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I hear a lot of music throughout the postcad, I imagine from the movie, piano and very orchestral, it promisesseeming score snippets at 6:29, 29:13 and 34:55.in the first episode is nothing about the score :/ mehhThis is a beautiful score by the way. I have feeling this will get lost with NTTD, Dune, and WW84 coming out, but people should give this a listen. The new overture is a nice remix of the main PEII theme. And I "Surfing Dolphins" is yet again a winner.Dave didn't work on it, but a few Blue Planet stuff were used so he gets some sort of credit in the cuesheet for "A Celebration".
Who did Zimmer do this with? Shea and Fleming?May Mr. Zimmer and his team be interested on “extracting” music from the human body for medical purposes?<br>You can reach me at:<br>jcp77452 at um.es<br>ThanksNot only is the album fun as a concept album, it's a surprisingly good score to picture. The themes are really clear for each of the characters and the music really fits the action. Even though the action is kind of corny. Real underrated gem. <br><br>I finally watched the film and even though it's a sort of 5 or 6 out of 10 average/okay movie, it reminded me just how much personality gets injected when Hans Zimmer does the score. He really has a strong voice.Yeah this is a pretty fair assessment.<br><br>While I’ve found myself liking it less and less now that we’re hearing things like ME or Alita from Tom there are still some excellent tracks throughout. <br>(The Dark Tower, Collateral Damage, Guardian, It Will Fall, Roland of Eld)<br><br>My biggest gripe is with the purely sound design cues. They honestly go nowhere and end up padding the album out. What this score needed was a solid villain motif and some more orchestral underscore. It’s like one-half of the score is the more traditional side of Holkenborg whereas the rest falls into his early habit of just making noise.I give it a listen after three years, and i still like it.<br><br>If isn't as good as Mortal Engines or Alita, have a interesting aspects to enjoy: his main theme for Roland, some of the action cues are strong, even the dramatic ones (The Creed or Collateral Damage), some of the sound design are interesting.<br><br>Maybe the weakest aspect of the album, is the middle, some tracks are not that interesting to listen.
woooooow <3From the "No Time to Die" podcast description...<br><br>"You can also be the first to hear exclusive score from Hans Zimmer and brand new recordings from the Royal Philharmonic Orchestra from Bond 25 brought to you from Decca Records."<br><br>First of six episodes is released on Wednesday 30th September!!that would be great@GR7 that sounds really cool care to share?Hi! What's the story with track "Into Space"? They really copy track "Planet Descent" and name it that "Into Space"?
I agree guys. Yhis album and parts of the experiments are vey enjoyable. I tend to listen to OST prriodically, and each year there is one or severall scores that replace what I listen the most, and so on... but Dark phoenix is one I can listen every time. <br>I made personal suites assembling music from the OST and mixing it with expremients, and it results in a 50 min suites album, I really like it.Same for me. I'm so happy ! :DA Celebration? It's actually on youtube now.Got it. I assumed as much for the first 3. Thanks.hahahaha ... crack, sorry. Well so far there is no news of anything. Only the video that one track and one with Dave, but it's a preview.<br>I'm not sure how to get news on this, I really would like to get it hahaha.
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Additional Music - Orchestrator
John PowellJames McKee SmithHenry JackmanJohn Ashton Thomas
ComposerAdditional MusicAdditional MusicAdditional Music
Hancock
Label: Varese Sarabande
Length: 44'35
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (9231 votes)
  1. SUV Chase (2:01)
  2. John, Meet Ray (2:05)
  3. Train Disaster (2:40)
  4. Meatballs? (0:57)
  5. The Trailer (2:00)
  6. French Asshole (1:32)
  7. Superhero Comix (0:44)
  8. You Should Go! (0:51)
  9. Mary Brings Meatballs (1:33)
  10. Getting Therapy (2:18)
  11. To War (1:19)
  12. I Really Hate That Word (0:48)
  13. Standing Ovation (1:06)
  14. The Kiss (2:20)
  15. Indestructible (2:05)
  16. Hollywood Blvd (6:24)
  17. Mortal (5:27)
  18. Upon Us All (1:19)
  19. Death And Transfiguration (3:55)
  20. The Moon And The Superhero (3:13)
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Knight reply Replies: 2 || 2019-03-14 04:19:00
Hybrid do you know what Henry did on this score? His cue list on ASCAP for it has been deleted.


Hybrid Soldier2019-03-14 19:53:03
Not deleted, it was just never added...


Knight2019-03-14 21:31:03
Damn :(

Falconet From Italy reply Replies: 1 || 2009-01-23 00:00:00
maybe it's called Get Out The Way! but i don't know the singer! :-(


JJ2016-09-20 01:02:01
Ludacris - move b*tch

George reply Replies: 1 || 2009-01-23 00:00:00
Hello ,
Please can anyone tell me what is the name of rave song playing at car chase?
I am looking for it..


JJ2016-09-20 01:01:38
Ludacris - move b*tch

Jasemin reply Replies: 0 || 2011-06-14 04:53:53
YouÂ’ve got it in one. CodulnÂ’t have put it better.

Phil B reply Replies: 0 || 2011-03-04 00:00:00
gr8 score...
Death and Transfiguration :)
The Moon And The Superhero :)

like them very much

Romain P. reply Replies: 0 || 2009-06-16 00:00:00
easily one of the best 2008 score

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Dawn reply Replies: 0 || 2008-12-16 00:00:00
Did anyone noticed that the guitar cue when Hancock and Mary are dying is similar to Powell's showreel's "Music for the End of the World - Face, Hope and Charity", with a different arrangement ?

It's really interesting, because John Powell used many of the demos from his 1998's showreel in his career during the last 10 years (and especially from his "Music for the End of the World".
This is the case for Antz, Chicken Run, Just Visiting, Hancock and now Bolt ! A great part of his career is made out of this showreel's ideas.

Driss reply Replies: 0 || 2008-08-29 00:00:00
iluminat I guess you're talking about the sound when he's alone in his trailer... It's my favourite too :p
It's called : Rachel's - Water From the Same Source
Enjoy

Anthony reply Replies: 0 || 2008-08-21 00:00:00
I don't know if it's going to be unreleased score or a song, but nothing from that scene is on the soundtrack.

As Cloud mentioned, check IMDB.

Cloud reply Replies: 0 || 2008-08-21 00:00:00
Why don't you just take a look at imdb?

alfi reply Replies: 0 || 2008-08-21 00:00:00
well i just heard the: you should go it's not that one...
i'm looking for the one just before he shouvs that guys head up the other guys ass :D
thx for the help

Anonymous reply Replies: 0 || 2008-08-21 00:00:00
Does anyone know the name of the song when he goes to prison it might be the: you should go...???
thx

tu mama reply Replies: 0 || 2008-08-19 00:00:00
chido one

Daniel reply Replies: 0 || 2008-08-14 00:00:00
I want to know the singers and the songs

iluminat reply Replies: 0 || 2008-08-07 00:00:00
Does anyone know what music is about 18 minute of the movie?

Sorry about my english. :)

LiVeX reply Replies: 0 || 2008-07-28 00:00:00
eeey Dude,..


Move B*tch - Ludacris featuring Mystikal and I-20

Anthony reply Replies: 0 || 2008-07-22 00:00:00
The one piece of unreleased music that stood out to me was the movie version of "The Trailer". Totally different from what's on the CD and much, much better.

J Gibbons reply Replies: 0 || 2008-07-22 00:00:00
Amazing soundtrack, as always from one of my fave composers! I was just bummed to see the cue with the cello is not in it, that sort of mellow one that happens about 1/3rd into the movie...

Mikel S.i.W (from Spain) reply Replies: 0 || 2008-07-21 00:00:00
This soundtrack is very exciting. Great work, oh yes. It´s been a pleasure, Mr. Powell.

Anthony reply Replies: 0 || 2008-07-21 00:00:00
Lono, the cue you mention (the Superman knock-off) is unreleased.

Lono reply Replies: 0 || 2008-07-21 00:00:00
Anthony - thanks for your comment, but I actually meant the music that starts before the Superman-esque cue. It is more of a low pitched growling affair that builds as the robbers are shooting at the police, then ends on the shot of the robber holding the deadman switch. The generic superhero cue starts a few seconds after this.

I guess it's fated to remain unreleased also though... Shame. Powell excels in that vein of suspense/tension cues, a la Face/Off.

Lono reply Replies: 0 || 2008-07-20 00:00:00
There is a cue in the film that starts when Hancock is in prison and is told he has a phone call from the Chief of Police, builds while he is shaving, then bridges into the siege outside the bank. This was my favourite piece of music in the whole score, yet it is not on the soundtrack album. Does anyone have any information?

Thanks in advance,

Lono

Anonymous reply Replies: 0 || 2008-07-20 00:00:00
FDGH

nancy reply Replies: 0 || 2008-07-19 00:00:00
whats the name of that song, at the begining of the movie, is not uv chase, is another old song, with that instrument, "armonica"

KaijusRoyaume reply Replies: 0 || 2008-07-12 00:00:00
This score is great. I love the two last tracks

johnnyboy reply Replies: 0 || 2008-07-12 00:00:00
is the song at the start of the movie when he's chasin the suv if it is i'm tryin to find it to.

Dithl reply Replies: 0 || 2008-07-10 00:00:00
ahh theres this song in the movie, i reeeally want it, its like a hiphop rnb song, can anyone hellp mee?

DemonStar reply Replies: 0 || 2008-07-02 00:00:00
The Moon and The Superhero is gonna be one of the best Powell tracks of the year, I can tell. The rest of the score is pretty good too, though it's not really the kind of stuff I like to play a lot. 3.5 out of 5 I guess.

Peter reply Replies: 0 || 2008-07-02 00:00:00
The beginning of that excerpt of track 19 reminds me a bit too much of Elfman's Spider-Man score, but other than that it sounds like a great score.

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Hancock soundtrack - John Powell 2008