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@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>
Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Donít even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.
One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.hans should win the oscar for best sound effects and not for the best music/score. just as a statement.And it's also unfair to use Balfe to criticize Powell. He started working on American projects in 2005 with Batman Begins, and only after 2010 did he receive individual projects. Is it accurate to compare someone who entered the party at the last minute with two others who are in it for 20 (Powell) and 30 (Zimmer)?<br><br>I'm in a hurry and I put everything into a translator. Forgive the many mistakes.<br> <br><br><br>Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.<br><br>I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.<br><br>For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.
The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldnít change a thing about it), I must admit, it doesnít have nearly the same effect as a stand-alone listen. Itís literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it ďawardĒ worthy? Iím not sure. If based solely on the film, you betcha. If based purely on the music itself, I donít think so. Thatís where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or ďactualĒ music (again, works IN the film). Itís glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... Iíve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did itís job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-phaha hybrid :D made my day
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Music Scoring MixerTechnical Score Advisor - Synth & Percussion ProgrammingTechnical Score Advisor
James Newton HowardAlan MeyersonStuart Michael ThomasDave Holden
ComposerMusic Scoring MixerTechnical Score AdvisorTechnical Score Advisor
I Am Legend
Label: VarŤse Sarabande
Length: 44'00
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (4184 votes)
  1. My Name Is Robert Neville (2:51)
  2. Deer Hunting (1:17)
  3. Evacuation (4:27)
  4. Scan Her Again (1:42)
  5. Darkseeker Dogs (2:17)
  6. Sam's Gone (1:48)
  7. Talk To Me (0:56)
  8. The Pier (5:17)
  9. Can They Do That? (2:09)
  10. I'm Listening (2:10)
  11. The Jagged Edge (5:16)
  12. Reunited (7:50)
  13. I'm Sorry (2:22)
  14. Epilogue (4:13)
Create Topic

Complete Score reply Replies: 16 || 2011-10-19 11:19:51
it seems that many scores where james newton howard was involved, are leaking as recording sessions or complete scores. now it's time for I am Legend:

01-Main titles (0:35)
02-Broadcast #1 rev1 (2:51)
03-Broadcast #1 rev2 (1:26)
04-Broadcast #1 (0:54)
05-Broadcast #1 (1:23)
06-Deer (1:18)
07-Deer v2 (1:17)
08-Deer v3 (1:10)
09-Haunted house (1:04)
10-Evacuation (4:26)
11-Evacuation alt (1:04)
12-Evacuation (1:51)
13-Evacuation (1:50)
14-Broadcast #2 (1:21)
15-Broadcast #2 (1:20)
16-Broadcast #2 (short) (0:44)
17-Darkseeker dogs (2:17)
18-Darkseeker dogs alt (1:31)
19-Darkseeker dogs (0:50)
20-Sam's gone (violins) (1:19)
21-Sam's gone (Jessica) (1:48)
22-Sam's gone (1:47)
23-Sam's gone (1:17)
24-Sam's gone (with synth) (1:16)
25-Darkseeker dogs (0:50)
26-Talk to me (0:56)
27-Talk to me (0:58)
28-Dream (2:00)
29-Suicide run (1:28)
30-Suicide run (5:20)
31-Suicide run (1:39)
32-Walk & talk (2:09)
33-I need ice (0:34)
34-Invasion (2:03)
35-Invasion (1:21)
36-Hole in the ceiling (0:55)
37-Alpha (1:24)
38-In thru window (5:16)
39-In thru window (0:33)
40-Basement faceoff part 1 (2:20)
41-Basement faceoff part 2 (0:38)
42-Creature wakes up (2:22)
43-Basement faceoff (8:13)
44-Sacrifice (2:03)
45-Church & epilogue (4:14)
46-Church & epilogue (1:26)
47-Epilogue (2:44)
48-Epilogue (1:08)


Hybrid Soldier2011-10-19 12:11:56
And so your first reflex is to come here to post a tracklist ?

Next time, don't... :S


And this is very old news... For me anyway...


Anonymous2011-10-19 16:20:40
uuuuh yeah for you. you're soooo cool. -.-

I've posted the tracklist, so everyone can see it. why not? everyone should know that there is a 48 track score out there and not only the one with 14 tracks.


Anonymous2011-10-21 06:16:56
Hybrid i don't understand your comment. So if anyone else comes here and put a tracklist for you is nothing, but when you, in the past, posted a tracklist you look that everyone here in the forum says "Thanks Great Hybrid, You Are A God In This. And by the way, i don't know, even the websmasters of this page never wrote this, you write here and there that you have "many connections" and ultimately "work in some way with the remote control team". So, if for you it's an old new this tracklist, just don't write anything and let the fans of this comes here and write something that's in new for the most of the fans. Why you didn't post this before? Please shut up Hybrid you are not the God Of this.


smith2011-10-21 06:36:05
hybrid just showed us this "elite"-thinking. they think they are something great, because they have music that hasn't the public. It's not the very first time that he showed us this behavior. he became very big-headed.

to write stop posting real complete track-listings and telling everyone that it is SOOOO old news for him, is really really really lame.

Shame, because i thought in the beginning hybrid were a nice guy, but after posting some of this crappy posts from him, where he wants to tell everyone that he's something better makes him small and a jerk.

just my 2 cents.


Hybrid Soldier2011-10-21 07:51:25
Bla bla bla...

Because this is NOT THE PLACE to post tracklists like that ! I've said it before, I'll say it again...

Just think of me like I'm Falcone from Begins... ;)


Karambaru2011-10-21 10:20:38
I think I heard h-z.com team recently had some issues with RCP for adding bootleg tracklists here, that's why they are a bit touchy when people keep coming here to add new ones.

@Anonymous+@smith
When I see both of you acting like whiney b**ches with Hybrid (who is just the guy who brought you so many informations and complete scores in the past) I know why we "the elite" aren't sharing music with you any more !
And we're not "elite" btw, we simply decided to be active instead of passive, and sometimes helping people in the studios can be rewarding. Think about that before critisizing.


smith2011-10-21 12:03:36
@ Hybrid: But why not? it's a public place where we can talk about the scores. And if there is a complete listing, why not posting it here? Just tell me a reason. Just saying because you don't want it is not a reason.

@Karambaru: I already said, Hybrid was a nice guy, until some months ago. But it becomes more often where he states posts like this that it is SOOOOOO old news for him, or when some is happy about a complete score he answers like "yeah i've heard to it 2 years ago, so it's so old for me". Posts like that are unnecessary don't you think? Why don't let people be happy or excited when they get something they entirely wish.

And not sharing anymore? You never shared something! Music should be for everyone available. And not only for you guys out there who are thinking to be something better then others.

And please get back to topic now. I love this score and was SO happy when i saw the complete one. I simply love this score.


cheesy2011-10-21 13:40:57
@Hybrid Do you mean Fox from Begins?

Sorry for glossing over the the majority of these comments here, you just have no idea how sick I'm getting of all this complete score crap. I mean, I love them, but still... can't we talk about something else for once? I mean, as other users have said before, this place has really gone downhill. And I may not be totally innocent, but still, this is becoming a gray market.

Am I now an idealist for wishing we could just talk about the actual music again?


Mr. Fate2011-10-21 14:30:51
From smith: "Posts like that are unnecessary don't you think?"

Yes, I do think that--I think that all of your posts are unnecessary. Karambaru has some powerful words, and he really knows how to say the right things. It's whiners like you and Anonymous that are in the wrong here. I've never viewed Hybrid Soldier in a bad light, but you guys sure are trying hard.

This site sucks because of folks like you.


Anonymous2011-10-21 23:31:52
Karambaru you never share or shared jack s**t. too worried about the consequences, hm? crawl back into your gloryhole of scores and never return


Mr. Jones2011-10-22 20:51:06
hybrid is just a fanboy who has his 'connections' and gets special stuff from remote control productions. sometimes to hype up scores, sometimes cause hes bored. he doesnt actually work in the group, but pretends to. he then hands down some of those scores as time goes on, eventually leaking to that fine place we all know. he has all you hanging like a thread, just like I did, only difference is hes not selling anything. kind of ironic, dont you think?


Mr. Fate2011-10-22 21:51:17
Huh. Interesting. However, I am not getting what the irony is in that.

So, Mr. Jones...whatever *did* happen to that music you teased us with? I find it intriguing that you would bring up your own actions in comparison to Hybrid's. Perhaps you are just another one of those folks that likes to tease the less fortunate with the music we don't and can't have.

But some things have changed now. We have an actual bootleg of that Pirates score with quite a lot of unreleased music on it. How does your version compare with this one--if you don't mind my asking?


Mr. Jones2011-10-22 22:52:46
I merely wanted to know how far people would go to get this music they love. turns out it goes pretty far, seriously some of you are pathetic. its gonna be out soon, just watch for it. I can only imagine how many scores will be out on the realm by jan 2012


tom2011-10-22 22:58:12
any chances for last samurai?


Mr. Fate2011-10-22 23:08:39
This has been quite a year to be getting some much sought after scores, but I find it hard to imagine what you are envisioning right now. Still...was the music you posted actually real, or were parts of it borrowed from somebody else's edit? I'd think the complete score to that movie would have far more tracks than what you posted.

If you don't mind my asking, again: what scores do you see getting out around the time frame you stated?


Anonymous2011-10-23 04:56:36
Just Remember: This site is a fan-site. So, like a fan i write something new about a score, that is new for me. And, if this OLD NEWS for you Hybrid, well, don't write anything. And, like you say this is NOT THE PLACE to post tracklists like that ! I've said it before, I'll say it again...", well, tell us where do we post tracklist. Just curiosity, i posted the tracklist of Jumper complete Score (because this exist 33 Tracks) and you say that it's not true and was a fake. Many days after, you posted the tracklist of jumper complete score, and suddenly, that tracklist dissappear. So, you cannot accept that ONE FAN, post and find something that you never had. It's interesting.

tom reply Replies: 0 || 2011-10-22 22:57:46
any chance for last samurai? :D

Mikel S.i.W (from Spain) reply Replies: 0 || 2008-09-26 00:00:00
With PIRATES OF THE CARIBBEAN III by Zimmer, this is the best soundtrack of 2007. JNH is a Genius.

Falconet reply Replies: 0 || 2008-08-29 00:00:00
James Newton-Howard in two words:UNIC and BRILLIANT! ^^

Anthony reply Replies: 0 || 2008-08-29 00:00:00
Surely you mean "unique"? :)

Falconet reply Replies: 0 || 2008-08-29 00:00:00
ehm i mean unique sorry my english isn't perfect, i'm italian ^^

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