckley was a ghostwriter on The Dark Knight. lol

Klaas reply Replies: 0 || 2008-08-03 00:00:00
Perhaps I'm entirely wrong, but to me it seems that the beginning of the extract (Track 19) sounds extremely similar to the extracts I heard from 'The Dark Knight'. Anyone else noticed this? I was wondering because for as far as I know these two scores have nothing to see with eachother...

(But as I said, perhaps I'm totally wrong. I don't have both scores on cd yet, this is purely based on some extracts.)

Staroc reply Replies: 0 || 2008-07-31 00:00:00
Well I do of course realize that CD Audio Quality is superior to 'crappy' iTunes, but I happen to be fine with the quality offered, without having to have another CD lying around the house. I simply prefer digital downloads, since I listen to them on my iPod at work most of the times anyways. So there: I am no audio quality affectionato, but I am a guy who's willing to pay good money for this soundtrack, because I seriously like what I heard so far. Well I can't, which in the end is of course not anyone's problem but mine. However I'd still like to at least know if and when there is potentially a way to obtain the soundtrack in Germany and be it 'just' as a CD release that I can buy from the German Amazon (though I'd still prefer iTunes) :)

Pages << 1 2 3 4 >>

 HANS-ZIMMER.com© 2001-2018 OST 
The Forbidden Kingdom soundtrack - David Buckley 2008