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where can i find the cue sheets? thxWondring how much influence Tom Howe wille have on this score. Professor Marston was such a lovely score.All those people who complain that Hans isn't sticking to more traditional scores forget that at heart, hes a synth man who loves his synthesizers and keyboards. Hans is just as much as a musical artist as Bowie or Paul Mccartney, in the sense that he goes through musical trends and his style adapts or changes. That's just the way it is, enjoy it for what it is. <br><br>Crucify me for comparing a human to David Bowie!Wow! Stephen Barton worked on a lot of the important cues here, huh?I'm with Edmund in that I'd love for Hans to win more Oscars, but not this score. I feel like even Blade Runner 2049 is more deserving of an award than this. Sure, it works great in the film, but that shouldn't be reason enough for an Oscar. I feel like Desplat's nominated score is more deserving than this one. <br><br>"But this one has a unique sound and recording!"<br><br>Okay... a lot of scores have that. A lot of Zimmer's work has that. Doesn't make them all masterpieces.<br><br>"But we have to spite those evil reviewers who hate this score!"<br><br>Why do you let their opinion get in the way of your enjoyment? If you love it enough, the critics' opinions should only make you enjoy it more because you see something in it they don't. <br><br>I agree with George in that Hans needs to go back to a melodic sound. I don't think whether this score wins or not will change Hans' mind on that, but I do want his next Oscar winner to mean something other than, "Oh cool! I won this award because I made weird sounds!" (Which by the way, involves things like programming and a lot of other technical adjustments that have nothing to do with Hans' composing ability).
"The thing that I'm proudest about Dunkirk is you can't separate it from the film."<br>- Hans Zimmer, GQI understand, but it does not make sense.<br>You're arguing that the score for a movie released in January this year was produced before of the score of a movie that went to theaters in July. If Balfe started working on "12 strong" a year before the movie release, the same can be said of Dunkirk. It is easy to infer that the Dunkirk's score has been working since the middle of 2016! Or even before, because of the tours that Zimmer has done.<br>The music/sound design, even being simple, was not made and recorded between January and May of last year.Olive  that is when it was announced !!! Not when he did itBalfe's hiring came out in May, when Dunkirk's production was already at the end. No contest.<br><br><br>filmmusicreporter.  com/ <br> 2017/05/24/lorne-balfe-to-score-horse-soldiers/Hans finished the bulk of the score before he went on tour, you could find an interview where he himself says so. <br>Ben worked solely on Variation 15. <br>Scroll down on this page and you'll find the full cuesheet with the credits. <br>
Edmund - how do you think Zimmer wrote Dunkirk when he was on a world tour !!!Congratulations to Ben, Lorne also .Edmund - the release dates do not matter . Check out Balfe’s Facebook page and you will see he was recording 12 Strong early last year .I've only heard the suite Hybrid made. The only similarity I was aware of is the siren-like sound. <br><br>People don't realize how difficult scoring Dunkirk was. Just because you love Interstellar (I do too - it's my favorite HZ score) but that doesn't mean Dunkirk doesn't deserve to win. <br>Edmund, in all honesty what are the similarities between 12 Strong and Dunkirk? I know both scores and fail to see how they connect.Doesn't deserve an Oscar. Hans Zimmer is my favorite composer but if he didn't win for Interstellar, he shouldn't win for this. <br><br>I can seriously say that I object this score winning based on that principle. This winning over Interstellar just isn't right.
Well, the credits say that Supermarine or the oil are pure Zimmer, and also the 3 first track I think. So Balfe helped him to develop some ideas during his tour but the majority of the score is Hans' work.<br>And it does deserve an Oscar. I never heard a score like that.. If you have a problem with the score I think it comes from the script. A classical melodical music wouldn t work for this film i think.Source? I find that hard to believe considering the release dates. Even if it is true, Balfe might have been concurrently working on Dunkirk and brought over some of the ideas. I find it spectacularly improbably that he and Hans just HAPPENED to come up with the same ideas at the same time.Edmund - gets you facts right please . 12 Strong was written before DunkirkHere's an interesting opinion: I want Hans to win this one so that he DOESN'T continue making music like this. Sure its functional, but if he could reinvent the melodic score again and get back to writing memorable melodies I'd be pretty happy. He won for Lion King and then essentially abandoned that tone of music which transitioned into the Crimson Tide/The Rock sound... so maybe, just maybe, if he wins this year he'll completely reinvent his sound again and give us something both melodically memorable but also be a total game changer in terms of modern scores.I hope it doesn't win if for no other reason than so we don't have to go through 5 years of Dunkirk temp tracks (although if 12 Strong is anything to go by, too late).
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Composer - Conductor - Musician : Piano & TrumpetAdditional MusicMusic Production Services
Atli ÖrvarssonClay DuncanHans ZimmerSteven Kofsky
ComposerAdditional MusicExecutive Score ProducerMusic Production Services
Babylon A.D.
Label: Varese Sarabande
Length: 57'51
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (9421 votes)
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  1. Aurora's Theme (Agnus Dei) (4:09)
  2. Babylon Requiem (5:34)
  3. Aurora Borealis (2:31)
  4. Leaving The Monastery (2:21)
  5. The Cold Walk (2:47)
  6. Too Many Refugees (2:53)
  7. Aurora And Toorop (1:34)
  8. Snow Travel (2:09)
  9. Rover Chase (2:41)
  10. Entering New York City (2:19)
  11. Mystery Package (1:52)
  12. Skyscraper (1:55)
  13. The Marketplace (2:39)
  14. Toorop Is Home (2:31)
  15. The Monastery Is Destroyed (3:18)
  16. Train Travel (1:57)
  17. Are You Afraid To Die? (2:22)
  18. Are You A Killer, Mr. Toorop? (2:13)
  19. Sister Rebecca (2:43)
  20. Future Vision (1:32)
  21. Save The Planet (1:05)
  22. Leaving The Monastery (Fox Version) (1:58)
  23. One Child At A Time (2:45)
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calle reply Replies: 0 || 2014-04-09 23:44:56
do you know the name of the song at the refugee camp where everyone is fleeing. There's a very rhythmical thing going on like an electronic samba, almost. Thank you!

Anonymous reply Replies: 0 || 2010-11-07 00:00:00
Which are the clay duncan tracks?

Ele reply Replies: 0 || 2009-09-19 00:00:00
Leaving The Monastery is nice too, i like that ostinato tune. However, it was too long ending.

Alans Zimvestri reply Replies: 0 || 2009-09-18 00:00:00
Babylon Requiem is most definitely the highlight piece in this score. It's a sort of combination of the mysterious Angels & Demons choirs and ostinatos, the frenzied Dark Knight chopping strings, and energy to rival Requiem for a Tower. Go Atli!

Ele reply Replies: 0 || 2009-09-13 00:00:00
Babylon Requiem is good :)

gonce reply Replies: 0 || 2009-09-13 00:00:00
thxs

Anonymous reply Replies: 0 || 2009-05-19 00:00:00
thx:D

comgly reply Replies: 0 || 2009-03-17 00:00:00
coool, thanks !!

karlito reply Replies: 0 || 2009-02-12 00:00:00
coooooolll

mannnn reply Replies: 0 || 2009-02-05 00:00:00
thnkxxxx

serhan reply Replies: 0 || 2009-01-24 00:00:00
thanx

jay reply Replies: 0 || 2008-12-22 00:00:00
great

Ruthlessgravity reply Replies: 0 || 2008-12-13 00:00:00
The song in the trailer is called "Lux Aeterna" by Clint Mansell - you can find it on the Requiem For A Dream soundtrack.

Anonymous reply Replies: 0 || 2008-12-13 00:00:00
222

.: T3t0 :. reply Replies: 0 || 2008-11-16 00:00:00
Can somebody give me tha name of the song that comes out in the trailer, its some ORCHESTRA song.

Ali reply Replies: 0 || 2008-11-07 00:00:00
where is the first song of the movie can anyone tell me plz.................. thxs

Nigra reply Replies: 0 || 2008-11-04 00:00:00
Billy, shut up you f.... idiot.

billy reply Replies: 0 || 2008-10-27 00:00:00
where the fuck is the soundtrack with the fuckin achozen songs? not this shit with the stupid instrumentals

Cake87 reply Replies: 0 || 2008-10-23 00:00:00
extraaaaaaaa

Anonymous reply Replies: 0 || 2008-10-18 00:00:00
thanks goodd

ttttttttttt reply Replies: 0 || 2008-10-15 00:00:00
giooog

flcl reply Replies: 0 || 2008-10-14 00:00:00
YEAH!

siberzeka reply Replies: 0 || 2008-10-13 00:00:00
yeahh

Feared reply Replies: 0 || 2008-10-12 00:00:00
The music suffers from the same problem the film does.
It has no proper ending, no climatic action cue. Most of the tracks are dark-brooding-ambient style which gers boring after a few minutes. A few theme stand out though. Nice effort, but could have been much better.

Falconet From Italy reply Replies: 0 || 2008-10-11 00:00:00
Beautiful Score!!

barsa reply Replies: 0 || 2008-10-10 00:00:00
the movie was great it is awsom ............... by the wat to all who are wondering wat the song at the end is well the name of it is Immaculate - Achozen

plus any movie starring vin diesl is awsom and he hott so its a win win situation

siberzeka reply Replies: 0 || 2008-10-10 00:00:00
he he

bestjaPL reply Replies: 0 || 2008-10-09 00:00:00
Yea, can anyone say, what is the inding song?

mr.alloah reply Replies: 0 || 2008-10-08 00:00:00
what is the name of the song in the ending?: Take me home to where i am from, take me..

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Babylon A.D. soundtrack - Atli Örvarsson 2008