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Heard Hans Zimmer at Merriweather Post Pavilion. What a mind bowing performance.Hey Hybrid,<br><br>Will they ever release the track they pieced together for the 7 Minute IMAX Preview/Prologue?just commented on the WaterTower Music yt channel. (i waited a day lol!) <br><br>Hans and his team made me the best birthday present ever : )<br><br>i like seeing the "few notes" principle Hans explained in his Masterclass. this score takes it to a master high level.<br><br>i would like to say in passing that the experiment on Inferno  (ambient music) can be felt through this score. and i love it!<br><br>thanks Hans, Lorne, Andrew, Benjamin, and anyone involved. thanks Hybrid Soldier, your fan website is the best!The rendition of What Are You Going To Do When You're Not Saving The World in the new Justice League trailer is pretty cool, at least it shows they have not forgotten this theme :-pMy one hope is that this doesn't mean Chris Nolan will be tying Zimmer's hands behind his back for future scores. If he wants to do that here, okay. I can get over one score. But I hope Nolan doesn't keep calling for this non-melodic approach.
That was one of my favorites, wish it was on the OST.Yeah, was also looking for that track.Nolan's liner notes, which explains a lot on the score :<br><br>"British people are raised on the story of Dunkirk. The events of the evacuation are sacred ground, not to be ventured onto without great care. Daunting for a filmmaker. But the things that place Dunkirk so firmly at the heart of a nation's self-image are the very qualities that make it one of the greatest stories in human history. Irresistible to a filmmaker.<br><br>This film required a remarkable creative team, and Hans Zimmer, as well as having been a valued member in the past, knows how to assemble his own great team. From our first meeting, where I described to the percussionist, Satnam Ramgotra, the unusual rhythmic structure of the script and how it needed to be amplified by the music, through the finishing touches applied by Lorne Balfe during our last weeks of mixing, the importance of teamwork was paramount. The process nicely echoed the circumstances of the events we were trying to honour- a triumph of communal effort, not individual heroism.<br><br>When I called Hans one night with a one word suggestion- "Nimrod", I wasn't sure he'd accept experimenting with an existing theme for the climax of the film. To my surprise, he knew just who to call to achieve the deconstruction of Elgar's monumental theme, a theme as beloved to the English as Dunkirk itself, often played at ceremonial occasions and funerals. It's a theme which (I never admitted to Hans) I am incapable of hearing without feeling the surprising weight of my father's coffin on my shoulder. Hans brought in Benjamin Wallfisch, who, in collaboration with the great music editor Alex Gibson and myself, fashioned a modern reworking that grows out of the sights and sounds of the movie- tapping the original's resonances without feeling unearned. Hans's brass accents complete the piece's power to move without sentimentalizing.<br><br>Hans went on to incorporate Elgar's theme elsewhere in the score, a score that on this album has been divided into cues, but which in the film plays as one long piece with a unifying and complex rhythmic and tonal structure. The structure of the screenplay itself builds upon the shepherd tone concepts I first explored with composer David Julyan in the soundtrack for "The Prestige", but here Zimmer's team (in particular Andy Page and Andrew Kawczynski) and I added a whole new rhythmical structure. This can't be fully represented on the album, but in the film it is able to integrate sound effects and even story structure into the very fabric of the music in a new and unique manner.<br><br>The rigid structure, to which we adamntly stuck, at times proved frustrating for the musicians, but they persevered and produced extraordinary cues based on unusual solutions (such as a recording of my watch that Hans and his team adapted into many different rhythmic voices). The disciplined procedural approach stopped the music for "Dunkirk" from ever resorting to arbitrary cinematic emotionalism, something Hans and I always felt was vital, given the inherent emotional heft of the real life events. This has been a long and hard journey, but I am proud of the final results, and hope that you will share my appreciation for the talent of the artists who worked so hard for so long on this score.<br><br>CHRISTOPHER NOLANI don't think emotion and melodies = Oscar worthy. Dunkirk's score fits in with the movie far better than Chappie.Saw the film again last night and there are a ton of great cues missing, especially from the first half of the film. It's a crime the cue when they carry the stretcher onto the ship wasn't included.
The answer is: Christopher Nolan ;-)It doesn't crossfade as much as, say, The Dark Knight Rises or Inception, but there is  very rarely dead air. I haven't listened enough times to determine when it does and doesn't crossfade, but the tracks are, at least, very closely edited together.I Love Hans' stuff but this score didn't really do it for me. I don't see how people are repping this as Oscar worthy but trash something like CHAPPiEs score, something with actual emotion and melodies.This soundtrack will win an oscar . It's great to see Balfe back with Zimmer. Dream teamDoes anyone know whether the cd version actually has the cues crossfading into each other? Since in the film the score plays almost as an entire cue, it would have made sense if they did that. It sounds like some cues in the digital version end kind of awkwardly, like 'Impulse' and 'Home'. These cues fade out while there still seems to be some instrumentation progression going on. Hence the crossfade thought...
Oooh credits. I'm guessing from these it's going to be disqualified from entering Oscar nominations because<br>1. Use of a classical musical piece throughout<br>2. More than one guy is credited.<br><br>Anyway, that's how Hans always liked, crediting everyone.I have to agree on the soundtrack being mostly unlistenable...<br><br>This is nothing like Inception, or even Interstellar.<br><br>I seriously doubt there's going to be a big stink made about any track from this score the likes of "No Time For Caution" back in 14...<br><br>I tried...I tried real hard to find something to keep me interested in this score, but I personally couldn't find anything. Most of it is tension building noise. I'm sure it's great within the film, but outside the film? Not so much.<br><br>I guess Zimmer is on "retirement mode" now...He's slowing down and not wanting to produce the rockin stuff that he used to...I can't blame him, but still...This score sounds like a total experiment.Sorry bud...<br><br>Its not.Hi everyone, does anyone know the name of the music in the Dunkirk Trailer 1 at 01:30? It doesn't not seem to be in the score, I'm assuming it's not in the movie, I'm going to see it Sunday. If anyone knows the music or where to find it, please Comment, thanks!Tina had a lot of work to do here!
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Composer - ConductorAdditional MusicAdditional MusicAdditional Music
Harry Gregson-WilliamsHalli CautheryToby ChuChristopher Willis
ComposerAdditional MusicAdditional MusicAdditional Music
X-Men Origins - Wolverine
Label: Varese Sarabande
Length: 45'32
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (13802 votes)
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  1. Logan Through Time (4:19)
  2. Special Privileges (1:57)
  3. Lagos, Nigeria (5:10)
  4. Wade Goes To Work (1:28)
  5. Kayla (2:53)
  6. Victor Visits (2:06)
  7. Adamantium (4:16)
  8. Agent Zero Comes For Logan (3:08)
  9. Logan Meets Gambit (4:34)
  10. To The Island (3:46)
  11. Deadpool (4:10)
  12. The Towers Collapse (3:22)
  13. Memories Lost (3:01)
  14. "…I'll Find My Own Way" (1:24)
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KaramBouam reply Replies: 4 || 2014-07-23 10:59:45
Norduk Jaffa is right. I saw one of the first versions, very raw version, and had transformers OST.


Lejti2014-07-23 13:49:02
You known when a movie has no music, then they using temp music. The temp music is very similar to that what they want to the movie from the composer.


Macejko2014-07-23 18:01:56
And it is a practice that should be stopped, in my opinion. It kills the composer's creativity.


Brent2014-07-23 20:45:52
I get using temp music for editing purposes. That makes sense to me. After the scene has been edited, and is then handed to the composer, the temp needs to be eradicated. Though, it gets that much more difficult if the composer is working closely with the editor.


Lambegue2014-07-23 20:47:01
I agree with this : even if the composer isn't influenced by the temp music, the director can get too attached to it, and be unable to accept anything that does not sound like it. I remember that this problem was evocated in an interview, but I don't remember by which composer...Maybe Desplat.

NORDUK JAFFA retard reply Replies: 1 || 2009-06-07 00:00:00
i listen to the transformers soundtrack almsot everyday,soo i no its allmos the same as in xmen its allmost identical just remixed

NORDUK JAFFA your just a tard


Anthony2014-07-10 17:44:27
There is a movie of x men, wich they really used Transformers OST. Was a pre realeased version leaked on emule on that time.
Now.... the RETARD is YOU!!!!

KaijuRoyaume reply Replies: 0 || 2013-07-28 22:49:10
Accordin to BMI,

all the score written by Harry Gregson-Williams except:

"Special Privileges" and "Logan Meets Gambit", co-written with Halli Cauthery

"Deadpool", co-written with Christopher Willis

PeacefulWarrior reply Replies: 0 || 2013-03-19 06:00:00
Does anyone know the song played at the end when Wolverine finds out the truth about Kayla? Leaked version.

Ruthlessgravity reply Replies: 1 || 2009-03-24 00:00:00
Woo, cannot wait.


PeacefulWarrior2013-03-19 05:59:01
Does anyone know the song played at the end when Wolverine finds out the truth about Kayla? Leaked version.

Anthony reply Replies: 22 || 2009-03-24 00:00:00
...but it also means a release of decent length.

Hybrid Soldier reply Replies: 22 || 2009-03-24 00:00:00
New OST announced ! :D

Skyler reply Replies: 22 || 2009-03-25 00:00:00
At least now it's better than that period in the mid to late 90's when Varèse would release score albums with only about 20 - 30 minutes of material...

Adrian reply Replies: 22 || 2009-03-25 00:00:00
Aahh, I'm not the only one who hates Verèse artwork!

And as for length, nuh-uh, at least, i dont think 43 mins of Frost/Nixon is a lot! Nor Lions for Lambs has a long score... Nor the Bourne Identity!

DemonStar reply Replies: 22 || 2009-03-26 00:00:00
Gosh, lots of interesting scores coming in April-May, aren't they? ;)

Falconet From Italy reply Replies: 22 || 2009-03-26 00:00:00
Yup! Demon! :P

Sato reply Replies: 22 || 2009-04-02 00:00:00
59/100 - 6 votes
wtf?

Sylvos reply Replies: 22 || 2009-04-04 00:00:00
That's a placeholder image.

Adrian reply Replies: 22 || 2009-04-04 00:00:00
On colosseum.de is (an incomplete?) front cover!

Adrian reply Replies: 22 || 2009-04-05 00:00:00
Je sais, but it's better than nothing!

Joshua reply Replies: 22 || 2009-04-10 00:00:00
Anyone know of any samples yet?

Miles reply Replies: 22 || 2009-04-10 00:00:00
Varese's cover designs aren't THAT bad, in my opinion...

jll-003 reply Replies: 22 || 2009-04-10 00:00:00
c'est pas franchement très long comme bo...

Sato reply Replies: 22 || 2009-04-10 00:00:00
1. Logan Through Time (4:19)
2. Special Privileges (1:57)
3. Lagos, Nigeria (5:10)
4. Wade Goes To Work (1:28)
5. Kayla (2:53)
6. Victor Visits (2:06)
7. Adamantium (4:16)
8. Agent Zero Comes For Logan (3:08)
9. Logan Meets Gambit (4:34)
10. To The Island (3:46)
11. Deadpool (4:10)
12. The Towers Collapse (3:22)
13. Memories Lost (3:01)
14. “…I’ll Find My Own Way” (1:24)

Adrian reply Replies: 22 || 2009-04-11 00:00:00
Yes... im hesitating to (pre)order this... any chance for some samples ?

joshua reply Replies: 22 || 2009-04-14 00:00:00
Theres a section in the newest trailer for this film, that has the (batman/transformers) two note motif. Does anyone know if this was original trailer music written by HGW or someone else or maybe... (hopefully) music from the film?

Levente reply Replies: 22 || 2009-04-14 00:00:00
I know that the latest trailer in the beginning has music from John Murphy's Sunshine.

Joshua reply Replies: 22 || 2009-04-14 00:00:00
I know John Murphys Sunshine section. The one im talking about comes in after that.

jamal reply Replies: 22 || 2009-04-15 00:00:00
whats the name of the 1 song on the trailer. it sounds like a track from 300

Adrian reply Replies: 22 || 2009-04-15 00:00:00
hmm.. quite dissapointing... again!!
only Kayla sounds okay..

too bad...

Lee reply Replies: 22 || 2009-04-15 00:00:00
Audio samples:

www.colosseum.de/product_info.php/info/p2224_X-MEN-Origins-- Wolverine.html

dan reply Replies: 22 || 2009-04-15 00:00:00
i wonder how prince of persia will turn out for next year?

Anonymous reply Replies: 22 || 2009-04-16 00:00:00
I don't see where all the bad reviews are coming from already. The samples sound just like what I expected: well written and enjoyable generic action music. What were you expecting? HGW hasn't done anything original since Powell, but he does what he does well.

Cooper reply Replies: 22 || 2009-04-16 00:00:00
I hope too. I very wait for this score since Metal Gear Solid 4 was release, its awesome music!

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X-Men Origins - Wolverine soundtrack - Harry Gregson-Williams 2009