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See, I don't find Inception or Interstellar (or Thin Red Line) all that "complex". Especially not compared to At World's End (how many themes are in that score, like 15? 20? Pretty much all of which show up in rapid succession during the Maelstrom battle?). The Nolan scores are more about building up around very simple conceptual ideas.<br><br>Unless you're talking about emotional complexity, which is a very different thing and not really possible to objectively judge...You know, I don't think I've ever really gotten the full story surrounding that score. I've heard conflicting reports. My personal belief is that Ross did little to no substantial composition and that all the new stuff (themes, suites, new cues and also significantly fresh arrangements of old material) is pure Williams, but that film is full of reused music from the first film (it's actually quite frustrating, not as bad as On Stranger Tides or as heartbreaking as The Hobbit, but a bit of a rehashy mess and it makes the key error of using the Philosopher's Stone motif as a Voldemort theme). That's where I think Ross comes in and was responsible for taking those cues verbatim from the first film and tweaking/rearranging them just enough to match the timings of the scenes without actually adding any of his "own" notes. His role is likely somewhere between additional music, arrangement and music editing (but as Hybrid likes to point out, oftentimes those sorts of roles are really blurred and overlapping anyways).<br><br>A guy at jwfan did an analysis that helps understand the nature of that score, but be warned, it goes *really* deep:<br><br>www.jwfan.com/forums/index.php?/topic/27619-finished-chamber -of-secrets-thematic-and-originality-analysis/I'm trying to be objective* (sorry haha)@Anonymous Zimmer's best? Well... I'm trying to be subjective:<br>IMO The Thin Red Line remains the pinnacle of Hans' career from an artistic point of view. It's a turning point, though we've been used to this kind of writing since (so many scores have copied TTRL).<br><br>Inception and (especially) Interstellar are superior pieces of scoring as well. Their level of complexity is unmatched in Zimmer's discography.<br>Gladiator is another impressive score, as it combines some of the best action music, best drama and deepest emotions Hans has ever composed for a movie.<br><br>Seems like I'm quite objective here, as none of my favorites scores are on this list ! ;)Interesting you mention William Ross' role in Chamber of Secrets because I've never fully understood what his exact involvement was. Was he just an additional music composer? Or did he actually compose most of the score with John Williams only writing the suites? Just curious if you know.
I mean, the thematic situation *is* a bit messy. You've got new themes by Powell, one new Williams theme adapted by Powell, and then existing Star Wars themes adapted by Powell. I agree the credits are a bit long-winded but I can't think of a more concise way to convey all that information.<br><br>What does bother me (and maybe this is my inner fanboy talking) is that it seems to downplay Powell's role a bit, listing him second and with the use of the word "adapted" which makes him feel a bit second fiddle. Remember how William Ross "adapted" Williams' music for Chamber of Secrets, by which was meant largely copying and pasting bits from Sorcerer's Stone? I have no doubt that Powell has done a far, far more substantial job here (and they do say "composed and adapted", to be fair). Then again, it's a Star Wars score, and of course they're going to put Williams' name front and center as much as possible no matter what.<br><br>This is all such nitpicking of the highest order :pHans for Star Wars ?<br><br><br>Never.<br><br><br>Ron probably asked him first and Hans probably was like "JOHN POWELL !!"What would have happened if Ron Howard would have been the first choice to direct Solo? He would have chosen James Horner (if he wasn't dead) or try to convince Hans Zimmer to do the music. The only collaboration between Howard and maestro Williams was in the movie Far And Away.Poster in SpainA Star Wars score that sounds like a Powell score? I'm in.<br><br>From what I've heard of many people, the score is really great and apart from the Williams theme, I heard Powell also had a lot of great themes.<br><br>I cannot wait for it!
Your source?Just saw the film, really fun and faced paced movie. The score is great, it has a solid main theme by John Williams (not as great as Rey theme though) but still memorable and john powell adapts this main theme in various variations throughout the film. Star Wars fan might be dissapointed by the score because this overall sounds like a typical Powell score which doesn’t really sound like a typical Star Wars movie. Still fans of Powell will love this new score.La La-Land is going to release the scorePowell adapted ideas from Williams (i think in one interview, he saids the new themes come from tunes by Williams)Music providen by additional composers, mean like, diferent version or re-arranged parts from a cue
Sorry about my lack of knowledge on this...but somebody can explain me what means "Additional Music"?.<br><br>I know somebody composed the score, sometimes the same person is the arranger or orchestrator (like ussually do John Williams), but "Additional Music"??? I'm lost like always...Anyone else think the credits are too complicated? Why not just have "Han Solo theme by John Williams" and "Score by John Powell"? I know that Powell directly quotes some Williams cues, but I dunno. That's an overly complicated cover, in my opinion.I saw it in Paris, amazing show, my favourite after Zimmer's oneI think that credit connected with John Williams's music from the original Star Wars movies. So, Herbert Spencer was the original orchstrator on the first three movies (New Hope, The Empire Strikes Back and Return Of The Jedi). More of that, he's been credited on Rogue One: A Star Wars Story as orchestrator. All other people usually works with John Williams, except Mark Graham, who's heading music preparation in almost every Hollywood movies now (Jo Ann Kane Music Services)I am increasingly seeing two separate credits for the orchestration role: one being the usual "Orchestrated By" and the other is this "Additional Orchestrations" credit. I can understand what one might mean by "additional music" but what differentiates these two orchestration roles from one another?
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Additional Music
Ramin DjawadiClay DuncanTrevor MorrisStephen Coleman
ComposerAdditional MusicAdditional MusicOrchestrator
Blade Trinity (Complete Score)
Label: Unofficial Release
Length: 75'48
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4887 votes)
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  1. Logo (0:44)
    Ramin Djawadi
  2. Helicopters Approach (1:24)
    Ramin Djawadi
  3. Opening The Tomb (2:01)
    Ramin Djawadi
  4. Warehouse Explosion (1:07)
    Ramin Djawadi
  5. Blade's Back (1:46)
    Ramin Djawadi
  6. Car Chase (1:58)
    Ramin Djawadi, Clay Duncan
  7. Blade's Setup (Part 1) (0:37)
    Ramin Djawadi
  8. Blade's Setup (Part 2) (1:42)
    Ramin Djawadi
  9. Danica Meets Drake (2:48)
    Ramin Djawadi
  10. Whistler Watched (0:24)
    Ramin Djawadi
  11. Whistler Worries (0:27)
    Ramin Djawadi
  12. Girl In Danger (1:58)
    Ramin Djawadi
  13. Whistler's Last Stand (2:24)
    Ramin Djawadi, Trevor Morris
  14. Captured (1:09)
    Ramin Djawadi
  15. Drugged (2:00)
    Ramin Djawadi
  16. Blade Rescued - Abigail's Bow (4:04)
    Ramin Djawadi
  17. Police Station Muzak (A Summer Place) (0:35)
    Ramin Djawadi (Max Steiner)
  18. Police Arrive (0:49)
    Ramin Djawadi
  19. Drake's Disappointment (0:18)
    Ramin Djawadi
  20. Drake's Story (1:35)
    Ramin Djawadi
  21. Found In Iraq (0:23)
    Ramin Djawadi
  22. Finding Dr. Vance - Lobby Fight (2:05)
    Ramin Djawadi, The RZA
  23. Foot Chase - Blade Finds Drake (2:39)
    Ramin Djawadi, The RZA
  24. Blade Confronts Drake (1:22)
    Ramin Djawadi
  25. Abbey Flashes Back (1:24)
    Ramin Djawadi
  26. The World Isn't Nice (0:23)
    Ramin Djawadi
  27. Catching The Chief (0:41)
    Ramin Djawadi
  28. Behind Door #1 (3:18)
    Ramin Djawadi
  29. Whistler's Back (3:18)
    Ramin Djawadi
  30. Something's Not Right (3:26)
    Ramin Djawadi
  31. Dog Scare (0:17)
    Ramin Djawadi
  32. King Captured (2:14)
    Ramin Djawadi
  33. Sommerfield's Message - Daystar (2:44)
    Ramin Djawadi
  34. King Takes A Beating (2:23)
    Ramin Djawadi
  35. King Rescued (0:31)
    Ramin Djawadi
  36. Abbey Finds Zoe - King Finds Dogs (1:36)
    Ramin Djawadi
  37. Grimwood Finds King (0:35)
    Ramin Djawadi
  38. Blade VS Drake (Part 1) (0:38)
    Ramin Djawadi
  39. Blade VS Drake (Part 2) (2:57)
    Ramin Djawadi
  40. Daystar Is Released (2:00)
    Ramin Djawadi
  41. The Thirst Always Wins (3:15)
    Ramin Djawadi
  42. Morgue (1:10)
    Ramin Djawadi
  43. Fatal (3:40)
    The RZA, Lou Reed, Stephen Coleman
  44. Logo (Alternate) (0:36)
    Ramin Djawadi
  45. Blade's Setup (Part 1) (Alternate) (0:37)
    Ramin Djawadi
  46. Finding Dr. Vance - Lobby Fight (Alternate) (2:04)
    Ramin Djawadi
Create Topic

Linda. Kerr reply Replies: 0 || 2015-10-15 14:30:08
This is a Great Thing. To have of your
Very own to have just in A Long Long Time
So that it might have some thing going on
In there own. Marry way, so Don't be so
Stupid and be very happy about it Ok,
So go and get some of your job done. So
Don't Be. A menace to accity to all the
People in the whole World, this will be
More Pleased with everybody. So do This
One thing for. Me. If. You. Would Ok.p



RAY GRAYPERT reply Replies: 0 || 2013-11-18 11:43:33
873

Scorefan reply Replies: 0 || 2013-06-25 06:55:26
so when will be leaked?

RZA reply Replies: 0 || 2013-06-24 17:03:06
Oh man I love this score! When was the complete version added? *** EDITED ***

Zuperman reply Replies: 2 || 2012-07-19 23:00:44
I love it
It has a Batman Begins vibe to it

Dakota reply Replies: 0 || 2011-05-17 03:15:57
I love this movie, and the score. Does anyone know the chronological order of the tracks and which ones The RZA did as well? Thanks

Anonymous reply Replies: 0 || 2011-02-12 00:00:00
whcih tracks did clay duncan do?

rifeon reply Replies: 0 || 2009-11-20 00:00:00
great score

hunter reply Replies: 0 || 2009-04-16 00:00:00
Hey fellas!
Any news about this score?
Any promo to offer?
I can buy it from you, just give me a hint!
Thanks!

jx reply Replies: 0 || 2009-04-08 00:00:00
WTF? where can i get this?

Anonymous reply Replies: 0 || 2009-04-06 00:00:00
Is there a way to extract it, good quality?

Hybrid Soldier reply Replies: 0 || 2009-04-06 00:00:00
Yeah but this track can is on Trevor Morris' website... :)

Anonymous reply Replies: 0 || 2009-04-06 00:00:00
Good score, but it's missing Trevor Morris' contribution, "Incursion" when the FBI raids Blade's hideout and kills Whistler

Bou reply Replies: 0 || 2009-04-02 00:00:00
a really average score by Djawadi , not worth a lot in my opinion.

KaijusRoyaume reply Replies: 0 || 2009-04-01 00:00:00
Where this score is available ?

Falconet From Italy reply Replies: 0 || 2009-04-01 00:00:00
nice score :-)

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Blade Trinity (Complete Score) soundtrack - Ramin Djawadi 2004