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Maybe the reuse of MW 2 is not Lorne's choice after all. Maybe the movie was temptracked with it, before scored, and the director got attached to it. So Lorne had either to "imitate" it or just use the same cues, since they were his. <br><br>This is just a speculation I made, since this happens quite often. I remember the Elfman - Raimi conflict about the train sequence in Spiderman 2, where Raimi asked Elfman to "copy" a cue from Hellraiser.Guys are you serious ? Iím currently reading comments about how Modern Warfare 2 is in the score. In Bad Boys for Life you can heard firstly  : The Rock, Speed, Bad Boys, ... MW2 is just a reharsch of these score instead with some Black Hawk Down soundscape. Have you heard any MV score post 2005? &#128517;As much as I think that the choice of movie Powell makes, which up till now have created amazing scores, I do wish we'd get more than 1 score of his every year. Even if the quality is like Solo or The Hidden WorldI actually don't know which I prefer. I guess nostalgia might be clouding my judgement, since the album version was the one used on the DVD menu. Both are still pretty good, nonetheless.Yeah no contest IMO, it's much more dynamic and more "Powell-y" compared to that Superman-style rhythm he uses in the album version and elsewhere in the score. Must have been a hasty last-minute redo or something to not show up on the album.
The films Powell is currently choosing allow him to write much more interesting music than your average Marvel movie... ;)<br><br>Excited for Call of the Wild in a few weeks.Does anyone know what the correct chronological tracklist for this would be?Honestly, i think i will be that few people who likes Lights Out. But his best horror score is A Cure for WellnessThatís a cool choice, Iím hoping for something more like ďItĒ and less like ďLightís OutĒ.Wallfisch has compose the score for The Invisible Man, another horror score for the best guy today for the job
Powell has his personal reasons, but I sincerely hope he comes around to do another superhero score again, especially for MARVEL since his style isnít fit for the likes of DC as of now.I like the film version of Bathroom Titles better.LOL!<br><br>He has had some experience with animated projects, Iím interested to hear him do more diverse projects like that.I will never understand when people can't stand people opinions and 'attack' them.<br><br>If some loves Trent Reznor (i hate the guy's music), is his opinion and i no one to say nothing about it.Bring on the remixes!
LOL!!! You have no idea about film music<br>====================<br><br><br>It's his opinion, my friend.<br><br>And his opinion is equally as valid as the opinion of someone who thinks this score is the worst crap ever. Why? Because when it comes to appreciating art (movies, books, music...) it is all completely subjective. <br><br>I always use this example: I have two friends - educated, family men - who have seen The Godfather. One of them thinks it's one of the greatest movies ever, while the other one barely finished watching it. <br><br>At the end of the day, just because a group of people (film critics, film buffs, etc) proclaim that something is "good" or "bad" doesn't mean that it's automatically a holy statement that everyone should agree with. <br><br>We are all different :)<br><br>Cheers!Judging by the clips of this movie, it will be a good choice.<br><br>I can't wait for this one, after seeing those clipsAccording to Film Music Reporter, Tom is also scoring Scoob!MMichaels LOL!!! You have no idea about film musicFantastic score by Balfe.Best action score writer to come from RCP since Powell for sure .
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Additional Music - Orchestrator
John PowellJames McKee SmithHenry JackmanJohn Ashton Thomas
ComposerAdditional MusicAdditional MusicAdditional Music
Hancock
Label: Varese Sarabande
Length: 44'35
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8662 votes)
  1. SUV Chase (2:01)
  2. John, Meet Ray (2:05)
  3. Train Disaster (2:40)
  4. Meatballs? (0:57)
  5. The Trailer (2:00)
  6. French Asshole (1:32)
  7. Superhero Comix (0:44)
  8. You Should Go! (0:51)
  9. Mary Brings Meatballs (1:33)
  10. Getting Therapy (2:18)
  11. To War (1:19)
  12. I Really Hate That Word (0:48)
  13. Standing Ovation (1:06)
  14. The Kiss (2:20)
  15. Indestructible (2:05)
  16. Hollywood Blvd (6:24)
  17. Mortal (5:27)
  18. Upon Us All (1:19)
  19. Death And Transfiguration (3:55)
  20. The Moon And The Superhero (3:13)
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Knight reply Replies: 2 || 2019-03-14 04:19:00
Hybrid do you know what Henry did on this score? His cue list on ASCAP for it has been deleted.


Hybrid Soldier2019-03-14 19:53:03
Not deleted, it was just never added...


Knight2019-03-14 21:31:03
Damn :(

Falconet From Italy reply Replies: 1 || 2009-01-23 00:00:00
maybe it's called Get Out The Way! but i don't know the singer! :-(


JJ2016-09-20 01:02:01
Ludacris - move b*tch

George reply Replies: 1 || 2009-01-23 00:00:00
Hello ,
Please can anyone tell me what is the name of rave song playing at car chase?
I am looking for it..


JJ2016-09-20 01:01:38
Ludacris - move b*tch

Jasemin reply Replies: 0 || 2011-06-14 04:53:53
You’ve got it in one. Coduln’t have put it better.

Phil B reply Replies: 0 || 2011-03-04 00:00:00
gr8 score...
Death and Transfiguration :)
The Moon And The Superhero :)

like them very much

Romain P. reply Replies: 0 || 2009-06-16 00:00:00
easily one of the best 2008 score

Dawn reply Replies: 0 || 2008-12-16 00:00:00
Did anyone noticed that the guitar cue when Hancock and Mary are dying is similar to Powell's showreel's "Music for the End of the World - Face, Hope and Charity", with a different arrangement ?

It's really interesting, because John Powell used many of the demos from his 1998's showreel in his career during the last 10 years (and especially from his "Music for the End of the World".
This is the case for Antz, Chicken Run, Just Visiting, Hancock and now Bolt ! A great part of his career is made out of this showreel's ideas.

Driss reply Replies: 0 || 2008-08-29 00:00:00
iluminat I guess you're talking about the sound when he's alone in his trailer... It's my favourite too :p
It's called : Rachel's - Water From the Same Source
Enjoy

Anthony reply Replies: 0 || 2008-08-21 00:00:00
I don't know if it's going to be unreleased score or a song, but nothing from that scene is on the soundtrack.

As Cloud mentioned, check IMDB.

Cloud reply Replies: 0 || 2008-08-21 00:00:00
Why don't you just take a look at imdb?

alfi reply Replies: 0 || 2008-08-21 00:00:00
well i just heard the: you should go it's not that one...
i'm looking for the one just before he shouvs that guys head up the other guys ass :D
thx for the help

Anonymous reply Replies: 0 || 2008-08-21 00:00:00
Does anyone know the name of the song when he goes to prison it might be the: you should go...???
thx

tu mama reply Replies: 0 || 2008-08-19 00:00:00
chido one

Daniel reply Replies: 0 || 2008-08-14 00:00:00
I want to know the singers and the songs

iluminat reply Replies: 0 || 2008-08-07 00:00:00
Does anyone know what music is about 18 minute of the movie?

Sorry about my english. :)

LiVeX reply Replies: 0 || 2008-07-28 00:00:00
eeey Dude,..


Move B*tch - Ludacris featuring Mystikal and I-20

Anthony reply Replies: 0 || 2008-07-22 00:00:00
The one piece of unreleased music that stood out to me was the movie version of "The Trailer". Totally different from what's on the CD and much, much better.

J Gibbons reply Replies: 0 || 2008-07-22 00:00:00
Amazing soundtrack, as always from one of my fave composers! I was just bummed to see the cue with the cello is not in it, that sort of mellow one that happens about 1/3rd into the movie...

Mikel S.i.W (from Spain) reply Replies: 0 || 2008-07-21 00:00:00
This soundtrack is very exciting. Great work, oh yes. Itīs been a pleasure, Mr. Powell.

Anthony reply Replies: 0 || 2008-07-21 00:00:00
Lono, the cue you mention (the Superman knock-off) is unreleased.

Lono reply Replies: 0 || 2008-07-21 00:00:00
Anthony - thanks for your comment, but I actually meant the music that starts before the Superman-esque cue. It is more of a low pitched growling affair that builds as the robbers are shooting at the police, then ends on the shot of the robber holding the deadman switch. The generic superhero cue starts a few seconds after this.

I guess it's fated to remain unreleased also though... Shame. Powell excels in that vein of suspense/tension cues, a la Face/Off.

Lono reply Replies: 0 || 2008-07-20 00:00:00
There is a cue in the film that starts when Hancock is in prison and is told he has a phone call from the Chief of Police, builds while he is shaving, then bridges into the siege outside the bank. This was my favourite piece of music in the whole score, yet it is not on the soundtrack album. Does anyone have any information?

Thanks in advance,

Lono

Anonymous reply Replies: 0 || 2008-07-20 00:00:00
FDGH

nancy reply Replies: 0 || 2008-07-19 00:00:00
whats the name of that song, at the begining of the movie, is not uv chase, is another old song, with that instrument, "armonica"

KaijusRoyaume reply Replies: 0 || 2008-07-12 00:00:00
This score is great. I love the two last tracks

johnnyboy reply Replies: 0 || 2008-07-12 00:00:00
is the song at the start of the movie when he's chasin the suv if it is i'm tryin to find it to.

Dithl reply Replies: 0 || 2008-07-10 00:00:00
ahh theres this song in the movie, i reeeally want it, its like a hiphop rnb song, can anyone hellp mee?

DemonStar reply Replies: 0 || 2008-07-02 00:00:00
The Moon and The Superhero is gonna be one of the best Powell tracks of the year, I can tell. The rest of the score is pretty good too, though it's not really the kind of stuff I like to play a lot. 3.5 out of 5 I guess.

Peter reply Replies: 0 || 2008-07-02 00:00:00
The beginning of that excerpt of track 19 reminds me a bit too much of Elfman's Spider-Man score, but other than that it sounds like a great score.

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Hancock soundtrack - John Powell 2008