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It was a missed opportunity.<br>Yeah... I'm not sure about Elfman's wave. The guy decided to bring back his old Batman theme instead of actually writing a new one. He has to re-invent himself. <br>Seven with ZimmerYeah, Silvestri, Newman, Goldenthal and JNH too. The six most popular "new" composers, along with Horner, of the  80's and 90's.I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't wait
I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitHonestly, I do feel bad for Elfman, because for Chrissakes hes been doing 50 Shades of Grey these days, and the last memorable scores I have of him are from 2012. But I don't think Zimmer or even Elfman for that matter are done as yet. I predict by the end of this decade Zimmer will have a new wave in popularity wash in. I'm just waiting for Elfman's wave right now...not quite seeing it yet.Glad you caught it Rockhound. Think the others were too wound up to notice !!i was trying to be funny.Pete you are funny, although u demand from others to talk about the actual soundtrack from this page, you start to talk also about another soundtrack. but ok.... i think Forgotten is a very boring track and adds nothing to the actual scene. a variation of his theme from the track Hero would have been much more intense for the ending. sadly we got 9 boring minutes of thematic development and instrumentation. Lorne can do much better as the track Hero from the same soundtrack shows.Zimmer got X-Men: Dark Phoenix this year. And I have a hard time believing he is only scoring that film this year. Zimmer always does more than 1 film a year.
No need for petty cursing .<br><br>We can discuss the soundtrack instead ! <br><br>Forgotten is cool track.Itís definitely one of Bayís best movies. Wish he would make more drama based film obvious with some action. Canít cope with more robots ! The ending of the film is so emotional and this track gave goosebumps at the end. Did sound very similar to the end of The Last Knight"Boring . Talk about the actual soundtrack or change the subject."<br><br>Ok, so someone else gets us on this topic, an arguement occurs, and NOW, only when you've realized you're losing the arguement, do you decide that this page is only for 12 strong. Which it's not. This is a forum we talk about whatever we want here.<br><br>But what a childish and pathetic attempt at avoiding our points. Just dismissively saying "Boring! Change the subject! My ears can't handle this criticism!!! Wah, wah, wah!" I guarantee you the next step after this is going to be petty cursing.Boring . Talk about the actual soundtrack or change the subjectUpset about success? Sounds like someone doesn't know a thing about reasonable criticism. :p<br><br>If anyone likes Balfe, then good on them. I only get annoyed when people decide he's suddenly the most amazing thing ever, which he really isn't. Even on his most competent scores, it's unlikely many would recognize him as one of the greats. Respect him, sure, but not think he's out of this world. Especially if people are still gonna be excited about hearing the work of someone else when a different person is hired (i.e. what JL might've been).Can we please change the subject !!!!!!!!it is so boring now.This page is ment to be about the sound track to 12 Strong
There you go again, accusing me of being upset about Balfe's success when I never said anything like that. Stop putting words in my mouth.AgreedThe point is Edmund and others  donít need to keep getting upset about Balfes success.Dont reply and just focus on other conversations.No one here is interested in hearing anyone bashing any of the great composers on this site from Remote. Grow up or move on.Appreciate the voice of support. :)Good god, this Balfe/Anonymous guys is wreaking havoc! Good thing Djawadi's fans are calmer than Balfe's.
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Hans ZimmerJim DooleyJames S. LevineMatthew Margeson
ComposerComposerComposerComposer
Directors Cuts 36 - Romantic Comedy
Label: Extreme Music
Length: 41'27
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2686 votes)
  1. Pink And Fluffy (2:38)
    David Inlander
  2. Table For Two (2:16)
    Hans Zimmer, James Dooley
  3. Go Girl (2:51)
    Josh Klein
  4. Funny Turn (2:37)
    David Inlander
  5. Angels Quest (2:12)
    Hans Zimmer, James Dooley
  6. Eager Beaver (2:46)
    Josh Klein
  7. Posh Totty (2:43)
    Rob Elliott
  8. Comfortably Fun (2:10)
    Josh Klein
  9. Nicey Nicey (3:32)
    David Inlander
  10. Skipping Point (2:11)
    Josh Klein
  11. Heart Blanche (2:17)
    Matthew Margeson
  12. Fashion Savvy (2:31)
    James S. Levine
  13. Push Life (1:30)
    David Inlander
  14. Love Junkie (2:57)
    David Inlander
  15. Float Your Boat (3:43)
    Noah Sorota
  16. Crystal Breath (2:34)
    Noah Sorota
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Edmund Meinerts reply Replies: 0 || 2013-05-15 21:14:57
Hybrid (or anyone else who might happen to know), you wouldn't happen to know what year all of the other DC albums came out? Because only a handful of them are listed here and on Extreme Music they have 92 (!), but they don't say what year the music "came out" (or was composed), and I tried to contact them about it and they said they can't tell me.

Do you (or anyone) know? I know the earlier ones started in 2001...and the latest one came out a couple months ago...but everything in between, no idea.

Sorry, I just like to be very exact in my music library (hence why I like having full credits :D )

inspector mittens reply Replies: 0 || 2012-08-11 22:50:46
This Table For Two composition hasn't been used outside this promo, no?

Mathias reply Replies: 0 || 2009-02-06 00:00:00
Exist it on sale?

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Directors Cuts 36 - Romantic Comedy soundtrack - Hans Zimmer - Jim Dooley - James S. Levine - Matthew Margeson 2008