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Oh if you liked this one, you should see the one way below with Bayhem, Meta and Macejko going at it like crazy<br><br>Pretty sure saying this will make another situation like that.I like how this debate about Lorne Balfe started from me politely asking for artist credits. This is a cool place.Lorne Balfe didnt work at this score!!!!Exactly Solomon !<br>THe use of the krypton theme in the spaceship scene made this moment more intense and it felt... natural... as if the rest of the music doesnt blend in the atmosphere we were used to with the previous movies.@scarecrow9: Wikipedia says that filming originally wrapped in October 2016, and that Zack was taken off the project in May 2017. That's at least 6 months of post-production, so hopefully yes.<br>@Leonard Dante: You don't think it's disrespect to Snyder that the film bears his name but Whedon cut it up and redid his story with terrible reshoots and replaced his nominated composer?<br><br>Lastly, I will say that I watched the film earlier today and thought it was absolutely terrible. The best part was the few seconds where Zimmer's "Krypton" theme was playing in the scoutship!
Hybrid, do you think that the Snyder´s Cut could really exist somewhere? Let alone with Tom´s score, do you think that he even began scoring the film? I would love to see that version. Thank you for your answerBalfe is one of the few that hasn’t got additional writers<br>=================================<br><br><br>Even composers who do one or two movies a year receive help. So it's very, very hard for me to believe that Balfe - with the amount of movies he works on now - is out there by himself, scoring it all by himself. It's simply not possible. And this is the MV/RC world after all. Composers help each other all the time. And many of these collaborations don't even make it to this site. It's very hard to keep track of everything.imo whedon and elfman screwed up the movie, i'd say Zacks original cut would be better, then again thats just me thoPerhaps. But it would be a disrespect to Whedon and Elfman. Okay. If that means more money on the table, they will.HOPE NEVER DIES.<br><br>Sources confirm this days on social media that Zack Snyder Original Cut of Justice League not only exists, but have VFX's work and Junkie XL's score on it.<br><br>That could be really EPIC.<br><br>The Fight for this can happens is bigger every minute passes, dont lose the faith, not now.
Cannot freaking wait!"Balfe is one of the few that hasn’t got additional writers"<br><br>As if. Just look through this site and you'll see additional guys credited for lots of his scores. Max Aruj, Steffen Thum, Thomas Farnon, Andrew Kawczynski on some projects...he's a very busy guy but I promise you he doesn't do every single second of his 15 scores a year on his own.Bayhem - Balfe is one of the few that hasn’t got additional writers though.which films has this small army of ghostwriters ???!!!!!!You say Balfe worked on the last Transformers(2017). Okay. He may have been called by the Paramount. However, his involvement with the franchise in 2005 and in the following years happened because of the RCP and Zimmer's direct involvement in the project. There in 2005, 2007, 2011, 2014 he was a guest of RCP/MV and no received no call for help of the Paramount. There is no other way.he worked on the first transformers . And did a lot. Why not ask him on twitter .<br>.....................................<br><br><br>I've asked him a lot of stuff. We're Facebook friends. And yes, I know he worked on the first one. I clearly said it a couple of times in my replies here. He worked on the first one and the second one as well. But if you try to imply that Balfe deserves the credit for these scores, you are way, way off the mark. And it's very disrespectful to Jablonsky. Very.<br><br>Now, clearly you like Balfe a lot. Fine. But please don't undermine a far more experienced and successful composer like Jablonsky, just because Balfe is the "hot MV/RC composer" at the moment. We, the Jablonsky fans, certainly didn't act that way in 2007 when Jablonsky's name was everywhere and people were going crazy for the Transformers score. No one denies that Balfe worked hard on the Transformers films. But he's not the "main guy". Just like a lot of MV/RC composers have worked on HIS scores and they're not the main composers. You think Balfe scores all of his movies alone? Nope. Like any other successful and busy composer out there, he's supported by a small army of ghostwriters.
Studio = Paramount and he worked on the first transformers . And did a lot. Why not ask him on twitter . I did !!!!!!Balfe never worked for Jablonsky =========================================<br><br>By "worked for Jablonsky" I meant he worked ON Jablonsky scores. And as James said, it's all MV/RC anyway. They all know each other and help each other. The first Transformers movie started post-production at the end of 2006. Back then no one knew who Balfe was (aside from the biggest MV/RC fans). His big break arguably came in 2009-2010. Years after the first Transformers movie. So no matter how we spin it, he still came after Jablonsky. Jablonsky is his senior and obviously has much more experience. And we have to respect that. <br><br>That was my point.Should have gotten one for Interstellar, not this."Strength And Honor" is a forerunner to the main theme of King Arthur and also the theme for Transformers!<br><br>I was listening to the soundtrack and unwittingly the music sent me to these two other movies. :Dhe says he was brought in by the studio.<br><br>-----------------------------------------------<br><br>Studio = RCP = Hans Zimmer credit as producer of the score.<br>In end of day is the same thing.
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Additional Music - Orchestrator
John PowellJames McKee SmithHenry JackmanJohn Ashton Thomas
ComposerAdditional MusicAdditional MusicAdditional Music
Hancock
Label: Varese Sarabande
Length: 44'35
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (7591 votes)
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  1. SUV Chase (2:01)
  2. John, Meet Ray (2:05)
  3. Train Disaster (2:40)
  4. Meatballs? (0:57)
  5. The Trailer (2:00)
  6. French Asshole (1:32)
  7. Superhero Comix (0:44)
  8. You Should Go! (0:51)
  9. Mary Brings Meatballs (1:33)
  10. Getting Therapy (2:18)
  11. To War (1:19)
  12. I Really Hate That Word (0:48)
  13. Standing Ovation (1:06)
  14. The Kiss (2:20)
  15. Indestructible (2:05)
  16. Hollywood Blvd (6:24)
  17. Mortal (5:27)
  18. Upon Us All (1:19)
  19. Death And Transfiguration (3:55)
  20. The Moon And The Superhero (3:13)
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Falconet From Italy reply Replies: 1 || 2009-01-23 00:00:00
maybe it's called Get Out The Way! but i don't know the singer! :-(


JJ2016-09-20 01:02:01
Ludacris - move b*tch

George reply Replies: 1 || 2009-01-23 00:00:00
Hello ,
Please can anyone tell me what is the name of rave song playing at car chase?
I am looking for it..


JJ2016-09-20 01:01:38
Ludacris - move b*tch

Jasemin reply Replies: 0 || 2011-06-14 04:53:53
YouÂ’ve got it in one. CodulnÂ’t have put it better.

Phil B reply Replies: 0 || 2011-03-04 00:00:00
gr8 score...
Death and Transfiguration :)
The Moon And The Superhero :)

like them very much

Romain P. reply Replies: 0 || 2009-06-16 00:00:00
easily one of the best 2008 score

Dawn reply Replies: 0 || 2008-12-16 00:00:00
Did anyone noticed that the guitar cue when Hancock and Mary are dying is similar to Powell's showreel's "Music for the End of the World - Face, Hope and Charity", with a different arrangement ?

It's really interesting, because John Powell used many of the demos from his 1998's showreel in his career during the last 10 years (and especially from his "Music for the End of the World".
This is the case for Antz, Chicken Run, Just Visiting, Hancock and now Bolt ! A great part of his career is made out of this showreel's ideas.

Driss reply Replies: 0 || 2008-08-29 00:00:00
iluminat I guess you're talking about the sound when he's alone in his trailer... It's my favourite too :p
It's called : Rachel's - Water From the Same Source
Enjoy

Anthony reply Replies: 0 || 2008-08-21 00:00:00
I don't know if it's going to be unreleased score or a song, but nothing from that scene is on the soundtrack.

As Cloud mentioned, check IMDB.

Cloud reply Replies: 0 || 2008-08-21 00:00:00
Why don't you just take a look at imdb?

alfi reply Replies: 0 || 2008-08-21 00:00:00
well i just heard the: you should go it's not that one...
i'm looking for the one just before he shouvs that guys head up the other guys ass :D
thx for the help

Anonymous reply Replies: 0 || 2008-08-21 00:00:00
Does anyone know the name of the song when he goes to prison it might be the: you should go...???
thx

tu mama reply Replies: 0 || 2008-08-19 00:00:00
chido one

Daniel reply Replies: 0 || 2008-08-14 00:00:00
I want to know the singers and the songs

iluminat reply Replies: 0 || 2008-08-07 00:00:00
Does anyone know what music is about 18 minute of the movie?

Sorry about my english. :)

LiVeX reply Replies: 0 || 2008-07-28 00:00:00
eeey Dude,..


Move B*tch - Ludacris featuring Mystikal and I-20

Anthony reply Replies: 0 || 2008-07-22 00:00:00
The one piece of unreleased music that stood out to me was the movie version of "The Trailer". Totally different from what's on the CD and much, much better.

J Gibbons reply Replies: 0 || 2008-07-22 00:00:00
Amazing soundtrack, as always from one of my fave composers! I was just bummed to see the cue with the cello is not in it, that sort of mellow one that happens about 1/3rd into the movie...

Mikel S.i.W (from Spain) reply Replies: 0 || 2008-07-21 00:00:00
This soundtrack is very exciting. Great work, oh yes. It´s been a pleasure, Mr. Powell.

Anthony reply Replies: 0 || 2008-07-21 00:00:00
Lono, the cue you mention (the Superman knock-off) is unreleased.

Lono reply Replies: 0 || 2008-07-21 00:00:00
Anthony - thanks for your comment, but I actually meant the music that starts before the Superman-esque cue. It is more of a low pitched growling affair that builds as the robbers are shooting at the police, then ends on the shot of the robber holding the deadman switch. The generic superhero cue starts a few seconds after this.

I guess it's fated to remain unreleased also though... Shame. Powell excels in that vein of suspense/tension cues, a la Face/Off.

Lono reply Replies: 0 || 2008-07-20 00:00:00
There is a cue in the film that starts when Hancock is in prison and is told he has a phone call from the Chief of Police, builds while he is shaving, then bridges into the siege outside the bank. This was my favourite piece of music in the whole score, yet it is not on the soundtrack album. Does anyone have any information?

Thanks in advance,

Lono

Anonymous reply Replies: 0 || 2008-07-20 00:00:00
FDGH

nancy reply Replies: 0 || 2008-07-19 00:00:00
whats the name of that song, at the begining of the movie, is not uv chase, is another old song, with that instrument, "armonica"

KaijusRoyaume reply Replies: 0 || 2008-07-12 00:00:00
This score is great. I love the two last tracks

johnnyboy reply Replies: 0 || 2008-07-12 00:00:00
is the song at the start of the movie when he's chasin the suv if it is i'm tryin to find it to.

Dithl reply Replies: 0 || 2008-07-10 00:00:00
ahh theres this song in the movie, i reeeally want it, its like a hiphop rnb song, can anyone hellp mee?

DemonStar reply Replies: 0 || 2008-07-02 00:00:00
The Moon and The Superhero is gonna be one of the best Powell tracks of the year, I can tell. The rest of the score is pretty good too, though it's not really the kind of stuff I like to play a lot. 3.5 out of 5 I guess.

Peter reply Replies: 0 || 2008-07-02 00:00:00
The beginning of that excerpt of track 19 reminds me a bit too much of Elfman's Spider-Man score, but other than that it sounds like a great score.

James reply Replies: 0 || 2008-07-02 00:00:00
I agree with kyle, i need to know the names.

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Hancock soundtrack - John Powell 2008