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Yeah... I'm not sure about Elfman's wave. The guy decided to bring back his old Batman theme instead of actually writing a new one. He has to re-invent himself. <br>Seven with ZimmerYeah, Silvestri, Newman, Goldenthal and JNH too. The six most popular "new" composers, along with Horner, of the  80's and 90's.I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitI saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't wait
Honestly, I do feel bad for Elfman, because for Chrissakes hes been doing 50 Shades of Grey these days, and the last memorable scores I have of him are from 2012. But I don't think Zimmer or even Elfman for that matter are done as yet. I predict by the end of this decade Zimmer will have a new wave in popularity wash in. I'm just waiting for Elfman's wave right now...not quite seeing it yet.Glad you caught it Rockhound. Think the others were too wound up to notice !!i was trying to be funny.Pete you are funny, although u demand from others to talk about the actual soundtrack from this page, you start to talk also about another soundtrack. but ok.... i think Forgotten is a very boring track and adds nothing to the actual scene. a variation of his theme from the track Hero would have been much more intense for the ending. sadly we got 9 boring minutes of thematic development and instrumentation. Lorne can do much better as the track Hero from the same soundtrack shows.Zimmer got X-Men: Dark Phoenix this year. And I have a hard time believing he is only scoring that film this year. Zimmer always does more than 1 film a year.No need for petty cursing .<br><br>We can discuss the soundtrack instead ! <br><br>Forgotten is cool track.It’s definitely one of Bay’s best movies. Wish he would make more drama based film obvious with some action. Can’t cope with more robots ! The ending of the film is so emotional and this track gave goosebumps at the end. Did sound very similar to the end of The Last Knight
"Boring . Talk about the actual soundtrack or change the subject."<br><br>Ok, so someone else gets us on this topic, an arguement occurs, and NOW, only when you've realized you're losing the arguement, do you decide that this page is only for 12 strong. Which it's not. This is a forum we talk about whatever we want here.<br><br>But what a childish and pathetic attempt at avoiding our points. Just dismissively saying "Boring! Change the subject! My ears can't handle this criticism!!! Wah, wah, wah!" I guarantee you the next step after this is going to be petty cursing.Boring . Talk about the actual soundtrack or change the subjectUpset about success? Sounds like someone doesn't know a thing about reasonable criticism. :p<br><br>If anyone likes Balfe, then good on them. I only get annoyed when people decide he's suddenly the most amazing thing ever, which he really isn't. Even on his most competent scores, it's unlikely many would recognize him as one of the greats. Respect him, sure, but not think he's out of this world. Especially if people are still gonna be excited about hearing the work of someone else when a different person is hired (i.e. what JL might've been).Can we please change the subject !!!!!!!!it is so boring now.This page is ment to be about the sound track to 12 StrongThere you go again, accusing me of being upset about Balfe's success when I never said anything like that. Stop putting words in my mouth.
AgreedThe point is Edmund and others  don’t need to keep getting upset about Balfes success.Dont reply and just focus on other conversations.No one here is interested in hearing anyone bashing any of the great composers on this site from Remote. Grow up or move on.Appreciate the voice of support. :)Good god, this Balfe/Anonymous guys is wreaking havoc! Good thing Djawadi's fans are calmer than Balfe's.Jesus Christ, what a mess! What is wrong with you Balfe fanboys? Edmund comes in trying to settle down the situation and add some nuance and you just curse him out? He even admits to liking Lorne, basically states how the top comment is far too harsh, defends Balfe, and all he does against him is call out Michael for borderline bullying someone else into worshiping Balfe.<br><br>After all of that, all you can possibly say in response to him is "go away you John Powell fanboy"? For saying one thing against a guy basically being a mindless fanboy. Which by the way is an unbelievably poor argument because I've seen Edmund criticize Powell scores before. Is Edmund not aloud to prefer Powell? He didn't even bring his music up once in this discussion! Oh no I can see the responses now...<br><br>"superultramegoo go listen to Transformers 5 for the 50th time.we dont need youre stupidumb comments here !!!!!!!!!!!!!! Balfe has won many awardso tyou cant say any thing bad about him you Jablonsky fnaboy.stop with these demoralizing comments.!
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Music ArrangerScore Technical Assistant
Klaus BadeltChristopher CarmichaelMark Yaeger
ComposerArrangerAssistant
Pour Elle
Label: Colosseum Records
Length: 38'57
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6161 votes)
  1. Lisa & Oscar (3:13)
  2. Monsieur Tout-Le-Monde (10:33)
  3. Innocent (5:05)
  4. La Clé (5:34)
  5. Evasion (5:47)
  6. Trop Tard (3:33)
  7. Générique Fin (5:13)
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El Baradei reply Replies: 1 || 2013-01-12 15:54:09
Very good score. Together with John Powell, Steve Jablonsky and HGW he is the most talented composer who worked with Hans Zimmer.


Edmund Meinerts2013-01-12 18:29:28
Yes, but I can't listen to this score without thinking of Powell's Face/Off...Shame!

Miles reply Replies: 0 || 2009-05-03 00:00:00
Klaus Badelt is such an underrated composer. I love his work on almost every film he's done. Does anyone know anything about the score to Dragon Hunters? Fantasy scores are always fun to listen to!

rpaillot johncarterrr reply Replies: 0 || 2008-12-02 00:00:00
I just saw the movie , lovely score indeed.

KaijusRoyaume reply Replies: 0 || 2008-11-30 00:00:00
It's a beautiful score. The two first minutes of 'Innocent' looks like (a little) the main cue of Hitman (with the ressemblance with a clock)

Dr. Jones reply Replies: 0 || 2008-11-26 00:00:00
I am listenning it right now and it's not bad and actually the main theme is lovely...

Hybrid Soldier reply Replies: 0 || 2008-11-05 00:00:00
Yes he did... :P

romain paillot reply Replies: 0 || 2008-11-05 00:00:00
Hey fabrice, did klaus really write Starship Troopers 3 ? I didn't know at all , wow !

Adrian reply Replies: 0 || 2008-10-29 00:00:00
Oeee, the French titles promise a great CD!

Anonymous reply Replies: 0 || 2008-10-29 00:00:00
Ah yes ok, November 24th

Anonymous reply Replies: 0 || 2008-10-29 00:00:00
Anyone know when it will be released?

Fabrice reply Replies: 0 || 2008-10-29 00:00:00
Klaus did some good movies, don't forget Time Machine. Poseidon was good to, but also Rescue Dawn, Starship Troopers 3 and now this french movie. I'll see it in cinema soon.

Hybrid Soldier reply Replies: 0 || 2008-10-29 00:00:00
A French film here ! :O


^_^

Kaya reply Replies: 0 || 2008-10-28 00:00:00
Don't forget Rescue Dawn, which was in my opinion his best work to date. I just imported this, should be in my hands in 2 weeks or so.

johncarter reply Replies: 0 || 2008-10-28 00:00:00
yeah and it sucked. This one is good ;)

dan reply Replies: 0 || 2008-10-28 00:00:00
the last known film Klaus Badelt has done was poseidon from my point of view.

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Pour Elle soundtrack - Klaus Badelt 2008