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Most of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?Comparing it to YFM’s sfx edit this is what I’ve got;<br><br>“The Mole” seems to be an alternate of the opening sequence. The first minute or so is used, while the rest isn’t. “We Need Our Army Back/Regimental Brothers” are both made up of several cues from different points in the film. <br>“Home” is completely different in the film, which makes me think it may have been recorded specifically for the album. Similar situation with “Oil”. <br>“Supermarine” is definitely a suite. The rest is chronological.<br><br>Interesting thing to note, it seems like a lot of the tempo changes/ticking effects/bass overlays were removed from the album release, making almost every track sound different from the actual film versions. The music in context has a constant pulse going, especially in the way cues segue into each other and change tempo.It's not really possible to chronologically order the album because the album doesn't use the same tracks as the movie. Plus, the album is more or less chronological anyway, given the areas where they are the same.<br>With the complete cue sheet out now. Does anyone know what the chronological order of the album would be?Movie credits:<br><br>Music Composed and Mixed by:<br>TOM HOLKENBORG<br><br>Additional Music:<br>ANTONIO DI IORIO<br><br>Music Supervisor:<br>DAVE JORDAN<br><br>Music Editor:<br>PETER MYLES<br><br>Score Conducted by:<br>CONRAD POPE<br><br>Score Orchestrated by:<br>EDWARD TRYBEK, HENRI WILKINSON, JONATHAN BEARD, TOM HOLKENBORG<br>Score Copied by:<br>EDWARD TRYBEK, HENRI WILKINSON<br><br>Score Contracted by:<br>PETER ROTTER<br><br>Choir Contracted by:<br>JASPER RANDALL<br><br>Score Recorded by:<br>ALAN MEYERSON, BRAD HAEHNEL<br><br>Digital Recording by:<br>KEVIN GLOBERMAN<br><br>Technical Score Engineers:<br>ALEX RUGER, EMILY RICE,<br><br>Synth Programming by:<br>JACOPO TRIFONE, JONAS FRIEDMAN, MAX KARMAZYN<br><br>Score Recorded at:<br>NEWMAN RECORDING STAGE<br><br>Music Production Services by:<br>MICHIEL GROENEVELD<br><br>Score Mixed at:<br>COMPUTER HELL CABIN<br><br>Newman Stage Engineer:<br>MARC GEBAUER<br><br>Newman Recordist:<br>TIM LAUBER<br><br>Newman Stage Managers:<br>DAMON TEDESCO, PETER NELSON
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Hans ZimmerLorne BalfeAndrew ZackSteven Kofsky
ComposerAdditional MusicMusic Production CoordinatorMusic Production Services
The Burning Plain (Complete Score)
Label: Unofficial Release
Length: 34'22
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6295 votes)
  1. Santiago Walks Home (1:02)
  2. Crop Dusting (1:10)
  3. Nick & Gina Make Love (0:38)
  4. Gina's Funeral (2:54)
  5. Portland Airport - Palms Motel (0:53)
  6. Mariana Spies On Gina & Nick (0:52)
    Hans Zimmer, Omar Rodriguez-Lopez, Lorne Balfe
  7. Scars (0:51)
  8. Mariana Visits The Trailer (1:23)
  9. Clock Watching (1:31)
    Hans Zimmer, Omar Rodriguez-Lopez, Lorne Balfe
  10. Drive To Hospital (0:59)
  11. Photographs (1:00)
  12. Can You Forgive Me? (0:20)
  13. Closing Montage (2:18)
  14. End Credits (7:10)
    Hans Zimmer, Omar Rodriguez-Lopez, Lorne Balfe
  15. Theme #1 (2:17)
  16. Theme #2 (2:51)
  17. Crop Dusting (Alternate I) (1:10)
  18. Crop Dusting (Alternate II) (1:10)
  19. Portland Airport - Palms Motel (Alternate I) (0:53)
  20. Portland Airport - Palms Motel (Alternate II) (0:54)
  21. Closing Montage (Alternate) (2:16)
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Poe reply Replies: 0 || 2015-02-24 18:59:17
Was this actually a real FYC release? I have only ever seen DVD rips of it.

Marco E. reply Replies: 3 || 2010-08-29 00:00:00
this soundtrack is wonderful, but i don' t understand why it' s not in sale!!!

Fidel2012-04-15 13:51:42
Guys ,the only track i found was in Prostopleer ,online site ,free download music ,the name is: are you coming? type first "The burning plain"

Jack 2012-10-27 06:16:56
Beautiful music, I'd like to hear more.

Marco E.2015-02-24 12:22:18
Well guys, in 2010 I didn't know how to extract file from web.
Using Firefox you can download this wonderfull track!
Enjoy!
But I still don't understand why there's not an official soundtrack.

mittens reply Replies: 0 || 2012-09-12 23:09:12
Um, I can't click on the link for the audio extract. Please fix it. Thanks.

LPro reply Replies: 0 || 2012-07-24 03:35:05
I think it's selfish not to release the score on this movie. If people want it then why not give it to them. This is the most selfish move you can make. Pathetic, actually.

Hooshang reply Replies: 0 || 2011-04-01 00:00:00
The music is great, I like it

Vanessa reply Replies: 0 || 2011-03-29 00:00:00
Love the music. Job well done! :D

ted overman reply Replies: 0 || 2011-02-06 00:00:00
My wife and I just watched The Burning Plain and want to buy the music. How????
It is incredible!

Maria reply Replies: 0 || 2010-12-11 00:00:00
Love this film and soundtrack, please release it!!!!!! i really want the final track, the one of the end credits, please!!!!!!!!!!!!!!!!!!
Awesome soundtrack.

Damien, Moderator reply Replies: 0 || 2010-11-04 00:00:00
Matt., I hope there will be no more post like the two you've written.

Matt. reply Replies: 0 || 2010-11-03 00:00:00
*** REMOVED ***

heartsun reply Replies: 0 || 2010-08-25 00:00:00
I loved movie and love music! Please make this available on itunes or cd soon!!

Sacko reply Replies: 0 || 2010-06-21 00:00:00
They should release it at least on itunes... hmm.

Costel reply Replies: 0 || 2010-06-21 00:00:00
Sounds like Pink Floyd close to the end (wall - is there anybody out there)

Denis_Maximus reply Replies: 0 || 2010-06-15 00:00:00
I already have this song.

Lois Molina reply Replies: 0 || 2010-04-23 00:00:00
Uh, I forgot to say I loved the movie tooooooooo.

Lois Molina reply Replies: 0 || 2010-04-23 00:00:00
Hey, when are you going to release this onto a CD. I would very much like to have a copy. Good stuff !!!

Mark Lanfear reply Replies: 0 || 2010-04-12 00:00:00
Hello, I loved the music for the sound track of (The burning plain), especially the last closing piece. Could you tell me the name of the piece, and how I can get it.
Thank you, Mark

Gene Harvey reply Replies: 0 || 2010-04-02 00:00:00
The captivating music expresses the tension, passion and remorse of the film. The unusual blend of instruments gives a haunting quality to the wide range of emotions one experiences while viewing this tragic, yet inspiring story.

Anonymous reply Replies: 0 || 2010-04-01 00:00:00
Come on release it, why not share it with the rest of the world?

Evenstar reply Replies: 0 || 2010-03-23 00:00:00
the promo has sfx

&#1072;ndrey reply Replies: 0 || 2010-03-22 00:00:00
&#1086;&#1090;&#1083;&#1080;&#1095;&#1085;&#1072;&#1103; &#1084;&#1091;&#1079;&#1099;&#1082;&#1072;!

Anonymous reply Replies: 0 || 2010-03-20 00:00:00
I Have it...The Final/End Credits are the Best....The Rest is not so good....

laphelps reply Replies: 0 || 2010-03-20 00:00:00
We are all still waiting for a release of the soundtrack from The Burning Plain? Why isn't it being released?

Anonymous reply Replies: 0 || 2010-03-04 00:00:00
There's a promo score in the web

Tracklist:

1. The Dove (0:57)
2. Flying (1:06)
3. It Ain't No Hilton (0:31)
4. The Burning Plain (2:47)
5. Driving (0:41)
6. Don't Wait for Me (0:45)
7. An Empty Trailer (1:13)
8. Five to Twelve (1:08)
9. Burning (0:38)
10. The Hospital (0:50)
11. Memories (0:53)
12. Are You Coming? (2:11)
13. End Credits (6:45)

Anonymous reply Replies: 0 || 2010-02-16 00:00:00
RELEASE IT ASAP PLEASE !!!!!!! LOVE THE MOVIE, LOVE THE MUSIC, period. TOM from NYC

alana reply Replies: 0 || 2010-02-15 00:00:00
Amazing!!! Beautiful!! Cant wait for its release!!?

Michael reply Replies: 0 || 2010-02-14 00:00:00
RELEASE IT!

For the love of all that is holy, PLEASE! D:

Bernard reply Replies: 0 || 2010-02-06 00:00:00
I am a TV director and I want to use this music on one of my program. Please reealse it on iTunes, at least.

Thanks

jelena reply Replies: 0 || 2010-01-31 00:00:00
Its beautiful....I get tears in my eyes listening to it.... release it please.

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