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"Shatterdome Attacked", at least we'll get one 7-minute action cue...<br><br>Also. TRACKLIST YOU GET DID WHERE???An agent isn't the problem. Powell is choosing to work less, and only on certain types of movies.Damn the tracks are really short, i was hoping for some long epic music. Hopefully he'll deliver on the epic (I'm sure he will)Giacchino has some points about Powell because of the variety of his work. The man works on several beloved franchises through the pubic and every year makes some score for Pixar. From Powell, so far we've only had Bourne and the animated films from Dreamworks and Blue Sky. That's the only problem with him. The lack of a good agent to get projects beyond the territory conquered by him in the mid-00's.where got you did tracklist have been?
Where did you get the tracklist ???????Where you get the tracklist?<br><br>;)Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.And @Ian, re: talent of assistants, to add to your point... Kick It was, according to Hybrid, Hansí theme turned into a suite by Balfe...so even there, with his interesting stuff, the nucleus of it is still Zimmer. If youíre talking about Training from Begins for Djawadi, ditto there. Hans said that was the first theme he (Hans) wrote for the movie. So in both cases, these guys kinda sound best when expanding on Hansí ideas.
His KPM and Extreme library tracks are excellentOh I know! I'd say I've heard maybe 20 scores or so by him, so not totally useless, but he's definitely someone I still need to explore more.It would be good to see Kawczynski doing more.Chappie was excellentIan - I prefer Rogue One over Jurassic World. The movie and the score.<br><br>Edmund - You have missing a lot of great stuff by Goldsmith! :DProbably the only reason Goldsmith isn't in my top 3 is I haven't heard enough of his music. :p
Wallfisch is a good composer indeed, but BR2049 (and Dunkirk) were absolutely the wrong place for him. He's not a synth guy. He was originally a protege of Dario Marianelli, for heaven's sake - he's got a far more classical/orchestral sensibility. A score like Cure for Wellness is a much better fit for him. I'm not sure why Hans thought it was best to bring him of all people in on BR2049 when the more electronically-inclined Mazzaro/Kawczynski duo would have made more sense for a Blade Runner score (I say this based mostly on Chappie).Ian - no one is trying to compare Balfe to Zimmer !Firstly there is a 20 year age gap!!!Zimmer will always be the best in my eyes but doesnít harm saying someone else can be good <br><br>Still confused why this conversation is still troubling some.I remember saying last year that I thought Lego Batman was one of the best animation scores that year and it caused some to have heart attacks.there are a hand full of people that donít think he is either good or should be working .... we get !!!! <br><br><br><br>Edmund - given the rationality you've displayed in your comments, I'm disappointed Goldsmith isn't in your top three. ;)<br><br>In all seriousness, I'd put money on Powell fucking nailing the integration of Williams's theme. While Giacchino did a solid job on Jurassic World and Rogue One (I tend to think my assessment of the latter is a bit more positive than most), frankly I just think Powell is a far better composer - a genuine A-level guy, whereas Giacchino is moreso very competent without that spark of pure talent seen in Williams, Goldsmith, Elfman, Zimmer etcI think it's worth noting that Zimmer's popularity at this point is largely under his direct control - meaning that if he were to decide to stop touring, go back to writing full-time, and return to his 'epic' thematic style, I think we'd see a surge in his popularity of the sort we saw from Batman Begins through til Interstellar. However, I just don't think he's interested, which is totally his right.<br><br>I certainly agree that the RCP proteges at this point are, frankly, shit compared to how they used to be. I mean, even a guy like Steve Mazzaro (who I genuinely like and who wrote some of the coolest cues in Chappie, and basically co-wrote BvS - a score I actually like) just utterly pales in comparison to the Powell era.<br><br>Actually, I have to take that back a bit; Wallfisch is a very, very talented guy, honestly so much better than someone like Junkie that I weirdly tend to forget he's under the RCP roof now.@HunterTech<br><br>"I only get annoyed when people decide he's suddenly the most amazing thing ever, which he really isn't. Even on his most competent scores, it's unlikely many would recognize him as one of the greats. Respect him, sure, but not think he's out of this world."<br><br>Exactly. Hans, for all the criticism he gets (much of it for good reason), has written some of the best film music of all time (seriously, having listened to huge amounts of Williams and Goldsmith, I still find Science & Religion my favorite cue ever). On the other hand, Lorne has written innumerable adequate-to-good scores, but none that I can recall are iconic. I'd say the closest he's come is in the form of his contributions to some of Zimmer's work (personally, I think his Kick It theme is the most interesting of those in Inception), but even then he hasn't done anything as memorable as Djawadi's theme from Batman Begins.
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Conductor
Hans ZimmerHarry Gregson-WilliamsJeff RonaRyeland Allison
ComposerAdditional MusicAdditional MusicScore Producer
The Fan
Label: TVT
Length: 68'50 (Score: 24'43)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6166 votes)
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  1. Did You Mean What You Said - Sovory (3:49)
  2. Letting Go - Terence Trent D'Arby (5:35) *
  3. Unstoppable - Mic Geronimo (3:46)
  4. Hymn Of The Big Wheel - Massive Attack (6:34)
  5. (Let Me Up) I've Had Enough - Kenny Wayne Shepard (2:43)
  6. Little Bob - Black Grape (5:35)
  7. Border Song (Holy Moses) - Raymond Myles (3:37)
  8. What's Goin' Down - Honky (4:18)
  9. Deliver Me - Foreskin 500 (3:57)
  10. Forever Ballin' - Johnny J & Big Syke (4:25)
  11. I'm Da Man - Jeune (5:23)
  12. Sacrifice (19:08)
*Written by Hans Zimmer
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Scorefather reply Replies: 8 || 2013-09-02 00:11:39
I heard from a bird, that a complete score of this will be out soon ;)


bryan102013-09-02 00:15:52
whaaaaaaat? reallyyy? oh man bring it soon :D



man or machine2013-09-02 00:20:10
Tracklist please :)))


Casey2013-09-02 01:13:30
It is still missing cues, sadly. Not complete.


Johnny Error2013-09-02 04:40:33
Missing cues? Is it out?


Casey2013-09-04 07:30:25
Notice the many missing cues -

1m1, 1m1x and 2m4 do not even match the movie. Maybe the music was heavily edited before the final cut?

1. 1m1 (2:02)
2. 1m1x (10:20)
3. 2m4 (0:45)
4. 2m9 (1:01)
5. 3m15 (1:05)
6. 4m19 (4:40)
7. 4m20 (1:35)
8. 5m24 (6:40)
9. 5m26 (2:00)
10. 6m32 (1:47)
11. 7m21 (2:22)
12. 7m38 (1:34)
13. 7m39 (1:03)
14. 8m42 (2:30)
15. 8m43 (1:08)
16. 8m44 (0:49)
17. 9m46 (5:34)
18. 10m48 (4:17)
19. 10m50 (2:21)
20. 11m52A (2:09)
21. 11m52B (5:30)
22. 12m53 (8:23)


isildur2013-09-04 09:35:49
I asked this question in some other thread. But no one replied. So I am asking it here again.

Please can anyone tell me what are those numbers in front of track names? Like 1m1x, 2m4. What is the meaning of those numbers?


Mr Tweedy2013-09-04 21:13:17
@Isildur: these are the "names" of the cues. The first number is the reel's number (so that the music editor knows in what reel the cue is used), the second number is the number of the cue as it is featured in the original cue list the composer and director/producer agree on in the first place.
2m6 is the sixth cue in the movie, used during reel #2.
Sometimes, you have things like 2m6a and 2m6b or 2m6pt1 and 2m6pt2, this means the cue was split in two segments (sometimes segments are composed in a way so that they can be combined as one big cue, but were composed separately for some reasons).

These names are useful because, named this way, the track list appears in chronological order, and the composer doesn't have to find a name for each one.


isildur2013-09-05 09:43:22
@Mr Tweedy

Thanks mate!

JamesT reply Replies: 0 || 2013-09-03 03:55:59
Now, where is the complete score or sessions to this gem?!? One of my favs and clearly one of his best!

Gambit reply Replies: 0 || 2011-06-08 13:11:57
we NEEEEED the song Letting go by Terence Trent D'arby WITHOUT his voice. Man what an instrumental track that would be.

is there any chance that this will see the light?

Gavin Salkeld - Composer reply Replies: 0 || 2011-04-23 01:07:04
I'm looking for the previously-legally-available MP3 suite of The Fan from Jeff Rona's old site. If someone knows about it, can they email me via Google please?

justin reply Replies: 0 || 2010-01-15 00:00:00
"letting" go is a really beautiful song which I am still listening to years later - even more so lately - I would like to learn how to play this song on guitar - cannot find guitar chords anywhere and although can work it out to a degree - would like to know original chords - can anyone help? justin@jhana.com.au

anthonie reply Replies: 0 || 2008-07-21 00:00:00
hey what is the name of the song played at juan primo's memorial my email is datocreppinjc@aol.com

cristian reply Replies: 0 || 2008-04-22 00:00:00
yes was' this, thank's

Anonymous reply Replies: 0 || 2008-03-24 00:00:00
This song comes from Carlos Santana ist called
"Samba Pa Ti"

cristian reply Replies: 0 || 2007-03-01 00:00:00
Hi. There is a piece of guitar music (instrumental) that plays during the scene where everybody has a moment of silence on the field for the guy that was killed (I think his name was Primo). I would really like to know by who that music is. I have listened to the whole soundtrack and more and I can't seem to find it.

Sammy reply Replies: 0 || 2007-02-23 00:00:00
I'd prefer not to buy the whole soundtrack of 'The Fan'... I'd like only the tracks 'Letting' go and 'Sacrifice'... Is anyone able to help me with my search.

Fusion reply Replies: 0 || 2007-02-03 00:00:00
I would love to get a hold of the instrumental version of 'letting go' cos darby ruins it when he sings, it sounds way better at the climax of the movie just instrumental.
I'm guessing the producers wanted a one hit loser like Darby layeredd over top of Zimmer's piece, to sell mor records or something?
How about the version the way it was intended to sound?

Aziz reply Replies: 0 || 2006-09-19 00:00:00
I very very very like "Letting go"(Terence Trent DīArby)!
Thank you Mr.Zimmer!

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