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No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits updateA bit of who did what...
Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great job
Bob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.
I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!
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Technical Score Advisor - Percussion Programming
James Newton HowardStuart Michael Thomas
ComposerTechnical Score Advisor
The Water Horse - Legend Of The Deep
Label: Sony Classics
Length: 70'45
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4405 votes)
  1. Back Where You Belong (Theme from The Water Horse) - Sinéad O'Connor (4:28) **
  2. The Water Horse Main Title (1:11)
  3. Angus Feeds Crusoe (1:59)
  4. You Didn't Even Get Wet (2:56)
  5. The Workshop (2:35)
  6. Naming Crusoe (3:48) +
  7. Churchill (1:22) +
  8. Ann (1:28)
  9. Bathtub (2:22)
  10. Driving To The Loch (2:00)
  11. Run Angus (1:19)
  12. Lewis Discovers Crusoe (4:24) +
  13. The Fishermen (1:37)
  14. Angus In Training (2:52)
  15. Swimming (6:33)
  16. The Children Laugh (2:59)
  17. The Dinner Party (3:01)
  18. Angus Sent To His Room (2:27) +
  19. There's No Monster (2:01)
  20. Saving Crusoe (2:04)
  21. The Net (4:22)
  22. The Jump (1:40)
  23. End Of The Story (3:03)
  24. The Water Horse Suite - The Chieftains (8:08) *
*Written by James Newton Howard & The Chieftains

**Orchestrated by James Newton Howard

+ iTunes exclusive tracks
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Anonymous reply Replies: 0 || 2010-01-20 00:00:00
Adding JNH here was my choice.
--------------------------------------

And it was a great choice. :)

Mario Soundtrack reply Replies: 0 || 2008-11-12 00:00:00
"Angus In Training" is the best song of this album. Is more beautiful than the others songs. "The Net" is good too, for the action themes, but "The Jump" is best, with a beautiful theme".

Klaas reply Replies: 0 || 2008-10-31 00:00:00
James Newton Howard is known for using the Remote Control facilities now and then. By doing so, he often collaborates with RCP members - which explains why some of his scores show up here.

Although I don't feel this is necessary I fully understand the choice of the Admins to do so. For what I know this site tries to be nothing less than a complete archive. Plus, James makes wonderful music as well - and he teamed up with Hans Zimmer for the new Batman movies.

Hybrid Soldier reply Replies: 0 || 2008-10-31 00:00:00
Hey guys !


Adding JNH here was my choice.

Why ? Because as Klaas said, as the JNHStudios is close to RC Facility, JNH works regularly with (former) RC guys (HZ, Wesson, Neely, Stuart Thomas, Dave Holden, Greg Vines, G. Greenaway, A. Meyerson among others)...

And I added him because I'm a huge fan too ! :D

Anonymous reply Replies: 0 || 2008-10-30 00:00:00
Why James Newton Howard is in this website? He is not a Remote Control member.

Anonymous reply Replies: 0 || 2008-10-30 00:00:00
Why James Newton Howard is in this website? He is not a Remote Control member.

Anonymous reply Replies: 0 || 2008-10-30 00:00:00
They seem to be adding everyone that has worked with a Remote Control production member, regardless of their actual affiliation.

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The Water Horse - Legend Of The Deep soundtrack - James Newton Howard 2007